Le Ciel Bleu by Noriyuki Otsuka

Slideshow: a select number of garments at this fashion store in Osaka are presented inside a white cage-like tunnel.

Le Ciel Bleu by Noriyuki Otsuka

The Ciel Bleu store was designed by Japanese interior designer Noriyuki Otsuka and also features a metallic gold floor and five-metre-high ceilings.

Le Ciel Bleu by Noriyuki Otsuka

The oval tunnel is positioned slightly off-centre inside the shop and is surrounded by very little other furniture.

Le Ciel Bleu by Noriyuki Otsuka

Four rows of acrylic boxes are mounted onto an illuminated rear wall to create shelves for displaying shoes.

Le Ciel Bleu by Noriyuki Otsuka

You can see a selection of projects featuring tunnels in our recent special feature.

Le Ciel Bleu by Noriyuki Otsuka

Photography is by Hiroyuki Hirai.

Le Ciel Bleu by Noriyuki Otsuka

The following text is from Noriyuki Otsuka:


A white space in brilliant colors

This shop was designed for a retail complex called LUCUA, which was built as part of the redevelopment of the Umeda area in Osaka.

Le Ciel Bleu by Noriyuki Otsuka

It is a luxurious architectural space of about 278m2 with a ceiling 5m high. When approaching the design I simultaneously embraced the two opposing notions of the overall concept as well as the detailed design of the space.

Le Ciel Bleu by Noriyuki Otsuka

I was conscious that if I based my design on the functional requirements of the space such as the number of products that could be housed, I would end up with an interior resembling a fashion retail megastore.

Le Ciel Bleu by Noriyuki Otsuka

The design that I proposed was an interior space which incorporated another architectural space within it.

Le Ciel Bleu by Noriyuki Otsuka

This interior space was a cylinder made with a structurally self-supporting mesh. Because of the size of the feature I wanted to avoid integrating it too much with the surrounding space, so deliberately aligned it off center from the axis of the building.

Le Ciel Bleu by Noriyuki Otsuka

This layout gives the space a sense of gravity. I also included custom-made hanging light fittings in my plan for the cylinder in order to make the interior space the central focus of the design.

Le Ciel Bleu by Noriyuki Otsuka

The composer Toru Takemitsu expressed music with colors. In the same way, I wanted to express a white space using brilliant colors. That is to say, I wanted to use the density of the design to fill the space in the same way as music notes fill a space. This density is not expressed through an elaborate or gimmicky design; rather it is expressed as a fine balance of musical notes.

Le Ciel Bleu by Noriyuki Otsuka

This sense of balance diffuses throughout the space in the same way that a drop of watercolor paint causes the surface of water in a jar to ripple outwards.

Le Ciel Bleu by Noriyuki Otsuka

The white space is infused with color but maintains a sense of balance, and the specially-made gold metallic flooring highlights the form of every object in the space. It is in this that the originality and elegance of the shop is expressed.

Le Ciel Bleu by Noriyuki Otsuka

The client had a very good understanding of design, and it was largely thanks to this that t was possible to design a space to such a high degree of perfection.

Le Ciel Bleu by Noriyuki Otsuka

Ogimachi Global Dispensing Pharmacy by TKY Japan

Ogimachi Global Dispensing Pharmacy by TKY Japan

This tiny gabled pharmacy is squeezed into a narrow alleyway between two towering apartment blocks in Osaka.

Ogimachi Global Dispensing Pharmacy by TKY Japan

Japanese architects Yasuo Imazu of Ninkipen!, Toshikatsu Ienari and Kenta Fukunishi collaborated to design the project, under the collective identity TKY Japan.

Ogimachi Global Dispensing Pharmacy by TKY Japan

Behind the glazed facade, an exposed skeleton of wooden columns and rafters surrounds the building’s long, thin interior.

Ogimachi Global Dispensing Pharmacy by TKY Japan

A wood and steel staircase at the back of the pharmacy leads up to a mezzanine, positioned above an enclosed office.

Ogimachi Global Dispensing Pharmacy by TKY Japan

You can see more projects by Ninkipen! here, including a bakery with an exposed concrete counter.

Ogimachi Global Dispensing Pharmacy by TKY Japan

Photography is by Hiroki Kawata.

Here’s some more explanation from Yasuo Imazu:


This is a new construction of a Pharmacy, in the center of Osaka city area of Japan.

Ogimachi Global Dispensing Pharmacy by TKY Japan

The site once used to be a farm road. When the World War II ended, a small house was built on the road and stayed there illegally for several ten years. After the house was removed, the site then became a residential land.

Ogimachi Global Dispensing Pharmacy by TKY Japan

In front of this newly built pharmacy, there are remains of a sidewalk, which define an original function of the site used to have, thus the building is set back.

Ogimachi Global Dispensing Pharmacy by TKY Japan

That the site was a road, and that there was a small illegally-built house, were the two historical contexts we valuated as the uniqueness of the site.

Ogimachi Global Dispensing Pharmacy by TKY Japan

The form of the building follows the shape of the site with a gabled roof on top which realizes the simplest form of a house. The continuous ceiling which visually creates almost a linear perspective reflects the linear shape of the site, the path or the road.

Ogimachi Global Dispensing Pharmacy by TKY Japan

Though it is surrounded by volumetric urban buildings, we kept the minimum volume of a single story house, recalling a persisting memory of the site, the little house.

Ogimachi Global Dispensing Pharmacy by TKY Japan

The structure is consisted of simple steel-frame which allows the wood columns and rafters to be exposed, thus provides warm and intimate atmosphere to the customers.

Ogimachi Global Dispensing Pharmacy by TKY Japan

Project name: Ogimachi Global Dispensing Pharmacy
Architect: TKY JAPAN(Toshikatsu Ienari, Kenta Fukunishi, Yasuo Imazu/ninkipen!

Use: dispensing pharmacy
Location: Osaka, Japan

Design: 2010.12〜2011.7
Construction: 2011.8〜2011.11

Site area: 96.22m2
Building area: 61.94m2
Total floor area: 61.94m2

Shigita House by Masato Sekiya

Shigita House by Masato Sekiya

Japanese architect Masato Sekiya has completed a house in Osaka with a sloping wall that looks like it’s toppling over.

The two-storey Shigita House is partly constructed from reinforced concrete and partly from wood.

A revolving door leads into the house, where sloping bookshelves lean against the angled wall of the ground floor living room.

One of the house’s four bedrooms is suspended above this room, but a gap between the walls allows natural light down from skylights above.

Both a staircase and a lift connect the two floors with an enclosed terrace on the roof.

Masato Sekiya, also known as Planet Creations, has designed a few buildings that we’ve featured on Dezeen – see all our stories about the architect here.

Photography is by Akira Kita.

Here’s some more information from Masato Sekiya:


Shigita House

It is located in Osaka Prefecture, in Higashi Osaka City

Concept: In a highly built-up area, closed in on all sides, this house offers both privacy and light.

Such a paradox is made possible by the structure’s ‘tunnels of light’.

Standing in the center of a densely populated area in East Osaka. The windows reach from the buffer zone through to the outside from the inner house.

Lighted up, the diagonally positioned outer wall seems emphasized. The inside is nearly invisible from outside. There are few windows, and the interior cannot be seen from outside. The wall on the right side of the car park area is unfinished RC. The vertical portion of the construction is made of painted inflammable wooden material. The white surface is spray painted. The entrance door revolves on a vertical central axis.

The living room is toplit as natural light enters between the diagonal outside wall and the inside vertical surface. The shelves in the living room were designed to follow the diagonal of the wall.

The second floor bedroom floats to allow an influx of light from above to penetrate to the living/dining room below.

Between the north wall and the inner chamber is a passage for movement to the bathroom facilities. The toplight makes this a bright and comfortable space.

The tatami room is designed contrastingly in black and silver.


See also:

.

House for Three Children
by Masato Sekiya
Lifted House
by Masato Sekiya
Complex House
by Tomohiro Hata

House Folded by ALPHAville

House Folded by Alphaville

Slanted walls pierced by square peepholes bisect this house in Osaka by architects ALPHAville.

House Folded by Alphaville

These sloping interior walls create a three storey-high prism, which separates first and second floor living rooms from a contorted staircase.

House Folded by Alphaville

The position of these angled walls creates triangular windows on the concrete exterior of the building, named House Folded, and a wonky ground-floor garage.

House Folded by Alphaville

The house has one bedroom located on the top floor, which leads out to a secluded roof terrace.

House Folded by Alphaville

This isn’t the first house with slanted walls by Japanese architects ALPHAville – see our earlier story about a residence divided by faceted timber panels.

House Folded by Alphaville

Photography is by Kai Nakamura.

House Folded by Alphaville

Here’s a more detailed description from ALPHAville:


House Folded

This is a 100m2 residence for a couple and their cats located in Osaka, Japan.

House Folded by Alphaville

The typical method for designing a house would assign rectangular rooms with specific functions and lay out them. Such a design produces a series of rooms of similar size and causes monotonous spatial experiences.

House Folded by Alphaville

Our approach was to avoid the conventional design practice and to create a structurally rational but spatially heterogeneous house.

House Folded by Alphaville

On the assumption that there is a human being within the optimal spatial coordinates resulted from the site and living requirements, we used Voronoi line segments that divide equally the shortest distance to create spaces.

House Folded by Alphaville

The actual trial and error involved the full use of 3D-CAD. First, the building’s shape was squashed in a parallelogram in order to keep an adequate distance from the site’s borders.

House Folded by Alphaville

Second, the center wall was folded to divide the space into two, diagonal to the site on the first floor and parallel to the site on the third floor. Next, the floors were skipped, and the final step was to slope the roof.

House Folded by Alphaville

In this way, various spaces came to be created so that continuous changes can be experienced as one moves along or through the bent wall.

House Folded by Alphaville

The slits on east elevation that run from first to third floor introduces direct light into the space reflecting the folded wall beautifully through the highly rational structure with minimum wall girders.

House Folded by Alphaville

At the same time, the slit on west elevation bring indirect light through the openings from behind the folded wall.

House Folded by Alphaville

Therefore while the space along the folded wall is an interior space filled with direct light, it also has an outdoor- space-like feeling facing folded walls with shining openings reflected by indirect light.

House Folded by Alphaville

We imagined a life in a building situated in a medium-density city where multiple buildings are connected via exterior in a loose relationship among man, building and nature, unlike in a city where each building is confined to each specific site.

House Folded by Alphaville

In that sense, although what we proposed here is a single family house, this design model is also applicable to larger buildings such as collective housings, offices, or multi-use complexes in a rational and versatile way.

House Folded by Alphaville

Information:

Use: residence
Site: Osaka, Japan
Site area: 75.93sqm
Building area: 40.00sqm
Total floor area: 102.03sqm

House Folded by Alphaville
Building scale: 3 storeys
Structure system: reinforced concrete construction
Structural engineer: Eisuke Mitsuda (Mitsuda Structural Consultants)


See also:

.

House in Kitakami by Nadamoto YukikoRoof on the Hill
by ALPHAville
New Kyoto Town House
by ALPHAville

House of Slope by Fujiwarramuro Architects

House of Slope by Fujiwarramuro Architects

A sloping corridor coils around the inside of a house in Osaka to connect three staggered storeys.

House of Slope by Fujiwarramuro Architects

The house was designed by Japanese studio Fujiwarramuro Architects and is located in a dense urban area.

House of Slope by Fujiwarramuro Architects

Timber columns and criss-crossing metal braces support both the stepped and sloped floors.

House of Slope by Fujiwarramuro Architects

The 25 metre-long ramp leads past clusters of rooms for each family member to a rooftop balcony with a skylight.

House of Slope by Fujiwarramuro Architects

Another Japanese house previously featured on Dezeen is surrounded by staircases and slides, rather than ramps – see the story here and see all our stories about houses in Japan here.

House of Slope by Fujiwarramuro Architects

Photography is by Toshiyuki Yano.

House of Slope by Fujiwarramuro Architects

Here are some more details from the architects:


House of Slope

This residential project is built on a flag-shaped site in Osaka surrounded by densely packed buildings.

House of Slope by Fujiwarramuro Architects

Even when faced with these challenging site conditions, we felt that it would be possible to come up with an interesting design solution based on a structure that appears to “float” in a large, open space.

House of Slope by Fujiwarramuro Architects

By ensuring a continuous sense of spatial circulation through the flag-shaped portion of the site, the inhabitants of the house are able to “drift” through their favorite spaces like goldfish in a bowl.

House of Slope by Fujiwarramuro Architects

The sloping structure that extends from the first floor through the second and up until the roof – covering a length of some 25 meters over approximately one-and-a-half revolutions – allows the family members to distribute themselves across its entire length, each occupying a different section of the building.

House of Slope by Fujiwarramuro Architects

Several beams offer structural support for the wooden slope and spiral-shaped floors of the building, creating a residential space made up of ambiguously demarcated domains that are staggered apart yet also integrated with each other, thereby achieving a sense of breadth and openness.

House of Slope by Fujiwarramuro Architects

Location: Sakai, Osaka, Japan
Principle use: single family house
Site area: 103.91 m2
Building area: 52.17 m2
Total floor area: 107.49 m2

House of Slope by Fujiwarramuro Architects

Project architect: Shintaro Fujiwara, Yoshio Muro
Project team: Fujiwarramuro Architects
Structure: Timber
Photographer: Toshiyuki Yano


See also:

.

House in Kitakami by Nadamoto Yukiko Architects House in Nakameguro
by Level Architects
Roof on the Hill
by ALPHAville

House A by Takeshi Hamada

House A by Takeshi Hamada

A stark concrete multi-purpose space occupies the ground floor of this house in Osaka by Japanese architect Takeshi Hamada.

House A by Takeshi Hamada

This sound-proofed studio/gallery space within the three storey House A is used for live music performances, art exhibitions and social gatherings.

House A by Takeshi Hamada

The two upper levels of the house contain the private living areas and feature exposed timber columns and beams, as well as natural lighting.

House A by Takeshi Hamada

Photography is by Yohei Sasakura.

More Japanese architecture on Dezeen »

Here is some more information from the architect:


House A

Concept
Narrow house in downtown, low cost, live studio, mixed structure

Background, Atmosphere

The location is Abeno-ward Osaka, Japan. Though it is a superb location just 10 minutes from Tennoji Station, it is in the downtown streets filled with traditional emotion, there are traditional tenement houses, old houses and shops, just 1 block from the main street. I planned the house in the narrow vacant land for 56-square-meters in this area. The house is light and open, and the residents can enjoy their hobbies.

House A by Takeshi Hamada

Its owner, K families, those are a couple and one daughter, like music. Especially, their daughter, who is 27 years old, is a musician and received fifth winner in the recital. This family requested “Hobby Room, Live Studio” in their house that they can enjoy music. Sometimes, they will open mini concert with other band members and usually, they will use the room as an art gallery. And sometimes, they want to have a party with close friends by drinking. To maximize the locality with good access, that can create linkages between people through hobbies, such space was required.

House A by Takeshi Hamada

Architectural Plan

Use as a distribution, I planned the first floor for “Hobby Room (studio and gallery and bar, live) ” and a few floors as a living space. For Live Studio, because high sound insulation is required, I used the RC sturucture for the first floor, and I considered soundproof for doors, sashs, ventilators, and among others. On the other hand, I tried to make cost down in total for the second and the third floor, by using simple space of Japanese traditional wooden structure.

House A by Takeshi Hamada

Facade Picture

RC Fair – faced with a facade of spraying material. Stainless steel bay window adds accents.

House A by Takeshi Hamada

The first floor, “Hobby Room”

To ensure maximum width of the building, the concrete formwork for the construction with adjacent separator and exterior insulation was used. As a result, interior walls and ceiling are fair – faced the decorative RC. For the floor, I adopted used scaffold boards of cedar wood. For the flexibility to cope with the internal scene, the lighting equipment and orientation can be adjusted to the light.

House A by Takeshi Hamada

The third floor, LDK
To achieve low cost, a few floor living space has a simple wooden structure and space. Especially, the third floor studio is a one room space with no joinery. By exposing the column and beam with bracing, the spatial and visual spread is ensured. The floor is solid wood used in unpainted pine. Since the change in color and luster through the years, they can enjoy the aging of the material.

House A by Takeshi Hamada

The Second Floor
There are daughter’s and parents’ bedroom with bath, toilet and kitchen. Since it’s difficult to get enough light by approaching the neighbours, I used top lights and side lights to receive natural ligjhts as much as possible. The floor is solid wood used in unpainted pine.

House A by Takeshi Hamada

Live Scene
Once or twice a month, band friends of the owner gather to perform a concert. Live in the past, overcrowded by standing audience, ended in great success.

House A by Takeshi Hamada

Overview
House Name: “House A”
Location: Abeno-ward, Osaka, JAPAN
Construction: August 2010 – March 2011
Structure: First Floor – Reinforced Concrete, Second and Third Floor – Wooden Structure
Site Area: 59.34 sq m
Building Area: 45.82 sq m
Floor Area: 128.28 sq m; 1F (43.66 sq m) 2F (54.82 sq m) 3F (38.80 sq m)
Architect: Takeshi Hamada

House A by Takeshi Hamada

Click above for larger image


See also:

.

House in Kohgo by Yutaka
Yoshida Architect & Associates
Knot by Apollo
Architects & Associates
House in Minamimachi 3 by
Suppose Design Office

Sorayumebako by Yukio Kimura

Sorayumebako by Yukio Kimura

Japanese interior designer Yukio Kimura has created this combined cafe, gallery and second-hand book shop in Osaka, Japan.

Sorayumebako by Yukio Kimura

Called Sorayumebako, the interior is lined with a wooden grid supporting shelves for the books and frames for the artwork.

Sorayumebako by Yukio Kimura

The whole space is painted in orange, including walls, ceiling, floor and all the furniture.

Sorayumebako by Yukio Kimura

Photographs are by Kiyotoshi Takashima.

Sorayumebako by Yukio Kimura

Here is more information from the designer:


Sorayumebako

It is located in the area where locals live in, far away from the busy commercial centre. I designed the shop with the concept of “not to blend in the surrounding”, following my client’s request to reflect the meaning of “Sorayumebako” to the actual design.

Sorayumebako by Yukio Kimura

“Sorayume” is a Japanese word meaning “a fabricated dream” to tell people as if you actually dreamed it. Having this concept in mind, I tried to create space where visitors feel as if they stepped into another world, a dream.

Sorayumebako by Yukio Kimura

The key colour of orange interprets the time between day and night, summer and winter, and yin and yang. It reveals that this is a place for visitors to change their mind from yang “daily life” to yin “private life”. I only used one colour in order to enhance visitor’s awareness through the shop from within and without.

Sorayumebako by Yukio Kimura

For letting visitors associate “bako” (the variant form of “hako”) meaning “a box” in English, I lined a series of portal frames from the entrance to the shop. Using this unique structure, I had tables, bookshelves, exhibition panels and projector panels built-in, in order to make use of space for many different occasions.

Design: kraf•te, Yukio Kimura
Sign Graphics: kraf•te, Yukiko Yamamoto
Collaboration / Lighting: Fukunishi Electric Corporation, Yoshino Higashi
Constructi+on: Up Life


See also:

.

Shelf-Pod by Kazuya Morita
Architecture Studio
Near House by Mount Fuji
Architects Studio
Tree House by Mount Fuji
Architects Studio

Minamikawa House by Yoshihara McKee Architects

Here’s a house in Osaka, Japan, by Yoshihara McKee Architects of New York and Tokyo.

Minamikawa House by Yoshihara McKee Architects

Called Minamikawa House, the residence has a sloping lawn that rises from street level to meet the living areas, which are suspended over walkways beneath either side of the house.

Minamikawa House by Yoshihara McKee Architects

Rooms on the lower floor are organised in wooden, glass and concrete volumes, while the upper floor that contains bedrooms and bathrooms is more enclosed.

Minamikawa House by Yoshihara McKee Architects

“The site is relatively bigger than many of the Japanese projects featured recently, and it afforded us the opportunity to play with landscape, changes in level, and a generally more intricate series of design moves,” says Marcello Pacheco of Yoshihara McKee Architects.

Minamikawa House by Yoshihara McKee Architects

See also: Posen Loft by Yoshihara McKee Architects

Minamikawa House by Yoshihara McKee Architects

More Japanese houses on Dezeen »

Minamikawa House by Yoshihara McKee Architects

Here are some more details from the architects:


Although designed to harmonize comfortably with the other residences in this typical suburban landscape, the Minamigawa house is a departure from traditional Japanese home design.

Minamikawa House by Yoshihara McKee Architects

Unlike its neighbors each of which presents a bland façade to the street with a formally defined house and garden hidden behind it this home merges indoor and outdoor spaces into a unified whole.

Minamikawa House by Yoshihara McKee Architects

The garden climbs up from street level, penetrating the built form and pulling the eye beyond the structure’s surface to a planted terrace overlooking the street.

Minamikawa House by Yoshihara McKee Architects

At the top of the incline, the primary living spaces within the open concrete and glass frame take advantage of the views to the garden and an adjacent park, while wood-clad boxes offer domestic warmth and privacy.

Minamikawa House by Yoshihara McKee Architects

Flowing back and forth between house and garden, the design blurs the distinction between what is “inside” and what is “outside.”

Minamikawa House by Yoshihara McKee Architects

The third floor, with more enclosed rooms well above eye and street level, offers added privacy.

Minamikawa House by Yoshihara McKee Architects

Throughout, a palette of simple building materials enhances the unconventional design, while the balanced scale of all the elements contributes a quiet informality.

Minamikawa House by Yoshihara McKee Architects

Minamikawa House by Yoshihara McKee Architects

Minamikawa House by Yoshihara McKee Architects

Minamikawa House by Yoshihara McKee Architects


See also:

.

House in Osaka by Kazuya Morita Architecture StudioHair salon in Osaka
by Teruhiro Yanagihara
Shop in Osaka
by Facet Studio

Shelf-Pod by Kazuya Morita Architecture Studio

Shelf-Pod by Kazuya Morita Architecture Studio

This house by Kazuya Morita Architecture Studio in Osaka Prefecture, Japan, is completely lined with with pine shelves to display the owners’ extensive collection of books.

Shelf-Pod by Kazuya Morita Architecture Studio

Called Shelf-Pod, the house features interlocking laminated pine-boards that slot together to form the latticed shelving units.

Shelf-Pod by Kazuya Morita Architecture Studio

The interior has a pyramid-shaped ceiling and wooden platforms of differing heights that form steps, tables and flooring.

Shelf-Pod by Kazuya Morita Architecture Studio

More Japanese houses on Dezeen »

Shelf-Pod by Kazuya Morita Architecture Studio

More residential architecture on Dezeen »

The following information is from the architects:


Shelf-Pod is a private residence located in Moriguchi City, Japan. The client owns an extensive collection of books on the subject of Islamic history, so he requested us to design this architecture not only for living, but would have the maximum capacity for its storage and exhibition.

Shelf-Pod by Kazuya Morita Architecture Studio

In order to satisfy this demand effectively, we designed a lattice structure made from 25mm thick laminated pine-board what serves as book-shelve.

Shelf-Pod by Kazuya Morita Architecture Studio

The dimensions of each shelf are as follows: 360mm height, 300mm width and 300mm depth. All of the architectural elements in this space (stairs, windows, desks, chairs, etc) have been designed on the basis of this shelf scale, with the aim of achieving geometrical harmony that is comparable to Islamic Architecture.

Shelf-Pod by Kazuya Morita Architecture Studio

This innovative structural system affords not only large amount of book storage, but the possibility of flexible floor level which is delivered from height of bookshelf. Each space for different activity rise up helically, giving the impression of exploring a wooden jungle gym.

Shelf-Pod by Kazuya Morita Architecture Studio

The original image of this structure is derived from the Japanese woodcraft of Kumiko. The structural integrity against the earthquake is provided by a panel of plywood board nailed on the shelf. Initially, the horizontal resistant force guaranteed by the panels was examined in a real-scale model.

Shelf-Pod by Kazuya Morita Architecture Studio

Further to this, an analysis of the whole structure was performed in order to determine the placement of the windows and panels.

Shelf-Pod by Kazuya Morita Architecture Studio

The inter-locking laminated pine-board was manufactured precisely in advance and assembled on-site. Similarly, the pyramid-shaped roof was assembled on-site, from 12 pieces of prefabricated wooden roof panel.

Shelf-Pod by Kazuya Morita Architecture Studio

The completed roof has a thickness of only 230mm and sensitively covers the whole space like the dome of a Mosque.

Shelf-Pod by Kazuya Morita Architecture Studio

As oppose to its unique structure, the outer wall employs the construction techniques of a traditional Japanese storehouse Dozou.

Shelf-Pod by Kazuya Morita Architecture Studio

Click for larger image

The bamboo net wall foundation layer was attached to the lattice structure and the clay and straw mixture was applied to the foundation by the trowel. Then the red cedar panels forms exterior wall.

Shelf-Pod by Kazuya Morita Architecture Studio

The interior clay wall was finished with white plaster. These techniques are in accordance with urban fireproofing specifications, as well as maintaining a suitably humid environment for the storage of books.

Shelf-Pod by Kazuya Morita Architecture Studio

DETA

Design : Kazuya Morita Architecture Studio
Structural engineer : Mitsuda Structural Consultants
Date of completion : August 2007

Shelf-Pod by Kazuya Morita Architecture Studio

Click for larger image

1st floor 38.34 square meter
2nd floor 13.44 square meter
total 51.78 square meter


See also:

.

Near House by
Mount Fuji Architects Studio
Tree House by
Mount Fuji Architects Studio
House Antero de Quental by Manuel Maia Gomes

NE by Teruhiro Yanagihara

NE by Isolation Unit

Here’s another hair salon by Japanese designer Teruhiro Yanagihara, this time located in central Osaka, Japan, featuring free-standing mirrored boxes.

NE by Isolation Unit

Called NE, the project hides different areas of the salon so as not to reveal the function of the space.

NE by Isolation Unit

A hair washing area is located inside a brick room with concrete steps sitting in front of it.

NE by Isolation Unit

The steps double up as a waiting area, providing seating and display surfaces.

NE by Isolation Unit

Lights and doors to the storage rooms are flush with the walls and fold out to reveal their functions.

NE by Isolation Unit

Photographs are by Takumi Ota.

NE by Isolation Unit

More salons on Dezeen »
More projects by Isolation Unit/Teruhiro Yanagihara »

NE by Isolation Unit

The following information is from Yanagihara:


NE, located in central Osaka, is a hair dressers shop for a young couple that started up their own business.

NE by Isolation Unit

The small space doesn’t reveal it’s actual purpose and is conceived as a narrative sequence of abstracted objects and volumes.

NE by Isolation Unit

An iconic stair, that contains the wash- and backroom, marks the waiting area and serves as seating accomodation and display.

NE by Isolation Unit

Free-standing mirrored screens are positioned in the otherwise empty cutting area like sculptures.

NE by Isolation Unit

The lights and doors to the storage fold our of the walls and let them appear like made of sheets of paper.

NE by Isolation Unit


See also:

.

KIZUKI + LIM by
Teruhiro Yanagihara
Isolation Unit completes
Tokyo hair salon
Ricort by
Isolation Unit