Outside In by Takeshi Hosaka

Outside In by Takeshi Hosaka

Glass screens fold across the front of this house in Yamanashi, Japan, to transform a covered garden into an indoor dining room.

Outside In by Takeshi Hosaka

Japanese architect Takeshi Hosaka’s concept for Outside In was to bring the garden inside, the opposite of previous house Inside Out, which turns indoor rooms into outdoor spaces by letting the rain in.

Outside In by Takeshi Hosaka

White-painted concrete walls down the sides of the single-storey house have a zigzagging profile that creates four connected gables.

Outside In by Takeshi Hosaka

These gables define the linear arrangement of rooms inside, which include the garden dining room, a kitchen and living room, a row of bedrooms and a row of bathrooms.

Outside In by Takeshi Hosaka

The concrete walls are exposed inside the house and contrast with built-in timber furniture that fills every room.

Outside In by Takeshi Hosaka

Although the building has no other windows, natural light enters through skylights atop each of the gables.

Outside In by Takeshi Hosaka

Some other recent projects by Takeshi Hosaka include one house with a grid of arched skylights in the ceiling and another where a deaf couple and their children can to sign to each other through the walls – see all our stories about the architect here.

Outside In by Takeshi Hosaka

Photography is by Koji Fujii / Nacasa & Partners.

Here’s some more text from Takeshi Hosaka:


OUTSIDE IN

Gradation of scenery, from outdoor area to inside area

The project was launched when I was commissioned to enlarge a house for a couple in their 30′s and their three daughters living in Yamanashi Prefecture.

Outside In by Takeshi Hosaka

On my first visit there, I found the houses of one story and two stories both stand close together but that there remain some empty lots, farming fields, wooded areas and unpaved roads.

Outside In by Takeshi Hosaka

I remember that the bounty and generosity of the place inspired me. My client told me that we would have the opportunity to hear beautiful sound of birds in the early mornings and to see wild pheasants, peafowl and every now and then raccoon dogs.

Outside In by Takeshi Hosaka

I looked for how the residents here could live in harmony with such nature and climate even in a crowded residential area.

Outside In by Takeshi Hosaka

In the beginning I destroyed half of the main house, and then designed and built a new, one-storied structure with a continuous gradation from the wooded area located on the south side of the house to the inside area – that is, it is a boundary structure built in space between nature and human beings.

Outside In by Takeshi Hosaka

Sky above, forest sidelong, ground below

The sky being above the house, the forest close to the house, and the ground below the house, nature is attractive enough to be taken in into the inside area of the house.

Outside In by Takeshi Hosaka

I planned a structure in which nature is horizontally and vertically incorporated as an integral part of the design of the structure to create a gradation from the outside area to the inside areas.

Outside In by Takeshi Hosaka

To put it concretely, the open shed lies facing the south, which makes it possible for the residents to feel as if they were in one room, filled with a sense of unity with the wooden area.

Outside In by Takeshi Hosaka

And the upper part of the house also has an open structure, consisting of some combinations of reinforced concrete V beams and transparent acrylic, as a result of which the residents can see the sky through the transparent acrylic ceiling.

Outside In by Takeshi Hosaka

The V-beam structure conveys an impression of durability and reliability, while the presence of the transparent acrylic is next to nothing, which enables us to ignore the acrylic unconsciously and see only the rows of reinforced concrete V beams.

Outside In by Takeshi Hosaka

What comes into our eyes is nothing but the beams, so we feel the sky so close to us, being unconscious of the existence of the roof.

Outside In by Takeshi Hosaka

And the dining room is located at the end of the house, which is a boundary area between outside area and insider area in terms of the gradation.

Outside In by Takeshi Hosaka

I regarded the floor of the dining room as comprising a part of the ground, and therefore I planted flowers and trees there.

Outside In by Takeshi Hosaka

Enjoyment of climate

In winter, the temperature here gets -10 C. However, the residents of this house do not need to stay still home during the long winter months. They can positively enjoy the climate in their own house, feeling the outside physically and spiritually.

Outside In by Takeshi Hosaka

The cries of wild pheasants echo in the morning air, and will wake the residents up. The peacocks can be seen from their bedroom, and they can enjoy eating in the dining room where flowers and trees are growing up.

Outside In by Takeshi Hosaka

During hot summer months, with no air conditioners, opening the window to its full width is to exchange the air inside with the air outside, which is a kind of synchronization of inside and outside temperature.

Outside In by Takeshi Hosaka

Even on the rainy days when the rain blows into the room, they do not need to hurry to close the window because the floor of the room is a kind of a flower bed.

Outside In by Takeshi Hosaka

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In the residential area stands the house with the gradation of scenery positively open to the climate, filled with bounty and generosity.

Outside In by Takeshi Hosaka

Click above for larger image

Architect: Takeshi Hosaka
Structural Engineers: Hirofumi Ohno
Client: Seiichiro Kawaguchi

Name Of The Project: Outside In
Exact definition of the building: a couple and 3 children (girls)
Location of the project: Yamanashi, Japan

Construction nature: RC structure
Site: 174.48 m2
Building area: 102.14 m2
Floor area ratio: 102.14 m2
Building height: 3400 mm
No. of floors: 1F
Building function: house

Design: January 2010 – May 2010
Planning start: January 2010
Beginning of construction: Jun 2010
Completion: April 2011

Room Room by Takeshi Hosaka

Room Room by Takeshi Hosaka

Almost a hundred small square windows scattered across the walls, ceilings and roof of a house in Tokyo allow its occupants, a deaf couple and their children, to sign to each other through the walls even when the children are playing outdoors.

Room Room by Takeshi Hosaka

The two-storey house by Japanese architect Takeshi Hosaka is named Room Room.

Room Room by Takeshi Hosaka

Ceramic pots resting on surfaces in the two ground floor rooms hold tall plants, which grow up though some of the ceiling openings to the open-plan first floor.

Room Room by Takeshi Hosaka

From here, a ladder leads up though a skylight hatch to a terrace on the roof.

Room Room by Takeshi Hosaka

We’ve featured a few projects by Takeshi Hosaka on Dezeen, including a noodle restaurant resembling an igloosee all the stories here.

Room Room by Takeshi Hosaka

Photography is by Koji Fujii / Nacasa & Partners

Room Room by Takeshi Hosaka

Here’s a project description from Hosaka:


RoomRoom (House for hearing Handicapped persons)

This is a house where deaf parents and two children are living.

The two sides of the premises are facing narrow roads in an overcrowded residential area in Itabashi ward, Tokyo.

Room Room by Takeshi Hosaka

The small main building built five years ago became so narrow for dwellers for three generations that they bought a piece of land neighbouring their house to build an annex.

Room Room by Takeshi Hosaka

The house consists of two small rooms at the first floor, one big room in the second floor and the roof.

Room Room by Takeshi Hosaka

It is two stories with box shape construction with many small openings only 200 mm squares randomly installed on the walls, floors and the roof.

Room Room by Takeshi Hosaka

The openings of 200 mm square on the floor are used as atriums or as practical openings for communications between the first and the second floors.

Room Room by Takeshi Hosaka

Communications are done through this small opening verbally between children with hearing capability and communications between parents without hearing capability and children with hearing capability are done by sign language.

Room Room by Takeshi Hosaka

Children sometimes call their parents’ attention by dropping a small minicar.

Room Room by Takeshi Hosaka

The openings on the walls are useful to take air and light from outside and in addition, they are used as a communication tool between a small garden and indoor.

Room Room by Takeshi Hosaka

In the same way, the openings between the rooftop and the second floor and between the rooftop and the first floor not only work to take light from outside but also help communication of sign language.

Room Room by Takeshi Hosaka

And also, the tree set up in the first floor is sticking out to the second floor passing through four or five 200 mm square openings. From this, the 200 mm openings become a conduit for human beings, plant, wind and light and human being communications to extend the inside and outside of the house in length and breadth in all directions.

Room Room by Takeshi Hosaka

It is possible to converse with sign language if we don’t have hearing capability.

Room Room by Takeshi Hosaka

Communications by sign language easily pierce through the window which separates the inside and the outside of the house.

Room Room by Takeshi Hosaka

The small 200 mm square openings are installed at various places like the floor, roof, and wall and children with hearing capability, parents without hearing capability look very free and vivid and plants, light and wind are dynamically circulating from inside to outside.

Room Room by Takeshi Hosaka

Architect: Takeshi Hosaka
Structural Engineers: Nobuo Sakane
Client: Jyunichi Oshiro

Room Room by Takeshi Hosaka

Name of the project: RoomRoom
Exact definition of the building: a couple and two boys

Room Room by Takeshi Hosaka

Location of the project: Itabashi-ku, Tokyo, Japan

Room Room by Takeshi Hosaka

Construction nature: wooden-structure

Room Room by Takeshi Hosaka

Site: 58.43 m2

Room Room by Takeshi Hosaka

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Building area: 36.00 m2

Room Room by Takeshi Hosaka

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Floor area ratio: 72.00 m2

Room Room by Takeshi Hosaka

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Building height: 5450 mm

Room Room by Takeshi Hosaka

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No. of floors: 2F

Room Room by Takeshi Hosaka

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Building function: house (annex)

Room Room by Takeshi Hosaka

Design: May 2010 – September 2010

Room Room by Takeshi Hosaka
Planning start: May 2010

Room Room by Takeshi Hosaka
Beginning of construction: September 2010

Room Room by Takeshi Hosaka
Completion: December 2010


See also:

.

Inside Out by
Takeshi Hosaka
A House Awaiting Death by
EASTERN Design Office
Small House by
Avehideshi Architects

Daylight House by Takeshi Hosaka

Daylight House by Takeshi Hosaka

Natural light diffuses into this house in Yokohama, Japan, through a grid of arched skylights in the ceiling.

Daylight House by Takeshi Hosaka

The translucent acrylic panels cover the entire ceiling of the single-storey house, which was designed by Japanese architect Takeshi Hosaka.

Daylight House by Takeshi Hosaka

Windowless timber walls line the interior, where four bedrooms and a study surround an open-plan living room.

Daylight House by Takeshi Hosaka

A table at the centre of this living room has a glass surface that reflects the ceiling lattice overhead.

Daylight House by Takeshi Hosaka

Ladders lead up from two of the bedrooms to a mezzanine loft, which can also be accessed via an adjacent staircase.

Daylight House by Takeshi Hosaka

Another staircase outside the house connects the front door with the street two metres above.

Daylight House by Takeshi Hosaka

Daylight House was awarded second prize in the AR House 2011 awards, behind a house covered in rubber – see that project here and see last year’s winner here.

Daylight House by Takeshi Hosaka

This is the second project by Takeshi Hosaka on Dezeen in the last week – click here to see a house with small windows on the walls, roof and ceilings and here for all our stories about the architect. [add link once other story is published, or if this one is first then swap the lines from across the posts]

Daylight House by Takeshi Hosaka

Photography is by Koji Fujii / Nacasa & Partners Inc.

Daylight House by Takeshi Hosaka

Here are some more details from Hosaka:


Daylight House

Daylight House by Takeshi Hosaka

This is a house in which residents live under natural lighting from the sky.

Daylight House by Takeshi Hosaka

The site is five minutes walk from the railway station, and it is surrounded by a mixture of detached dwellings and 10-floor condominiums and office buildings.

Daylight House by Takeshi Hosaka

In this location nested in a valley between buildings, the light streaming down from the sky above felt precious.

Daylight House by Takeshi Hosaka

A couple with two children planned to build their home in this spot.

Daylight House by Takeshi Hosaka

The building was structured by laying a basic grid (approx. 1500mmx1600mm) over the site, and using a the volume of a single high-ceilinged room with a bedroom, kids’ room and study partitioned off using fittings approximately half the height of the ceiling.

Daylight House by Takeshi Hosaka

The expanse of the entire ceiling can be felt from any room.

Daylight House by Takeshi Hosaka

Light from 29 skylights (approx 700mm square) installed in the roof illuminate the room as soft light diffused through the curved acrylic ceiling plates.

Daylight House by Takeshi Hosaka

The direct light falling from the clear square skylights cuts a distorted square image on the curved acrylic ceiling.

Daylight House by Takeshi Hosaka

At the same time, the entire curved acrylic ceiling is uniformly lit with white light by selecting the distance between the skylights and the curved acrylic ceiling, their size, the color of the acrylic and the color of the interior panels after studying models and mockups to achieve the desired effect.

Daylight House by Takeshi Hosaka

There is an air space between the acrylic surface and the roof, and forced air is used to eject air heated by the sun in summer out of the building, while movement of the air is stopped in winter to use the air layer as a thermal buffer to ensure the thermal environment indoors is stable.

Daylight House by Takeshi Hosaka

Upon entering the building, there is so much light from the sky that it is hard to believe that the site is nested in a dark valley created by buildings. This house was named “Daylight House.”

Daylight House by Takeshi Hosaka

Daylight does not simply indicate light from the sun, but refers to the beautiful light throughout the day.

Daylight House by Takeshi Hosaka

The day begins with the rising sun, which then falls and sets, followed by the rising moon which gradually wanes until it is replaced by the rising sun the next day.

Daylight House by Takeshi Hosaka

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The house provides a rich experience of the beauty of the light over 24 hours.

Daylight House by Takeshi Hosaka

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Architect: Takeshi Hosaka

Daylight House by Takeshi Hosaka

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Structural Engineers: Hirofumi Ohno
Client: Keigo Nishimoto

Daylight House by Takeshi Hosaka

Name of the project: Daylight House

Daylight House by Takeshi Hosaka

Exact definition of the building: a couple and 2 chirdren (boy & girl)

Daylight House by Takeshi Hosaka
Location of the project: Yokohama , JAPAN

Daylight House by Takeshi Hosaka

Construction nature: wooden-structure

Daylight House by Takeshi Hosaka

Site: 114.92 m2
Building area: 73.60 m2
Floor area ratio: 85.04 m2
Building height: 5388 mm
No. of floors: 2F
Building function: house

Design: February 2010 – April 2011
Planning start: February 2010
Beginning of construction: September 2010
Completion: March 2011


See also:

.

House of Slope by Fujiwaramuro ArchitectsHouse in Kitakami by Nadamoto Yukiko ArchitectsNest by UID
Architects

Office building by Takeshi Hosaka

Office Building by Takeshi Hosaka

Japanese architects Takeshi Hosaka have completed this office building in the Tokyo suburb of Yoyogi.

Office building by Takeshi Hosaka Architects

Located in a low rise, high density area, the Yoyogi Office Building is clad in white glass-fibre reinforced concrete panels.

Office building by Takeshi Hosaka Architects

Earthquake-resistant structures are hidden within a staircase and service core on the north side of the building, leaving each floor with an open plan to be divided up by tenants as necessary.

Office building by Takeshi Hosaka Architects

Strips of hand sand-blasted glazing round the top of each storey allow walls to be used for storage space, while eight full-height opening windows provide views over the surrounding garden and neighbourhood.

Office building by Takeshi Hosaka Architects

An apartment for the owner of the building is located on the top floor.

Office building by Takeshi Hosaka Architects

More about Takeshi Hosaka on Dezeen »

Office building by Takeshi Hosaka Architects

More Japanese architecture on Dezeen »

Office building by Takeshi Hosaka Architects

Photographs are by Koji Fujii/Nacasa & Partners

The following is from the architect:


Office Building in Yoyogi

This office building faces Minami-Shinjuku Station. In this district, a dense cluster of low-rise residences and mid-size buildings constitutes a traditional neighborhood, with skyscrapers standing a little distance away. To me, this site conjured up an image of a valley consisting of swarms of building masses.

Office building by Takeshi Hosaka Architects

I wanted to make the rental office building, which would be constructed on this site, blend in naturally with the surrounding environment. On its premises, the building has a square-shaped garden measuring 15 m on each side.

Office building by Takeshi Hosaka Architects

As for the floor planning, I realized an expansive construction with no visible earthquake-proof elements around the circumference by placing quake-resistant structures including a staircase, plumbing and other piping spaces to the north end. With one or two companies scheduled to occupy each floor, I prepared five different positions for partitions in order to accommodate tenants with varying sizes.

Office building by Takeshi Hosaka Architects

Taking into consideration the fact that many objects would be placed on the wall sides of small rental offices, I constructed the basic façade structure so that the walls would measure 180 mm above the floors, with the high-side structure being double-skin glass.

Office building by Takeshi Hosaka Architects

Furthermore, in consideration of the positional relationship with its perimeter and ventilation paths, the building provides eight vertical glass windows extending between the first and third floors.

Office building by Takeshi Hosaka Architects

The high-side glass was unevenly sandblasted through manual labor, thereby creating irregular texture with a cloudy/hazy touch. This generates a perspective that makes the neighboring buildings look a little more distant than they really are on the crowded premises, in addition to letting in the offices soft diffused light converted from direct sunlight. Moreover, through the uneven sandblasted glass, the weather and views outside appear slightly different from their usual selves.

Office building by Takeshi Hosaka Architects

This offers curious enjoyment indoors, loosely connecting the indoors and outdoors. Having the vertical glass windows extending from the first floor to third floor means that they stretch from the floor to the ceiling, thus enabling sufficient natural ventilation and an air-conditioner-free office environment in the middle period.

Office building by Takeshi Hosaka Architects

The white surface on the façade is a GRC panel. Overshadowed by a valley of buildings, the premises and their vicinity are dark. Therefore, I attempted to lighten up the surrounding by adding a white surface. In addition to trees passed down from the generation before last, the garden is planted with as many plants as possible to provide much greenery. Also, the ground outside is left unpaved as much as possible, with earthy surfaces reintroduced, in an attempt to pursue pleasant coexistence with soil and plants even in the urban area.

Office building by Takeshi Hosaka Architects

For small office buildings in metropolitan areas, it is a common practice to construct homogeneous and functional buildings that place priority on efficiency based on the economic principle. However, I believe that it is high time for us to think about building novel office structures as places where people can harmonize with environment based on a mixture of themes such as a new relationship between the outdoors and indoors, while still maintaining efficiency and functionality.

Office building by Takeshi Hosaka Architects

Through attempts that could be made on the premises such as setting aside a little space for plantation, securing earthy grounds, and applying uneven sandblast on glass surfaces, I tried to give birth to an office building with a varying degree of environmental latitude as a place where people stay instead of an artificially-controlled homogeneous construction.

Office building by Takeshi Hosaka Architects

Building Details

Architect: Takeshi Hosaka
Structural Engineers: Hirofumi Ohno
Photographer: Koji Fujii / Nacasa&Pertners Inc.

Office building by Takeshi Hosaka Architects

Client: Masanori Yoshida
Name: Yoyogi Office Building
Location: Yoyogi, Tokyo, Japan

Office building by Takeshi Hosaka Architects

Structure: Steel
Site: 398.88 m2
Building area: 209.13 m2
Floor area ratio: 635.69 m2
Building height: 9991mm
No. of floors: 3F
Building function: Office Building + Owner’s House

Office building by Takeshi Hosaka Architects

Architect Details

(Name) Takeshi Hosaka
Takeshi Hosaka Architects

Office building by Takeshi Hosaka Architects

Planning data
Design: March 2008 – Feb. 2009
Planning start: March  /  2008
Beginning of construction: April   /  2010
Completion: December / 2010

Office building by Takeshi Hosaka Architects


See also:

.

Hoto Fudo by
Takeshi Hosaka Architects
Inside Out by Takeshi Hosaka ArchitectsMore Offices
on Dezeen

Inside Out by Takeshi Hosaka Architects

Inside Out by Takeshi Hosaka Architects

Rain falls inside parts of this house in Tokyo by Japanse studio Takeshi Hosaka Architects.

Inside Out by Takeshi Hosaka Architects

Called Inside Out, the home for a couple and two cats has an enclosed core of bedrooms and living rooms, surrounded by an outer shell with a quadrilateral plan.

Inside Out by Takeshi Hosaka Architects

Apertures in the outside allow rain, wind and light into the space between the two structures.

Inside Out by Takeshi Hosaka Architects

The inner building can be opened up further by sliding back glass panels.

Inside Out by Takeshi Hosaka Architects

More Japanese houses on Dezeen »

The details that follow are from the architects:


INSIDE OUT

This is a project of a house for a married couple and two cats, located in Tokyo.

Inside Out by Takeshi Hosaka Architects

The project had started based on the idea that humans and cats live in a same house, rather than cats living in a house designed for humans — and finally this idea brought out a concept: “a house inside which you feel being outside.”

Inside Out by Takeshi Hosaka Architects

The shape of the building was decided as an irregular quadrangle in accordance with the irregularly-shaped quadrangular site. The roof and wall sides of the volume have carefully designed openings, through which light, wind or rain could enter into the building.

Inside Out by Takeshi Hosaka Architects

Plants are planted in the ground under the roof opening which allows rain to enter in. The boxes for bedroom and for bathroom are put in the outer volume; and a living room is located above the bedroom box and a deck above the bathroom box.

Inside Out by Takeshi Hosaka Architects

Inside the volume, there is a space in which you would feel yourself being outside: Light, wind or rain could enter in, so that your way of living depends on the weather; but in this house, you would always positively seek to find another images of life.

Inside Out by Takeshi Hosaka Architects

Areas on the floor on which rain falls vary according to the wind direction, so you would seek to find the area where you don’t get wet. As you live longer, you would find out, from your experiences, various things about the relation between the extent to which rain enters in on the one hand, and the location of objects, furniture and yourself on the other. And, there is no air-conditioner in this house.

Inside Out by Takeshi Hosaka Architects

During intermediate seasons or summer, both humans and cats live in natural draft, or, in the other words, they live in the air environment which is almost same as the outside. On windy or chilly days, you could stay in the indoor boxes or the living room with glass sliding doors closed.

Inside Out by Takeshi Hosaka Architects

Figures and other many items which had been collected are located not only indoors, but many of which are also put on the outdoor shelves to the extent that it is possible. Cats walk on the thin line on which rain doesn’t fall and find places in the sun to take a nap.

Inside Out by Takeshi Hosaka Architects

The couple stay in the living room upstairs with glass doors open, sometimes even on rainy days; they often live a life in which they feel themselves being outside even while being inside.

Inside Out by Takeshi Hosaka Architects

People living in the modern era attempt in the modern way to reduce energy consumption and to coexist with nature — this is also a positive attempt to find what ways of life are possible beyond energy problems and this, in turn, beyond way of life, leading to the important themes about human mental activities.

Inside Out by Takeshi Hosaka Architects

The couple and cats who had lived in an apartment are now pioneering the new images of life every day in the weather-dependent house inside which they feel being outside.

Inside Out by Takeshi Hosaka Architects

INSIDE OUT
Architect: Takeshi Hosaka
Structural Engineers: Hirofumi Ohno

Inside Out by Takeshi Hosaka Architects

Photographer: Koji Fujii / Nacasa&Pertners Inc.
Client: Masayoshi & Yoko Matumoto

Inside Out by Takeshi Hosaka Architects

Name of the project: INSIDE OUT
Exact definition of the building: a couple and two cats
Location of the project: Kastushika-ku , Tokyo , Japan

Inside Out by Takeshi Hosaka Architects

Construction: wooden-structure
Site: 149.59 m2
Building area: 59.23 m2
Floor area ratio: 91.15 m2
Building height: 5859 mm
No. of floors: 2
Building function: House
Planning data
Design: August 2009 – April 2010
Planning start (M/Y): August / 2009
Beginning of construction: May / 2010
Completion: September / 2010

Inside Out by Takeshi Hosaka Architects

Inside Out by Takeshi Hosaka Architects

Inside Out by Takeshi Hosaka Architects

Inside Out by Takeshi Hosaka Architects

Inside Out by Takeshi Hosaka Architects

Inside Out by Takeshi Hosaka Architects


See also:

.

House I by
Yoshichika Takagi
Duplex House in Tokito by
Hidehiro Fukuda Architects
House in Hieidaira
by Tato Architects