The Kimball Art Centre by BIG

Danish architects BIG have won a competition to renovate and extend an art centre in Utah with proposals that will be built from reclaimed railway sleepers.

Kimball Art Center by BIG

The new five-storey-high wing of the Kimball Art Centre will provide exhibition galleries both at basement level and upstairs, connected to each another and to a restaurant between by a winding staircase.

Kimball Art Center by BIG

A rooftop terrace will overlook the existing building, which the architects intend to convert into an educational centre.

Kimball Art Center by BIG

Visitors will enter both buildings though a double-height reception lobby where openings will provide peeping views to the galleries below.

Kimball Art Center by BIG

The project is due to start on site next year, for completion in 2015.

Kimball Art Center by BIG

BIG won the competition ahead of four other shortlisted firms – you can see the proposals of Californian architects Brooks + Scarpa here.

Kimball Art Center by BIG

Here’s a statement from the Kimball Art Centre:


Kimball Art Center Announces BIG-Bjarke Ingels Group as the Winner of Architectural Design Competition for Its Renovation and Expansion

Kimball Art Center by BIG

BIG’s Design for Kimball Art Center Projected for Completion by Mid-2015

Kimball Art Center by BIG

Park City, UT—The Kimball Art Center announces that BIG-Bjarke Ingels Group (New York, NY, and Copenhagen, Denmark) has been selected by a jury as the winning firm in its architectural design competition for its renovation and expansion project. The project comprises an interior renovation of the existing Kimball Art Center (KAC), located on the corner of Park Avenue and Main Street in Park City, Utah, and the construction of a new building directly adjacent to the original. This phased project is expected to begin in mid-2013, and be completed in mid-2015.

Kimball Art Center by BIG

BIG-Bjarke Ingels Group proposed a new Kimball Art Center made of massive stacked timber elements reclaimed from train track piles from the Great Salt Lake—just one of many green solutions in the innovative plan—enclosing a spiral staircase, exhibition spaces, a restaurant, and topped by a terrace.

Kimball Art Center by BIG

For the historic Kimball Art Center building, BIG proposed that it be renovated into an educational hub with a rooftop sculpture garden. BIG will partner with local firm, Architectural Nexus (Salt Lake City, UT), which has a proven record of designing and building in mountain areas similar to that of Park City. Other local consultants include Dunn Associates, Van Boerum & Frank Associates, Envision Engineering, and Big D Construction.

Kimball Art Center by BIG

In addition to BIG, the five finalists in the competition included Brooks + Scarpa Architects (Los Angeles, CA), Sparano + Mooney Architecture (Salt Lake City, UT), Will Bruder + Partners Ltd. (Phoenix, AZ), and Tod Williams Billie Tsien Architects (New York, NY).

Kimball Art Center by BIG

Robin Marrouche, Executive Director, Kimball Art Center, explains, “BIG built the strongest case for the continuity of Park City’s history—a bold, poetic new landmark to resurrect the spirit of the Coalition Mine Building that burned down in the 1980s. The design concept supports our mission to present engaging exhibitions, education, and events, and enhances the natural flow between the three in a uniquely free-form way. As the Kimball Art Center expands in scope and reputation, embracing both the local community and a growing group of international visitors and art collectors, BIG’s design sets a course for the future.”

Kimball Art Center by BIG

BIG Founder & Partner Bjarke Ingels, comments, “The raw charm of Park City and the Kimball Art Center is rooted in a culture of appropriating the structures of past industry to accommodate spaces for cultural life and leisure. With our design for the new Kimball Art Center, we seek to continue this tradition by using the construction technique of the old mines and the railroad trestles that have marinated for decades in the Great Salt Lake to create a raw spacious framework for the art and artists of Park City—a traditional material and technique deployed to produce a highly contemporary expression.”

Kimball Art Center by BIG

The determination of the winning architect by the jury involved a rigorous evaluation of the designs, including how the architect would partner with the Kimball Art Center in moving the project to reality. Explains jury member Maurice Cox, “It was hard for the jury to choose between the five excellent finalists. BIG won the competition by proposing an iconic building that honors the spirit of Park City’s past and looks ahead into the 21st century. BIG’s design boldly reinterprets the Kimball Art Center’s place in the city skyline with this amazing new structure for the arts.”

Kimball Art Center by BIG

Existing Kimball Art Center

In addition to the jury vote, visitors to the Kimball Art Center—including those who recently attended the two-week Sundance Film Festival in January—were invited to look at models and designs of the five proposed buildings, and weigh in on their favorites via an online poll at http://www.kimballartcenter.org/transformation-project, where links to the Facebook and Twitter discussion pages are accessible. Comments could also be sent to feedback@kimballartcenter.org, or tweeted with hashtag #kimballtransformationproject. These comments were shared with the jury.

Kimball Art Center by BIG

Two new galleries

Don Stastny, Competition Advisor, comments, “The Kimball Art Center and Park City have begun a great journey together, one that has engaged both the local community and its many visitors through a thoughtful process that was transparent and interactive. The New Kimball will invite exploration, reward discovery, and deliver inspiration.”

Kimball Art Center by BIG

Street gallery

Details of BIG’s Design:

The building footprint and lower gallery face Main Street and the city grid, and as the building rises, it turns to greet visitors entering the city via Heber Ave. It will be an iconic yet contextual building at the city’s doorstep. Referencing Park City’s mining heritage, the façade of the building is constructed of massive stacked timber elements.

Kimball Art Center by BIG

Sky gallery

The twisting façade encloses a continuous spiral staircase that leads visitors from the ground floor to the roof terrace. In between two galleries is a restaurant, which spills out onto a sculpture garden on the rooftop of the existing, historic Kimball Art Center building. That building is converted into an educational hub. At its heart is a flexible, double-height auditorium. The roof of the existing building is equipped with solar thermal panels concealed by indigenous plants. An outdoor sculpture garden loops around the perimeter of the roof.

Kimball Art Center by BIG

Unified twist

The new Kimball Art Center takes advantage of Park City’s climate, with an objective to meet a LEED platinum rating by harnessing sources of natural heat, using natural daylight, maximizing ventilation, and recycling rainwater. Generous skylights and large ribbon windows flood the building with diffused natural light, greatly reducing energy costs for lighting.

Kimball Art Center by BIG

Program

Operable skylights trigger natural stack ventilation. A ground-coupled heat exchanger is drilled deep into the ground in non-built areas. The heat pumps either extract heat from the circulating water (heating mode) in the winter, or reject heat (cooling mode) in the summer.

The Kimball Art Centre by Brooks + Scarpa

Dezeen_The Kimball Art Centre by Brooks and Scarpa

A ridged cloak of glazing will surround the extension to an art centre in Utah proposed by Californian architects Brooks + Scarpa.

Dezeen_The Kimball Art Centre by Brooks and Scarpa

The new wing of the Kimball Art Centre will almost triple the size of the existing building, adding new studios and exhibition areas.

Dezeen_The Kimball Art Centre by Brooks and Scarpa

A glazed ground floor lobby will wrap around the buildings at ground floor level, connecting the historic block with the extension.

Dezeen_The Kimball Art Centre by Brooks and Scarpa

This lobby will open out to a large plaza that will also be used as a workspace for artists in the adjacent metalwork, welding and glass studios.

Dezeen_The Kimball Art Centre by Brooks and Scarpa

You can read more stories about studios for artists here.

Here’s a more detailed description from the architects:


Brooks + Scarpa Unveils Proposal for The Kimball Art Center – “The Kimball Cloud”

Brooks + Scarpa has released their proposal for the roughly 22,000 square foot addition to the existing 12,000 square foot 1929 historic structure located in the heart of downtown Park City at the corner of Main Street and Heber Ave.

The design concept for the new Kimball Art Center is to perceptually bring the mesmerizing and seemingly endless deep blue Park City sky directly into the space of the city. Despite the time of year or weather conditions, the sky always seems to quickly return to its infinite and hypnotic clarity, with rarely a cloud in the sky. It provokes a kind of indelible wonder; a dreamlike state of mind that engages the viewer, heightens their sense of awareness, and brings a sense of vitality to the place. The Kimball “Cloud” delivers a new experience and expands art into the broader Park City community, creating a new social space for the 21st century.

Dezeen_The Kimball Art Centre by Brooks and Scarpa

The building’s façade creates a visual icon, a glowing beacon that can be seen and experienced from a distance and immediately adjacent. The upper floors are composed of a conventional glazing system that is covered by a rain screen made from a translucent honeycomb material. This translucent, faceted skin is not only aesthetic, but also plays a role in the building’s thermal performance. Below this envelope, the new ground level façade is constructed of very transparent glass and opens directly to the street, while delicately connecting and weaving into the heavy mass of the existing historic Kimball building. Spatially, the lower floor is absorbed into the adjacent existing building and the city, while the upper floors overhang the more transparent level below. The new ‘cloud’ building appears to levitate above the site, while the historic structure feels solid and grounded to the earth. This illusion enhances the buildings, giving them a collective strength that neither building could possess individually.

Interior spaces delicately knit together passive and active uses, allowing the community to view and/or participate in the artistic experience. Rather than simply displaying art for view, the new design reveals to the community the very process by which art is created. Every feature of the building is multivalent and rich with meaning—performing several roles for functional, formal and experiential effect.

Dezeen_The Kimball Art Centre by Brooks and Scarpa

At the corner of Main Street and Heber Ave, the creation of a large exterior court links directly to the 20-foot high metal-smithing, welding and glass studios that would use this court daily as their outdoor workspace. The façade between the exterior court and studio is visually clear, opening the Art Center to public view. Large sliding panel doors open and connect the exterior and interior together, so artist and students can use the court seamlessly from inside to out. This court, located midway between the existing Kimball ground floor and basement levels, is connected directly to the street, and allows most of the working studio spaces to be visually linked to the street corner. These spaces flow from the court deep into the building linking the new structure with the existing building. In this configuration, the existing basement is opened up and connected to Main Street along with the existing Kimball ground floor and the new structure. Creating this split-level design at the street level on Main Street and Heber Avenue, serves several other important purposes: it allows for great flexibility, affording the Art Center the ability to easily divide and use the ground level for a variety of purposes and functions, both large and small, while still remaining visually open and not feeling like separated smaller rooms.

The heart of the Art Center, the process by which art is made, is connected to the street corner. Passerby can see deep into the building, viewing people working throughout several studio spaces, the main exhibition space and the many other spaces that are visually linked together. Rather than simply displaying art to the community, the process itself is on display.

Natural History Museum of Utah by Ennead Architects and GSBS Architects

Natural History Museum of Utah by Ennead Architects and GSBS Architects

Faceted rock-like walls line a towering atrium inside a museum of natural history that opened this week in Salt Lake City.

Natural History Museum of Utah by Ennead Architects and GSBS Architects

Above: photograph is by Stuart Ruckman

Designed by Todd Schliemann of New York studio Ennead Architects, the Natural History Museum of Utah is arranged on a series of stepped plates that climb a hillside.

Natural History Museum of Utah by Ennead Architects and GSBS Architects

Above: photograph is by Stuart Ruckman

Shimmering copper panels wrap the upper floors of the five-storey building, above a base of concrete and glazing.

Natural History Museum of Utah by Ennead Architects and GSBS Architects

The 18-metre-high atrium divides the building into two halves, separating exhibition areas in the south from research laboratories and offices to the north.

Natural History Museum of Utah by Ennead Architects and GSBS Architects

Bridges cross the atrium to connect galleries with research laboratories on the second and third floors.

Natural History Museum of Utah by Ennead Architects and GSBS Architects

Above: photograph is by Stuart Ruckman

Local firm GSBS Architects collaborated with Ennead Architects to deliver the building.

Natural History Museum of Utah by Ennead Architects and GSBS Architects

Above: photograph is by Stuart Ruckman

We recently published another museum with an impressive atrium – see our earlier story about an art museum in Israel.

Natural History Museum of Utah by Ennead Architects and GSBS Architects

Photography is by Jeff Goldberg/Esto, apart from where otherwise stated.

Natural History Museum of Utah by Ennead Architects and GSBS Architects

Here’s some more text from Ennead Architects:


Natural History Museum of Utah
Salt Lake City, Utah 2011

The design for the new Natural History Museum of Utah embodies the Museum‟s mission to illuminate the natural world through scientific inquiry, educational outreach, mutual cultural experience and human engagement of the present, past and future of the region and the world. Positioned literally and figuratively at the threshold of nature and culture, the building is a trailhead to the region and a trailhead to science. Utah‟s singular landscape and the ways in which humans have engaged its varied character over time are the touchstone for an architecture that expresses the State’s cultural and natural contexts.

Natural History Museum of Utah by Ennead Architects and GSBS Architects

Together with the interpretive exhibit program and landscape design, the architecture is intended to create an inspirational visitor experience and sponsor curiosity and inquiry. The building provides much-needed space to preserve, study and interpret the Museum‟s extraordinary collection of artifacts, and its exhibits explore and articulate natural history and the delicate balance of life on earth. The building houses advanced research facilities, supporting both undergraduate and graduate education at the University of Utah.

Natural History Museum of Utah by Ennead Architects and GSBS Architects

Above: photograph is by Ben Lowry

In the foothills of the Wasatch Range, the 17-acre site occupies a prominent place at the edge of the City and the University of Utah campus. Located on the high “bench” that marks the shoreline of the prehistoric pluvial Lake Bonneville that covered much of the Great Basin, the site offers breathtaking views of the Great Salt Lake, the Oquirrhs mountain range, Kennecott copper mines, Mount Olympus and Salt Lake City.

Natural History Museum of Utah by Ennead Architects and GSBS Architects

Above: photograph is by Ben Lowry

An extensive expedition across Utah in the summer of 2005 initiated the design process. This journey, whose goal was to investigate Utah‟s identity as the starting point for the development of a unique and context-based architectural design in the service of science and discovery, featured visits to cherished natural sites and discussions with the State‟s people. The influence of Utah‟s cultural landscape, the specific impact of the site and environmental imperatives and the influence of the Museum‟s institutional mission became the basis for the creation of a definitive architectural identity.

Natural History Museum of Utah by Ennead Architects and GSBS Architects

The building is conceived as an abstract extension and transformation of the land: its formal and material qualities derive from the region’s natural landscape of rock, soil, minerals and vegetation. Further reinforcing the essential continuity of nature and human experience is the landscape design strategy, which, in blurring the distinction between natural vegetation and topography and intentional interventions, places humans at the nexus of environmental stewardship.

Natural History Museum of Utah by Ennead Architects and GSBS Architects

Click above for larger image

The Museum rests on a series of terraces that step up the hill and lay along the contours of the site with minimal disruption to the adjacent natural landscape; its powerful jagged profile references the mountains beyond. Intended to play a seminal role in enhancing the public‟s understanding of the earth‟s resources and systems as well as be a model for responsible and environmentally sensitive development, the Museum is designed to achieve LEED Gold certification.

Natural History Museum of Utah by Ennead Architects and GSBS Architects

Click above for larger image

A voluminous central public space – the Canyon – divides the building programmatically into an empirical (north) wing and an interpretive (south) wing and provides access to both. Spaces in the north wing support formal scientific exploration and an objective understanding of our world; these include research laboratories, conservation labs, collection storage and administration.

Natural History Museum of Utah by Ennead Architects and GSBS Architects

Click above for larger image

The south wing houses exhibits, whose narratives interpret the Museum‟s extraordinary collections and guide the public through an exploration of the delicate balance of life on earth and its natural history. In the Canyon, bridges and vertical circulation organize the visitor sequence; views south across the basin expand the museumgoer experience; shafts of sunlight penetrate the apex, suffusing the space with natural light; and a grand vertical scale uplifts and inspires.

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The material quality of the building‟s exterior roots it in the landscape by recalling Utah‟s geological and mineralogical history and expressing the design as natural form. At its base, board-formed concrete makes the transition from the earth to the manmade. Copper panels constitute the skin of the building, extending from the building‟s volume at angles that reference the geophysical processes that created the metal.

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Accent panels of copper-zinc alloy enhance the subtle variegation of the copper‟s natural patina. The standing seam copper façade is articulated in horizontal bands of various heights to emulate geological stratification on the building skin.

Natural History Museum of Utah by Ennead Architects ans GSBS Architects

Click above for larger image

Design Team
Design Architect: Ennead Architects
Design Partner: Todd Schliemann FAIA
Management Partner: Don Weinreich AIA, LEED AP

Natural History Museum of Utah by Ennead Architects ans GSBS Architects

Click above for larger image

Project Designers: Thomas Wong AIA, Alex O‟Briant AIA
Project Architects: John Majewski AIA, Megan Miller AIA, LEED AP
Interiors: Charmian Place, Katharine Huber AIA

Natural History Museum of Utah by Ennead Architects and GSBS Architects

Click above for larger image

Project Team: Joshua Frankel AIA, Aileen Iverson, Kyo-Young Jin, Apichat Leungchaikul, Thomas Newman, Jarrett Pelletier AIA
Architect of Record: GSBS Architects
Principal-in-Charge: David Brems FAIA, LEED AP
Project Manager: John Branson AIA, LEED AP

Natural History Museum of Utah by Ennead Architects ans GSBS Architects

Click above for larger image

Project Architect: Valerie Nagasawa AIA
Interiors: Stephanie DeMott IIDA, Stacy Butcher LEED AP, Beccah Hardman
Project Team: Clio Miller AIA, LEED AP, Jesse Allen AIA, LEED AP, Bill Cordray AIA, Jennifer Still AIA, Eduardo De Roda, Felissia Ludwig, Cathy Davison, Todd Kelsey, Seth Robertson, Robert Bowman AIA

American Nomads Series

Découverte du talent du photographe Daryl Peveto qui a cherché, avec cette série “American Nomads”, à s’approcher de nomades là où la possession d’un domicile fait parti du “rêve américain”. Une série de clichés splendides à découvrir dans la suite de l’article.



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Superior Speed Fly

Découverte de cette vidéo impressionnante autour du Speed Fly, une discipline issue d’un mélange entre le ski et le parapente. Un shooting réussi de ce sport extrême à Mt Superior (Utah) par le sportif Marshall Miller, et grâce à plusieurs caméras HD. A découvrir dans la suite.



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Previously on Fubiz

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