Salone Milan 2011: Piccoli Oggetti Italiani, a Tour of Everyday Italian Objects at the Corraini Bookshop

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We got the rundown on some favorite Italian standbys at Piccoli Oggetti Italiani, a pop-up display at 121+, the temporary-turned-permanent outpost of Italian design publisher Corraini. Watch the video tour above for some hand-picked design artifacts from everyday Milanese life, including a light switch by Achille Castiglioni.

LIbreria 121+
via Savona, 17/5
Milano

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Salone Milan 2011: Playing with Electricity at Droog’s Design for Download

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Speaking of Droog, counterintuitively, the most exciting thing at the Droog Design for Download show in Milan were a few electrical outlets by EventArchitectuur, tiny in comparison to reconfigurable flat pack furniture systems also on show. For us, though, they exhibited the most potential, moving away from modularly assembled cut out shapes (however striking) into a more sculptural expression of customizable, on-demand technology, addressing a very simple concept: “With 3D printing, even the most mundane mass-manufactured objects become a matter of choice.”

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Salone Milan 2011: Botanica by Studio Formafantasma

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Botanica, by Studio Formafantasma, is the most captivating material project we’ve seen in a while, exploring the world of historical and natural plastics. The Italian foundation Plart, dedicated to the research, recovery and innovation in the plastic arts, invited the dup to explore polymeric materials. Simone Farresin walks us through a small part of the series below.

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Instead of reworking the familiar petroleum-based substances we all associate with the word “plastic,” the studio has instead stepped way back, looking at the origins of botany, observing that the discipline arose around the human search for identifiable plants with edible, medicinal or craft-based purposes. The Botanica collection is designed as though petroleum-based plastics were never discovered, and investigates the “unexpected textures, feelings and technical possibilities offered by natural polymers extracted from plants or animal-derivatives.”

The vases, tables, surfaces and lamps in this collection were formed from a combination of rosin, dammar, copal, rubber, shellac and bois durci (a combination of sawdust, animal blood and albumen).

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For the studio, the project calls for a movement to a new “post-oil era,” where consumers no longer rely on industry to provide plasticity in artifacts of everyday life.

Read more about their project here.

Lots of shots after the jump.

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"Maritime" by Benjamin Hubert for Casamania

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Amid the seemingly endless parade of designs exhibited at Milan last week, designer Benjamin Hubert unveiled “Maritime,” a chair design for Casamania that was some two years in the making. The name refers to its inspiration, to say nothing of its distinctive hull-like form.

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Salone Milan 2011: Big Bounce, a reflective table lamp from Atelier Takagi

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We are loving the new furniture that DC-based Atelier Takagi showed at Salone Satellite in Milan this year—he’s been busy since we last saw him at ICFF, presenting five pieces that draw references from streetscapes, film shoots, tea ceremonies, and building construction.

A favorite is Big Bounce, “inspired by lighting techniques used on film sets”—turns out reflective bounce is also a nice way to temper the hardness of high power LEDs. The lamp is made of FSC Certified White Oak, powdercoated laser cut steel.

More projects from Atelier Takagi follow.

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Salone Milan 2011 Video: Tapis Noues by Sjoerd Jonkers

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This year at Tuttobene, the annual presentation of sustainable design from Dutch designers, Sjoerd Jonkers presented “Tapis Noués”, a knotted rug made from tricot cutoffs from the fashion industry. According to Jonkers, the tricot is spun by factories into a heavy rope, which is used to pad mattress wires and other under-the-surface applications. Jonkers chanced upon it in a hunt for material inspiration, and had it knotted into large carpets. Because of the thickness of the rope, a rug comes together relatively quickly, keeping the costs low.

Check our video interview with Jonkers:

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Salone Milan 2011: Tortona Photo Gallery

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After a ten-year run “Zona Tortona” has been taken over by a new organization and rebranded as “Tortona Design Week.” Aside from the name change, it was business as usual in the industrial quarter with design destination Superstudio Più receiving over 120,00 visitors this year. Not shy of using a bit of drama, Moooi won the self-promotion award with their bright yellow-branded chairs chained around the neighborhood. Check out the gallery for our picks including work from Stefan Diez, Marcel Wanders, David Trubridge, Lindsey Adelman, and Karim Rashid.

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Salone Milan 2011 Video: "Dip in Space" by Matali Crasset and HEAD

Above, curator Alexandra Midal summarizes HEAD (Haute Ecole d’Art et de Design) Geneva’s experimental presentation at this year’s Milan Furniture Fair, the culmination of a workshop led by future-thinking French designer Matali Crasset.

In a room with a slanted floor plane, visitors are invited to dip pre-cast wax forms into hot, cylindrical wells of red wax (“magma”), mutating and transforming them one by one. After the dipper is done altering the piece, the result is suspended from the ceiling, creating a gradient of form and color in the headspace of the exhibition.

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The project abstracts from the metaphor of a designer’s process, as HEAD explains in their press release:

Although the design generally presented in Milan is evaluated according to functional criteria, Dip in Space offers a new approach to the means of creating and standardizing space. Left to its cyclothymias, Dip in Space is divided up into two worlds: the first, with glowing red magma set above the platform, represents the mind of the designer in full ferment, while the second invites visitors to experiment, in a fun and convivial way, with the invention and production of forms. They are invited to dip supports into wax-filled containers from which they withdraw objects, each one of them unique. The forms they produce are assembled in situ to constitute a collective work in progress. A quasi-organic space, Dip in Space celebrates the plasticity of matter and the amusing creation of forms.

More shots after the jump.

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Salone Milan 2011: More Than It’s Worth by Nathan Paoletta

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To make these bowls, twenty dollars worth of quarters and nickels were melted and dripped over a form.

This year in Milan, Nathan D. Paoletta debuted More Than It’s Worth, a series of bowls drip-casted from 20 dollars worth of nickels, quarters, demerara sugar, and blank dvds (which we were told were blowtorched into shape).

The project is part of Loaded, presented by the School of the Art Institute of Chicago at Spazio Rossana Orlandi. The exhibition, developed over two semesters, explored the potentials of two historically catalytic materials: iron and sugar. Nathan’s work investigates physical expressions of value, reconfiguring familiar metrics by which we understand worth. The bowl shape provides a familiar lens through which we can compare the physical aspects of $20 worth of sugar to $20 worth of DVDs.

More photos after the jump.

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Three of the four pieces in the series.

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Salone Milan 2011 Video: Lapin Kulta Solar Kitchen

Antto Melasniemi and Marti Guixe worked together on the Lapin Kulta Solar Kitchen Restaurant, staged in Milan this year in the courtyard of the Trienalle Design Museum during the Milan Furniture Festival. Above, Antto talks about preparation times, menus, and cooking in the Arctic Circle.

Below, the designers’ portrait.

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