Untitled #158 by Aeneas Wilder

This doughnut-shaped pavilion by Scottish artist Aeneas Wilder offers visitors a view across the landscape of Limburg, Belgium, from behind a ring of wooden slats (+ slideshow).

Untitled #158 by Aeneas Wilder

Named Untitled #158, the wooden structure is positioned on a hillside and is lifted up on legs as the ground slopes away beneath it.

Untitled #158 by Aeneas Wilder

An open doorway leads into the pavilion, inviting anyone to step inside.

Untitled #158 by Aeneas Wilder

The project is one in a series of permanent structures instigated by the Z33 gallery for public spaces in the Haspengouw region. Other completed projects include a see-through church.

Untitled #158 by Aeneas Wilder

Photography is by Kristof Vrancken.

Untitled #158 by Aeneas Wilder

Here’s a project description from Wilder’s website:


Pit, Art in the public space of Borgloon

Untitled # 158.

This permanent public art installation was the culmination of several years project development between Z33 and Aeneas Wilder.

Untitled #158 by Aeneas Wilder

The resulting installation, Untitled # 158, is an architectural construction consisting of a 360° wooden chamber projecting horizontally from the side of a small valley in the province of Limburg.

Untitled #158 by Aeneas Wilder

The structure sits close to the hamlet of Kerniel in the proximity of the Klooster van Colen and references the religious heritage of the surrounding area, the historical development of town settlements from the middle ages as well as the natural cycle of this rich agricultural landscape.

Untitled #158 by Aeneas Wilder

Materials: Douglas Fir, stainless steel, tropical hardwood, concrete.

Untitled #158 by Aeneas Wilder

Size: 1700cm x 1700cm x 520cm.

Untitled #158 by Aeneas Wilder

Date: May 4th 2012

Untitled #158 by Aeneas Wilder

The post Untitled #158
by Aeneas Wilder
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Reading between the Lines by Gijs Van Vaerenbergh

Reading between the Lines by Gijs Van Vaerenbergh

Belgian architects Pieterjan Gijs and Arnout Van Vaerenbergh have completed a see-through church in Limburg, Belgium.

Reading between the Lines by Gijs Van Vaerenbergh

The ten metre-high church is constructed from 100 stacked layers of weathered steel plates.

Reading between the Lines by Gijs Van Vaerenbergh

Gaps between these plates allow visitors to through through the walls.

Reading between the Lines by Gijs Van Vaerenbergh

With its pointed spire, the building imitates the form of traditional churches in the region.

Reading between the Lines by Gijs Van Vaerenbergh

Entitled Reading between the Lines, the project forms part of the Z-OUT programme coordinated by the Z33 gallery, which aims to bring art into public space.

Reading between the Lines by Gijs Van Vaerenbergh

Gijs Van Vaerenbergh were also responsible for creating an upside dome inside an existing church in Leuven – see our earlier story here.

Reading between the Lines by Gijs Van Vaerenbergh

Photography is by Kristof Vrancken.

Reading between the Lines by Gijs Van Vaerenbergh

Here are some more details from Gijs Van Vaerenbergh:


Gijs Van Vaerenbergh makes church sculpture as part of art in public space project

Gijs Van Vaerenbergh, a collaboration between young Belgian architects Pieterjan Gijs and Arnout Van Vaerenbergh, have built a see-through church in the Belgian region of Haspengouw. The church is a part of the Z-OUT project of Z33, house for contemporary art based in Hasselt, Belgium. Z-OUT is an ambitious long-term art in public space project that will be realised on different locations in the Flemish region of Limburg over the next five years.

Reading between the Lines by Gijs Van Vaerenbergh

The church is 10 meters high and is made of 100 layers and 2000 columns of steel. Depending on the perspective of the viewer, the church is either perceived as a massive building or seems to dissolve – partly or entirely – in the landscape. On the other hand, looking at the landscape from within the church, the surrounding countryside is redefined by abstract lines.

Reading between the Lines by Gijs Van Vaerenbergh

The design of the church is based on the architecture of the multitude of churches in the region, but through the use of horizontal plates, the concept of the traditional church is transformed into a transparent object of art.

Reading between the Lines by Gijs Van Vaerenbergh

The project is called ‘Reading between the Lines’ and is a project by the duo Gijs Van Vaerenbergh, a collaboration between young Belgian architects Pieterjan Gijs (Leuven, 1983) and Arnout Van Vaerenbergh (Leuven, 1983).Since 2007, they have been realizing projects in the public space that derive from their architectural background, but clearly display an artistic intention. As such, their projects do not always originate from the customary commission and carry a large degree of autonomy. Their primary concerns are experiment, reflection, a physical involvement with the end result and the input of the viewer.


See also:

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Shiv Temple by Sameep
Padora & Associates
Church
by Beton
Sta Columbina Chapel by
Luis Ferreira Rodrigues