Salone Milan 2012: Roberto Giacomucci, "Il Piccolo Designer," at the Triennale

RobertoGiacomucci-Triennal-1.jpgClockwise from top right: The Cugino.IT has magnets to hold the streamers in place; the “Bubo” lamp can be set on either of two feet with mirrors on them, such that the lamp can be upright or more horizontal; the “Topoluce” light is suspended by its ‘ears’

Designer Roberto Giacomucci takes the notion of “small things design” refer not to the physical size of his work but to those details that matter most in the interest of simple, straightforward universal design. Yet his focus on usability is complemented by his willingness to experiment with form and material. Taken together, Giacomucci creates unpretentious design objects that are both beautiful and inviting.

RobertoGiacomucci-Triennal-3.jpgThe “Expander” iPod/iPhone dock

RobertoGiacomucci-Triennal-2.jpgThe “NBA” bookshelf is a personal favorite

“The Little Designer” is currently on exhibit at the Triennale di Milano through April 22. From the website:

More than an anthology, this exhibition wants to explain the effort, the mistakes, the surprise, the delusion and the satisfaction you feel while creating and trying to bring to life something which still does not exist. They are some little steps that permit to develop a thought and to have those visions without which it would not be possible the change.

The exhibition starts from a fixed point in my way of designing: the simplicity, the simplicity meant as essential, immediate and plainness, as a design which does not need names, but thoughts…

Marco Ferreri has been called to curate the exhibition because of his multisectorial experience and his ability of distinguish the concrete from the noise. The coherence, the constancy and the ethic of his work, make him an authoritative designer, able to reject the fashion and to prefer the real life with critical consciousness, typical of the today best Italian design.

RobertoGiacomucci-Triennal-4.jpg“Fly Fly” teabag holders

RobertoGiacomucci-Triennal-5.jpg“Zoowood” toys are set on rounded bases so they can rock back and forth

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Salone Milan 2012: Dennis Parren, Colourful Mysteries of Light

milan_RO_parren_cmyk2.JPGDennis Parren’s CMYK Lamp

Tucked in a corner of the basement of Dennis Parren’s Colourful Mysteries of Light. The two lighting fixtures, a wall light and a pendant lamp, projected a mysterious rainbow of colors that the Eindhoven graduate explained is, “designed not to be understood but to show that light is the only rightful owner of colour.”

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We wrote about Parren’s CMYK lamp last year during Dutch Design Week but were excited to see his new RGB pendant lamp casting a constellation of red, green and blue stars on the ceiling.

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Salone Milan 2012: New Duivendrecht and Frederik Roijé

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profiled in last year’s Milan coverage.)

milan_roije_dish.JPGFrederik Roijé, Dish of Desire

Sharing a space in Tortona, co-founder Frederik Roijé showcased a new collection of personal work. I loved the “Dish of Desire,” a multi-course dining experience for our avian friends. Employing real plates tiered with cedarwood, the bird feeders created beautiful layers in the large cavernous space. Also of note are the organic sconces created in collaboration with Janne Kyttanen’s Freedom of Creation. The 3D printed plastic lighting fixtures continue with the theme of a visual feast, reminding me of the gill-like underside of mushrooms.

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New Duivendrecht and Frederik Roijé
Tortona Design District
via Novi 5, Milan
Through April 22nd

(See more products from New Duivendrecht after the jump)

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Salone Milan 2012: TDM5 – Graphica Italia

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The Fifth Triennale di Milano sees the entire spectrum of Italian graphic design, literally and figuratively, in Graphica Italia, which opened over the weekend and will be on exhibit through February 2013. Organized loosely into nine sections, Fabio Novembre did a brilliant job with the exhibition design, which consists of radially projecting walls organized around a demi-rotunda (it’s impossible to describe without seeing it in person).

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As for the show itself:

With the fifth exhibition TDM5: grafica italiana, Triennale Design Museum continues its engagement with the promotion and enhancement of Italian creativity, extending its research to an art that has always been viewed as minor or instrumental and giving it back the independent role it deserves. Graphic art is a fundamental chapter in the history of Italian design, at the very core of the visual culture of our country.

After the first exhibitions about contemporary graphic art (The New Italian Design, Spaghetti grafica and Graphic Design Worlds) organised by the museum, the decision to focus this year’s event on Italian graphic art, visual communication and their history is an important step to enrich and finish off the overview and promotion of Italian design, a process in which Triennale Design Museum has been engaged in for years.

TDM5: grafica italiana is focussed on the 20th century, starting from the Futurist printing revolution, but it also embraces the tradition of the previous centuries and more recent works, showcasing a treasure-trove of gems by Italian graphic designers, in all their amazing diversity of expressions.

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Indeed, the exhibition showcases nearly every graphic medium up to web—it’s easy to forget that graphics were more than mere pixels—with artwork by the likes of Munari, Noorda and Vignelli (to name a few) for all variety of purpose, from corporate work to signage to political posters.

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Salone Milan 2012: Fabrica x Grand-Hornu asks, “Objet Préféré?”

Milan12-Triennale-Benetton-2.jpgThe display cases of Sept Appartements based on groundsman Hervé Liénard’s DIY approach to renovation and upkeep of seven rental apartments.

What is your favorite object? The young designers from Benetton’s prestigious Fabrica Institute presented this question to 15 staff members from Belgium’s Grand-Hornu cultural center and museum. Translating their responses into considered one-off furniture pieces, the 15 objects were presented as one-half of the Objet Préféré/Objet Coloré exhibition at the Triennale Design Museum.

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The interviews with Grand-Hornu’s staff members—ranging from museum guides, administrative managers, site electricians to the museum’s director—looped on a video inside the exhibition and were also accessible via transcripts laid out on newsprint. Grand-Hornu was built in the early 1800’s as an industrial mining complex—today it hosts innovative design exhibitions and cultural events.

Under the art direction of French industrial designer Sam Baron, unlike typical exhibitions, individual designers and the Grand-Hornu staff members that contributed their thoughts are not identified—each piece is named solely after the object it is based on.

United Color of Benetton presents Objet Préféré
An exhibition by Fabrica and Grand-Hornu
Triennale Design Museum
Milan
On View through April 22nd

Milan12-Triennale-Benetton-1.jpgNesting tables of Bottines pour Enfant & Crâne (Boots for Children & Skull) based on head of Grand-Hornu Images Françoise Foulon’s first pair of baby shoes and the, “little skulls adorning the site’s founders in the Grand-Hornu crypt.” (Foulon couldn’t choose which she liked more.) The tables extend to resemble steps as a reminder of Foulon’s of first steps and the skull, as a memento mori, reminds her of the end.

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Salone Milan 2012 Preview: Samsung Touch Technology in the Prisma Kitchen

PRISMA01.jpgMinimalist design in a high-tech kitchen.

Elegant Italian styling combines with Samsung touch screen technology in the Prisma kitchen, designed for Toncelli Kitchens by international experience design company Experientia.

Introduced by Toncelli as the “futuristic jewel” in their collection at Eurocucina 2012, the Prisma is a stylistic departure from Toncelli’s other kitchens, where the emphasis is on prestigious materials and traditional workmanship.

Conceived as an entry-level luxury kitchen, the Prisma features crisp prismatic shapes, gleaming surfaces, and an interactive bench top, with a touch screen and internet connection.

PRISMA07.jpgInteractive workbench with Internet connection and touch-screen technology by Samsung Electronics

While the Prisma also sports a stand for a personal tablet computer, the more high-tech element is the Samsung-driven touch screen table, integrated right into the transparent bench. Designed for tech savvy home chefs, the Prisma kitchen picks up on the trend of tablet computers migrating to the kitchen, and then takes that idea to the next level.

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Salone Milan 2012 Preview: "P.O.V." Vase by Nightshop

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Rotterdam’s Nightshop is the brainchild of Ward van Gemert and Adriaan van der Ploeg, who started the studio to explore “new and surprising products with a reference to everyday life and focus on bringing aspects of ‘low-culture’ into our designs.” Ventura Lambrate will see the debut of a new household object from the Dutch pair: the “P.O.V.” vase joins the “Lightweight” lamp among their product offerings.

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As with another previewed piece, the vase’s name captures its essence without betraying what it actually looks like. Indeed the “P.O.V.” vase purportedly shares a trait with the iPad—”quite magical if you ask us”—though its interactive aspect is simply a function of circumambulating the piece.

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It comes in at 40 cm (about 15.75 inches) tall, with a maximum diameter of 18 cm (~7 in.). “Made out of different kinds of plastics, the P.O.V. vase… will come in an endless variety of colors and patterns.”

Shiny:

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Salone Milan 2012 Preview: "Maritime S" Chair & "Pontoon" Table by Benjamin Hubert

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Benjamin Hubert has clearly found his calling in furniture design that is remarkable precisely because it looks so unremarkable. Although his last work, the “Pod” armchair, all but foreshadowed a certain recent video of the recycling process, the London designer has returned to his nautical inspiration for the 2012 Salone with an update to the previously-seen “Maritime” chair and an all-new table for Casamania.

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The “Maritime S” is a simple improvement on his 2011 design for Casamania: the low-back armchair now has the option of “soft upholstered panels inserted into the distinctive timber framework.” Yet the addition of color and contrast has an undeniably different effect than the original ultra-restrained oak version. The “Maritime S” is less a blank slate and more an expression of a personality, at once more and less precious, in what can only be considered a welcome change of pace.

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Salone Milan 2012 Preview: Studio Mango’s Lamps Prove That Good Lighting Comes in Small Packages

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Here’s an interesting take on flatpack: Netherlands-based Studio Mango’s Spring Lamp, above, which arrives in the mail as a disc and unfurls into the shape of a bell.

Springs are magical little components, so much can be done with them, if you fold them flat they unfold themselves again and pop up. In today’s world transport is becoming increasingly more expensive and there is a continuous challenge for designers to create nice products which perform and look great but are either stackable or have a minimal size during transport. This is what inspired us to create the Spring Lamp, it is small enough to be inserted in a letter box and when hung it unfolds itself like a full lamp shade.

Another circular lamp that will ship in a considerably smaller package than its end form is their Lygo Lamp. You get 12 dozen Lego-like Lygo blocks along with the lighting hardware, and after some elbow grease you’ve got a 50-centimeter-diameter shade.

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Who doesn’t remember the colorful playing blocks from their youth, LEGO an abbreviation of Leg Godt (play good) was transformed by Studio Mango in Lygte Godt: LYGO. A unique LYGO block was designed which curves into a 50 cm diameter circle, through stacking, combining and playing you are now able to design and build your own lamp. 144 LYGO blocks go into one lamp and the model becomes available middle 2012 in 5 colors to start with: white, black, transparent, red transparent and purple transparent.

These products are so new they’re not yet up on Studio Mango’s website, and the only info we’ve got on them so far are the paragraphs above. But we, and some of you, will know more by Milan; the Spring and the Lygo will be unveiled at the Salone Satellite design show.

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Salone Milan 2012 Preview: Thomas Schnur’s "Rubber Table"

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German designer Thomas Schnur is pleased to announce that he will be exhibiting three products at the 2012 Salone Satellite in Milan, including the noteworthy “Rubber Table.”

The drain or plunger is an item, which, though it receives little attention, is actually extremely useful. Rubber Table adopts its idiosyncratic aesthetic and transfers it into a new environment. The rubber plunger has become a table leg—setting in motion a new way of looking at this ambivalent object. Manufactured with dyed foam rubber the color and the surface feel of the original object are preserved.

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I imagine that the object has five legs for stability’s sake, though this trait somehow underscores its semblance to a Martian quintaped: I wouldn’t be surprised to get home late one night to discover my pet “Rubber Table” puttering around my living room with Roomba-like tenacity.

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