KPF to wrap steel ribbons around LA’s Petersen Automotive Museum

News: architecture firm Kohn Pedersen Fox has unveiled plans to surround the Petersen Automotive Museum in Los Angeles in a cloak of steel ribbons as part of major refurbishment.

Housing one of the world’s largest automotive collections, the Petersen Museum occupies a former 1960s department store on Wilshire Boulevard. In 2014, the museum will celebrate its twentieth anniversary and to tie in with this landmark it has commissioned Kohn Pedersen Fox (KPF) to upgrade its outdated facilities.

Petersen Automotive Museum by KPF

“The Petersen Museum is a rich cultural deposit of the most interesting and compelling automobiles in the world,” commented KPF design principal Trent Tesch. “Housed in a converted department store, the museum finds itself without a deserving image. While the ‘bones’ of the building work well for the display of cars, the expression of the structure lacks imagination.”

Set for completion in early 2015, the renovation will involve stripping back the existing concrete portico and replacing it with a red aluminium rainscreen, over which the stainless-steel ribbons will be mounted. Integrated lighting fixtures will highlight the details at night.

Petersen Automotive Museum by KPF

“Our goal was to find a way to inject life into the building, with minimal intervention that would produce the maximum effect,” said Tesch. “The design offers an abstract veil of flowing ribbons, meant to invoke not only the spirit of the automobile, but also the spirit of Los Angeles architectural culture.”

KPF co-founder and chairman A. Eugene Kohn compares the new facade to the shapes made by a dancing ballerina. “[It is] intended to express constant motion, suggesting speed, aerodynamics and the movement of air,” he added.

Petersen Automotive Museum by KPF

The architects will also overhaul the building’s interior, adding an extra 1400 square metres of exhibition space for the museum’s growing collection.

Other projects underway by KPF include an extension to a 30-storey tower in London and a skyscraper proposal for a new business district in South Korea. See more architecture by KPF »

Here’s more information from the architects:


KPF designs Petersen Automotive Museum in Los Angeles

Firm’s exciting repositioning project on Museum Row of The Miracle Mile

International architecture firm Kohn Pedersen Fox Associates (KPF) is pleased to share its exciting design for the new Petersen Automotive Museum in Los Angeles. The museum will mark its 20th anniversary in 2014 by commencing a complete exterior transformation and a dynamic redesign of the interior, resulting in a world-class museum that will showcase the art, experience, culture, and heritage of the automobile.

Opportunely located on “Museum Row” of the famed “Miracle Mile”, the building actually started out as a department store in 1962. Its new design will transform the Petersen building into one of the most significant and unforgettable structures in Los Angeles – an appropriate home for such an impressive collection of automobiles.

Unlike most museum renovations, which involve complete building teardown, this is a repositioning project. The existing building is like a chassis without a body. By keeping the bones, but removing the existing concrete portico on Wilshire, and installing a corrugated aluminium rain screen outboard of the current facade on each of the three street frontages, the museum will have a whole new look and feel. New “ribbons” made out of angel hair stainless steel on the front and top, and red painted aluminium on the back and bottom, flow over and wrap the building. Acting as beams that support their own weight, these evoke the feeling of speed and movement, sitting atop the existing structural system much like the body of a car mounts to its frame. At night, the colour and forms will be lit from within to accentuate the steel sculpture and act as a beacon on The Miracle Mile.

Los Angeles is a city that was brought to life by the automobile. The idea of Los Angeles architecture invokes thoughts of the mid-century modern movement led by Architects such as John Lautner, and Wayne McAllister. This modern and space age architecture, known as “Googie”, is characterised by upswept roofs, curvaceous shapes, and bold use of glass, steel, and neon. This style of architecture was influenced by car culture, suburban life, and the Atomic age. Because of increasing car ownership, cities no longer had to rely on a central downtown and business could therefore be interspersed with residential areas.

Work on the museum is expected to take 14 to 16 months and to be completed in early 2015.

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KPF to build on top of 1970s tower

South Bank Tower extension

News: architecture firm Kohn Pedersen Fox has submitted plans to add 11 floors on top of an existing 30-storey tower in London. The project engineer claims this would be the first time such an ambitious extension has been attempted.

Architect Kohn Pedersen Fox (KPF) and engineers Adams Kara Taylor (AKT II) have applied to Southwark Council to extend the 111 metre-high King’s Reach Tower on London’s South Bank by an additional 44 metres.

Approval already exists to add six extra floors but AKT II claimed that extending a legacy tower by a third was a world first: “This has never been done before,” founding director Albert Taylor told Building Design.

South Bank Tower
KPF’s proposal for South Bank Tower

Southwark planners will meet next Tuesday to consider the plans, which will take the tower to 155 metres.

The 111 metre-high tower, now rebranded as South Bank Tower, was designed by architect Richard Seifert and completed in 1978.

dezeen_south-bank-tower_2

An extensive refurbishment scheme to convert the building into a mix of retail, office and residential spaces was approved in October 2011 and will include 173 luxury apartments from floor 11 upwards.

South Bank Tower proposal
Visual showing the original tower, the approved extension and the upcoming application

The extended tower would form part of a new cluster of tall buildings on the southern bank of the River Thames, which includes the newly completed Shard by Renzo Piano and the forthcoming One Blackfriars by Ian Simpson Architects.

Richard Siefert’s original King’s Reach Tower plans

See more architecture by Kohn Pedersen Fox »
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Corrosive concrete halts construction of China’s tallest building

Pingan International Finance Center by Kohn Pedersen Fox

News: concrete made with unprocessed sea sand has been found in at least 15 buildings under construction in Shenzhen – including what will be China’s tallest building when completed – putting them at risk of collapse.

An industry-wide investigation made public last week discovered that 15 buildings in the city were partly constructed from concrete made with sea sand instead of river sand, including the 660-metre-high Ping’an International Finance Center, expected to be the second tallest building in the world.

While cheap sea sand offers cost-saving opportunities for contractors, the salt and chloride present in it can corrode steel reinforcements over time and ultimately cause a building to collapse.

The Shenzhen Housing and Construction Bureau found that 31 companies had violated industry rules and ordered eight of them to suspend business for one year in the city, Bloomberg reported.

Construction has now been halted on Ping’an International Finance Center, which was designed by US firm Kohn Pedersen Fox and has been under construction since 2009.

Like many Chinese cities, Shenzhen is undergoing a frenzy of construction activity, with architects including OMA and Mecanoo working in the city.

OMA recently won a competition to design a financial office tower, the firm’s second building in the city after the Shenzhen Stock Exchange. Mecanoo are woking on a cultural complex in the Longgang district, while the Futian District – an area that’s larger than Manhattan – is being redesigned by SWA Group to create pedestrian areas and green spaces.

See all our stories about architecture and design in China.

Image is by Kohn Pedersen Fox.

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W. R. Berkley Corporation European headquarters by Kohn Pedersen Fox

W. R. Berkley Corporation European headquarters by Kohn Pedersen Fox

Dezeen Wire: here’s the first image of a new 190-metre skyscraper for the City of London designed by Kohn Pedersen Fox to house the European headquarters for insurance company W. R. Berkley Corporation.

The office tower will have 35 storeys plus two basement levels and two roof plant levels, and the proposal includes a new a new public square.

Subject to planning, construction is expected to start next year.

Kohn Pedersen Fox are also the architects behind the Heron Tower, which was the tallest in the Square Mile until overtaken by the completion of The Shard earlier this year, and The Pinnacle (formerly known as the Bishopsgate Tower), under construction but stalled since March due to lack of letting commitments.

Other skyscrapers under construction in the area include the Leadenhall Building by Rogers Stirk Harbour + Partners, 20 Fenchurch Street (nicknamed the Walkie-Talkie) by Rafael Viñoly, and 100 Bishopsgate by Allies and Morrison with Woods Bagot.

See more stories about skyscrapers on Dezeen »

Here’s some more information from W. R. Berkley Corporation:


W. R. Berkley Corporation to build new European headquarters in the City of London

W.R. Berkley Corporation, one of the world’s premier property casualty insurance providers, has submitted a planning application for a major new European headquarters at 52-54 Lime Street, London EC3, in the heart of the City of London.

Demonstrating the strength of W.R. Berkley Corporation’s commitment to London as one of the world’s leading insurance centres, the company, whose member insurance companies are rated A+ by Standard & Poor’s, will be funding the 35-storey building, which will draw together all of the company’s London presence into one place, from its own balance sheet. W. R. Berkley Corporation London companies will initially be occupying approximately 25% of the building. Other occupiers have already expressed interest in the building.

Designed by multi-award winning international architects, Kohn Pedersen Fox (KPF), who also designed the Heron Tower, the planned building is approximately 190m tall, consisting of 35 floors of offices above ground and mezzanine levels with an additional two basement and two roof plant levels. Entrances to the building would be on Leadenhall Street and from a new public square.

Floor plates will range in size from 9,000 sq ft to 22,000 sq ft and are arranged around a side core located to the south of the building, which optimises floor plate dimensions, limits solar gain and offers views of London to the, north, east, west and south west.

Public space created by the development will include a ‘square’ of approximately 11,000 sq ft which will complement the existing precinct around the Willis Building. The space will include public seating and planting as well as potential space for public art and tables linked to a specialist ground floor coffee shop, echoing the 17th century origins of the specialist insurance markets at Lloyds Coffee House.

With Lloyd’s of London and Willis adjacent to the new public square and Aon to occupy 122 Leadenhall Street, W.R. Berkley’s new European headquarters will effectively create a global ‘HQ’ of the insurance industry in London.

KPF’s work is being led by Bill Pedersen, one of the world’s most decorated architects and seven time winner of the American Institute of Architects National Honour Award.

Subject to planning, work on the project is scheduled to start by 2013 and it is anticipated that the development could be ready for occupation by 2017.

William Berkley, founder and chairman of W.R. Berkley Corporation comments:

“The proposed development of 52-54 Lime Street is an integral component of our international growth strategy. With the continuing expansion of our operations here, it makes sense to invest in a landmark building which will provide a strong base for that growth.

“This major investment is a signal of our belief and confidence in London as the centre of the global insurance market. Creating a new European headquarters on Lime Street, alongside of some of the largest companies in the industry, is an affirmation of the City of London as the centre of the insurance and reinsurance industries.”

About London’s insurance industry

Insurance companies and pension funds are crucial to the UK and City of London economy, accounting for £32.5bn in GDP contributions

The City of London is the home of the specialist insurance sector, with gross premiums on the London market conservatively estimated at £36.9bn in 2010, and Lime Street is the heart of the sector – from historic players like Lloyds, to world leading brands like Willis, Aon, and Aviva.

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