Beatrice Galilee appointed architecture and design curator for The Met

Beatrice Galilee

News: British curator Beatrice Galilee has been appointed to a newly created role as curator of architecture and design at The Metropolitan Museum of Art in New York.

Beatrice Galilee, who was chief curator of the Lisbon Architecture Triennale last summer, will take up one of two new positions at The Metropolitan Museum in the department of modern and contemporary art, as part of an expansion that will see the institute move into the Marcel Breuer-designed museum building on Madison Avenue currently occupied by The Whitney.

“Beatrice Galilee will join the staff of our department of modern and contemporary art as it expands to embrace a more global program and mandate,” said museum director Thomas P. Campbell. “She brings to the position her strong international experience in the presentation and study of architecture and design-related work.”

Department chairman Sheena Wagstaff added: “This is a new position at the Museum, and a timely appointment that will enhance a vital area of scholarship as we build the collection and plan our programming for the Breuer project. We are thrilled to welcome a curator with a reputation for her innovative approach as well as a comprehensive knowledge of the field.”

Starting later this spring, Galilee’s position is entitled Daniel Brodsky Associate Curator of Architecture and Design after the museum’s chairman, while a second position dedicated to Latin American Art will be named after Brodsky’s wife and art historian Estrellita B. Brodsky.

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Metropolitan Museum of Art Names Susan Sellers Head of Design

Susan Sellers, founding partner and creative director of New York-based design consultancy 2×4, is moving on up, to the East Side, where on Monday, June 24, she’ll begin her new role as head of design at the Metropolitan Museum of Art. In overseeing the museum’s department of design, Sellers will lead a cadre of specialists–in installation, graphic, and lighting design–that attend to everything from signage and printed materials to exhibitions and gallery installations.

Sellers, who is also senior critic in graphic design at Yale School of Art, comes to the Met with extensive experience working with museums. 2×4 has developed graphic identities for the likes of PS1 and the Brooklyn Museum, and Sellers has cultivated the studio’s approach to brand identity for museums and public institutions including the Guggenheim, Longwood Gardens, and the Isabella Stewart Gardner Museum. She has also designed exhibitions for clients such the Guggenheim and the Storefront for Art and Architecture–as well as Nike and Prada. “Her design work is both elegant and strategic,” noted Metropolitan Museum director Thomas Campbell in a statement announcing Sellers’ appointment, “and I look forward to having her develop a design vision for the Met that speaks to the museum’s diverse collections and audiences.”

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Metropolitan Museum of Art to Open Eight Days a Week (OK, Seven)

Since 1971, Mondays at the Metropolitan Museum of Art have been reserved for journalists (attending life-enhancing press previews) and crestfallen tourists. The latter bunch, recognizable by their non-black garments, lack of writing utensils, and general giddiness, mounts the famed staircase in twos and threes only to discover that the museum is…CLOSED. A rapid progression through the five stages of grief follows, and by the time anger (“I told you we should have checked the website!”) turns to acceptance, the out-of-towners are proceeding north to the Guggenheim. That scenario will come to an end on July 1, when the Met’s new schedule takes effect: the museum, both the main building and the Cloisters, will open to the public seven days a week. “Art is a seven-day-a-week passion, and we want the Met to be accessible whenever visitors have the urge to experience this great museum,” said director Thomas Campbell in a statement issued this week.
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In Brief: Met Museum Admission Fee Kerfuffle, Swiping at Pictures, Fashionable Philanthrophy

• Elsewhere in museum thievery news, a disgruntled former employee of the Metropolitan Museum of Art who we’ve identified to be Gerald Jones–and who insists to the New York Post that he is not disgruntled but a whistleblower (someone’s been watching Enlightened!)–is speaking out about the museum’s tactics for getting visitors to pay the suggested $25 admission fee. “I arranged for security officers to forcibly remove the museum visitors who demanded entry without paying,” he told the Post.

• How has technology reshaped contemporary life and what does it mean for photography? Curator Christopher Y. Lew considers “Swiping at Pictures” in an online-only essay that accompanies Aperture‘s boldly redesigned spring 2013 issue.

• Fashion powerhouses such as Donna Karan, Michael Kors, and Zac Posen are serious about philanthrophy. Gotham goes inside the minds of “6 Designers Who Give Big.”

• The selection of a new pope prompted Norma Kamali to consider how much the Catholic church influenced her career in fashion. “The tapestries and brocades, the candles, and the bar reliefs, and sculptures, and the holy water. Every one of my senses was a part of the experience,” she wrote of her childhood churchgoing in a recent “Note from Norma.”

• And speaking of fashion influences and pyramid schemes, Vince Camuto has ripped off Valentino’s wildly successful rockstud heel. Camuto’s “Mikhal” model is priced at $118, while the Italian original goes for around $950.

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