Day-in-the-life movie follows the resident of an apartment with moving walls and secret furniture

The resident of a compact apartment in Madrid demonstrates how she can rearrange walls and pull furniture out of the ceiling in this movie by photographer and filmmaker Miguel de Guzmán.

Day-in-the-life movie follows the resident of an apartment with moving walls and secret furniture

Designed by Spanish studio Elii Architects, the Didomestic apartment occupies the loft of an old building, so it was designed to make optimal use of space by creating flexible rooms that can be adapted for different activities.

Day-in-the-life movie follows the resident of an apartment with moving walls and secret furniture

Sliding pink partitions allow the main floor to be either opened up or divided into a series of smaller spaces, while a new mezzanine loft provides a bedroom where floor panels hinge open to reveal a vanity mirror, toiletry storage and a tea station.

Day-in-the-life movie follows the resident of an apartment with moving walls and secret furniture

The architects also added several fun elements to tailor the space to the resident’s lifestyle; a hammock, playground swing and disco ball all fold down from the ceiling, while a folding surface serves as a cocktail bar or ironing board.

Day-in-the-life movie follows the resident of an apartment with moving walls and secret furniture

“Every house is a theatre,” explained the architects. “Your house can be a dance floor one day and a tea room the next.”

Day-in-the-life movie follows the resident of an apartment with moving walls and secret furniture

The movie imagines a complete day in the life of the apartment’s inhabitant, from the moment she wakes up in the morning to the end of an evening spent with a friend.

Day-in-the-life movie follows the resident of an apartment with moving walls and secret furniture

“The idea was to show all the different spaces and mechanisms in a narrative way,” said De Guzmán.

Day-in-the-life movie follows the resident of an apartment with moving walls and secret furniture

Getting dressed in the morning, the resident reveals wardrobes built into one of the walls. Later, she invites a friend round for a meal and they dine at a picnic table that lowers down from the kitchen ceiling.

Day-in-the-life movie follows the resident of an apartment with moving walls and secret furniture

A rotating handle on the wall controls the pulleys needed to bring this furniture down from overhead, while other handles can be used to reveal shelving and fans.

Day-in-the-life movie follows the resident of an apartment with moving walls and secret furniture

A metal staircase connecting the two levels is contained within a core at the centre of the apartment and is coloured in a vivid shade of turquoise.

Day-in-the-life movie follows the resident of an apartment with moving walls and secret furniture

A shower room lined with small hexagonal tiles is located to the rear of the kitchen, plus there’s a bathroom on the mezzanine floor directly above.

Day-in-the-life movie follows the resident of an apartment with moving walls and secret furniture

Photography is also by Miguel de Guzmán.

Here’s a project description from Elii Architects:


Project for the complete refurbishment of an attic in downtown Madrid

The scope of the project covers from the development of a customised functional proposal for a user that is turning a new leaf to the rehabilitation of the structure, the insulation, the facilities and the modernisation of the existing construction systems.

Day-in-the-life movie follows the resident of an apartment with moving walls and secret furniture

The selected approach removes all obstacles from the floor to provide the greatest possible flexibility. Two basic elements are used: firstly, the central core, comprising the staircase, some shelves and the larder. The core is at the centre of the main space under the mansard roof. It connects the access floor and the space under the roof and allows the natural lighting coming through the roof into the living room. Secondly, there are two side strips for the functional elements (kitchen, bathroom, storage space and domestic appliances).

Day-in-the-life movie follows the resident of an apartment with moving walls and secret furniture

This basic arrangement is complemented by two strategies that provide flexibility to the domestic spaces.

Day-in-the-life movie follows the resident of an apartment with moving walls and secret furniture

Firstly, the moving panels that are integrated into the core and run along guide rails. These panels can be used to create different arrangements, such as adding an extra room for a guest, separating the kitchen from the living room area or opening the whole floor for a party. The panels have transparent sections so that the natural lighting coming through the mansard roof can reach this space.

Day-in-the-life movie follows the resident of an apartment with moving walls and secret furniture

Secondly, the secret trap doors that are integrated into the ceiling of the access floor and into the floor of the mezzanine and that house the rest of the domestic functions. The ceiling doors are opened with handles fitted on the walls. These handles actuate pulleys that lower part of the furniture (such as tables and the picnic benches, a swing or the hammock) or some complementary functions and objects (such as the disco ball, the fans to chill out on the hammock or an extra shelf for the guest room).

Day-in-the-life movie follows the resident of an apartment with moving walls and secret furniture

In addition, the floor of the space under the roof has a series of invisible doors that can be opened to alter the functionality of the raised space where the bedroom area is (these spaces house the dressing table, the tea room and the storage spaces for the bathroom).

Day-in-the-life movie follows the resident of an apartment with moving walls and secret furniture

All these elements are integrated within the floor and the ceiling and they appear and disappear at the user’s whim. The secret trap doors and the sliding panels complement the basic configuration, fit the needs of the moment and provide different home layout combinations.

Day-in-the-life movie follows the resident of an apartment with moving walls and secret furniture
Main floor plan – click for larger image
Day-in-the-life movie follows the resident of an apartment with moving walls and secret furniture
Long section – click for larger image
Day-in-the-life movie follows the resident of an apartment with moving walls and secret furniture
Cross section – click for larger image

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Movie: m.poli by Brut Deluxe and ImagenSubliminal

An eery town of kiosks for temporary street markets by Brut Deluxe is used as the set for this short horror movie by ImagenSubliminal.

Movie: m.poli by Brut Deluxe and ImagenSubliminal

Munich and Madrid-based Brut Deluxe‘s m.poli metal kiosks are designed to look like basic archetypal houses, each with four sides and a pitched roof.

Movie: m.poli by Brut Deluxe and ImagenSubliminal

The City of Madrid ordered 275 units for events, but when the huts are not in use they are stored together in rows and form a small deserted town – the backdrop for the scary film.

Movie: m.poli by Brut Deluxe and ImagenSubliminal

In the movie a frightened female character is seen running through alleyways between the homogenous metal houses.

Movie: m.poli by Brut Deluxe and ImagenSubliminal

She is chased into a clearing by a man dressed in black running over the roofs, to be confronted by a figure wielding an axe.

Movie: m.poli by Brut Deluxe and ImagenSubliminal

Directed by architect and photographer Miguel de Guzmán of ImagenSubliminal, the black and white Hitchcock-esque film was made with the kiosk designers as a promotional tool.

Movie: m.poli by Brut Deluxe and ImagenSubliminal

The kiosks can be made in a range of steel finishes including Corten and stainless, and are textured with a scattering of small bumps.

Movie: m.poli by Brut Deluxe and ImagenSubliminal

A section of wall swings upwards to create a serving windows under a shelter, which can be covered with the stall’s branding.

Movie: m.poli by Brut Deluxe and ImagenSubliminal

Inside they are lined with bright coloured panels and are entered through an inconspicuous door next to the window.

Movie: m.poli by Brut Deluxe and ImagenSubliminal

Miguel de Guzmán also directed a fantasy movie that features a wolf, three bears and Little Red Riding Hood filmed in a translucent house he designed in Spain.

See more kiosk designs »
See more architecture movies »

Here’s what the designers say about the project:


The kiosk is designed to be used for temporary street markets or handicraft fairs. It isn’t thought of as an individual object, but as part of a whole that builds up a small village, a little world of its own fitted into the city. The design is based on archetypical images: town, house, chimney. When closed, the kiosk is a volume covered by a pitched roof, a house in its uttermost minimal expression. The scale and the shape are so basic that at first glance it might even be a toy, a Monopoly house.

Movie: m.poli by Brut Deluxe and ImagenSubliminal

Upon opening, the kiosk transforms. A part of its façade rotates upon the roof and the kiosk acquires a more vertical and striking proportion: that of a house with an oversized chimney. The chimney works as a great advertising board and is back-lit at night. With the transformation the kiosk reveals its inside, a house full of surprises, each one different and randomly coloured.

Movie: m.poli by Brut Deluxe and ImagenSubliminal

The base and the structure are made from structural profiles and tubing of galvanised steel, while the interior flooring is from anti-slip sheet aluminium on MDF boarding. The kiosk’s opening hatch is opaque and has three changeable positions: at 0 degrees closing the kiosk, at 90 degrees sheltering the counter from rain and sun, and at 180 degrees when the kiosk is fully open.

Movie: m.poli by Brut Deluxe and ImagenSubliminal

On the inside of the hatch, there are back lit panels for advertising the individual kiosk, which becomes visible at positions from 90 degrees to 180 degrees. One can access the kiosk through a door in the front facade next to the commerce hatch. The façade on the sides and back have no openings, damp-proofed with plates of pre-galvanised lacquered steel sheeting and covered with Corten Steel plate. The pitched roof also uses the same construction.

The kiosk m.poli has been made with four different types of steel facade: naturally rusted Corten steel, polished stainless steel, matt stainless steel, steel with black lacquer finish. Throughout its development it was important that it would be an autonomous structure with everything that it needs to function independently, and to install a unit into a square does not need precise civil engineering, just a lorry, and fork-lift truck.

Movie: m.poli by Brut Deluxe and ImagenSubliminal

The kiosk moves and is transportable as a single block. In a single movement a crane can offload the kiosk from the truck and place it in its final position. Just the same, if for some reason a unit needs to be moved or changed position, it can be done quickly and easily with just a fork lift truck, or even a hand operated hydraulic jack.

More than 95% of the weight of the kiosk is from steel, in various types and forms. These materials are made from 43% recycled metals, and in terms of re-use of materials, the kiosk renders almost completely recyclable.

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Espinar House by Miguel de Guzmán

Spanish architect Miguel de Guzmán has completed a house with translucent plastic walls in Spain’s Sierra de Madrid mountain range and produced a movie showing Little Red Riding Hood as one of the residents.

Espinar House by Miguel de Guzmán

Surrounded by pines trees, the two-storey house features cellular polycarbonate exterior walls, chunky chipboard interiors and a rooftop lawn.

Espinar House by Miguel de Guzmán

Steel wires criss-cross over the facade to encourage climbing plants and vines to grow up around the house.

Espinar House by Miguel de Guzmán

A double-height greenhouse runs along the southern facade, while a ground-floor dining room and a first-floor living room are positioned alongside and can overlook the space through internal windows.

Espinar House by Miguel de Guzmán

There are two bedrooms on each level and bookshelves line the staircases that zigzag between the floors.

Espinar House by Miguel de Guzmán

Miguel de Guzmán specified cheap and lightweight materials for construction. “The use of semi-mechanised building techniques, steel frames, sandwich panels and polycarbonate can speed up work time, reduce costs and give the building greater flexibility to make changes in the future,” he explains.

Espinar House by Miguel de Guzmán

De Guzmán also works as an architectural photographer and produced the fairytale movie that presents the house. “The background idea for the movie was to play with the ‘little house in the woods’ concept,” he told Dezeen.

Espinar House by Miguel de Guzmán

He adds: “In the world of children’s’ tales there is always a house in the middle of the forest where magical and mysterious things happen. I chose some of the most univerally known characters: Little Red Riding Hood, The Three Bears and The Big Bad Wolf, of course.”

Espinar House by Miguel de Guzmán

Another residence we’ve featured that appears to contain unusual characters is a renovated apartment in France with three Napoleons in its accompanying photographs.

Espinar House by Miguel de Guzmán

Other Spanish houses completed recently include a boxy concrete residence near Barcelona and a triangular house in the outskirts of Girona. See more houses in Spain.

Espinar House by Miguel de Guzmán

Photography is by Miguel de Guzmán.

Espinar House by Miguel de Guzmán

Here’s a project description written by the architect:


Espinar House is built in a small village at the north face of the Sierra de Madrid. The site enjoys a privileged location, on the edge of the town bordering the Natural Park Panera. This situation is the starting point of the project, with the goals of maximising the mountain and park views to the northwest; optimising natural light considering it is at the north face of the mountain, and respecting the existing large pines. The dwelling is located in the centre of the lot with a perimeter defined by urban legal conditions as well as the situation of the trees.

Espinar House by Miguel de Guzmán

The facade consists of a triple skin: First there is a sandwich panel with OSB boards (which provide the interior finish), extruded polystyrene foam insulation and waterproof chipboard, surrounding the core of the house rooms and living spaces. The second skin is made of cellular polycarbonate, providing extra insulation and expanding the perimeter to wrap a south-facing greenhouse that collects heat during winter days and can be opened to the outside during the summer, defining semi-outdoor extension space for the house. Steel cables allow climbing plants to grow on three sides of the house, as a vegetal third skin.

Espinar House by Miguel de Guzmán

The use of semi mechanised building techniques, steel frames, sandwich panels and polycarbonate, can speed up work time, reduce costs and give the building greater flexibility to make changes in the future. Water and electrical facilities are accesible, making easier to expand, change or perform repairs.

Espinar House by Miguel de Guzmán

The top deck area is a garden that tries to restore the portion of ground garden occupied by the building and provides a leisure space at the level of the treetops with views of the mountains.

Espinar House by Miguel de Guzmán
Ground floor plan
Espinar House by Miguel de Guzmán
First floor plan
Espinar House by Miguel de Guzmán
Roof plan
Espinar House by Miguel de Guzmán
Cross section one
Espinar House by Miguel de Guzmán
Cross section two

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Miguel de Guzmán
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