Hasta La Ideas

This two-storey extension by French architect Loïc Picquet converts an old farm building into a rural guesthouse in the Alsace region of France (+ slideshow).

Loïc Picquet renovated the interior of the single-storey farmhouse to accommodate a communal living and dining room, then added the timber-clad extension to create four guest rooms, each with a double bed and en suite bathroom.

The timber frame of the existing structure is exposed inside the building, so the architect followed suit by leaving wooden ceiling beams uncovered in each of the new bedrooms.

Floors are also wooden, while stable doors separate bedrooms from bathrooms and timber-framed cubbyholes contain extra beds and storage areas.

“A new wood construction was added as a natural and fluid extension of the old farm, not only renovating it but mostly honoring it by the use of its history and details,” said the architect. “Niches were built in the walls and double doors were chosen over the regular ones, so that a special interaction between the bathroom and the room could be created.”

A chunky wooden staircase with staggered treads leads to the new upper floor and marks the divide between the new and old structures.

New timber-framed panel windows were added to the old building, while square Velux windows were installed for each of the bedrooms in the extension.

Other renovated farm buildings to feature on Dezeen include a house in southern England, a converted cattle shed in Belgium and a reconstructed stone stable in Spain. See more renovation projects.

Photography is by Stéphane Spach.

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by Loïc Picquet appeared first on Dezeen.

A narrow atrium brings daylight into windowless rooms on four storeys at this renovated house in Hanoi by Vietnamese office AHL Architects Associates.

The existing building was a typical Vietnamese “tube house”, with a long, thin plan and few windows. AHL Architects Associates was tasked with reorganising the plan to make better use of space and to increase natural light and ventilation.

The architects began by relocating the staircase from the centre of the house to along one wall, then added a large skylight overhead. They also removed sections of the floor, creating the four-storey atrium and a series of indoor balconies.

“The staircase and corridors were designed not as a simple and boring path but as a continuous and sequential space which becomes a living space,” explain the architects.

The wall running alongside the atrium is lined with white ceramic tiles, giving it a ridged texture, and all of the balustrades are glazed to let more light through.

Just in front of the staircase, the entrance to the house is set within a recessed driveway at the end of a ramped platform. Once inside, residents can walk through to a kitchen on the ground floor or head upstairs to a double-height living room on the floor above.

Bedrooms are located on the first, second and third floors, and the top storey also features a dedicated worship room and a roof terrace.

Another “tube house” we’ve previously featured on Dezeen is the four-storey Stacking Green house, which features a a vertical garden on its facade. See more Vietnamese architecture on Dezeen.

Photography is by Anh Duc Le.

Here’s more from AHL Architects Associates:

4.5×20 House

This house was designed for a young family with one child and grandmother, located in Van Phu, a new urban area in Hanoi, Vietnam. The existing design is boring (like thousands of other houses in Vietnam): lost of natural lighting and ventilation; simple space with core (staircase and toilet) in the middle and two bedrooms at two sides. Client (young family) needs something different from the existing. They need their own house, their style. This situation requires a smart solution for traffic, thereby creating interesting solutions of space, daylight and natural ventilation.

Based on their requirements, the program is quite simple: garage (for 2 cars), kitchen on the 1st floor, bedroom (for grand mother) and living room on the 2nd floor, master bedrooms on the 3rd floor, small guest room, sky terrace and worship on the 4th floor… but they need the architects focus on the creation of public spaces.

With a simple strategy “traffic creates space and function”, we started by changing the location of staircase. Unique and continuous spaces were proposed based on the new staircase. The staircase and corridors were designed not as a simple and boring path but as a continuous and sequential space which becomes a living space.

Along with identifying new locations for staircase, the voids are also determined for natural lighting and ventilation. An atrium in the middle of house was created to bring daylight to lobbies and all rooms without window to outside. In addition, that allows full connection between the four levels of the house vertically.

The central space is the biggest volume where a double height living room locates, is surrounded by opening staircase, autrium and big windows.

The restrained and limited material palette of white painted ceramic tiles, wood, and glass avoids unnecessary ornamentation in order movement through a variety of opening spaces.

Type of development: Renovation of typical tube-house
Dimension: 4.5×20
Location: Van Phu New Urban Area, Hanoi, Vietnam
Status: Finished
Cost: 112,000 usd
Date: 2012

Architects: AHL architects associates
Architects in charge: Hung Dao, Tuan Anh Mai, Son Chu, Hieu Hoang, Nghia Mai, Tung Nguyen, Truc Anh Nguyen

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AHL Architects Associates appeared first on Dezeen.

Chinese architecture studio Neri&Hu sliced away the rear wall and replaced it with glass for this renovation of a 1930s townhouse in Shanghai.

The three-storey building is located in the Tianzifang district of the Chinese city, where it originally functioned as a house for a single family. Neri&Hu‘s redesign converts the building into three divisible apartments, each with a combined living and dining room at the back and a bedroom at the front.

A bulky metal staircase replaces the old timber steps that previously connected the floors. Sandblasted glass (completed after photography) separates the stairway from the corridor of each apartment so that residents can see the outlines of neighbours passing by.

A 45-degree skylight brings daylight into the stairwell, while a shared laundry room and terrace are positioned at the top.

“The blurring of both the private and the public acts as the central concept that binds the split level together, and at the same time, bring life to the middle and darkest portion of the house,” says Neri&Hu.

The building is arranged over split levels, so the architects have also inserted a second set of stairs within two of the apartments. Unlike the main staircase, both are constructed from timber to match the flooring.

Bathrooms stretch along the southern side of each apartment and are enclosed behind another layer of sandblasted glass. Showers feature a west-facing window, offering a view down into the shared lobby below.

New windows were added to both the front and rear elevations, while the rest of the exterior has been coated in black paint. “The colour black was selected to make the building disappear,” add the architects.

Although the building was designed for three separate tenants, it is currently being used as one large house.

Lyndon Neri and Rossana Hu have worked on a number of renovation projects in Shanghai, where their studio is also located. Past projects include a design gallery in a former colonial police station and a hotel in a disused army headquarters building, which was the overall winner at the inaugural Inside awards in 2011.

Dezeen interviewed the architects in November, when they told us that Chinese architects need to develop their own design manifesto to stem the tide of “half-assed” building projects in the country. See more stories about Neri&Hu on Dezeen.

See more recent architecture in China, including an asterisk-shaped restaurant and winery near Beijing.

Photography is by Pedro Pegenaute.

Here’s a project description from Neri&Hu:

Rethinking the Split House

The magical lane houses, which were once the dominant fabric that made urban Shanghai the intoxicating place that it was in the 1930s, are now slowly being demolished, taken over by high-density developments all over the city. Neri&Hu was commissioned to reconstruct a dilapidated lane house left with almost nothing except its glorious shell in the historic and artistic Tianzifang area in Shanghai, and the mission was to transform it into three separate apartment units.

Neri&Hu’s strategy was to rethink the typology of the lane house – keeping the split level formation, a typical trait to lane houses in this city, and add spatial interest through new insertions and skylights to accentuate the architectural integrity of such a typology, contemporising it for today’s lifestyle.

Historically the lane houses are separated with two distinct spaces – a longer and often rectangular space with a smaller room half a level above that creates a split section connected by a winding stairway in between. These lane houses which were often occupied by single families during the turn of the century, have changed over the course of the city’s economic history. They are now typically occupied by three or more families, sharing the public staircase and landings, so that neighbours living on different levels or rooms have a chance to interact as they move in and out of their personal units.

To keep the spirit of this typology alive, a new continuous metal stair was inserted to replace the old decaying wooden stair that was not to code. It also serves to act both as a vertical connection to the three levels and at the same time a lock for the frontal room and room half a level above to be intact in its configuration. To keep these spaces pure and rigorous, all toilets were inserted into the stair spaces. The bathrooms, conceivably the most intimate spaces of each apartment, are inserted next to the most public stairway separated only with a sandblasted glass divider. Above this stairway, a clearstory skylight was added to bring light to the darkest space and also to the frontal room, the room half a level above, and the staircase space itself. The blurring of both the private and the public acts as the central concept that binds the split level together, and at the same time, bring life to the middle and darkest portion of the lane house.

Architecturally, the decorative elements added over the last 60 years were stripped off, and large openings were created on the frontal section to improve light qualities to the public spaces of each apartment. The colour black was selected to make the building “disappear”, in hoping that one would experience the split-section connected by a public stairway that is so vital to Shanghai’s urban life in the 30s. By capturing the spirit of the historic past and making new abstract insertions to meet modern needs, Neri&Hu infused life into a lane house in a neighborhood whose original fabric is dissolving too fast, too soon.

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by Neri&Hu appeared first on Dezeen.

This renovation of a crumbling 1960s tower block in Paris nicknamed “Alcatraz” topped the architecture category of this year’s Designs of the Year Awards and is in the running for the top prize to be announced tonight (+ slideshow).

The 16-storey Tour Bois-le-Prêtre, originally designed by French architect Raymond Lopez, contains 96 apartments in the northern outskirts of the city, but after 60 years of ageing and neglect the building needed a significant overhaul to bring the accommodation up to modern standards.

French architect Frédéric Druot teamed up with Anne Lacaton and Jean-Philippe Vassal of Lacaton & Vassal on the competition-winning redesign. Their renovation included extending the floorplates outwards to increase the size of rooms plus create new conservatories and balconies.

A facade of corrugated aluminium clads the new exterior of the tower, interspersed with large windows and glazed balconies. Floor-to-ceiling glass separates the apartments from the new terraces to let more natural light into each residence.

Architect Amanda Levete, on the Designs of the Year judging panel, described the project as “a clever and elegant solution” that is “far from the usual cosmetic approach that fools no-one”. She added: “Completed at half the cost of demolition and new build, this is an exemplary lesson in harnessing clever thinking and ingenuity to transform neglected parts of our cities.”

Tour Bois-le-Prêtre is one of the seven category winners of the Designs of the Year Awards, alongside a folding wheel and a medicine kit that can travel to developing countries in between Coca-Cola bottles. The overall winner is set to be announced later today.

Other renovated apartment blocks we’ve featured include a tower surrounded by ribbon-like balconies in the Netherlands. See more renovations on Dezeen.

Here are a few words from the architects and some project details in French:

The Bois-le-Prêtre Tower Metamorphosis

Conversion of 100 social dwellings, operation in occupied site and high environmental quality, 5 Bld du Bois le Prêtre, Paris 17ème

The project of metamorphosis of the “Bois Le Prêtre” Tower consists of a radical transformation of the conditions of comfort and habitability of the 100 residences of the occupied building. The tower built in 1962 by the architect Raymond Lopez, develops on 50m height, 16 levels serving each one 4 or 8 residences.

By addition of heated extensions, winter-gardens and balconies, the overall surface of origin of 8900m2 is carried to 12460m2. This new organisation of surfaces and the precise technical improvements make it possible to adapt the rental offer while meeting by the creation of new typologies the needs for the families, to return lime pit foot the access to all the residences, to reduce passively, the consumption of energies of more than 50%, mainly by the addition of the winter-gardens.

Maître d’ouvrage: PARIS HABITAT
Architecte mandataire: Frédéric Druot Architecture
Architectes associés: Anne Lacaton & Jean Philippe Vassal

Etudes Fluide: INEX
Etudes Structure: VP Green Economie : E2I
Acoustique: Gui Jourdan

Sécurité incendie et accessibilité: Vulcanéo
Pilote MOE: BATSCOP
Surface SHON: 12 460 m2 (dont 8900m2 existant)

Coût des travaux: 11,2 euros HT
Livraison (en cours): Octobre 2011
Missions: Mission de base + Diagnostic + Concertation
Spécificités: Travaux en site occupé Certification CERQAL HQE

Above: Tour Bois-le-Prêtre before the renovation

Above: typical floor plan – click for larger image

Above: long section – click for larger image

Above: cross section – click for larger image

Above: north elevation

Above: west elevation

Above: south elevation

Above: east elevation

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Anne Lacaton and Jean-Philippe Vassal appeared first on Dezeen.

The Rijksmuseum in Amsterdam is set to reopen next week following a ten-year restoration and extension programme led by Spanish office Cruz y Ortiz Arquitectos (+ slideshow).

Above: the Atrium, photographed by Pedro Pegenaute

Working alongside French architect Jean-Michel Wilmotte and restoration architect Van Hoogevest, Cruz y Ortiz Arquitectos has overhauled the interior of the historic arts and crafts museum, which was designed by architect Pierre Cuypers in the late nineteenth century. As well as restoring galleries to their original configuration, the architects have created a new entrance hall and added a pavilion to showcase Asian artworks.

Above: the Atrium, photographed by Pedro Pegenaute

The entrance hall, named the Atrium, replaces a series of gallery extensions in the museum’s two inner courtyards.

Above: the Atrium, photographed by Pedro Pegenaute

A rib-vaulted passageway divided the space in two, so the architects have lowered the floor to create an underground zone linking the two sides from underneath. As the main route through the building, this passageway was then reconnected to the hall with a set of new staircases.

Above: the passageway, photographed by Pedro Pegenaute

The architects have installed a new glass roof to enclose the grand triple-height court, filled with natural light. Polished Portuguese stone covers the floor, while two rectangular chandelier-like structures are suspended overhead on each side.

Above: Gallery of Honour, photographed by Iwan Baan

Elsewhere in the museum, lowered ceilings and half-storeys have been removed to rationalise the layout of the Rijksmuseum‘s 80 galleries, which have been completely reorganised. Only Rembrandt’s seventeenth-century painting The Night Watch remains in its original position, in the dedicated Night Watch Gallery.

Above: Rijksmuseum, photographed by Iwan Baan

New display areas are designed by Jean-Michel Wilmotte to look invisible where possible and include cases made from anti-reflective glass and simple rectangular plinths. Walls are finished in five different shades of grey, in line with Cuypers’ original palette.

Above: The Night Watch Gallery, photographed by Iwan Baan

Under the supervision of Van Hoogevest, the terrazzo floor has been restored in the Great Hall, while additional ornaments have been revitalised in the Gallery of Honour and within the stairwells.

Above: 17th Century Gallery, photographed by Iwan Baan

The new Asian Pavilion is located to the south of the building and features walls of stone and glass. It is surrounded by water and sits within redesigned gardens by Dutch landscape architects Copijn Landschapsarchitecten.

Above: 17th Century Gallery, photographed by Iwan Baan

A number of historic museums have been given a facelift in recent years. Also in Amsterdam, Benthem Crouwel Architects recently added a sink-like extension to the Stedelijk Museum, while David Chipperfield won the Mies van der Rohe Award for his 2009 renovation of the Neues Museum in Berlin. See more museums on Dezeen.

Above: 20th Century Gallery, photographed by Iwan Baan

Here’s some more information about the opening:

Rijksmuseum to open following ten-year transformation

The Rijksmuseum will open on 13 April 2013, following a ten-year transformation. Never before has a national museum undergone such a complete transformation of both its building and the presentation of its collection.

Spanish architecture firm Cruz y Ortiz Arquitectos has spectacularly transformed the 19th-century building into a museum for the 21st century, with a bright and spacious entrance, a new Asian Pavilion and beautifully restored galleries. Under the guidance of restoration architect Van Hoogevest, the lavish decoration scheme of Pierre Cuypers, the original architect of the museum, has been fully reconstructed in a number of the museum’s key spaces. Parisian architect Jean-Michel Wilmotte designed the new interior of the galleries, fusing 19th-century grandeur with modern design.

The presentation of the Rijksmuseum’s world-famous collection is also new. For the very first time, visitors can follow a chronological journey through the collection, and experience the sense of beauty and time this offers. In a sequence of 80 galleries, 8,000 objects tell the story of 800 years of Dutch art and history. Only Rembrandt’s masterpiece The Night Watch will be returning to its original position.

The renovation and opening of the Rijksmuseum is made possible by founder Philips and main sponsors BankGiro Lottery, ING and KPN. The restoration of the Cuypers colours is made possible by AKZONobel/Sikkens.

Above: 18th Century Gallery, photographed by Iwan Baan

Journey through time, from the Middle Ages to Mondrian

The new presentation of the Rijksmuseum collection is a journey through Dutch art and history from the Middle Ages and Renaissance until the 20th century. The story of the Netherlands has been set in an international context and is told chronologically across four separate floors. Paintings, prints, drawings, photographs, silver, porcelain, delftware, furniture, jewellery, arms, fashion and objects from Dutch history will be presented together for the very first time.

More than 30 galleries are dedicated to the glory of the Golden Age, when the young mercantile republic led the world in trade, science, military exploits and the arts. At the heart of the museum will be the magnificently restored Gallery of Honour, presenting world-famous masterpieces by Vermeer, Rembrandt, Frans Hals and Jan Steen. The Gallery of Honour leads visitors to the dedicated space that architect Cuypers created for Rembrandt’s The Night Watch in the late 19th century, and where this huge masterpiece can once again be admired.

New to the presentation are the 20th century galleries. Paintings, furniture, photography, film and an aeroplane paint a picture of Dutch culture from the last century.

Above: 18th Century Gallery, photographed by Iwan Baan

Special Collections

The Special Collections are also displayed separately for the first time. Here, visitors will be able to discover famous and unexpected objects from the applied arts, science and national history, such as ship and navy models, musical instruments, and an armoury.

Above: Cuypers Library, photographed by Iwan Baan

New acquisitions and restorations

With the support of businesses, funds and private donors, hundreds of new objects and works of art have been acquired over the last ten years, of which more than 100 will be showcased in the museum when it reopens. The Rijksmuseum was also able to carefully study and restore almost the entire collection of works featured in the new presentation. Highlights among the new acquisitions include:

The ‘Golden Bend’ in the Herengracht (1671-72) by Gerrit Berckheyde, one of the highlights of the Dutch landscape genre from the Golden Age. Acquired with the support of Royal Dutch Shell, the National Art Collections Fund foundation and the BankGiro Lottery.

The Burgomaster of Delft and his Daughter (1655) by Jan Steen, one of the masterpieces of the 17th century collection. Acquired with the support of the BankGiro Lottery, The Mondrian Fund, VSB, Vereniging Rembrandt and National Art Collections Fund foundation.

A rare white armchair (1923) by Dutch designer and architect Gerrit Rietveld. With the support of the BankGiro Lottery Fund.

Two-metre high wooden sculptures of celestial warriors from Japan, temple guardians from the 14th century. With the support of the BankGiro Lottery Fund, the M.J. Drabbe Fund, The Mondrian Foundation and Vereniging Rembrandt.

Above: Great Hall, photographed by Jannes Linders

Cuypers for the 21st century

The main building of the Rijksmuseum has undergone a spectacular transformation. The lead architect for the renovation was Seville-based architecture firm Cruz y Ortiz. They based their ideas on the original design by Pierre Cuypers, the 19th-century architect of the museum. Under the motto Cuypers for the 21st century, and in close collaboration with Dutch restoration architect Van Hoogevest, the architects have turned the 19th-century national monument into a modern museum for the 21st century, restoring and introducing light and space. Cruz y Ortiz have opened up the previously converted inner courtyards into an impressive glass-covered new entrance hall, known as the Atrium. The original, richly decorated walls and ceilings have been revealed again in a number of places under the guidance of architect Van Hoogevest. The French architect Jean-Michel Wilmotte, known for his work in the Louvre, is responsible for the design of the Rijksmuseum galleries. He has designed elegant display cases, plinths, lighting and furniture, and has selected an interior colour scheme inspired by Pierre Cuypers’ palette for the building.

Above: Gallery of Honour, photographed by Iwan Baan

The new Asian Pavilion

Surrounded by water, the new Asian Pavilion is made from Portuguese stone and glass, and is characterised by many oblique surfaces and unusual sightlines. It houses the museum’s rich collection of Asian art from China, Japan, Indonesia, India, Vietnam and Thailand, dating from 2000 B.C. to 2000 A.D. A total of approximately 350 objects will be on display.

New “outdoor museum”

Based on Cuypers’ 1901 design, the Rijksmuseum gardens’ new layout was created by Dutch garden and landscape architecture firm Copijn. The gardens feature several of the original formal garden styles, as well as classical statues, and fragments and ornaments of historic buildings. A fountain, a water artwork designed by Jeppe Hein, a 19th-century greenhouse with ‘forgotten’ vegetables, and a children’s garden with playground equipment by Dutch designer Aldo van Eyck will soon be added to this “outdoor museum”. A Henry Moore exhibition will open in the new gardens on 21 June 2013, the first in a series of international sculpture exhibitions to be held each year.

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and Jean-Michel Wilmotte appeared first on Dezeen.