Hugh Strange Architects slots architectural archive inside old farmyard barn

British studio Hugh Strange Architects has transformed an agricultural barn in Somerset, England, into a family archive building by inserting a new timber structure within the dilapidated brick and stone shell.

Architecture Archive and Office by Hugh Strange Architects

Located on a working farm amongst a mixture of barns and sheds dating from the nineteenth century through to the present day, the building was designed by Hugh Strange Architects to store the architectural archives of the client and farm.

Architecture Archive and Office by Hugh Strange Architects

The architects stabilised and repaired the walls and roof of the old stone and brick barn, before inserting two new timber structures inside.

Architecture Archive and Office by Hugh Strange Architects

Both of these new structures were constructed from a single layer of cross-laminated timber panels, which required no insulation, external cladding or internal lining. They are identical in volume, but subtly differentiated in their fenestration and fit-out.

Architecture Archive and Office by Hugh Strange Architects

“We choose timber because it provides a stable environment for the drawings in the collection – both thermally and in terms of relative humidity,” Hugh Strange told Dezeen. “It is also a wonderfully warm material and has many sustainability benefits.”

Architecture Archive and Office by Hugh Strange Architects

The south building provides a drawing archive and display space and is light from above by a skylight.

Architecture Archive and Office by Hugh Strange Architects

The north building provides an office space and features large French windows that offer views to the woods outside.

Architecture Archive and Office by Hugh Strange Architects

In contrast to the engineered spruce construction, the buildings are fitted out with hardwood floor mats made from timber felled from the surrounding woodlands and dried in the neighbouring wood store.

Architecture Archive and Office by Hugh Strange Architects

Inside, wall-mounted timber display cases are used to display drawings from the archive. “The edges are detailed with hessian and the stitches are deliberately not cut off on the back side to reveal the process,” said Strange.

Architecture Archive and Office by Hugh Strange Architects

Photography is by David Grandorge.

Here’s a project description from Hugh Strange Architects:


Architecture Archive, Somerset

Site & Brief

Located within the context of a working Somerset farmyard, the new building provides an office and store that houses the client’s architectural and family archives.

Architecture Archive and Office by Hugh Strange Architects

The project sits within an agricultural valley in a mix of buildings that includes a large farmhouse, a converted Dairy Cottage, a traditional wood store and a mix of barns and sheds that date from the 19th Century, through the 1970’s, to a recently completed cow shed.

Architecture Archive and Office by Hugh Strange Architects

Layout & Form

The dilapidated walls and roof of an old stone and brick barn have been removed and the remaining walls carefully stabilised and repaired.

Architecture Archive and Office by Hugh Strange Architects

Within these walls two timber structures have been inserted with a single new roof over-sailing the whole composition and providing a covered entrance. The two new timber buildings are identical in their volumes but subtly differentiated in their fenestration and fit-out.

Architecture Archive and Office by Hugh Strange Architects

The south building provides a drawing archive and display space and is predominantly top lit by a generous roof light.

Architecture Archive and Office by Hugh Strange Architects

The north building provides an office space and is characterised by large French windows that offer views to the woods outside. To the rear of the building a modest external space is provided, enclosed by the retaining wall to the sloping side of the valley, with a generous external stair providing access up to the surrounding woodlands.

Architecture Archive and Office by Hugh Strange Architects

Construction & Environment

The new building shell is constructed of a single layer of solid wood without insulation, external cladding or internal lining. The Cross-Laminated Timber panels range from 300mm to 420mm in thickness and simultaneously provide insulation and thermal mass, creating a stable internal environment for the archive in terms of its temperature and relative humidity.

Architecture Archive and Office by Hugh Strange Architects

The simple timber forms sit on a rough in-situ cast concrete base and are protected by a profiled cement roof similar to those of the surrounding barns. The vented space between the timber and the roof cladding prevents overheating during hot summer months.

Architecture Archive and Office by Hugh Strange Architects

In contrast to the engineered Spruce construction, the buildings are fit-out with hardwood floor ‘mats’ using timber felled from the surrounding woodlands and dried in the neighbouring wood store.

Architecture Archive and Office by Hugh Strange Architects

Rough-sawn cedar floorboards to the office and smooth-sanded and oiled ash and beech to the archive distinguish the different characters of the spaces.

Architecture Archive and Office by Hugh Strange Architects

Architect:
 Hugh Strange Architects
Structural Timber: Eurban / Stora Enso
Structural Engineer: Price & Myers
Joinery: Andrew Balls
Display Panels: Jude Dennis / Lars Wagner
Construction Manager: Paul Rawson
Budget: £250,000

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Site plan – click for larger image
Architecture-Archive-Office-by-Hugh-Strange-Architects-Dezeen-site-plan_crop_468
Floor plan – click for larger image
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Detailed section – click for larger view
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Axonometric diagram – click for larger image

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Welham Studio by Mark Merer

Welham Studios by Mark Merer

British artist Mark Merer has completed this pointy studio for himself and his wife in Somerset, UK.

Welham Studios by Mark Merer

Called Wellham Studio, the building is clad in insulated ply panels and has a green roof.

Welham Studios by Mark Merer

The structure is the result of Merer’s earlier Landhouse project working with the Swinomish Tribe of Fidalgo Island in Washington State, where he investigated ways to create environmentally sensitive buildings with a strong relationship to the ground and surroundings.

Welham Studios by Mark Merer

Photographs are by Louis Porter.

Welham Studios by Mark Merer

Here’s some more information from the architects:


Welham Studios started with the study of placement, watching objects in clay and sand creating shapes through the interaction of the wind and rain.

Welham Studios by Mark Merer

The work is looking for a union of object and environment.

Welham Studios by Mark Merer

One aspect of the work developed into the basic forms using triangulation, and this work was the basis of a project with the Swinomish Tribal people of Fidalgo Island Washington State,

Welham Studios by Mark Merer

The Swinomish housing project which has become Known as Landhouse, started in 2006. It was a visit to my studio by a couple who lived in Seattle.

Welham Studios by Mark Merer

They became interested in the work being done, its physical relationship with the ground and how it translated into a building.

Welham Studios by Mark Merer

The Pennock’s saw an opportunity to connect myself with an Architect friend of there’s, Art Peterson of Cedar Tree Architects in Seattle, who had been working with Ray Williams of the Swinomish Tribal People of Fidalgo Island Washington State, they had just completed the building of a Traditional long House.

Welham Studios by Mark Merer

They had been discussing the current housing situation on Fidalgo Island which is a long way from the beliefs and traditions of the Swinomish and bore no resemblance to their surroundings.

Welham Studios by Mark Merer

The houses are currently designed and placed regardless of the Landscape and their Traditions.

Welham Studios by Mark Merer

A meeting was organized and out of it came the idea to develop an environmentally sensitive scheme for an allocated development area and Landhouse was born.

Welham Studios by Mark Merer

The structures were refined and developed into module units comprising of Elder, Student, Single family, Vacation, Multifamily and community facilities.

Welham Studios by Mark Merer

Above: Swinomish housing

I came back to the UK and decided to build one which is now almost completed and due to be opened in the spring of next year.

Welham Studios by Mark Merer

Above: Swinomish housing

This has become Welham Studios that my wife Artist Lucy Glendinning and I work from.

Welham Studios by Mark Merer

Above: Swinomish housing

The building is constructed in structurally insulated panels using the factory in Seattle that was involved in the Swinomish project; this was to be a test for the modular units.

Welham Studios by Mark Merer

We used thermoform 3ply cladding that came in 5m by 2m sheets.

Welham Studios by Mark Merer

The roof is a EPDM membrane with a inbuilt root barrier, a 100mm substrate with a wild flower turf.

Welham Studios by Mark Merer

We are know looking for Partners to set up a US wide Research program for developing designs in the Landscape with Tribal communities in collaboration with Landhouse.

Welham Studios by Mark Merer

Designer: Artist – Sculptor Mark Merer
Location: Welham, Somerton, Somerset. TA11 7AJ. UK.

Welham Studios by Mark Merer

Click for larger image

Engineer: John Beverage. Street, Somerset. BA16 0HA. UK.
SIPS: Premier Building Systems 4609 70th Avenue East Fife,
Welham Studios by Mark Merer

Click for larger image

Consultant Architect: Art Peterson 3518 Fremont Ave. N., #477
Wildflower Turf: Lindum Turf west Grange Thorganby York YO19 6DJ
Welham Studios by Mark Merer

Click for larger image

Cladding: Binderholz Gm6h Holzindustrie Zillertalstrabe 39
Windows: kneer – sud Fenster, Sud-fensterwerk, GmbH & Co.
Welham Studios by Mark Merer

Click for larger image

Date: construction 2008 / 2009
Budget: £350,000

Welham Studios by Mark Merer

Click for larger image


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