NY Design Week 2014: One Booth, Two Kinds of Relief – “Out of Failure,” University of Cincinnati DAAP Capstone

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ICFF is a source of inspiration whether you go to collect carpet samples, to show off your revolutionary new line of blond bentwood furniture, or to leave fingerprints all over Tom Dixon’s gleaming display and aspirations of future wealth. Among the sconces and recliners, I was thrilled to see one project that paired the show-standard stylish ambition with a dream of worldly good. Back in Booth 1376, one plywood project stood out bulkily from the crowd. “Out of Failure” is the product of a University of Cincinnati capstone studio course, aimed at designing a better disaster relief shelter.

In cases of emergency, there is often a long, painful gap between the event and the arrival of a FEMA relief trailer. Filling the gap is a vital issue for the health and sanity of affected populations, and most interim options are both lackluster and relied on for much longer than intended. Using Haiti as a test case, students aimed to create a cheaply produced, easily constructed, permanent-feeling structure that could house six people with dignity, AND meet the varied needs of daily life in the region. They did a swell job.

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NY Design Week 2014: WorkOf Brings the BestOf Brooklyn Design to Industry City and Beyond

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By Ali Morris

It was during a trip to independent furniture show BKLYN Designs last year that New Yorkers John Neamonitis and Charlie Miner came up with the concept for their new website, WorkOf. Launched in January of this year, WorkOf is an online platform that is helping New York’s thriving designer-maker community to reach consumers while providing consumers with a new way of discovering hard-to-find design. “I was walking around [BKLYN Designs] and there was all of this really amazing work,” says Miner. “I was asking people, ‘Where would I go to buy this stuff? Is there a somewhere where I can find it all in one place?’ and everyone told me it didn’t exist.” Surprised and frustrated by the response they were getting, Neamonitis and Miner set about creating a solution.

WorkOf functions like a collective online storefront for its community, directing traffic to the designers’ websites and online stores. “We launched with 20 makers but have nearly 40 now,” says Miner, reflecting on a very busy five months. While every designer brings his or her own unique style to the table, the pieces are united by a raw, industrial aesthetic that identifies them as handmade in Brooklyn. Industrial brass lighting fixtures come courtesy of Workstead and Allied Maker, while Stefan Rurak’s heavy, reclaimed wood furniture and the blackened steel frames of Vidi Vixi’s pieces are softened by Calico’s ombre wallpapers and Fort Makers’ painterly fabrics.

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Although membership of WorkOf is free, applications are carefully considered. Miner explains, “Although we’re certainly open to people approaching us—I mean, that’s what we want to do, to support the community—we also want to be sure that the artists we represent are commercially viable; that they can scale to meet demand and that they can handle customers in a professional way because it reflects on everybody. It’s not a hobbyist platform, it’s not for amateurs.”

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NY Design Week 2014: ReclaimNYC Goes Interactive to Launch Colony

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A shorter version of this article was originally published in the C77 Design Daily, Vol. 1, Issue 2, on May 17, 2014.

There was a kind of carnival atmosphere at the opening party of Reclaim 3: Carte Blanche—the inaugural exhibition at the new Colony co-op / showroom space—which was Jean Lin and Jennifer Krichels’ goal, perhaps, when they commissioned the three wildly disparate interactive installations from Brooklyn’s Fort Makers, The Principals and UM Project by Françoise Chambard. The sheer spectacle of the work belies the fact that proceeds from sales (of related objects and accessories) goes towards charities of the designers’ choice, and, if nothing else, it’s a refreshing change of pace from the more commercial shows.

The Principals’ “Space Trash,” pictured at top, was a personal favorite, although you really have to see (and try) it in person to get what it’s about. More on each project below.

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– UM Project presents “Maypole,” an ensemble of 16 new LED lamps based on the acclaimed Craft System series, connected around a center pole by colorful cords and synchronized together. All proceeds from UM Project’s fundraising will be donated to the High School of Art and Design in New York City. UM Project’s installation is made possible with the generous support of Acces I/O, BAGGU, Color Cord Company, Dolan & Traynor, Lenovo, Nooka, and Parallel Development.

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NY Design Week 2013: Carrot Concept Puts El Salvador on the Design Map at WantedDesign

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Exhibitors at WantedDesign this year represented nationalities near and far, from just across the East River to across the pond and further afield. Now in its third year, Odile Hainaut and Claire Pijoulat’s hugely successful satellite to the nearby ICFF has all but outgrown the Terminal Stores building at the northwest corner of Chelsea. If the jam-packed atrium proved to be a bit overwhelming at times, the peripheral galleries offered the luxury of space at the expense of foot traffic—making for an altogether more manageable viewing experience, as in the case of the Carrot Concept, presented by Bernhardt Design.

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Led by a collective of savvy Salvadoran designers—Harry and Claudia Washington, Guillermo Altamirano, Josefina Alvarez, Jose Roberto Paredes and Roberto Dumont—the Carrot Concept is a platform to bring their country’s creative efforts to the rest of the world, and expand both the domestic and global audience for design from El Salvador.

A grassroots movement is afoot to bring the country’s burgeoning creative scene to the forefront. In 2012, a band of progressive and socially conscious architects, designers and entrepreneurs launched The Carrot Concept with the belief that celebrating and promoting creative industries in El Salvador will help fuel tehir economic and cultural growth.

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NY Design Week 2013: Roman and Williams for MatterMade + Living Workshop by New Friends at Matter

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Now that our friends at Matter have firmly established themselves as purveyors of some of the finest contemporary furnishings this side of Houston St., they’re looking to expand their house label. They launched MatterMade in 2010, partnering with designers to produce a new collection for every NY Design Week since (we took note in 2011). For this year’s MatterMade Collection, Creative Director Jamie Gray called on New York’s Roman and Williams to design a line of furniture and lighting.

At its core, the Roman and Williams for MatterMade collection is a marriage of two entitites with a shared vision of the American design landscape. The first commercially available collection of lighting and furniture by Roman and Williams, the line includes: Woodrum, a family of lighting, Hub, a coffee table and side table, and Reader, a sling chair and foot stool. The unifying theme within the collection is an emphasis on superior materials and exceptional craftsmanship. Standard wood species offered are reclaimed white oak, teak, and walnut, each with a simple and pure finish that highlights the wood. Custom unlacquered brass hardware adorns each piece and provides an extra touch of luxury and elegance.

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After a decade of creating award-winning bespoke spaces, such as the Ace Hotel and the glamorous Boom Boom Room at the Standard Hotel, this line of furniture and lighting presents a gateway for bringing the unique world of Roman and Williams into a broad spectrum of interiors. Whether ultra minimal, contemporary, or the most classic of spaces, the Roman and Williams for MatterMade collection adds a necessary hint of familiarity, articulation and decandence.

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NY Design Week 2013: American Design Club Presents ‘Trophy: Awards We Live With’

AmDC-Trophy-1.jpg#37: W.C. Rueck – “Daily Trophies” / #24: Ladies and Gentlemen Studio – “Mirage Shelving” / #36: Todd Isaacs (SPACECRAFT) – “Fir Horns” / #8: Christopher Specce – “Decoy” / #6: Brendan Mullins – “Princess Cut Diamonds” / #2: Andrew Sack – “Skate Wax Candles” / #9: Colleen & Eric – “Bonus Table (Podium Edition)”

For NY Design Week this year, our friends at the American Design Club presented their ninth group showcase, Trophy: Awards We Live With. Per the brief: “A trophy is a memento, token, or symbol, used to commemorate an achievement or victory. Whether they are awarded, stolen, or created, trophy objects can come in many forms.” As with Noho Next (which included several of the same exhibitors), the exhibition occupied a basement café/bar space; unlike Noho Next, in which the work was distributed throughout the space, the trophies were cordoned off on a makeshift stage area—an oversized display case, if you will—framed by a kitschy slatwall backdrop.

AmDC-Trophy-3.jpg#11: Craighton Berman – “Daily Aspirations” / #34: Taylor Mckenzie-Veal – “War Trophy” / #30: Muzz Design – “Ring of Approval” / #27: Made in Chinatown – “Stanrey Cup” / #5: Artin Yip + Chris Beatty – “Gnome” / #29: Misha Kahn – “Coatrack” / #35: The Office of Brothers – “Victory Shims” / #13: Egg Collective – “Badges”

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NY Design Week 2013: SVA Products of Design’s ALSO! Project Offers a New Perspective on WantedDesign

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All photos by Kathryn McElroy

It’s been quite a year for the MFA candidates in the School of Visual Arts’ Products of Design program, not least because the first-year students are also the first ever students in the fledgling program. This past weekend, the first half of their graduate studies culminated with ALSO!, a winsome design intervention at WantedDesign, which the tight-knit cohort of 16 students realized in the three weeks leading up to NY Design Week. They’d originally developed the concept for Sinclair Smith’s five-week Design Performance studio intensive, and the NYCxDesign festival (which wrapped up just two days ago) was a felicitous opportunity for them to put their studies into practice.

Through a roving set of mobile interventions, visitors to the show participate in an unfolding narrative around celebration, sustainability, digital mediation, storytelling and scale, each expanding the conversation around design beyond form, function and materiality.

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Broadly speaking, each of the six stations (two wearable, three carts and a single immobile station) offered a different perspective on not only the work on view at WantedDesign but also one’s fellow attendees and the venue itself. From the uniforms—white short-sleeve button-down (with the logo emblazoned across the back), dark denim, white plimsols and orange socks—to the seamlessly constructed equipment, which remain as the tangible artifacts of the experience, the students crafted a thoughtfully executed body of work.

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NY Design Week 2013: ‘Home in the Woods’ Celebrates Swedish Modern and New Nordic Design

HomeintheWoods-exterior.jpgStokkeAustad – “The Woods“; Image courtesy of Maria Larsson / Home in the Woods

It’s always nice to be pleasantly surprised by a serendipitous visit to a strong exhibition, especially during a week when there happen to be dozens of events to visit. (With the launch of NYCxDesign, New York’s annual design week was as supersaturated as ever, what with the ICFF expanding into Javits North and Wanted Design nearly overflowing with exhibitors.) As with Field and Various Projects’ Here & There, an unassuming exhibition was well worth the visit, and even though most of last weekend exhibitions have been broken down, packed and shipped by now, Home in the Woods will remain on view at 29 Mercer St in Soho (albeit by appointment only).

However, unlike Jonah Takagi’s effort, Maria Larsson‘s exhibition is brimming with New Nordic and Swedish Modern quality, including vintage pieces by Bruno Mathsson and Sven Markelius along with works of art and design. As the sole organizer of the exhibition, Larsson readily admits that her role went far beyond simply curating the exhibition: an architect by training, she oversaw the buildout of the gallery space, as well as the PR and marketing.

HomeintheWoods-EldFire.jpgVintage table and chairs by Bruno Mathsson; leather goods by Tigerklo; stool by Lith Lith Lundin

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NY Design Week 2013: Field and Various Projects Present ‘Here & There’ in Noho Design District

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We’ve seen plenty of excellent work by Washington, D.C.-based Jonah Takagi here and there at various exhibitions and venues over the years, but we finally crossed paths during NY Design Week at a pop-up shop/exhibition for his new-ish retail venture Field. Although he launched the company with childhood friend Daniel Thomas last year, Here & There marked first major event in New York, a collaboration between the D.C.-and-Chicago-based brand and NYC’s Various Projects, who stock some of the carefully curated goods at their flagship store in the Lower East Side, Project No. 8.

Billed simply as “an exhibition featuring an array of artists and designers invited to create objects on the theme of travel,” the exhibition was a highlight of this year’s design festivities.

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NY Design Week 2013: Let There Be Light – Lighting at ICFF

ICFF-Lighting-RichBrilliantWilling-Monocle-2.jpgRich Brilliant Willing’s “Monocle” wall sconce

Although the Jacob K. Javits Convention Center is notorious for its rather unflattering industrial lighting fixtures, many of the exhibitors at the ICFF happen to design lamps and lighting for the appreciably more intimate settings of the home or office, where (thankfully) we spend most of our time. Here’s a selection of some of our favs, including several new offerings from our friends at Rich Brilliant Willing, Brendan Ravenhill and Patrick Townsend.

ICFF-Lighting-RichBrilliantWilling-GalaChandelier.jpgThe Gala Chandelier comes in a variety of configurations

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