8Kumo by TANK

Unfinished concrete is combined with exposed plywood in this Tokyo apartment renovated by Japanese architecture firm TANK (+ slideshow)

8kumo by TANK

TANK wanted to create a more spacious and flexible layout in the compact Japanese apartment, which was previously divided by a narrow corridor into various cramped rooms.

8kumo by TANK

“I considered that the room should have flexibility and the tenant can arrange it as she likes,” explains the designer.

8kumo by TANK

The team began by making the bathroom much larger and inserting sliding doors on both sides, enabling an extra route between the bedroom and the hallway.

8kumo by TANK

The narrow entrance hall is designed as a “Doma” – a traditional Japanese entranceway – with a bare concrete floor that contrasts with the raised wooden flooring of the living area.

8kumo by TANK

An exposed larch frame extends out beneath a raw concrete ceiling, while vertical batons combine with plywood sheets to form a screen dividing the bedroom from the living area.

8kumo by TANK

The bedroom and adjacent closet are doorless, with walls and ceilings designed to look deliberately incomplete.

8kumo by TANK

“There are no doors for the bedroom or walk-in closet,” explains TANK. “The walls and ceiling have an unfinished look, I leave it to the tenant’s taste as to how to utilise these rooms.”

8kumo by TANK

A clear glass lampshade houses a bare bulb that descends from the ceiling in the bedroom, casting long shadows from the wooden frame.

8kumo by TANK

Other projects we’ve featured by TANK on Dezeen include an apartment with floors and ceilings covered in the same boards and a Tokyo apartment with removable patches of carpet to be used as flip flops.

See more Japanese houses on Dezeen, or see our Pinterest board filled with Japanese residences.

8kumo by TANK
Floor plan – click for larger image
8kumo by TANK
Elevation one – click for larger image
8kumo by TANK
Elevation two – click for larger image
8kumo by TANK
Elevation three – click for larger image
8kumo by TANK
Elevation four – click for larger image

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EEL Nakameguro by Schemata Architecture Office

Japanese architect Jo Nagasaka has stripped an office in south-west Tokyo back to the concrete to create a fashion boutique that looks more like an abandoned warehouse for Japanese brand EEL (+ slideshow).

EEL Nakameguro by Schemata Architecture Office

Nagasaka, of Schemata Architecture Office, explains that he associates garments with uncomfortable warmth, so wanted to design a cool interior that counteracts this feeling. “I wanted to make the background as calm as possible,” he explains.

EEL Nakameguro by Schemata Architecture Office

Rather than adding new elements to the space, most of the renovation involved peeling away unnecessary layers and sanding down rough surfaces.

EEL Nakameguro by Schemata Architecture Office

“Our construction process was mostly subtraction,” he says. “We intend to leave this space somewhat incomplete and when clothes are set in place it will be complete.”

EEL Nakameguro by Schemata Architecture Office

The architects removed the carpet of the old office and sanded down the exposed floor to create a smooth surface. They also pulled down a suspended ceiling to reveal lighting fixtures, electric cables and ventilation pipes.

EEL Nakameguro by Schemata Architecture Office

Bookshelves and large boxes made from lauan plywood are scattered around the room as display areas for folded garments and accessories. Other hang from welded stainless-steel racks or from cables strung across the ceiling.

EEL Nakameguro by Schemata Architecture Office

A wall of concrete blocks separates the shop floor from storage areas at the back, while a glass partition creates a small meeting room to one side.

EEL Nakameguro by Schemata Architecture Office

Jo Nagasaka launched Schemata Architecture Office in 1998 and has since worked on a number of shop interiors, as well as residential projects, office interiors and furniture design. Past projects include Paco, a house contained in a three metre cube, and the Tokyo flagship for fashion brand Takeo Kikuchi. See more design by Schemata Architecture Office on Dezeen.

EEL Nakameguro by Schemata Architecture Office

Photography is by Takumi Ota.

EEL Nakameguro by Schemata Architecture Office

Here’s a project description from Jo Nagasaka:


EEL Nakameguro

Creating a sense of ‘incompleteness’ was the key to our design. In my mind clothes are associated with warmth of human body, sometimes that feeling gets too intense and uncomfortably hot. This is why I wanted to make the background as calm as possible.

EEL Nakameguro by Schemata Architecture Office

We intend to leave this space somewhat incomplete and when clothes are set in place it will be complete. So our construction process was mostly ‘subtraction’, that is, dismantling, peeling, and scraping unnecessary layers, except for a few ‘additional’ elements.

EEL Nakameguro by Schemata Architecture Office

The site was formerly used as office space. For the floor, we peeled off the existing carpet and sanded exposed mortar undercoat thoroughly to make it perfectly horizontal and ‘super-flat’.

EEL Nakameguro by Schemata Architecture Office

As a result we created unique random mosaic pattern. In some places aggregates are revealed, and in other places finer particles cover up the surface.

EEL Nakameguro by Schemata Architecture Office

We also removed all the finishing materials – paint, baseboard, insulation etc. – from walls and ceiling, and hidden surface of concrete that is unfinished and not ready for public viewing is now exposed. By reversing the construction process, a state of ‘incompleteness’ reappears.

EEL Nakameguro by Schemata Architecture Office

Display fixtures are also constructed halfway and left at a state of ‘incompleteness’. Stainless steel mirror and frame are welded for assembly and we left the weld joint unpolished, so it creates interesting patterns on the surface.

EEL Nakameguro by Schemata Architecture Office

Hanging racks are made of anti-corrosive coated steel pipes. Surface coating is removed at joints then they are welded together. And we erase burnt traces of welding but leave steel surface unpainted.

EEL Nakameguro by Schemata Architecture Office

Wooden boxes, used as display base, are made of lauan wood. It is a kind wood usually used for underlay, but we leave it unpainted. These unfinished elements reinforce our design concept of ‘incompleteness’.

EEL Nakameguro by Schemata Architecture Office

Other elements are added to this space: glass partition wall, fitting room, concrete block masonry wall separating shop and back room, and a thick steel tension cable that is used to hang clothes, lighting fixtures and electrical wiring for lighting. When the final design element clothes are displayed, the space is complete.

EEL Nakameguro by Schemata Architecture Office

Title: EEL Nakameguro
Architects: Jo Nagasaka/Schemata Architects
Address: Higashiyama Meguro, Tokyo
Usage: Apparel shop

EEL Nakameguro by Schemata Architecture Office

Construction: TANK
Floor area: 123m²
Structure: RC
Completion: 02/2013

EEL Nakameguro by Schemata Architecture Office

Above: floor plan – click for larger image

EEL Nakameguro by Schemata Architecture Office

Above: ceiling plan – click for larger image

EEL Nakameguro by Schemata Architecture Office

Above: section A-A’ – click for larger image

EEL Nakameguro by Schemata Architecture Office

Above: section B-B’ – click for larger image

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Saii+Kama by M4

Slideshow: diagonally skewed lighting disrupts the perpendicular arrangement of this creative workspace in Seoul by Korean architecture and design studio M4.

Saii+Kama by M4

Named Saii+Kama, the room provides an informal meeting space, cafe and archive for artists at the Moonji Cultural Institute.

Saii+Kama by M4

The room has a restricted colour palette of just grey and yellow, comprising unfinished pine, exposed concrete and engineering bricks.

Saii+Kama by M4

Square-gridded bookshelves wrap across the walls and ceiling beams, while stools and benches surround a central bar counter.

Saii+Kama by M4

Other interior design projects from South Korea include a library condensed into a cube – see all our stories about interiors here.

Saii+Kama by M4

Photography is by Lee Pyo-Joon.

Saii+Kama by M4

The text below is from M4:


Munji Culture Center located in Donggyo-dong at Mapo-ku, Korea is a complex place mixed with literature, arts, humanities and social sciences.

Saii+Kama by M4

This space performs various spectrums of culture and experiment arts and specially the main role of experiment arts, meeting different artists.

This space is for the purpose of break room and also sharing the information about experiment arts and interdisciplinary arts.

Saii+Kama by M4

We suggest the program mixing café and archive in one space.

This place is programmed for open space, we set up the bar table in the middle and filled with lots of bookcases so that people can use this space for events, rest , reading or lecture.

The square wood frames are for the use of bookshelf, display or other usages.

Saii+Kama by M4

The space of saii is emphasizing on the importance of true essence of the ingredients and making the morphological feeling very simple. We haven’t used any artificial ingredients but used the true essence of the ingredients. This was done to fill the space with the “color” formed from the mixture of the artist’s ideology.

We think the basic detail is meeting basic arts and we follows the basic concept to be flexible to cover all kinds of events.

We also expect the future to be filled with variouscolors.

Saii+Kama by M4

Project: saii+kama (creative crictic space)
Design: Yun, Young-sub / Han, Kwang-hyun / m4 /

Design team: Kim-Rang,Kim jae-jin / m4
Constructor: Lee cheon-hee / m4

Location: 184-24 ho-pyung B/D, donggyo-dong, mapo-gu, seoul, korea
Use: creative crictic space
Area: 36 m2
Design Period: November 2011
Completion Period: December 2011
Photo by : Lee Pyo-joon

The Grid of Santen by 403architecture

The Grid of Santen by 403architecture

A neat row of wooden louvers conceals a small sleeping chamber inside the attic staffroom of a hair salon in Hamamatsu, Japan.

The Grid of Santen by 403architecture

Japanese firm 403architecture started the renovation by stripping the walls, ceiling and floor of the loft bare, before laying the roof rafters as floorboards.

The Grid of Santen by 403architecture

The former floorboards were recycled to create the walls and ceiling of the louvered bedroom, which is propped up on one side where the floor level changes.

The Grid of Santen by 403architecture

The ceiling overhead is left unfinished, with exposed lighting fixtures and ventilation ducts.

The Grid of Santen by 403architecture

This is the third unusually titled interior we’ve published recently from 403architecture – see the first two here.

The Grid of Santen by 403architecture

Photography is by Kenta Hasegawa.

Here’s a description from 403architecture:


The Grid of Santen

This project is the staffroom of the hair salon in Hamamatsu, Japan.

The Grid of Santen by 403architecture

The client needed a space to take a nap and meal. Fortunately, there is a timber deserted loft at the rooftop of the same building.

The Grid of Santen by 403architecture

So we aimed at solving this contradictional demands  by using materials from this rooftop loft.

The Grid of Santen by 403architecture

At first we wrecked this loft, then calculated all of materials. Then, we begun to study on the CAD, which means that we constructed the actual measure and materials in the virtual space.

The Grid of Santen by 403architecture

Also in the construction term, we used the huge parking to spread lots of materials as if in the virtual space of the CAD. We choose the “site prefabrication”.

The Grid of Santen by 403architecture

We converted “ex beam”  to the new floor, and  “ex floor board” to the new columns, and “ex joist” to the new beam for the structural system of layering miner grids.

The Grid of Santen by 403architecture

Ex floor board which become columns works as double louver controlling eye view, keeping air flow.

The Grid of Santen by 403architecture

And this louver solve that contradictional demands “nap” and “meal”. With each louver, one side was painted white, the other side was not painted.

The Grid of Santen by 403architecture

So we can see this volume as white, light one from the entrance, in the other hand, we can see as massive wooden volume from the cutting space. We wanted to propose an alternative distance.

The Grid of Santen by 403architecture

Inside is white space but actually it looks soft yellow because the light from outside moves around and reflects with the non-painting louver.

The Grid of Santen by 403architecture

The surface of each material painted white has a marbled pattern because we wanna use existing pattern of the each materials which consist of the loft.

The Grid of Santen by 403architecture

And this volume hanged out from the ceiling to simplify each connection by canceled the weight of itself.

The Grid of Santen by 403architecture

Though out this project, we reconstructed every topic of the architecture such as structure, program, study, construction, window, volume, surface by converting the structure which had already constructed to the new system.

The Floor of Atsumi by 403architecture

The Floor of Atsumi by 403architecture

Japanese studio 403architecture laid the patchwork floor of this bedroom using timber stripped from the ceiling.

The Floor of Atsumi by 403architecture

The offcuts vary in colour and size, and are arranged at random to create a subtly bumpy surface.

The Floor of Atsumi by 403architecture

Unlike the other rooms of the Hamamatsu apartment, the bedroom’s floor is not varnished, but simply sanded smooth.

The Floor of Atsumi by 403architecture

The ceiling above remains unfinished, with ducts and electrical cables left exposed.

The Floor of Atsumi by 403architecture

This is the second project by 403architecture that we’ve featured recently – see our earlier story about an apartment with drawers in the floor.

The Floor of Atsumi by 403architecture

Photography is by Kenta Hasegawa.

The Floor of Atsumi by 403architecture

The text below is from 403architecture:


The Floor of Atsumi

The Floor of Atsumi by 403architecture

This project is for the floor in Hamamatsu, Japan.

The Floor of Atsumi by 403architecture

The client who are young couple asked us to repair the bedroom which is in the timeworn apartment house located in the central city area. This plan was advanced while linking the repair of the different rooms performed at the same time.

The Floor of Atsumi by 403architecture

The ceiling was dismantled to secure enough hight with fanctional converting kitchen into walk-in closet and others. Because we got a enough amount of “scrap wood”, we decide to make a new floor by that was ceilings. We cut various sectional woods finely and spread it all over the floor as a substitute for a tatami mat. Each woods varied in colors across the ages, but all surface is cutting plane. That means this floor is old at the same time new. There are errors of cutting precision and human sole can feel negligible skew of 3D curved surface which was ground smooth by the disc sander. This floor is hard to happen warpage and breaking and it is superior in noise barrier performance.

The Floor of Atsumi by 403architecture

In this project, we connected destruction and construction directly, by falling the ceiling to the floor.

The Difference of Ebitsuka by 403architecture

The Difference of Ebitsuka by 403architecture

Japanese architects 403architecture have turned the floor of this refurbished apartment in Hamamatsu into a huge chest of drawers.

The Difference of Ebitsuka by 403architecture

It was only during the renovation that the architects discovered the large void beneath the suspended floor and decided to use it for storage.

The Difference of Ebitsuka by 403architecture

Clear, corrugated plastic fronts the new sliding drawers, while scaffolding supports shelves behind and the floor slabs above.

The Difference of Ebitsuka by 403architecture

Sheets of white fabric hang like shower curtains from a railing affixed to the exposed concrete ceiling and circle the lower level of the open-plan living room.

The Difference of Ebitsuka by 403architecture

You can see more interiors that look unfinished here, including an office with wooden pallets for desks.

The Difference of Ebitsuka by 403architecture

Photography is by Kenta Hasegawa.

Here’s a few more words from 403architecture:


The Difference of Ebitsuka

While managing the construction process of an apartment in Hamamatsu, 403architecture [dajiba] discovered a deep false floor, changed plans. And we used the empty space to generate a new lifestyle.

The Difference of Ebitsuka by 403architecture

This building has only 15 apartments on 3 floors and it is located along the river. The room in focus is on the ground floor. During construction, we discovered this amazing underfloor space and we decided to use it.

The Difference of Ebitsuka by 403architecture

Multi-purpose storage cabinets rest under the micro-mezzanine. We want to use architectural improvisation as a trigger to a more imaginative life.

Urban Hut by Takehiko Nez Architects

dezeen_Urban Hut by Takehiko Nez Architects

The stairwell ascending through the centre of this Tokyo house is illuminated from a skylight and glows through translucent glass partitions.

dezeen_Urban Hut by Takehiko Nez Architects

Designed by Japanese firm Takehiko Nez Architects, the three-storey residence has a stark interior of unfinished plywood and streaky white paint.

dezeen_Urban Hut by Takehiko Nez Architects

The house is named Urban Hut and has an open-plan layout on each floor that will accommodate a brother and sister.

dezeen_Urban Hut by Takehiko Nez Architects

You can also see more projects that look like they aren’t quite finished by clicking here.

dezeen_Urban Hut by Takehiko Nez Architects

Photography is by Takumi Ota.

dezeen_Urban Hut by Takehiko Nez Architects

The following text is from Takehiko Nez:


Urban Hut

The young clients, sister and brother, lost parents at their teens, lived in the downtown Tokyo. Modest, rough and tough house to have a strong hold on the changes of the times like weeds is suitable for them.

dezeen_Urban Hut by Takehiko Nez Architects

The house without finish on façade stands in disordered scenery of typical downtown.
It was required maximum floor in the compact box on 30 square meters’ site and basic performance as a private house.

dezeen_Urban Hut by Takehiko Nez Architects

The central staircase with the roof light sends sunlight to each spaces through the studs and stairs rising to the top floor without a landing to the middle floor.

dezeen_Urban Hut by Takehiko Nez Architects

The partitions of translucent glass and plywood give the adequate relationship and privacy in the two completely different rhythm and pattern of life.

dezeen_Urban Hut by Takehiko Nez Architects

It can be called an urban vernacular house that is compactly made by the raw material like a corrugated cardboard house, made with skin and born like a hut, stacked with thin objects and narrow spaces in the tiny lot.

dezeen_Urban Hut by Takehiko Nez Architects

If the house’s magnetism is not greatest at completion but greater gradually for the lifespan, creator’s role of the house should be inherited from architects to residents to accustom itself to their lifestyle.

dezeen_Urban Hut by Takehiko Nez Architects

Tolerance letting residents’ imagination intervene is designed as stacking spaces with half scale, shallow blank gap, and incomplete finishes. It is pleased that clients are managing to live comfortably with unexpected discovery beyond the pre-established imagination.

dezeen_Urban Hut by Takehiko Nez Architects

Architect: Takehiko Nez Architects

dezeen_Urban Hut by Takehiko Nez Architects

Status: completed July 2011
Location: Tokyo, Japan

dezeen_Urban Hut by Takehiko Nez Architects

Collaborators:
Structure: ASA
Contractor: Shinei

dezeen_Urban Hut by Takehiko Nez Architects

Site area: 30.37sqm
Total floor area: 44.26sqm

Apartment in San Sebastian by pauzarq

Apartment in San Sebastian by Pauzarq

Rough concrete columns and beams frame the living room ceiling of an apartment in San Sebastian.

Apartment in San Sebastian by Pauzarq

The beachside apartment was renovated by local architects pauzarq, who removed partitions that previously split a bay window into three separate rooms.

Apartment in San Sebastian by Pauzarq

The open-plan living and dining room now face the entire window and lead out to a balcony beyond.

Apartment in San Sebastian by Pauzarq

A recessed skirting creates a visual break between new interior walls and a retained timber floor, as well as around the doorframes.

Apartment in San Sebastian by Pauzarq

Pendant lamps with slack wire hang from the apartment ceiling.

Apartment in San Sebastian by Pauzarq

We recently grouped together stories about buildings that intentionally look as if the builders haven’t quite finished up – see all the projects here.

Apartment in San Sebastian by Pauzarq

The description below is from pauzarq:


Apartment in San Sebastian (Spain) by pauzarq

The renovated flat is located in a residential building in the district of Gros, a few steps away from the beach Zurriola in San Sebastian.

Apartment in San Sebastian by Pauzarq

The old apartment layout was characterized by the succession of different independent rooms, communicated through a single distributing corridor. This situation generated the division of the wide bay window into three separate pieces, impeding its overall perception.

Click above for larger image

The bay window is recovered as the cornerstone of the apartment where the kitchen-living-dining room is located. That is the public area of the flat, close to the entry. The orientation is double-facing, allowing double cross ventilation and lighting in this centrepiece of the home. On the other hand, one bedroom is located in each piece with balcony.

Click above for larger image

The reform aims to enhance the structural value of the building and for that we discover the concrete beams and pillars of the centrepiece. The visual potential of these elements added to the great floor-to-ceiling height of the flat gives to this area its prominent role. As well, we decided to keep the old wooden floor, the new partitions should be light, taking care of the feeling they appear to levitate above the continuous original floor. Consequently we executed a recessed skirting solution that runs the flat and adapts as a door frame.

Apartment in San Sebastian by Pauzarq

Work: Apartment renovation in San Sebastian (Spain)
Location: Donostia-San Sebastian (Spain)
Renovated area: 95 m²
Year: 2011
Architects: pauzarq (Felipe Pérez Aurtenetxe, Elena Usabiaga Usandizaga, Gerardo Zarrabeitia Ullíbarri)


See also:

.

Penthouse apartment
by Lecarolimited
Seaside Apartment
by Ooze
Apartment
by Cut Architectures

Hair Very by Maker

Hair Very by Maker

Japanese architects Maker have completed a hair salon featuring gauze partitions and booths in untreated wood.

Hair Very by Maker

Reception, hair-washing, hair-cutting and waiting areas are pocketed in rounded, waist-high walls.

Hair Very by Maker

Transparent fabric hanging from the ceiling is tucked into the top of each unit and lights are hidden in the crevices.

Hair Very by Maker

The softwood walls double as a magazine rack and television cubby in the waiting area.

Hair Very by Maker

Timber also clads the bottom of the front facade.

Hair Very by Maker

Other Japanese salons featuring exposed concrete and unfinished wood include one by Suppose Design Office and another by Isolation Unitsee all our stories on hair salons here.

Hair Very by Maker

See also: our compilation of unfinished-looking projects here.

Hair Very by Maker

Here are a few words from the architect:


Hair Very by Maker

A plan in the salon in Kure-shi, Hiroshima.

Though I make the function of the hair salon last inside the compact space. I made an expanse last in the interior and aimed at the production which can keep privacy. The wall where a space settles the space divided every function, amount admonition to a lower back. The upper part adopted a fabric of the transparent material. Until I come to indoor facade from the space interior. By making them unify the material of which the whole space is composed. It was possible to make the soft spread last in compact space.

A wall of the height to the lower back will be sometimes a box for illumination. It’ll be a television box for a child room. It’s also used as a magazine rack. The fabric material into which space is partitioned soft from the ceiling? Illumination inside the retaining wall is received and space is produced soft. It’ll be sometimes a fitting area. It’ll be a cloakroom area and be the back yard, mobile, it’s possible mechanism.

The whole in the store meets the function, and, keeping privacy. The production with which murmur, light and the sign can be shared was achieved.


See also:

.

Lodge by Suppose
Design Office
Kashiwa Hairdresser by
Three.Ball.Cascade
kilico. hair salon by
Makoto Yamaguchi

Dezeen archive: is it ready yet?

Dezeen archive: is it ready yet?

In the last few weeks we’ve published a few projects that intentionally look as though the builders haven’t left yet. Here’s a roundup of all the apartments, salons and shops on Dezeen that feature patches of plaster, scaffolding, dangling wires and hoarding-like woodwork. See all the stories »