Deskontalia store in Donostia by VAUMM

Internet shoppers in San Sebastian can now pick up their purchases from a shop that appears to be furnished with nothing but cardboard boxes (+ slideshow).

Descontalia by VAUMM

Spanish architects VAUMM designed the store for group discount voucher website Deskontalia as a place where customers can pick up their deliveries and find out about the latest offers.

Descontalia by VAUMM

Unlike most shops, the space has no products to display, so the architects were challenged with filling an empty room. Inspired by the cardboard boxes used to transport purchases, they developed a concept to cover the floor and walls with boxy wooden furniture and shelving.

Descontalia by VAUMM

“Cartons are converted into the measurement unit of the architectural proposal,” explain the architects. “Small cartons are elements to generate a kind of sculpture that envelops the walls and roof to create different environments which users can interact with.”

Descontalia by VAUMM

Most of the boxes are used as shelves that can be reconfigured to suit different displays. Others are made from wood and provide tables and stools where customers can sit and browse the website.

Descontalia by VAUMM

A reception counter lines the edge of the room and also resembles a pile of boxes.

Descontalia by VAUMM

Aside from the boxes, the shop’s interior is kept simple, with existing walls and columns painted white and plants positioned beside the windows.

Descontalia by VAUMM

Other cardboard interiors include a cardboard meeting room for Bloomberg, a cardboard bank and a fold-out cardboard shop.

Descontalia by VAUMM

Spanish architects VAUMM are based in San Sebastian. Past projects by the firm include a golden culinary centre and an outdoor elevator.

Descontalia by VAUMM

Photography is by Aitor Ortiz.

Descontalia by VAUMM

Here’s a project description from VAUMM:


Deskontalia store in Donostia – San Sebastian, Gipuzkoa, Spain.

When somebody thinks about a shop, he can hardly avoid thinking about the products sold inside, and therefore those products are those which give sense of the need for a space. What would it happen if that object of desire was any? What if no one?

For Deskontalia store, located in a urban downtown street, the sale has occurred even before one reaches the local. The space should be a pick up point for any product that one could imagine buying over the Internet, but even something else.

Descontalia by VAUMM

From that point of view the space should become not only a space to sell, but a space to be a meeting point between brand and people, an open space, a place of the city where an online business becomes a physical reality.

The store activity is linked to package traffic, cardboard containers in which travel purchased products, which are collected in this new architectural space. A small counter where to exchange these packages of hands, solves all the functional requirements of the trade.

Descontalia by VAUMM

The space has been treated as a white empty space where old items such as masonry walls or casting pillars are bathed in this colour, as well as more contemporary new resin pavement, in an attempt to transform the store not in a shop but in a store where different transformations may occur.

Cartons are converted into the measurement unit of the architectural proposal. Small cartons are elements to generate a kind of sculpture that envelops the walls and roof to create different environments which users can interact with.

Descontalia by VAUMM

Above: floor plan – click above for larger image

These packaging boxes incorporate the graphic image of the brand, a d-, like a strip on both sides, 90 degrees in space. Thus, the store gets a sculptural object at its scale by stacking the cartons with multiplications of their shapes and cubic components, qualified by the impression of the brand. Somehow it has been generated a kind of recycled space, in which low cost boxes transcend the value and meaning we could give to them individually, to become artistic and modulate the space when considered together.

The walls are not only boxes bookshelf but also part of the shell, the roof parts are not only sculptures but also shapes that break the echo sound of the store which also modulate the sound.

Descontalia by VAUMM

Above: ceiling plan – click above for larger image

Cartons are organized this way in which the white container has become the store, which can be moved at any time, changed or simply replaced by other objects. The cartons composition will be transformed as easily as the other part of the store, which is the Deskontalia web site, which is also shown in the store through two digital projections which interact with users.

Furniture is also involved in this changing condition, so its module-based design lets multiple configurations of the store, so you can have a lecture, read a newspaper, show a new product, or just hang out in internet.

Descontalia by VAUMM

Above: shelving concept – click above for larger image

The counter, stools and tables, somehow show the same packaging language, that besides also incorporates to the design other meanings such as low cost, the ephemeral, the changing and the casual, all of them concepts that underlie also the Internet purchase which serves to this commercial space.

The post Deskontalia store in Donostia
by VAUMM
appeared first on Dezeen.

Carlos Santamaría Centre by JAAM

Carlos Santamaría Centre by JAAM

Photographer Iñigo Bujedo Aguirre has sent us these photographs of a curved concrete library in San Sebastian with a narrow courtyard driven through its centre.

Carlos Santamaría Centre by JAAM

Completed in 2008 by Ander Marquet Ryan of Spanish architects JAMM, the Carlos Santamaría Centre is located on the campus of the University of the Basque Country.

Carlos Santamaría Centre by JAAM

Timber-panelled walls surround the secluded courtyard, which separates the two-storey building into two asymmetrical halves.

Carlos Santamaría Centre by JAAM

The library’s book collection is housed on two storeys of the larger half, while the smaller part contains separate study rooms and a lecture theatre.

Carlos Santamaría Centre by JAAM

The round concrete exterior walls converge into a point at the front entrance to give the building a teardrop-shaped plan. Students walk through this pointed entrance into a double-height colonnade, where L-shaped timber columns surround a glass wall and roof.

Carlos Santamaría Centre by JAAM

Photographer Iñigo Bujedo Aguirre previously photographed the helter-skelter-like Centro Niemeyer by Brazilian architect Oscar Niemeyer, which you can see here.

Here’s some information from the architect:


The Carlos Santamaría Centre, located in San Sebastian is an advanced data centre and library, linked to the Ibaeta University Campus and the result of a competition developed by the University of the Basque Country (UPV/EHU).

Carlos Santamaría Centre by JAAM

Click above for larger image

The building is conceived as a huge container, shaped from a spontaneous outline following the natural curve of the lot. The line is the wall containing the two blocks arranged in a north-south direction, and its vertex is at the place we consider the most important: the building’s main access, which opens up like a large mouth, pointing the vertex towards the sky.

Carlos Santamaría Centre by JAAM

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The division of the construction into two blocks also makes the creation of a private, inner garden possible, like an extension of the spaces that overlook it. It is a quiet, green area, accessible for strolling, reading and group meetings, always lighted from the south and north, an outdoor counterpoint to urban noise, inside the building.

Carlos Santamaría Centre by JAAM

Click above for larger image

With regard to its construction, the principal façade of the building is a curved wall of 25cm made out of white self-compacting concrete. On the other hand, in the garden which divides the building the solution of the facades consists of IPE wood planks.

Carlos Santamaría Centre by JAAM

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Architect: Ander Marquet Ryan, JAAM sociedad de arquitectura s.l.p.
Quantity surveyor: Juncal Aldamizechevarría

Carlos Santamaría Centre by JAAM

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Collaborators: June Gómez Alonso, Emmanuele Pibiri, Naia Landa Méndez, Mario Domínguez Maestre
Structure: Minteguia y Bilbao

Carlos Santamaría Centre by JAAM

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Instalaciones: PGI (project), JG ingenieros (construction).
Developer: Universidad del País Vasco (UPV-EHU)

Carlos Santamaría Centre by JAAM

Construction company: Construcciones Moyua
Date of project: January 2008

Carlos Santamaría Centre by JAAM

End of construction: September 2008
Area: 24.000m²

Carlos Santamaría Centre by JAAM


See also:

.

Médiathèque
by Tétrarc
Multimedia Centre
by Béal & Blanckaert
La Médiateque de Proville by TANK Architectes

Apartment in San Sebastian by pauzarq

Apartment in San Sebastian by Pauzarq

Rough concrete columns and beams frame the living room ceiling of an apartment in San Sebastian.

Apartment in San Sebastian by Pauzarq

The beachside apartment was renovated by local architects pauzarq, who removed partitions that previously split a bay window into three separate rooms.

Apartment in San Sebastian by Pauzarq

The open-plan living and dining room now face the entire window and lead out to a balcony beyond.

Apartment in San Sebastian by Pauzarq

A recessed skirting creates a visual break between new interior walls and a retained timber floor, as well as around the doorframes.

Apartment in San Sebastian by Pauzarq

Pendant lamps with slack wire hang from the apartment ceiling.

Apartment in San Sebastian by Pauzarq

We recently grouped together stories about buildings that intentionally look as if the builders haven’t quite finished up – see all the projects here.

Apartment in San Sebastian by Pauzarq

The description below is from pauzarq:


Apartment in San Sebastian (Spain) by pauzarq

The renovated flat is located in a residential building in the district of Gros, a few steps away from the beach Zurriola in San Sebastian.

Apartment in San Sebastian by Pauzarq

The old apartment layout was characterized by the succession of different independent rooms, communicated through a single distributing corridor. This situation generated the division of the wide bay window into three separate pieces, impeding its overall perception.

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The bay window is recovered as the cornerstone of the apartment where the kitchen-living-dining room is located. That is the public area of the flat, close to the entry. The orientation is double-facing, allowing double cross ventilation and lighting in this centrepiece of the home. On the other hand, one bedroom is located in each piece with balcony.

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The reform aims to enhance the structural value of the building and for that we discover the concrete beams and pillars of the centrepiece. The visual potential of these elements added to the great floor-to-ceiling height of the flat gives to this area its prominent role. As well, we decided to keep the old wooden floor, the new partitions should be light, taking care of the feeling they appear to levitate above the continuous original floor. Consequently we executed a recessed skirting solution that runs the flat and adapts as a door frame.

Apartment in San Sebastian by Pauzarq

Work: Apartment renovation in San Sebastian (Spain)
Location: Donostia-San Sebastian (Spain)
Renovated area: 95 m²
Year: 2011
Architects: pauzarq (Felipe Pérez Aurtenetxe, Elena Usabiaga Usandizaga, Gerardo Zarrabeitia Ullíbarri)


See also:

.

Penthouse apartment
by Lecarolimited
Seaside Apartment
by Ooze
Apartment
by Cut Architectures

San Telmo Museum Extension by Nieto Sobejano Arquitectos

San Telmo Museum Extension by Niento Sobejano Arquitectos

Moss is expected to grow on the perforated aluminium skin of this museum extension in San Sebastián by Spanish studio Nieto Sobejano Arquitectos.

San Telmo Museum Extension by Niento Sobejano Arquitectos

With its rear wall pushed into the edge of the hillside, the new two-storey block stretches out at a right-angle to the San Telmo Museum.

San Telmo Museum Extension by Niento Sobejano Arquitectos

A staircase ascends across the block, allowing vistors to climb over the roof and onto the landscape.

San Telmo Museum Extension by Niento Sobejano Arquitectos

The museum extension contains galleries for temporary exhibitions as well as an auditorium, library, teaching areas, cloakroom, shop and cafeteria.

San Telmo Museum Extension by Niento Sobejano Arquitectos

See also: our story from yesterday on the Moritzburg Museum Extension in Germany by Nieto Sobejano Arquitectos.

San Telmo Museum Extension by Niento Sobejano Arquitectos

Photography is by Fernando Alda. See more images of this project onAlda’s website.

San Telmo Museum Extension by Niento Sobejano Arquitectos

This information is from the architects:


San Telmo Museum Extension
Competition 1st Prize 2005

The Museum of San Telmo, in its present condition, represents the result of a long process of successive modifications which has partially altered its physical and functional character over the years.

San Telmo Museum Extension by Niento Sobejano Arquitectos

Its location on the fringe where the urban structure meets the topography of Monte Urgull is a reflection, on the other hand, of an urban problem very characteristic of San Sebastian: the solution of a division never completely solved between natural and artificial landscape.

San Telmo Museum Extension by Niento Sobejano Arquitectos

How to approach a contemporary extension of San Telmo in response to new requirements for space and stringent landscaping conditions, while expressing its connection to the location with the passing of time?

San Telmo Museum Extension by Niento Sobejano Arquitectos

The direct and radical gesture which defines out proposal implies paradoxically its practical dissolution in the landscape of Monte Urgull.

San Telmo Museum Extension by Niento Sobejano Arquitectos

We will limit ourselves to building a new green wall, deep and light, which is defined by the existing topography, and which hides in its interior two pavilions which will house the new programme.

San Telmo Museum Extension by Niento Sobejano Arquitectos

This decision heighten the appreciation both of the historical buildings as well as the new entrance to the museum, which offers access to the old building – which will incorporate the permanent exhibitions – as well as to the new pavilion for temporary exhibitions.

San Telmo Museum Extension by Niento Sobejano Arquitectos

The main vestibule will therefore constitute a natural link with the new areas for cloakrooms, shop, auditorium, mediatheque, didactic hall and cafeteria which complete the necessary areas in a museum with these characteristics.

San Telmo Museum Extension by Niento Sobejano Arquitectos

A “green wall”: on certain occasions the metaphor associated with an architectural idea gives a sense to each and every aspect of the project.

San Telmo Museum Extension by Niento Sobejano Arquitectos

Hence the slight changes of direction of the wall are sufficient to provide a natural solution to pedestrian access to Monte Urgull, to configure an open air exhibition space, or to house a café-terrace open to the landscape and to the town.

San-Telmo-Museum-Extension-by-Niento-Sobejano-Arquitectos

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Rather an expression of the relation natural/artificial which runs throughout our proposal, the new building/screen will be defined by a perforated metal skin enveloped in moss, lichen and other plant species which finally will come to surround the whole building.

San-Telmo-Museum-Extension-by-Niento-Sobejano-Arquitectos

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In collaboration with the artists Leopoldo Ferrán and Agustina Otero starting with a combinatorial game of cast-aluminium pieces expressly conceived for this occasion, this will be an unusual intervention in a public area which represents a common field of action between plastic arts and architecture.

San-Telmo-Museum-Extension-by-Niento-Sobejano-Arquitectos

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The new extension of the San Telmo Museum will modify its appearance with the passing of the seasons: it will fade on occasions and blend with the vegetation on the hill, and will reappear on other occasions evoking a long unfinished wall: an unexpected metaphor – perhaps – of the difficult relation which architecture establishes with the pass of time.

San-Telmo-Museum-Extension-by-Niento-Sobejano-Arquitectos

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Location: Plaza de Zuloaga, San Sebastián
Client: San Sebastián City Council
Architects: Nieto Sobejano Arquitectos, S.L.P. – Fuensanta Nieto, Enrique Sobejano

San-Telmo-Museum-Extension-by-Niento-Sobejano-Arquitectos

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Project Architect: Miguel Ubarrechena
Collaborators: Stephen Belton, Juan Carlos Redondo, Pedro Guedes, Joachim Kraft, Alexandra Sobral

San Telmo Museum Extension by Niento Sobejano Arquitectos

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Site Supervision: Nieto Sobejano Arquitectos, S.L.P. – Fuensanta Nieto, Enrique Sobejano, Miguel Mesas Izquierdo, Technical Architect
Facade Artistic Intervention: Leopoldo Ferrán, Agustina Otero

San Telmo Museum Extension by Niento Sobejano Arquitectos

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Structure: NB 35 S.L.
Mechanical Engineer: R. Úrculo Ingenieros Consultores, S.A.
Fire Prevention Systems: 3i Ingeniería Industrial
Models: Nieto Sobejano Arquitectos S.L.P. – Juan de Dios Hernández, Jesús Rey

San Telmo Museum Extension by Niento Sobejano Arquitectos

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Project: 2006
Construction: 2007-2011
Construction Company: U.T.E. San Telmo. Amenabar / Moyua

San Telmo Museum Extension by Niento Sobejano Arquitectos

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See also:

.

Moritzburg Museum Extension by Nieto Sobejano ArquitectosNelson-Atkins Museum of Art
by Steven Holl
Akron Art Museum
by Coop Himmelb(l)au