Cambridge bakery converted into family home by NRAP Architects

British architect Richard Overs has converted a deserted bakery in Cambridge, England, into a modern home for his family (+ slideshow).

From Bake-House to Our House by NRAP Architects

Overs, a director at NRAP Architects, renovated both the bakery and a small accompanying house to create the two-storey residence called The Nook, then tied the two buildings together by adding a black-painted timber structure in between.

From Bake-House to Our House by NRAP Architects

The architect said the two separate structures lent themselves perfectly to the arrangement of a home: “The large space within the bakery provides flexible living space, whilst the smaller rooms within the baker’s house are ideally suited to bedrooms.”

From Bake-House to Our House by NRAP Architects

Accessed via a private lane, the house’s facade is a wall made from a combination of light and dark bricks. An entrance leads through the wall into the new wooden structure, which contains a lobby and staircase.

From Bake-House to Our House by NRAP Architects

The hallway leads through to the large room formerly used as bakery. With high ceilings and white-painted wooden trusses, the space creates a flexible living, dining and kitchen space.

From Bake-House to Our House by NRAP Architects

A wall of glazing opens the kitchen out to a secluded courtyard located behind the facade, while a series of glass doors also lead out to a second courtyard at the rear.

From Bake-House to Our House by NRAP Architects

Skylights bring additional daylight into the living space, while floors are covered with painted plywood boards. The kitchen worktops are salvaged from the architect’s previous kitchen.

From Bake-House to Our House by NRAP Architects

“Our attitude to the fabric of the building was quite relaxed; elements of value were retained, others were removed,” explained Overs.

From Bake-House to Our House by NRAP Architects

The hallway features a wall of exposed clay bricks, revealing the former facade of the small detached house, which contains a pair of bedrooms on each floor.

From Bake-House to Our House by NRAP Architects

Here’s a project description from architect Richard Owers:


From Bakehouse to our House

Richard Owers, director of NRAP Architects, describes the process of converting a disused bakery in Cambridge into a home for his family.

From Bake-House to Our House by NRAP Architects

 

The Nook …….. is where the hearth is!

“Converting The Nook was an important moment in my architectural career, the significance of which was increased by the death of my father the previous year. He had inspired me at a very early age to become an architect and throughout my career suggested it was important to live in ones own creation. Finally firing up the hearth at The Nook was therefore rather poignant.”

From Bake-House to Our House by NRAP Architects

Rescue Operation

“An often overlooked challenge for architects interested in sustainability is how to adapt existing buildings in a creative and cost effective manner. This project demonstrates how a building with little apparent architectural value can be rescued through good design. It also illustrates that demanding physical and budgetary constraints require creative solutions, and that calculated risk-taking can overcome the difficulties of a cautious mortgage market.”

From Bake-House to Our House by NRAP Architects

Dereliction

In October 2010 Richard Owers of NRAP Architects spotted a ramshackle bakery and detached house in south Cambridge. The bakery, more recently used as a launderette, was disused and boarded up. The baker’s house had been privately rented and was in very poor condition. The two buildings were stranded behind a parade of shops, within a sea of car parking, at the end of a tarmac drive. As a place to live it had little going for it – or that was the general perception.

From Bake-House to Our House by NRAP Architects

The existing two-up-two-down house was entered off a forecourt, directly into a central room that doubled as entrance hall and dining room. A living room and kitchen were accessed off opposing corners of the dining room. The same pattern was repeated at first floor, with entry to the bathroom via a bedroom.

From Bake-House to Our House by NRAP Architects

The Solution

A walled garden in front of the bakery provides privacy to the living spaces and definition to the forecourt. A black-stained, timber-clad structure was added to the house to link it to the bakery and provide a new entrance hall and staircase. The existing staircase was removed to provide storage space in bedrooms. A right of way, passing along the north edge of the bakery, presented a privacy and security problem that was overcome by blocking-up all but one of the existing openings on the north façade. In the remaining opening translucent glass replaces a timber door. Large windows in the south facade were introduced to re-orientate the living spaces to the back garden.

From Bake-House to Our House by NRAP Architects

Expanding Space

In a tight urban context the balance between privacy, light, and views is hard won. An increased sense of space, achieved through large openings with strong connections to the outside, is often at odds with privacy requirements. The following images show how this was achieved.

From Bake-House to Our House by NRAP Architects
Image showing the original bakery and detached house

Inside Outside

The walled garden has the feeling of a living room, carpeted in white pebbles with a planted edge and a Tibetan Cherry tree for shade. A large sliding-folding door allows the living spaces to extend into the garden, and the garden to extend into the living space.

Ground floor plan of From Bake-House to Our House by NRAP Architects
Ground floor plan – click for larger image

Controlled Views

Views through the building and of external spaces are carefully controlled. The walled garden is first glimpsed from the front doormat and again at the foot of the staircase. It is not until one enters the living space that uninterrupted views of both front and back gardens are possible. Natural light plays on the different materials and surfaces to create an ethereal atmosphere that changes throughout the day and with the seasons.

First floor plan of From Bake-House to Our House by NRAP Architects
First floor plan – click for larger image

Top Lighting

The space within the entrance hall expands vertically up to the first floor as you penetrate the building. A roof light above brings natural light into the heart of the space.

Roof plan of From Bake-House to Our House by NRAP Architects
Roof plan – click for larger image

Open-plan Living

A compelling architectural diagram for contemporary living combines a compact arrangement of bedrooms with open-plan living spaces. The contrasting form and geometries of the two existing buildings lent itself perfectly to this arrangement. The large space within the bakery provides flexible living space, divided by free-standing storage and island units, whilst the smaller rooms within the baker’s house are ideally suited to bedrooms.

Section through garden of From Bake-House to Our House by NRAP Architects
Cross section – click for larger image

Special Places

The staircase is an exciting place to stop. In recognition of this we created an extended landing at the top, overlooking the entrance hall. The landing is large enough for a writing desk and chair.

Section through courtyard of From Bake-House to Our House by NRAP Architects
Long section – click for larger image

Re-use, Recycle, Reclaim

Rescuing a dilapidated building is an intrinsically sustainable thing to do. Our attitude to the fabric of the building was quite relaxed; elements of value were retained, others were removed. The lintel over the original front door for example was reused above the fire place as a focus to the living space.

Brickwork to the original external wall of the house is exposed in the hallway, in contrast with the smooth plaster used elsewhere. Painted plywood, usually used as a sub-floor, has been laid directly on rigid insulation over the original concrete floor. Low energy florescent lights are discretely hidden behind a timber pelmet, and kitchen worktops and units were salvaged from my previous kitchen.

North elevation of From Bake-House to Our House by NRAP Architects
North elevation – click for larger image

Process

As soon as our offer on the property was accepted I commenced the design to enable a planning application to be lodged immediately after ‘exchange’ of contracts. A period of six weeks between exchange and completion was agreed, to parallel the statutory planning period and allow just enough time to prepare construction information. Unfortunately the council took three weeks to merely validate the application, so construction was commenced, at some risk, prior to receiving planning permission. The pressure of paying two mortgages made it essential to compress the construction program. A contract was negotiated with a local builder prepared to wait until we had re-mortgaged to get the majority of his money. Construction was completed in three months and the property re-mortgaged immediately after.

East elevation of From Bake-House to Our House by NRAP Architects
East elevation – click for larger image

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Eiffel Tower’s first-floor overhaul nears completion

News: work is nearing completion on an upgraded first floor for the Eiffel Tower that will offer visitors the opportunity to walk over a glass floor or host events and conferences 57 metres above the ground.

New first floor for the Eiffel Tower by Moatti-Rivière Architects nears completion

The first floor is currently the most spacious but least visited storey of the iconic Parisian structure, but this reconstruction by French studio Moatti-Rivière Architects – the first in 30 years – is set to transform it into an attractive destination filled with restaurants, shops and event spaces.

New first floor for the Eiffel Tower by Moatti-Rivière Architects nears completion

The architects conceived the 5000-square-metre floor as “a real urban space with its streets, its buildings and its central space, 57 metres above ground”, and are replacing existing pavilions with a series of new self-contained structures boasting modern facilities and impressive views.

New first floor for the Eiffel Tower by Moatti-Rivière Architects nears completion

An educational pathway will reveal the history of the building, while a glass floor will wrap the outside of the towers’s central opening to offer visitors a vertiginous experience.

New first floor for the Eiffel Tower by Moatti-Rivière Architects nears completion

The reconstruction will enable disabled access, which before now has been severely restricted. It also introduces sustainable technologies, such as solar power, rainwater harvesting and wind power and low-energy LED lighting.

New first floor for the Eiffel Tower by Moatti-Rivière Architects nears completion

Here’s a project description from Moatti-Rivière Architects:


The Eiffel Tower’s 1st floor is going to have a face-lift

New buildings and entirely redeveloped public spaces to make the Tower’s 1st floor once again one of Paris’ most spectacular and attractive locations, 57 meters above the city

Since the last transformation of the 1st floor 30 years ago, the Tower has welcomed more visitors than during its first century of existence! The pavilions and public spaces of the 1980s are obsolete and not adapted to the number of visitors, the visitors’ expectations and technical standards.

New first floor for the Eiffel Tower by Moatti-Rivière Architects nears completion

The floor reorganisation project includes: rebuilding the reception and conference rooms to turn it into one of Paris’ most attractive event spaces; rebuilding the pavilion dedicated to visitor services, particularly restaurants and shops; creating an entertaining and educational museographic path; and finally, creating two spectacular attractions: discovering space on the monument and its esplanade thanks to glass flooring and balustrades and an “immersion” film promising strong emotions.

Important goals linked to the sustainable development policy implemented at the Eiffel Tower: accessibility and reducing its carbon footprint.

New first floor for the Eiffel Tower by Moatti-Rivière Architects nears completion

Today, disabled people are unable to access most of the 1st floor of the Tower. With this reorganisation all visitors, regardless of their disability, will be able to enjoy the whole space and all its services and contents.

New building standards, solar energy for heating, wind energy, hydraulic energy, rainwater recovery, LED lighting: various techniques will be implemented to help improve the Tower’s energy performance.

New first floor for the Eiffel Tower by Moatti-Rivière Architects nears completion

An “influenced” architecture, designed entirely in diagonals and transparency by the architects Moatti-Rivière, providing an improved experience of the Tower and Paris and respect for the monument and its history.

The new pavilions are influenced by the pillars designed by Gustave Eiffel. They hug the Tower’s slant. The volumes are incorporated in the depths and curves of the pillars. Service areas are placed next to the gables to preserve the central transparency.

The floor is designed as a real urban space with its streets, its buildings and its central space, 57 meters above ground. It gives a close view of the city and of the Tower itself. It is a knowledge space where the inside of the “Tower object” can be explored.

New first floor for the Eiffel Tower by Moatti-Rivière Architects nears completion

The project offers an improved experience of the Tower and Paris, an entertaining sensory experience, a journey of the senses and knowledge.

The redevelopment has been designed and carried out by the architects Moatti-Rivière architects, in consortium with Bateg for the construction. The latter won the design-construction contract in October 2010.

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Long staircase spans converted London apartment by PATALAB Architecture

London studio PATALAB Architecture made the most of the space inside this awkward-shaped residence in the north of the city by running a staircase along the entire rear wall and adding a door that folds around a corner (+ slideshow).

Long staircase spans converted London apartment by PATALAB Architecture

PATALAB Architecture inserted the two-storey apartment into the converted upper levels of a historic shop building in Hampstead Village. The team planned the interior as a series of tiers, hence the name Cascade House.

Long staircase spans converted London apartment by PATALAB Architecture

The first step in the renovation was to add an extra storey at the rear of the building. The architects then created a long route that leads directly from the entrance all the way up to this new top level, allowing it to function as both corridor and stairwell.

Long staircase spans converted London apartment by PATALAB Architecture

Skylights bring natural light into the stairwell, while inside walls are lined with pine panels that have been sand-blasted and stained black.

Long staircase spans converted London apartment by PATALAB Architecture

“This was one of our most challenging design projects in terms of creating a sense of space at a very confined site in a listed building,” said studio founder Uwe Schmidt-Hess. “By introducing the internal timber panelled staircase facade and creating a very intense spatial sequence, the apartment feels much bigger than it actually is.”

Long staircase spans converted London apartment by PATALAB Architecture

The timber staircase treads are also stained black, as are floors throughout the apartment, helping to create a sense of unity through each of the spaces.

Long staircase spans converted London apartment by PATALAB Architecture

Upon entering, the first room to arrive at is the combined living room and kitchen. The unusual door sits at one of the corners of this space, comprising two halves that concertina into the wall so that they don’t get in the way when open.

Cascade House by PATALAB Architecture

There’s also a window between this room and the stairwell to help light filter between the two spaces.

Cascade House by PATALAB Architecture

Here’s a project description from the architects:


Cascade House

‘Cascade’ staircase and right-angled door boost the sense of living space at a listed building conversion in Hampstead Village, London.

Cascade House by PATALAB Architecture

Building a luxury two-bedroom apartment as an extension to the modestly sized dimensions of an existing retail premises in this Georgian building in the very heart of London’s Hampstead village, while providing occupants with a heightened sense of living space, was the design challenge for PATALAB Architecture.

Cascade House by PATALAB Architecture

The Grade II listed building, on the corner of Hampstead High Street and Perrin’s Court, consists of three storeys of floor space. The rear of the building extends to two floors. The design solution for creating a two-storey dwelling and giving it a feeling of enhanced space was to create a new mansard-roofed third storey at the rear of the building. This has maximised the headroom in the new living room/kitchen area inside while minimising visual mass externally, thereby satisfying the listed building requirements of the local planning authority.

Cascade House by PATALAB Architecture

A new access staircase for the apartment runs for most of the building’s depth, at the back of the new accommodation, adding to the sense of space. There is a short, right angled turn at the foot of it, leading to the street entrance door. The visual effect of the continuous fall of black-stained timber staircase treads, together with the double storey living space, has given the new dwelling its name, Cascade House.

Cascade House by PATALAB Architecture

The staircase is well lit by roof skylights and has a grain textured facade of pine panels one side of it which has been sandblasted to enhance the surface texture and stained black to increase the graphic effect. This gives an impressive, continuous, feature-like quality to the entrance space.

Cascade House by PATALAB Architecture

The sense of space has been further enhanced by the creation of a right-angled entrance door to the living room/kitchen area, an unique design feature. An internal window in the living room wall provides extra daylight exposure to the stairwell, as well as providing a double light aspect to the living space.

Cascade House by PATALAB Architecture
Axonometric diagram – click for larger image
Cascade House by PATALAB Architecture
Detailed diagram – click for larger image

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Brick colonnade screens renovated hunting lodge by DMOA Architecten

DMOA Architecten has transformed a former hunting lodge in Belgium into a family home, retaining the eight piers of its original brick facade as a garden feature (+ movie).

La Branche by DMOA Architecten

La Branche was first built in the eighteenth century on the site of a castle in the woods of Heverlee, Belgium. Originally a home, it later became a hunting lodge but was left vacant 15 years ago.

La Branche by DMOA Architecten

DMOA Architecten refurbished two brick blocks and created a new one-storey volume that links the two. The eight piers of the original facade, which gave its name to the property, were retained as a free-standing screen in front.

La Branche by DMOA Architecten

“When you walk through the house you feel continuously that you are in a nexus between old and new,” said Luis Querol of DMOA Architecten.

La Branche by DMOA Architecten

The new flat-roofed single-storey volume holds the living and dining areas. It has custom-made windows and timber cladding in black-tinted afzelia.

La Branche by DMOA Architecten

Cupboards are made of smoked oak veneer, the floor is natural oak, and the kitchen is a combination of brown Corian and smoked oak veneer.

La Branche by DMOA Architecten

The new addition makes a U-shaped plan, connecting with the two brick gabled buildings that sit at right angles to it to form a central courtyard.

La Branche by DMOA Architecten

The house is now home to a family with four children, whose bedrooms are within the brick-built wings.

La-Branche-by-DMOA-Architecten-dezeen_18

Floors and walls in the master bathroom are painted black.

La-Branche-by-DMOA-Architecten

Photography by Thomas Janssens. Video is by Luis Querol.

Here’s a project description the architect sent us:


La Branche

The project is a peaceful combination of old and new. The new part is a sober black canvas looking at the garden from behind the old walls.

La Branche by DMOA Architecten

In several places remnant parts of the old walls are kept as garden elements, an aspect that strengthens the atmosphere. When you walk through the house you feel continuously that you are in a nexus between old and new.

La Branche by DMOA Architecten

The project consists of the renovation of an old resting place for hunters in the woods of Heverlee (Belgium), transforming it in an comfortable and modern dwelling for a family with four children.

La Branche by DMOA Architecten

One of the three wings of the U-compositions was removed except of the facade wall, which remains with the name that gave title to the old refuge and now to its renovation “La Branche”.

La-Branche-by-DMOA-Architecten-dezeen_21

The sides made of brick contain the private rooms of the family meanwhile the dark volume accommodate the living and the kitchen in permanent connection with the pool and the outside garden. The dark colours of the interior design contrast with the high brightness that gets inside through the large windows.

La Branche by DMOA Architecten

Project Title: La Branche
Architects: DMOA Architecten
Collaborators: Benjamin Denef, Charlotte Gryspeerdt, Matthias Mattelaer; Lien Gesquiere
Localization: Heverlee, Belgium
Site area: 2200 sqm
Floor area: 655 sqm

La-Branche-by-DMOA-Architecten-dezeen_plan_1
Ground floor plan – click to view
La-Branche-by-DMOA-Architecten-dezeen_plan_0
First floor plan – click to view
La-Branche-by-DMOA-Architecten-dezeen_plan_floor_00
Basement plan – click to view

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Hugh Strange Architects slots architectural archive inside old farmyard barn

British studio Hugh Strange Architects has transformed an agricultural barn in Somerset, England, into a family archive building by inserting a new timber structure within the dilapidated brick and stone shell.

Architecture Archive and Office by Hugh Strange Architects

Located on a working farm amongst a mixture of barns and sheds dating from the nineteenth century through to the present day, the building was designed by Hugh Strange Architects to store the architectural archives of the client and farm.

Architecture Archive and Office by Hugh Strange Architects

The architects stabilised and repaired the walls and roof of the old stone and brick barn, before inserting two new timber structures inside.

Architecture Archive and Office by Hugh Strange Architects

Both of these new structures were constructed from a single layer of cross-laminated timber panels, which required no insulation, external cladding or internal lining. They are identical in volume, but subtly differentiated in their fenestration and fit-out.

Architecture Archive and Office by Hugh Strange Architects

“We choose timber because it provides a stable environment for the drawings in the collection – both thermally and in terms of relative humidity,” Hugh Strange told Dezeen. “It is also a wonderfully warm material and has many sustainability benefits.”

Architecture Archive and Office by Hugh Strange Architects

The south building provides a drawing archive and display space and is light from above by a skylight.

Architecture Archive and Office by Hugh Strange Architects

The north building provides an office space and features large French windows that offer views to the woods outside.

Architecture Archive and Office by Hugh Strange Architects

In contrast to the engineered spruce construction, the buildings are fitted out with hardwood floor mats made from timber felled from the surrounding woodlands and dried in the neighbouring wood store.

Architecture Archive and Office by Hugh Strange Architects

Inside, wall-mounted timber display cases are used to display drawings from the archive. “The edges are detailed with hessian and the stitches are deliberately not cut off on the back side to reveal the process,” said Strange.

Architecture Archive and Office by Hugh Strange Architects

Photography is by David Grandorge.

Here’s a project description from Hugh Strange Architects:


Architecture Archive, Somerset

Site & Brief

Located within the context of a working Somerset farmyard, the new building provides an office and store that houses the client’s architectural and family archives.

Architecture Archive and Office by Hugh Strange Architects

The project sits within an agricultural valley in a mix of buildings that includes a large farmhouse, a converted Dairy Cottage, a traditional wood store and a mix of barns and sheds that date from the 19th Century, through the 1970’s, to a recently completed cow shed.

Architecture Archive and Office by Hugh Strange Architects

Layout & Form

The dilapidated walls and roof of an old stone and brick barn have been removed and the remaining walls carefully stabilised and repaired.

Architecture Archive and Office by Hugh Strange Architects

Within these walls two timber structures have been inserted with a single new roof over-sailing the whole composition and providing a covered entrance. The two new timber buildings are identical in their volumes but subtly differentiated in their fenestration and fit-out.

Architecture Archive and Office by Hugh Strange Architects

The south building provides a drawing archive and display space and is predominantly top lit by a generous roof light.

Architecture Archive and Office by Hugh Strange Architects

The north building provides an office space and is characterised by large French windows that offer views to the woods outside. To the rear of the building a modest external space is provided, enclosed by the retaining wall to the sloping side of the valley, with a generous external stair providing access up to the surrounding woodlands.

Architecture Archive and Office by Hugh Strange Architects

Construction & Environment

The new building shell is constructed of a single layer of solid wood without insulation, external cladding or internal lining. The Cross-Laminated Timber panels range from 300mm to 420mm in thickness and simultaneously provide insulation and thermal mass, creating a stable internal environment for the archive in terms of its temperature and relative humidity.

Architecture Archive and Office by Hugh Strange Architects

The simple timber forms sit on a rough in-situ cast concrete base and are protected by a profiled cement roof similar to those of the surrounding barns. The vented space between the timber and the roof cladding prevents overheating during hot summer months.

Architecture Archive and Office by Hugh Strange Architects

In contrast to the engineered Spruce construction, the buildings are fit-out with hardwood floor ‘mats’ using timber felled from the surrounding woodlands and dried in the neighbouring wood store.

Architecture Archive and Office by Hugh Strange Architects

Rough-sawn cedar floorboards to the office and smooth-sanded and oiled ash and beech to the archive distinguish the different characters of the spaces.

Architecture Archive and Office by Hugh Strange Architects

Architect:
 Hugh Strange Architects
Structural Timber: Eurban / Stora Enso
Structural Engineer: Price & Myers
Joinery: Andrew Balls
Display Panels: Jude Dennis / Lars Wagner
Construction Manager: Paul Rawson
Budget: £250,000

Architecture-Archive-Office-by-Hugh-Strange-Architects-Dezeen-location_plan_text_468
Site plan – click for larger image
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Floor plan – click for larger image
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Detailed section – click for larger view
Architecture-Archive-Office-by-Hugh-Strange-Architects-Dezeen-axo_468
Axonometric diagram – click for larger image

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LAN wins renovation of Grand Palais exhibition hall in Paris

News: French studio LAN has won a competition to revamp the Grand Palais exhibition centre in Paris with plans to restore galleries around the Grand Nave and insert a new entrance court.

LAN wins renovation of Grand Palais exhibition hall in Paris

LAN proposes to restructure and restore the “original coherence and sense of transparency” of the grand Beaux Arts building, which was constructed for the World’s Fair of 1900 at the eastern end of the Champs-Elysées, and which features a barrel-vaulted glass and iron roof.

LAN wins renovation of Grand Palais exhibition hall in Paris

The first intervention will be to adapt entrances on the northern and southern facades. A pair of gentle ramps will follow the curvature of the existing fountain to lead visitors to the main access on Avenue du Général-Eisenhower, while the riverside entrance will serve as a dedicated arrival point for special exhibitions and the restaurant.

LAN wins renovation of Grand Palais exhibition hall in Paris

Both entrances will lead through to a new two-storey ambulatory between the Grand Nave and the rotunda of the adjoining Palais d’Antin. Voids in the floorplates will create double-height ceilings and stairwells, allowing the space to function as the connecting area between all exhibitions.

LAN wins renovation of Grand Palais exhibition hall in Paris

Existing galleries will be re-planned to allow greater flexibility, while a new exhibition space for contemporary art and live performance will be created within the Palais d’Antin.

LAN wins renovation of Grand Palais exhibition hall in Paris

Old bay windows and passageways will be opened up throughout the building, plus visitors will be given the opportunity to explore the roof.

LAN wins renovation of Grand Palais exhibition hall in Paris

“These interventions represent a unique opportunity to rediscover the traces and ways in which the Grand Palais has withstood the test of time,” said the architects. “Our credo for the New Grand Palais is to complete and strengthen its formal logic through interventions that return a sense of modernity to its whole, all the while respecting its traditional identity.”

LAN wins renovation of Grand Palais exhibition hall in Paris

LAN will also add spaces for logistics and car parking within a new basement storey, install a climate-control system and modernise existing systems to bring the whole building in line with current building regulations.

Here’s a more detailed project description from LAN:


Grand-Palais

The new Grand Palais: an example of modernity

To our contemporary eyes, the Grand Palais is both an idea and a symbol of modernity. It is a hybrid building in terms of its architecture, its usage and its history. Neither a museum nor a simple monument, its architecture has an identity all its own, centred around the notion of a “culture machine”, a spatial means for hosting a vast diversity of events and audiences that exponentially exalts the site’s “universal” and “republican” vocation. The restoration and restructuring of the entire monument affords us the chance to reinforce this aspiration.

LAN wins renovation of Grand Palais exhibition hall in Paris
Plan overview – click for larger image

The coming restructuring foresees the implementation of a new circulation mechanism centred around the middle building, the restoration of the galleries surrounding the Grand Nave, the installation of a climate control system, the creation of a logistics centre, bringing the entire building up to code, and opening the large bay windows and passageways in order to restore the building’s original coherence and sense of transparency. These interventions represent a unique opportunity to re-discover the traces and ways in which the Grand Palais has withstood the test of time, survived changes in its function, to assert architecture as a point of departure, and the space as nurturing life and society.

LAN wins renovation of Grand Palais exhibition hall in Paris
Design strategy – click for larger image

Even though the initial reason for building the Grand Palais was to provide a site for presenting and promoting French artistic culture during the World’s Fair of 1900, the plan nevertheless envisioned durability and flexibility from the outset. Even though these many adaptations progressively complicated and depreciated certain parts of the Grand Palais, the intelligence of its general form and its original spatial intent have helped it survive these episodes and change with the times.

Our credo for the New Grand Palais is to complete and strengthen its formal logic through interventions that return a sense of modernity to its whole, all the while respecting its traditional identity.

LAN wins renovation of Grand Palais exhibition hall in Paris
Scale comparison – click for larger image

The Jean Perrin Square and the ‘Jardin de la Reine’

The logical consequence of revamping the northern and southern access points, one of the challenges of the project, is that the middle building lies at the heart of our intervention. Our wish is to reinforce the sense of unity between the Grand Palais and the Palais d’Antin and to make the middle building the meeting point between the two. This approach respects the architects’ original intentions, namely to render the spaces and their development highly legible to users, such that they implicitly signify the building’s function.

The pure geometry of the rediscovered circle creates a new symbol and marker at the urban level for the entrance to the New Grand Palais. It will become a veritable place of its own that can host planned or spontaneous activities. Two ramps, designed on the basis of the geometric matrix provided by the steps and the fountain, will lead visitors from the level of the square at the base of the building towards the entrance. Facing the Seine there will be the entrance for specific audience and the independent access to the restaurant. The latter takes advantage of a large terrace orientated to the south, located below the Jardin de la Reine.

LAN wins renovation of Grand Palais exhibition hall in Paris
Section A – click for larger image

The middle building: ‘La Grande Rue des Palais’

By creating a progressive transition from the urban space to that of the galleries, the first two floors of the middle building contain the ambulatory. It is a majestic, open volume with multiple levels that will allow the public to embrace the Grand Nave and the rotunda of the Palais d’Antin at the same time. In fact, it emphasizes the original east-west axis of the composition. Situated along the lower main level, ‘La Grande Rue des Palais’ organizes the different entrance phases in a clear sequence before leading the public to the various activities offered. The ambulatory will become the connecting platform for all exhibitions at the new Grand Palais. The materials chosen for la Grande Rue des Palais will link the exterior to the interior, the existing to the new. The dichotomy between the building’s foundation wall and the piano nobile, perceptible on the outside because of the change in stone colour, will continue inside the building.

LAN wins renovation of Grand Palais exhibition hall in Paris
Section C – click for larger image

The exhibition spaces

The restructuring of the National Galleries seeks to take into account the interdependence between comprehending a work and its formal and conceptual presentation. This becomes a unique opportunity to develop a vast range of diverse “situations” in terms of volumes, light, materials, and their relationship to the outside. It’s not simply a question of making the volumes flexible, but of giving them the ability to become an event in and of themselves. This process is not confined to the galleries; it can happen anywhere in the building, wherever the structure allows for it. By integrating innovative museographic concepts into the institution, the museum will be able to host works that, until now, have only been seen in alternative spaces for brief periods of time, and which have in fact not been commented on or valued enough.

LAN wins renovation of Grand Palais exhibition hall in Paris
Section D – click for larger image

The Grand Palais des Arts et des Sciences

The Palais de la Découverte will expose the public to other forms of culture, such as exhibitions, contemporary art, or high-quality live performances. Conversely, the public visiting the Grand Nave and the galleries will be exposed to new experiences upon visiting the Palais de la Découverte. The new temporary gallery in the Palais de la Découverte has been conceived with this in mind, as its central location concretises the link between these two realities.

LAN wins renovation of Grand Palais exhibition hall in Paris
Section I – click for larger image

The logistics platform and bringing up to code

For this project to become an effective way to hosting very diverse events and publics, it first of all demands a clear, flexible, and adaptable structuring of the spaces at hand. More than simply managing current needs, our proposal opens the door to the future evolutions of these needs. What is at stake is formulating a vision that in the long term can accept new parameters, evolutions in technology, and paradigm shifts.

LAN wins renovation of Grand Palais exhibition hall in Paris
Detailed section one – click for larger image

The program led us to create an underground level, which will host the logistics spaces and the associated parking and loading spaces. These technical works will permit an increase in visitor capacity to the Grand Palais. The Grand Nave will thus be able to accommodate more than 11,000 persons compared to the current 5,200, and this will increase its total visitor capacity from the current 16,500 to more than 21,900 persons.

LAN wins renovation of Grand Palais exhibition hall in Paris
Detailed section two – click for larger image

From the Grand Palais to the city – the flow of tourists and the observatory

The movement of visitors within the Grand Palais represents an opportunity for “showing off” the architecture. By drawing the visitor’s attention, these views will frame “details” in the architecture and the landscape, thereby giving them emphasis. These views reveal themselves progressively as one walks through the space. They disclose the connection of the spaces that allow visitors to locate themselves within the building and in relation to the city. The internal tourist itinerary continues outside, along the rooftop of the Grand Palais, allowing visitors to discover the roof, and it will provide them with unobstructed, totally new vistas of Paris.

LAN wins renovation of Grand Palais exhibition hall in Paris
Detailed section three – click for larger image

The monument to the dawn of sustainable development

We made use of a philosophy based on five main design values: Effectiveness, Sobriety, Strengthening Cultural Heritage, Minimal and Passive Intervention, and Remaining at the Service of Users. By analysing what is already there, the project is able to resolve and transform the challenges into strengths while at the same time identifying and preserving the quality of the inherited resources. Users (and future uses) have been placed at the heart of the design process by attempting to understand the many activities exercised and also by taking into account comfort and environmental requirements, be they climatic, acoustic, lighting-related, hygrothermic, and so forth. This intersection of situations, inherited resources, practices and activities, comfort and environmental requirements constitute the multi-faceted basis for this intervention. To reveal what is already there means to draw on the inherited resources to construct micro-contextual responses. One must in the end be hyper-contextual.

LAN wins renovation of Grand Palais exhibition hall in Paris
Detailed section four – click for larger image

Project: restoration and redesign of the Grand-Palais des Champs-Élysées
Address: Avenue Winston Churchill, Paris 8e, France
Competitive dialogue: 2013-2014
Client: Réunion des Monuments Nationaux – Grand-Palais
Budget: €130 M. excl. VAT
Surface: 70 623 m²
Team: LAN (mandatory architect), Franck Boutté Consultants (sustainable design), Terrell (structure, façades, fluids), Michel Forgue (Quantity surveyor), Systematica (flux), Lamoureux (acoustic), Casso (Fire protection and accessibility engineers), CICAD (SCMC), BASE (landscaper), Mathieu Lehanneur (design).

LAN wins renovation of Grand Palais exhibition hall in Paris
Detailed section five – click for larger image

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Vaulted brick ceilings revealed inside renovated Barcelona apartment

Laboratory for Architecture in Barcelona uncovered barrel-vaulted brick ceilings during the renovation of this apartment in the architects’ home city (+ slideshow).

Casa Tomas by Laboratory for Architecture in Barcelona

For the renovation of Casa Tomás, Laboratory for Architecture in Barcelona separated the interior into areas that will be used most at night and those that will be active during the day, connected by a small intermediate room.

Casa Tomas by Laboratory for Architecture in Barcelona

Architect Pepe Gascón told Dezeen they discovered the “lovely roof” when they demolished the existing plaster ceiling.

Casa Tomas by Laboratory for Architecture in Barcelona

“We supposed there was this kind of roof in the apartment because most of the apartments and flats built in this period of time were built with this kind of construction,” Gascón said.

Casa Tomas by Laboratory for Architecture in Barcelona

“In the Catalan language it’s called ‘volta catalana’ which means ‘Catalan arch’ and it was an easy way to build a roof with ceramic tiles, where the arch distributes the forces it receives to both sides,” he explained.

Casa Tomas by Laboratory for Architecture in Barcelona

On one side of the apartment’s H-shaped plan, four rooms have been transformed into a single open-plan space for the living, dining and kitchen areas.

Casa Tomas by Laboratory for Architecture in Barcelona

A bathroom on the opposite side of the apartment features green tiled walls that never meet the vaulted ceiling, but a row of glazed panels is slotted between to bring extra light into the space from above.

Casa Tomas by Laboratory for Architecture in Barcelona

Two bedrooms are situated on either side of the bathroom, completing the side of the residence dedicated to night time.

Casa Tomas by Laboratory for Architecture in Barcelona

The ceiling in the living area has been left exposed to show the red tones of the clay ceramic, while vaulted ceilings elsewhere are all painted white. A mixture of wooden boards and patterned Mallorcan tiles cover the floors.

Casa Tomas by Laboratory for Architecture in Barcelona

Narrow terraces are positioned at each end of the apartment. The one at the bedroom end is screened by a steel trellis covered with climbing plants, while the second faces down onto the street.

Casa Tomas by Laboratory for Architecture in Barcelona

Photography is by José Hevia.

Here’s some information from Pepe Gascón:


More Dualism, Less Monism

Louis Kahn divided spaces into two types: served and servant (where ‘servant’ refers not to domestic staff but to spaces serving other spaces). Marcel Breuer structured a considerable number of his single-family homes into a bi-nuclear scheme. The pre-existing H-shape of the Tomás home already favoured its spatial organisation into two living areas, as in Breuer’s plan: one part to be used for daytime activities – the social area – and the other for night-time functions – the private area. The connecting room was to be a servant space but also given its own character so that, rather than being relegated for use as a mere passageway, it could also function as a living area. The other two rooms would be served spaces.

Casa Tomas by Laboratory for Architecture in Barcelona

Although these two served spaces are almost similar in terms of dimension and geometry, both are defined in completely opposite ways. The public part is clear space while the private section is divided. The former is open to the street and the latter closed off by the inner courtyard of the block. The main space extends outwards via a balcony, while the other area is filtered and separated from outside by a uniform glassed-in veranda where climbing plants partly screen the glass slats that close it off. The balcony acts as a kind of solarium before the living room, dining room and kitchen area. The veranda, however, is like a shade house in front of the dormitories thanks to the plant filter provided by the creepers.

Casa Tomas by Laboratory for Architecture in Barcelona

Dimorphism is the term used in biology for the phenomenon in which two different anatomical aspects appear in the same species. This principle was used to “furnish” the served spaces of the house. In the public zone, it is by means of the free-standing bench in the kitchen. In the bedroom area, the bathroom is set out like one more piece of furniture since it rises from the floor and does not reach up to the joists or the vaulted ceiling. The bathroom can be understood in Kahn’s language as a servant space since it serves both bedrooms.

The same applies to the transversal strip comprised by the vestibule, the toilet and the storage space for household appliances – paved and finished with decorative tiles – which also serves the living-room, dining room and kitchen. Even the servant space connecting the two parts of the house is multiplied by adding a dual-level or, better said, a bi-vertical loft space.

Renovated floor plan of Casa Tomas by Laboratory for Architecture in Barcelona
Renovated floor plan – click for larger image

The spatial result of this project is therefore a contrivance whereby opposites, symmetries and balances mediate served and servant spaces. This is a house structured in a bi-nuclear fashion which repeats dualities again and again or, in other words, it brings together in one very small home twofold, different and contrasting spatial characteristics: clear-divided, open-closed, extended-separated, broken up-filtered, above-below. In short, it is a project based on dualism rather than on monism, with Kahn and Bauer as its double references.

Initial floor plan of Casa Tomas by Laboratory for Architecture in Barcelona
Initial floor plan – click for larger image

Architecture: LAB, Laboratory for Architecture in Barcelona – Pepe Gascón & Víctor Sala (architects)
Client: Miguel Gayoso
Contractor: Constructora Montnegre (Tordera, Barcelona), Spain
Dirección de obra: LAB, Laboratory for Architecture in Barcelona – Pepe Gascón & Víctor Sala (architects)
Coordinación de seguridad y salud: LAB, Laboratory for Architecture in Barcelona – Pepe Gascón & Víctor Sala (architects)
Project area: 8000 m2
Cost: €73.000, 00

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Studio Octopi renovates Edwardian townhouses for the Delfina Foundation

Glazed panels create views between the floors of these two Edwardian townhouses in London that have been renovated by local architects Studio Octopi to accommodate resident artists (+ slideshow).

Edwardian townhouse renovation by Studio Octopi features windows in the floors

By connecting two neighbouring properties, Studio Octopi has doubled the residency capacity of non-profit arts organisation the Delfina Foundation from four to eight, making it London’s largest artist residency provider.

Edwardian townhouse renovation by Studio Octopi features windows in the floors

The architects responded to a competition brief aimed at retaining the residential character of the townhouses by focusing on the central role of the hearth. They preserved existing fireplaces on the ground floor, as well as recesses and hearth stones in the artists’ private areas on the top two storeys.

Edwardian townhouse renovation by Studio Octopi features windows in the floors

Other original details, including brickwork and concrete lintels that previously surrounded doorways, have been left in their raw state to retain a sense of the buildings’ history.

Edwardian townhouse renovation by Studio Octopi features windows in the floors

“Adopting the role of architects-cum-archaeologists, Studio Octopi have created an environment which is unassuming, layered and contextual, while peeling back the layers of ornamentation and finish to expose the period craftsmanship of the buildings,” said the Delfina Foundation.

Edwardian townhouse renovation by Studio Octopi features windows in the floors

Throughout the interior, glazed panels in the floors and walls create a visual connection between public and private spaces, and allow light to filter through to rooms in the centre of the building.

Edwardian townhouse renovation by Studio Octopi features windows in the floors

Separate entrances for the public and the artists lead to a reception, dining room and kitchen on the ground floor of the five-storey property.

Edwardian townhouse renovation by Studio Octopi features windows in the floors

The basement houses a gallery and workshop space, while offices and a library are located on the first floor and the artists’ residences are contained on the top two floors.

Edwardian townhouse renovation by Studio Octopi features windows in the floors

Many of the spaces are updated with white walls, pale wood joinery and practical fitted cabinetry that offer a contemporary counterpoint to the grand facade and authentic detailing.

Edwardian townhouse renovation by Studio Octopi features windows in the floors

Splashes of bright colour provided by the kitchen cabinets and bathroom floor enhance the modern look of these spaces.

Edwardian townhouse renovation by Studio Octopi features windows in the floors

A small terrace located at the basement level provides an outdoor exhibition space, while a terrace on the ground floor can be accessed from the dining room.

Edwardian townhouse renovation by Studio Octopi features windows in the floors

“The scheme aims to act as a palimpsest, to retain the integrity and character of the existing buildings while simultaneously creating a series of spaces for residents, staff and visitors to use and enjoy,” said architects Chris Romer-Lee and James Lowe.

Edwardian townhouse renovation by Studio Octopi features windows in the floors

Studio Octopi designed the concept at the competition stage with Egyptian office Shahira Fahmy Architects, and subsequently oversaw the £1.4 million development and construction process.

Edwardian townhouse renovation by Studio Octopi features windows in the floors

Photography is by Julien Lanoo.

Here’s a press release about the project from Delfina Foundation:


Delfina Foundation opens its newly expanded building

The £1.4m redevelopment has doubled the residency capacity, increasing the number of residents at one time from four to eight, as well as creating 1,650 square feet of additional exhibition and event space. Currently located at 29 Catherine Place in an Edwardian townhouse in Victoria, the Foundation has expanded into the adjacent building, giving it a combined area total of 4,564 square feet.

Edwardian townhouse renovation by Studio Octopi features windows in the floors

Adhering to one of the core concepts of the Delfina Foundation’s history as a provider of ‘homes’ for artists, the architects have retained the domesticity of the two houses, exploring the significance of the hearth in a home. Across cultures and throughout history, the hearth has been an integral part of a household, becoming synonymous with notions of domesticity, and place making. Fireplaces are kept in their entirety on the lower floors, and the recesses and hearth stones are retained in the artists’ private spaces.

Edwardian townhouse renovation by Studio Octopi features windows in the floors

The designs also set out to maintain the juxtaposition of public and private spaces. The introduction of glazed panels in the floors and walls allow for their integration. Diagonal views across the buildings and through the floors expose the Foundation’s ecosystem at work, as well as opening up the two buildings and bringing in more light throughout the space. With flexible artist workspaces throughout, the five-storey property boasts an expansive gallery/workshop space on the lower ground floor; reception, dining area and kitchen on the ground level; offices and library on the first, whilst the residents’ quarters occupy the two top floors.

Edwardian townhouse renovation by Studio Octopi features windows in the floors

Adopting the role of architect cum archaeologists, Studio Octopi have created an environment which is unassuming, layered and contextual, while peeling back the layers of ornamentation and finish to expose the period craftsmanship of the buildings. New insertions are made with a light and considered touch, while detailing is discrete and at times whimsical.

Edwardian townhouse renovation by Studio Octopi features windows in the floors

Brickwork to the reveals of the new openings is left exposed and overhead concrete lintels retained in their natural state. By leaving materials in their raw state, a reminder of the building’s beginnings is introduced.

Edwardian townhouse renovation by Studio Octopi features windows in the floors

A sense of permanence is imbued in the two townhouses, linking the present with the past and consequently looking ahead into the building’s exciting future.

Basement plan of Edwardian townhouse renovation by Studio Octopi features windows in the floors
Basement plan – click for larger image
Ground floor plan of Edwardian townhouse renovation by Studio Octopi features windows in the floors
Ground floor plan – click for larger image
First floor plan of Edwardian townhouse renovation by Studio Octopi features windows in the floors
First floor plan – click for larger image
Second floor plan of Edwardian townhouse renovation by Studio Octopi features windows in the floors
Second floor plan – click for larger image
Third floor plan of Edwardian townhouse renovation by Studio Octopi features windows in the floors
Third floor plan – click for larger image
Section of Edwardian townhouse renovation by Studio Octopi features windows in the floors
Section – click for larger image
Elevation of Edwardian townhouse renovation by Studio Octopi features windows in the floors
Elevation – click for larger image

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Office renovation featuring polycarbonate and wood partitions by Daipu Architects

Semi-translucent polycarbonate panels and wooden shelving systems create partitions in this office renovation for a television station in Hangzhou, China, by Daipu Architects (+ slideshow).

Office renovation by Daipu Architects

Chinese studio Daipu Architects renovated the two-storey open-plan office to bring more light to the interior and inserted a system of shelving, cabinets and partitions to break up the different spaces.

Office renovation by Daipu Architects

Architect Dai Pu said he designed the interior layout to be similar to that of the Mies van der Rohe Pavilion in Barcelona, also using influence from the three-dimensional works of Italian artist Giorgio Morandi.

Office renovation by Daipu Architects

“No regular partition walls (plaster wall or brick wall) have been built,” Pu said. “The new partition is composed of very light cabinet and one centimetre semi-transparent polycarbonate panel, while the furniture, stairs, handrails and bar counter all come up to constitute the partition system.”

Office renovation by Daipu Architects

The simple interior features polished white floors with wooden desks, chairs and shelving.

Office renovation by Daipu Architects

A cafe, kitchen and a mixture of office spaces and meeting rooms make up the lower floor, with extra space for leisure activities including a ping pong and a football table.

Office renovation by Daipu Architects

In the lobby, a curved plaster-clad staircase with wooden treads leads up to the first floor.

Office renovation by Daipu Architects

Two rooftop terraces used as interview spaces sit on either side of a large meeting room. The rest of the first floor is occupied with more desks, a corner reading room and another small room with beds for staff members to rest.

Office renovation by Daipu Architects

Photography is by Xia zhi.

Office renovation by Daipu Architects

Here’s a project description from Daipu Architects:


Office Renovation of CCTV Zhejiang Reporter Station

This office renovation is located in west of Ba Gua field, Hangzhou, China. The site possesses excellent landscape; however, it was dark and gloomy in the old building. The existing structure had a floor-height of 3.3 m for the ground floor, and the clear height below the beam is only 2.6m, which is comparatively depressing for open office. The height of the second floor was ok, however it did not have enough connection with the ground floor. The old structure layout could hardly exhibit advantage of a double-deck.

Office renovation by Daipu Architects

So the first consideration was to build up a connection between 2 floors, the connection not only on physical space aspect, but also on psychological perception of people who will work here. People who will be working downstairs or upstairs could feel the existence of the other part of colleagues, thus to create an ambient of teamwork.

Office renovation by Daipu Architects

A lot of attempts have been made. Finally the Barcelona Pavilion of Mies and the painting works of Morandi give a breakthrough. The work of Mies only offered the idea for the 2-dimensional design, whilst the approaches of Morandi were good examples for seeking the 3-dimensional solutions. In Morandi’s late works, the relations between the main object and the background and their colour relations were becoming assimilated and simplified; it can see that the boundaries of many objects merged into the background in many of his works.

Office renovation by Daipu Architects

The approach is, if we take the furniture as the object, while taking the structural components like the walls and stairs as the canvas, then to make the object (furniture) merged into the canvas (structure), it can easily pass the perception of flowing to the people as the furniture is the very thing which most connected to the people. The space upstairs now is connected to the space downstairs due to this assimilated effect happened between the building structure and the furniture. In order to imply the space concept and work with the atmosphere, a few works of the Morandi’s paintings have been redrawn and placed in some particular corners.

Office renovation by Daipu Architects

There is not any regular partition wall (plaster wall or brick wall) has been built. The new partition is composed of very light cabinet and 1cm semi-transparent polycarbonate panel. The furniture, stairs, handrails and bar counter all comes up to constitute the partition system.

Office renovation by Daipu Architects

The prefabricated partition system saved the cost of on-site work, and it also avoided wet operation meanwhile it saved the time. The partition system, as the most important part of the construction had been put into furniture factory which has advanced equipments; this is also a solution to improve the perfection of construction here.

Office renovation by Daipu Architects

Location: Hangzhou, Zhejiang, China
Design Architect: Daipu Architects
Design Director: Dai Pu
Design Team: Dai pu, Luo yaqin, Wang tiantian
No. of floors: 2
Area: 640 sqm indoor, 147 sqm outdoor
Program: office, dubbing, duty, outdoor interview, leisure, storage
Client: China Central Television
Furniture manufacture: Hangzhou Runzhu Science & Technology Co. Ltd
Contractor: Zhejiang Sunshine Decoration Engineering Co. Ltd
Design: 2012.06 – 2012.09
Construction: 2012.09 – 2013.09

Ground floor plan of Office renovation by Daipu Architects
Ground floor plan – click for larger image
First floor plan of Office renovation by Daipu Architects
First floor plan – click for larger image
Section of Office renovation by Daipu Architects
Section – click for larger image
Office renovation by Daipu Architects
Diagram showing insertion of partition system into the office

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House extension by GKMP Architects includes a wooden window seat

House extension by GKMP Architects includes a wooden window seat

Dublin practice GKMP Architects has added two tiny extensions to a nineteenth century terraced house in the city, one of which incorporates a wooden window seat looking out onto the garden.

House extension by GKMP Architects includes a wooden window seat

GKMP Architects was asked to renovate and extend the three-storey house in the south of Dublin by replacing an existing bedroom and scullery with an enlarged kitchen, dining room and play room.

Instead of adding an extensive new structure that would have imposed on the garden at the rear of the property, the architects proposed two single-storey extensions with a total footprint of just seven square metres.

House extension by GKMP Architects includes a wooden window seat

“The main architectural problem we identified with the existing house was the great disproportion between living and sleeping areas,” architect Jennifer O’Donnell told Dezeen.

“Since the existing area of the house was considered sufficient to meet the needs of the family, we decided that the challenge in this case was to build as little as possible, to the greatest possible effect,” the architect added.

House extension by GKMP Architects includes a wooden window seat

The new additions are constructed from concrete, which O’Donnell said “was chosen to act as a contemporary addition to the hard cement render of the existing rear facade.”

Bright blue tiles introduce a hit of colour and are used for the surface of a bench built into the concrete of the extension closest to the garden.

House extension by GKMP Architects includes a wooden window seat

“The glazed Italian ceramic tiles were chosen in consultation with the clients and are used as a lining in those places where the wall thickens to form a seat or sill,” O’Donnell explained.

The tiles also appear inside the playroom, which adjoins the new kitchen and dining area and features windows that wrap around two sides.

House extension by GKMP Architects includes a wooden window seat

A corner bench with upholstered sofa cushions is fitted below the windows, while new glazed double doors lead from this room out to the garden.

Both of the new extensions feature large skylights that introduce natural light into the open-plan lower ground floor.

House extension by GKMP Architects includes a wooden window seat

The window seat in the dining area is built from iroko wood, which contrasts with the pale interior walls and frames views of the garden.

The architects also added an oak staircase to connect the new kitchen with an existing living room on the upper ground floor and a new den on the first floor.

House extension by GKMP Architects includes a wooden window seat

The staircase is lined on one side with a bookcase and wraps around a utility room tucked away in an otherwise dark and redundant space at the centre of the house.

House extension by GKMP Architects includes a wooden window seat

Photography is by Alice Clancy.

The architects sent us the following project description:


House Extension at Belmont Avenue, Donnybrook

This project involves the restoration and extension of a three-storey terrace house built towards the end of the 19th century, which has a red clay brick finish in a Flemish bond to the front elevation and a hard cement render finish to the rear. It is one of 6 identical terraced houses, grouped in handed pairs and with identical roof lines, eaves and architectural treatment both to the front and rear.

House extension by GKMP Architects includes a wooden window seat

The existing layout of this house did not lend itself to providing kitchen/dining/living space that was proportional to the rest of the accommodation and so it was proposed to address this imbalance through modifications and a small addition to the existing house rather than through building a large extension in the rear garden.

House extension by GKMP Architects includes a wooden window seat

The new addition consists of two small single-storey extensions, one to the rear of the main part of the house and the other to the end of the existing return on the footprint of the existing lean-to kitchen, that open the lower ground floor of the house to the garden. The new-build is made of cast in-situ concrete with blue glazed tiles.

House extension by GKMP Architects includes a wooden window seat

Inside, a large corner window brings light into the play-room, while a new oak stairs forms a second, more direct connection between ground and first floor living spaces. A new utility space is built into the dark central section of the house, with the new stairway wrapping around and above it as a discrete element, hidden between the old house walls.

Architects: GKMP Architects
Contractor: Sheerin Construction
Engineer: David Maher & Associates

Floor plan of House extension by GKMP Architects includes a wooden window seat
Floor plan – click for larger image
Section of House extension by GKMP Architects includes a wooden window seat
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House extension by GKMP Architects includes a wooden window seat
Model showing extension

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