Hasta La Ideas

A massive concrete frame wraps over the top of this house in South Korea by A.M Architects and shelters a traditional narrow porch (+ slideshow).

The house near the town of Bongsan-myeon also features an assortment of freestanding walls and projecting canopies.

“The concept of ‘architecture like promenade’, which accumulates spacial experience is well expressed in piled walls with sequential views of the interior and exterior, serving as an element to add a sense of depth and the direction of entry,” said A.M Architects.

Beginning with a straightforward cuboid, the architects removed boxy sections to create voids in the building’s facades and reduced these volumes to surfaces that act as a backdrop for three trees planted around the boundaries of the site.

The rectangular frame that surrounds the front of the building casts dynamic shadows onto the toenmaru – a narrow wooden patio that can be accessed from the study.

A freestanding concrete wall signals the main entrance to the house, which is accessed via a short flight of wooden steps.

As well as the front steps, wood is used for the terraces and to clad one section of the building’s front facade, providing a warm contrast to the stark cast concrete walls.

From inside the entry hall a window directly opposite provides a view of one of the trees at the back of the property.

A corridor traversing the house from east to west culminates in a window on the east elevation that looks out at another tree.

The house’s bedrooms, study and living room are arranged off this central corridor, which incorporates a skylight to introduce natural light into the space.

The main living room at the west end of the corridor connects to the kitchen and dining area and to a large wooden deck that projects into the garden.

Low windows provide additional daylight and views of the gardens outside, while a tall window looks out towards a distant mountain that is framed by the large concrete rectangle.

Photography is by Kim Jae Kyeong.

Here’s a project description from A.M Architects:

MUN JEONG HEON

Architecture like Promenade

The concept of Architecture like Promenade, which accumulates spacial experience, well expressed in piled walls with sequential view of interior and exterior, which servers as an element to add sense of depth and the direction of entry.

The controlled form of the entrance placed in the entry part is an objet for moving toward another space. On going into the entry space, the house, surrounded by horizontal free-standing walls floating in the air, appears overlapped. Free-standing walls of exposed concrete to emphasise horizontal stream are used as a method to attract people’s eyes and become visually magnified.

The light of nature falling long in dynamic angles through the cantilever decoration beam protruded from the flat surface of the wall, the light of nature falling is naturally ushered to the deck in front of the entrance with the property of concrete, and makes the place of main entrance recognised with free-standing walls. Also, the glance extending long along the stream of free-standing wall stays a little far in the foot of the mountain passing over spindle tree fence.

Enter the inside, over the transparent window, we can see a tree in the back yard along the grass extending the floor all in one, which is the architectural element to induce boundless horizontal extension of the space visually.

As soon as we go into the living room along the corridor, we can feel the energy of the extended light going down softly through the ceiling. The composition of walls repeating solid and void serves as an element of architectural promenaded which makes us feel the outside and inside space sequentially with the natural light, and guides the direction of entry with tension.

Free-Standing Walls for Selective View

The inner garden seen from the living room expressing the changing seasons with free-standing walls for selective view keeps an indirect eye on the landscape of distant mountain hanged at the end of exposed concrete free-standing walls through toenmaru connected visually with the study. Such architectural element becomes a device to draw nature selectively, and to makes a metaphoric communication between interior space and exterior space possible.

The domain created through a layer and a layer communicates with nature along with various forms of walls controlling the visual and spatial movements. Organic setting up of interior and exterior spaces connecting to corridor, back yard, living room, inner garden, study and toenmaru creates the architecture of incessant relationship and stream.

Architects: A.M Architects
Architect in charge: Kim Tae Yun
Location: Taehwa-ri, Bongsan-myun, Kimcheon-si, Kyeongsangbuk-do, Korea
Area: 99.82m2

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is surrounded by a huge concrete frame appeared first on Dezeen.

Volcanic rubble is scattered across the curved rooftops of these villas by Japanese architect Kengo Kuma on Jeju Island, South Korea (+ slideshow).

The “art villas” form Block D of the Lotte Jeju Resort, a development of houses designed by different architects, including Dominique Perrault, Yi Jongho and Seung H-Sang.

Kengo Kuma used locally sourced volcanic rocks for the exterior of his buildings, as a reference to over 300 volcanoes and lava cones, called oreums, that are scattered across the island.

“When I visited Jeju Island for the first time, I was so much inspired by this dark, porous volcanic rock and wanted to translate its soft and round touch into architecture,” says Kuma. “As the result, the entire house emerged as a round black stone.”

A neat lattice of timber creates the arching profiles of the rooftops. The volcanic rubble is spread thinly over the surfaces, stretching down to the ground at intervals and receding to make way for rectangular skylights over various rooms.

Kuma explains: “Our intention was [for] the light to come through the black pebbles. Light highlights the texture of the stone, and the ambiguous roof edge can connect the roof with the ground.”

The villas are available to rent or buy and are available in two sizes – 210 and 245 square metres.

Jeju Ball is one of several projects completed by Kengo Kuma recently, following an art and culture centre with a chequered timber facade and a bamboo-clad hotel. See more architecture by Kengo Kuma.

Other buildings we’ve featured on Jeju Island include a an art museum surrounded by a pool of water and a headquarters building for a Korean internet company.

Here’s the complete statement from Kengo Kuma:

Jeju Ball

When I visited Jeju Island for the first time, I was so much inspired by this dark, porous volcanic rock and wanted to translate its soft and round touch into architecture. As the result, the entire house emerged as a round black stone. From distance, the house appears like a single pebble and when you are close, you notice that many parts of the house are of the black stone.

The stone eaves should be the principal detail for this house. Our intention was the light to come through the black pebbles. Light highlights the texture of the stone, and the ambiguous roof edge can connect the roof with the ground. The detail, placing the black stone on a steel mesh, enabled us to realise such vague and subtle edge.

What determines the landscape of Jeju is this blackness and porousness. So we sublimated its feel in a scale of a house.

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and Associates appeared first on Dezeen.

This house beside a mountain in South Korea has a curved grey-brick facade that its architects compare to the body of a fish (+ slideshow).

Designed by Seoul studio JOHO Architecture, The Curving House is a two-storey residence near Mount Gwanggyosan with a view out across the rural landscape.

Concrete pilotis lift the house off the ground, making room for a sheltered parking area underneath, while the curved facade frames the patio out in front.

“The fundamental challenge was not only solving the parking problem but also creating a space for both parking and gardening to coexist,” explains studio principal Jeonghoon Lee. “The shape of the mass – resembling a concave lens – was created by both the parking needs and the topographical condition of the lot.”

The architects used two different kinds of silvery bricks to give texture to the exterior walls. They also added polished stainless steel, which functions as a mirror to reflect the surrounding trees.

“The ash-coloured bricks embrace the concrete surface as fish scale,” says Lee. “If the bricks reveal themselves by the change of light and shadow, the stainless steel de-materialises itself by making itself disappear in nature.”

A staircase tucked underneath the building provides the only entrance and leads up into a double-height living room with a kitchen and bedroom on either side.

Borrowing concepts from traditional Korean homes, these rooms are separated by sliding screens that can be folded back to create one continuous space. A long narrow balcony also stretches across the front.

Two staircases each lead to different rooms upstairs, with a multi-purpose room on one side and a prayer room on the other.

Other Korean residences completed recently include a house and studio with a scaly facade and a home surrounded by timber baton screens. See more architecture in South Korea.

Photography is by Sun Namgoong.

Here’s the full project description from Jeonghoon Lee:

The Curving House – Sinbong-dong, Yongin

There is no home for parking

I remember that it was a winter day after snowing when I first visited the site. It was a rare residential lot with an open view to the south at the dead end of a small path beneath Mt. Gwanggyo. What was unique about this lot was that it was very hard to turn the car to come out of the path after more than 2 cars parked, because it was a small path only 4m in width. Ironically, the fundamental challenge was not only solving the parking problem but also creating a space for both parking and gardening to coexist. It was closely related to the lifestyle of home owner to decide whether to create a garden directly accessible from the living room or to emphasize a visual garden. To resolve this issue, the overall shape was formed to encase the lot with more curves and lifted about 2 m from the ground using pilotis for more efficient parking. The shape of the mass resembling a concave lens was created by both the parking needs and the topographical condition of the lot.

The line penetrates the sky

The mountains penetrate the sky and the sky contains the mountains as nature. Here, the mountains form lines and the lines remember the mountains in the land. The terrains of Mt. Gwanggyo flow low above the lot and the lot displays the entire view as if it responds to the graceful flow. At this site, the land is the proof of space and everything about the substance. The shape created here contains the sky as an earthenware jar and displays the potentiality of land as a spatial substance. It draws a shape, but creates a space that shows the sky outside the shape to hide itself in nature. Should the line be hidden in nature or should the nature be displayed in the hidden line? This was the essential challenge of this land and the sincere response to the background. This is directly related to how the topographies should be interpreted in Korean traditional spaces. Korean traditional spaces have pursued the shape that is not completely hidden in nature yet beautifully harmonized with surrounding nature. It is based on the post-dualistic beauty of harmony that proves its existence while hiding in nature rather than dominating nature with its shape and lines.

The flow of light contained in silver scale

The ash-colored bricks (traditional bricks) embrace the concrete surface as fish scale while slightly altering the angles. The traditional bricks used for this project have silver water-repellent coating on the surface and show sentimentality different from the rough surfaces of their tops and bottoms. The bricks with two different surfaces were piled to form a certain pattern from angles 1° through 25°. In other words, the variation of angle is another way how the outer skin in the shape of a concave lens facing south defines its existence. The shadow of the brick wall caste as the sun moves converts the flow of lines into the subtle change of the outer skin. The variation of the brick surface is intended to read the entire mass differently according to the perspective of incomer and the perspective of viewing the images from the mountains.

Contrast and harmony of texture

The rough texture of the traditional bricks interprets the lot in a different way in combination with the property of highly reflective stainless steel. The skies and nature reflected on the stainless steel surface distort what the true substance is to break the boundaries between shapes and texture. Unlike the rough texture of ceramic bricks, the stainless steel used on the front and on the side reflects the surrounding landscapes to make itself disappear. If the bricks reveal themselves by the change of light and shadow, the stainless steel de-materialises itself by making itself disappear in nature. Such contrasting textures have different properties and confront each other in a single mass, but they ultimately establish balance through the extinction and reflection of light.

Space as a flow of nature

The pilotis for parking naturally serves as an opening for air ventilation. The summer breeze coming down from the mountain ridge circulates the air around the building thus reducing the heat load. Also, each room has windows for cross-ventilation and is planned to allow natural circulation of air. The motorized window on top of the living room can release heated air in summer for air circulation triggered by the difference in temperature known as stack effect. The staircase to the north is planned to serve as a buffer of air against the freezing northwestern winds in winter to minimize heat loss. The front windows facing the south allow sufficient sunlight in winter to maximize energy efficiency with natural sunlight. In particular, the ceiling is also diversified to invite as much natural light as possible into the building to control illumination naturally.

New technical interpretation of traditional space

The flow of space was borrowed from the method of handling the flow of air in traditional Korean homes. In detail, the pilotis on the bottom expands the surface of volume exposed to outer air to reduce the load of heat energy and allows natural ventilation in summer. This is similar to the principle of open living rooms in Korean traditional spaces. It means that the entire building allows ventilation to keep the building cool. In winter, on the other hand, the concrete floor is made as thick as possible as a thermal mass, similar to Ondol floors of Korean traditional architecture for maximum insulation, to block the cold air from the underground. Also, the interior space of the second floor has an open living room, bedroom, and kitchen which can be divided and combined flexibly with sliding doors for different needs. This is a modern reinterpretation of the variable space of Korean traditional homes that can be used either as a big room or as smaller individual rooms.

Architect: Jeonghoon Lee
Design Team: JOHO Architecture(Il-Sang Yoon, Gae-hee Cho)
Use: Housing
Location: 678-2, Sinbong-dong, Suji-gu, Yongin-si, Gyeonggi-do, Korea
Completion: 2012.10
Construction: Dong-jin Chea(DL donglim construction)
Client: Im-jeong Choi

Material: Exposed Concrete + Ash-colored Brick + STS panel(mirror type)
Site area: 529.00 sqm
Building area: 140.57 sqm
Building to land ratio : 26.57% (<40%)
Floor area ratio: 35.22% (<100%)
Building scope: 3F

Above: ground floor plan – click for larger image

Above: first floor plan – click for larger image

Above: second floor plan – click for larger image

Above: roof plan – click for larger image

Above: long section – click for larger image

Above: short section – click for larger image

Above: front elevation – click for larger image

Above: side elevation – click for larger image

Above: rear elevation – click for larger image

Above: side elevation – click for larger image

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by JOHO Architecture appeared first on Dezeen.