Urban Hut by Takehiko Nez Architects

dezeen_Urban Hut by Takehiko Nez Architects

The stairwell ascending through the centre of this Tokyo house is illuminated from a skylight and glows through translucent glass partitions.

dezeen_Urban Hut by Takehiko Nez Architects

Designed by Japanese firm Takehiko Nez Architects, the three-storey residence has a stark interior of unfinished plywood and streaky white paint.

dezeen_Urban Hut by Takehiko Nez Architects

The house is named Urban Hut and has an open-plan layout on each floor that will accommodate a brother and sister.

dezeen_Urban Hut by Takehiko Nez Architects

You can also see more projects that look like they aren’t quite finished by clicking here.

dezeen_Urban Hut by Takehiko Nez Architects

Photography is by Takumi Ota.

dezeen_Urban Hut by Takehiko Nez Architects

The following text is from Takehiko Nez:


Urban Hut

The young clients, sister and brother, lost parents at their teens, lived in the downtown Tokyo. Modest, rough and tough house to have a strong hold on the changes of the times like weeds is suitable for them.

dezeen_Urban Hut by Takehiko Nez Architects

The house without finish on façade stands in disordered scenery of typical downtown.
It was required maximum floor in the compact box on 30 square meters’ site and basic performance as a private house.

dezeen_Urban Hut by Takehiko Nez Architects

The central staircase with the roof light sends sunlight to each spaces through the studs and stairs rising to the top floor without a landing to the middle floor.

dezeen_Urban Hut by Takehiko Nez Architects

The partitions of translucent glass and plywood give the adequate relationship and privacy in the two completely different rhythm and pattern of life.

dezeen_Urban Hut by Takehiko Nez Architects

It can be called an urban vernacular house that is compactly made by the raw material like a corrugated cardboard house, made with skin and born like a hut, stacked with thin objects and narrow spaces in the tiny lot.

dezeen_Urban Hut by Takehiko Nez Architects

If the house’s magnetism is not greatest at completion but greater gradually for the lifespan, creator’s role of the house should be inherited from architects to residents to accustom itself to their lifestyle.

dezeen_Urban Hut by Takehiko Nez Architects

Tolerance letting residents’ imagination intervene is designed as stacking spaces with half scale, shallow blank gap, and incomplete finishes. It is pleased that clients are managing to live comfortably with unexpected discovery beyond the pre-established imagination.

dezeen_Urban Hut by Takehiko Nez Architects

Architect: Takehiko Nez Architects

dezeen_Urban Hut by Takehiko Nez Architects

Status: completed July 2011
Location: Tokyo, Japan

dezeen_Urban Hut by Takehiko Nez Architects

Collaborators:
Structure: ASA
Contractor: Shinei

dezeen_Urban Hut by Takehiko Nez Architects

Site area: 30.37sqm
Total floor area: 44.26sqm

House in Seya by Suppose Design Office

House in Seya by Suppose Design Office

This wooden house in Yokohama by Japanese architects Suppose Design Office has a garden behind its walls and a roof terrace beneath a ceiling.

House in Seya by Suppose Design Office

After entering though the front door, residents must first cross a pebbled courtyard filled with plants to access the rooms of the three-storey house.

House in Seya by Suppose Design Office

One staircase leads down to bedrooms on the sunken ground floor, while another leads up a first-floor living room.

House in Seya by Suppose Design Office

The terrace and a bathroom occupy the second floor above, separated from one another by nothing but glazing.

House in Seya by Suppose Design Office

Suppose Design Office have designed quite a few interesting houses – see more of their projects here.

House in Seya by Suppose Design Office

Photography is by Toshiyuki Yano.

House in Seya by Suppose Design Office

Here’s a little more information from the architects:


House in Seya

We have all ways have been interested in Nature.

Nature that expresses time and change are some aspects that we try to incorporate in Architecture.
Everybody feels and knows that the sky, sea, and forest are big but why does everyone feel this way? Would it be that when a person feels lost in the scale of things they start to feel that the thing is big.

House in Seya by Suppose Design Office

Scale is something important in architecture. That it why always think of size and height. If nature and architecture were to be the same and to have a close relationship with each other then when the scale is taken away from architecture or scale is added to nature then there might be a new relation ship created between architecture and nature.

House in Seya by Suppose Design Office

The house in Seya is on a small site located in a residential area. The client works in a flower shop and wanted a house that looks in harmony with flowers and vegetations.

House in Seya by Suppose Design Office

It is the norm to erect walls to enclose a space for a building but for the house in Seya we decided to enclose the outer space. This resulted in the creation of a space where it is neither a garden nor a room.

House in Seya by Suppose Design Office

Click above for larger image

The outer shell was built like a wooden storage and once the residence moved in to the space, by time there will be an increase in plants, book shelves or painting in the space will have the same quality as what nature where everything is in a state where it is neither finished nor unfinished.

House in Seya by Suppose Design Office

Click above for larger image

It was important that the client accepted that this architecture was in the process of change and that it came from the idea of adding scale to Nature, which resulted in the nature become closer to architecture and an architecture closer to nature.

House in Seya by Suppose Design Office

Click above for larger image

Rather then creating architecture that is completed but to create an architecture that is unfinished which lead to the creation of a new relationship between the internal and external spaces.

House in Seya by Suppose Design Office

Click above for larger image

The creation of this uncompleted space gives the space the quality to accept any kind of elements to be placed and give true strength to the versatility of the space. The uncompleted state can produce a rich space and we would like to continue to think about thee kind of space.

House in Seya by Suppose Design Office

Click above for larger image

Location: Seya,Yokohama,Kanagawa,Japan
Principal use: single family house
Structural Engineer: Ohno Japan
Main Structure: Timber construction ( subset of structure is Concrete )
Site Area: 73.22 sqm
Building area: 36.09sqm
Total floor area: 57.03sqm
Completion : April. 2011
Design period: August. 2009 – September. 2011
Construction period: February. 2010-February. 2011
Project team: Suppose design office | Makoto Tanijiri, in charge: Ai Yoshida

Izukougen House by Atelier Shinya Miura

Izukougen House by Atelier Shinya Miura

Japanese architect Shinya Miura has completed a house in Shizuoka with three courtyards concealed inside.

Izukougen House by Atelier Shinya Miura

Glass walls surround each courtyard to draw natural daylight into the rooms of the residence, which is named Izukougen House.

Izukougen House by Atelier Shinya Miura

Windows are scattered across the facade at different heights, even though the house has only one primary storey.

Izukougen House by Atelier Shinya Miura

We’ve featured a few popular houses in Japan recently – see them here, including one with a triangular courtyard sliced through its centre.

Izukougen House by Atelier Shinya Miura

Here’s a little more information from the architect:


Izukougen House

This residential project for a couple who live in forestal resort area near the ocean in the Izu peninsula area, Japan.

Izukougen House by Atelier Shinya Miura

Fitting onto a narrow strip of land, the design is carefully structured.

Izukougen House by Atelier Shinya Miura

Three internal courtyards govern the interior volume, and provide a sense of openness.

Izukougen House by Atelier Shinya Miura

Extending through the ceiling, the voids act as light wells that flood the neutral interior spaces with natural light and ventilation.

Izukougen House by Atelier Shinya Miura

A long window on the east side of the dwelling provides a parallel view of the ocean in the distance, while breaking up the longitudinal form, framing and optimizing views of the lush garden and surrounding scenery.

Izukougen House by Atelier Shinya Miura

Location: Shizuoka (Japan)
Structure: timber structure

Izukougen House by Atelier Shinya Miura

Built area: 105.17m2
Total floor area:105.17m2

Izukougen House by Atelier Shinya Miura

Structural engineering: Shibamura structural design office
Constructor: Daido Kogyo

Toda House by Kimihiko Okada

Toda House by Kimihiko Okada

Japanese architect Kimihiko Okada has completed a spiralling house on stilts in Hiroshima.

Toda House by Kimihiko Okada

Raised up by metal columns, the two-storey residence, named Toda House, wraps around a courtyard garden.

Toda House by Kimihiko Okada

Residents can walk underneath the building into this central courtyard, where a staircase leads up into a first floor lobby.

Toda House by Kimihiko Okada

From here, rooms wind anticlockwise around the building and incrementally climb upwards.

Toda House by Kimihiko Okada

Balconies are located at both ends of the coil and overlook the sea beyond.

Toda House by Kimihiko Okada

Two other stories we’ve published about Kimihiko Okada feature mountains of aluminium foil – see them both here.

Toda House by Kimihiko Okada

Photography is by Toshiyuki Yano.

Toda House by Kimihiko Okada

Here’s some more text from the architect:


The site is located in a residential area developed on a gentle perch in Hiroshima, overlooking a far view of the Inland Sea and Miyajima.

Toda House by Kimihiko Okada

The land of this area is developed into platforms form with several levels.

Toda House by Kimihiko Okada

The architecture was requested to have a view over the roof of the neighboring house, standing one level lower, and to consider security, for the site is located at the edge of the residential area, and to leave some space for extension when the client opens a small shop in the future.

Toda House by Kimihiko Okada

To respond to the requests, the house is lifted from the ground.

Toda House by Kimihiko Okada

Like a bird’s nest, it called up architecture’s primary function of relief from disturbance.

Toda House by Kimihiko Okada

The house is open to the view and yet protected from the fear and environment.

Toda House by Kimihiko Okada

Slab and roof consists of one continuous plate.

Toda House by Kimihiko Okada

The variations of circulation and diverse spatial relations were achieved by placing a penetrating staircase.

Toda House by Kimihiko Okada

The extended plate made possible the future extension and softened the impression from the ground level.

Toda House by Kimihiko Okada

Spandrel wall changes its height accordingly to the thickness of slab.

Toda House by Kimihiko Okada

Together with the slab, the spandrel wall creates the continuous but various environments.

Toda House by Kimihiko Okada

Location: Hiroshima, Hiroshima

Toda House by Kimihiko Okada

Principal use: private residence (extension; shop)

Toda House by Kimihiko Okada

Structure: steel structure two-storey

Toda House by Kimihiko Okada

Building area: 90.21sqm
Total floor area: 114.26sqm

Toda House by Kimihiko Okada

Structural Engineer: Structured Environment
Mechanical Engineer: System Design Laboratory

Toda House by Kimihiko Okada

House in Masaki by Hayato Komatsu Architects

House in Masaki by Hayato Komatsu Architects

A wooden bridge and a glazed garden room connect the two halves of this house in Matsuyama, Japan, by architect Hayato Komatsu.

House in Masaki by Hayato Komatsu Architects

Located in the countryside, the two-storey House in Masaki has a white rectangular body with the enclosed garden at its centre and a sheltered terrace behind the facade at one end.

House in Masaki by Hayato Komatsu Architects

Stepping-stones allow residents to walk barefoot from the reception room to the living and dining area across the pebble-covered garden.

House in Masaki by Hayato Komatsu Architects

A spiral staircase leads up to the bridge above, which connects the first floor bedrooms and bathroom.

House in Masaki by Hayato Komatsu Architects

Hayato Komatsu Architects also completed a timber-covered clinic earlier this year – see the story here.

House in Masaki by Hayato Komatsu Architects

Photography is by Toshiyuki Yano.

Here’s some more text about the project from Hayato Komatsu:


The housing, planned with couples and children in mind, is located a slight distance away from Matsuyama’s urban area in the quiet, sprawling countryside.

House in Masaki by Hayato Komatsu Architects

Compared to the countryside of the north, the south side has a lot of traffic volume due to roadside shop access, and a mixture of housing. Furthermore, each site has been converted from what was originally farmland into residential space.

House in Masaki by Hayato Komatsu Architects

The buyer’s desires are the same as they always have been – creating a lifestyle where one can live in a place comfortably located where one can feel a sense of nature and spending time with their families, while limiting dependence on facilities as much as possible.

House in Masaki by Hayato Komatsu Architects

While the northern countryside is rich and beautiful, there is an element of uncertainty regarding the sustainability of this beauty.

House in Masaki by Hayato Komatsu Architects

Therefore it is believed the houses should not completely depend upon the scenery, but should themselves coexist with and nurture the scenery around them.

House in Masaki by Hayato Komatsu Architects

Because the wind in the area blows east and west throughout the year, yards are placed on the east and west sides of each site, which maintains the flow of air.

House in Masaki by Hayato Komatsu Architects

The arrangement is such that instead of closing off the north and south sides of the residence, the east and west sides are opened up, interposing the living room, where one spends long periods of time, in between the two yards.

House in Masaki by Hayato Komatsu Architects

The yard on the west side has a calm and cool feeling, surrounded by an outer wall which introduces gentle, indirect light. The yard on the east side features the warmth of a courtyard, with walls and ceilings surrounded by glass.

House in Masaki by Hayato Komatsu Architects

As a result, both yards create gravity ventilation with their difference in temperatures, leading to pleasant air circulation throughout the interior of the home.

House in Masaki by Hayato Komatsu Architects

Moreover, the outdoor-like courtyard serves two roles. During the summer, movable joists and tent allow residents to control incoming sunlight, while in the winter, the courtyard can become a sunroom, gathering warmth from the sunlight to warm the interior air.

House in Masaki by Hayato Komatsu Architects

Furthermore, due to being surrounded by glass, the northern countryside is cropped, creating a new kind of scenery, much like a collage created from two landscapes. Add to that stairs and hallways, and you have a space where one can truly enjoy the scenery.

House in Masaki by Hayato Komatsu Architects

In the future, we look forward to further nurturing the pleasant and diverse relationship between the surrounding scenery, and at the same time coordinating the peaceful and warm environments created by both yards.

House in Masaki by Hayato Komatsu Architects

Location: Ehime,Japan
Use: Private house
Completion: November.2011
Structure: Wooden

House in Masaki by Hayato Komatsu Architects

Site Area: 494.98㎡
Total Floor Area: 122.58㎡
Architects: Hayato Komatsu Architects
Structural Engineers: Munehiro Minakawa/Nawaken gym

Forest Bath by Kyoko Ikuta and Katsuyuki Ozeki

Forest Bath by Kyoko Ikuta and Katsuyuki Ozeki

A triangular courtyard slices through the centre of this woodland retreat in Nagano, Japan.

Forest Bath by Kyoko Ikuta and Katsuyuki Ozeki

Architects Kyoko Ikuta and Katsuyuki Ozeki designed the house, which is named Forest Bath.

Forest Bath by Kyoko Ikuta and Katsuyuki Ozeki

The triangular void separates the house into three sections, comprising a living room at the centre, a bedroom in the west wing and a bathroom in the east.

Forest Bath by Kyoko Ikuta and Katsuyuki Ozeki

A wall of glazing separates the living room from the courtyard, while the surrounding walls frame a view of the trees and sky.

Forest Bath by Kyoko Ikuta and Katsuyuki Ozeki

Some other woodland houses in Japan we’ve featured include one composed of five connected cottages and another with gabled concrete walls – see more projects from Japan here.

Forest Bath by Kyoko Ikuta and Katsuyuki Ozeki

Photography is by Tomohiro Sakashita.

Here’s some more information from Ikuta:


Forest bath

This is a summer house situated in the forest. In this house, by “digging a triangle plane into a house figure”, the view extending obliquely upward was gained. Since the site is comparatively flat, a specific view does not open, like hills, but the big Japanese larch which has grown over ten meter is beautiful. Because the views of the larch branches cannot be caught by adopting horizontal openings, we considered catching it by the opening in a slant direction.

Forest Bath by Kyoko Ikuta and Katsuyuki Ozeki

Wooden shade is reflected in the center room dug by the triangle from a high position, and it changes every moment as time goes by. A natural expression is translated and expressed in forms, such as the shade of a tree and light, on a white canvas. Moreover, a sense of distance with trees is adjusted depending on how to place yourself, and it provides a spatial experience filtered with depth.

Forest Bath by Kyoko Ikuta and Katsuyuki Ozeki

On the other hand, the rooms of both wings are contrastively darker than the center room, and they are illuminated by the wavering light coming from the center room. Through the low eaves, the view enters the space which leads to the bottom grass of the woods.

Forest Bath by Kyoko Ikuta and Katsuyuki Ozeki

Click above for larger image

Project title: Forest bath
Location: Nagano, Japan
Use: Summer house
Completion: 2010
Steel construction
Land area: 590.94㎡
Total floor area: 71.37㎡

Architects:
Kyoko Ikuta / Kyoko Ikuta Architecture Laboratory
Katsuyuki Ozeki / Ozeki Architects & Associates

Structural engineering: IIJIMA Structural Design Office
Constructor: Daiichi kensetsu

Vista by Apollo Architects and Associates

Vista by Apollo Architects and Associates

The top floor of this Tokyo house by Japanese architects Apollo appears to be caving in.

Vista by Apollo Architects and Associates

Located on a hillside, the three-storey residence has a large roof terrace and oversized windows that overlook the city.

Vista by Apollo Architects and Associates

The angled second floor walls slope around a children’s bedroom, whilst a lightweight metal staircase winds down to a living room and balcony on the floor below.

Vista by Apollo Architects and Associates

A master bedroom and two bathrooms occupy the ground floor, alongside a garage for storing and repairing the client’s motorcycle.

Vista by Apollo Architects and Associates

Floors throughout the house are surfaced in dark walnut, as are cabinets in the living room and kitchen.

Vista by Apollo Architects and Associates

Apollo Architects & Associates have completed a few houses with angled walls – see all our stories about them here.

Vista by Apollo Architects and Associates

Photography is by Masao Nishikawa.

Here’s some more text from the architects:


Vista (Nishidai Itabashi ward Tokyo)

The clients were a husband-and-wife couple. He works as the director of an advertising agency, while she works in the food business.

Vista by Apollo Architects and Associates

The couple purchased a plot of land that faces the cliff of a plateau and commissioned us to build a wooden three-storey residence for themselves and their child.

Vista by Apollo Architects and Associates

In order to make the most of the magnificent view overlooking the north side of the plot, we decided to activate the latent potential of the location by installing panoramic windows inside the house that would give the residents an unobstructed view of the scenic surroundings.

Vista by Apollo Architects and Associates

The first floor was compactly outfitted with a small, Japanese style straw-matted bedroom, as well as a bathroom and dressing area with an attached terrace.

Vista by Apollo Architects and Associates

Each of these spaces commanded a handsome view of the landscape outside.

Vista by Apollo Architects and Associates

The second storey was configured as a single, open room with an attached roof balcony.

Vista by Apollo Architects and Associates

Bookshelves were also installed on the structural walls, while a table at the edge of the dining area provides a comfortable space for reading, creating a library-like atmosphere.

Vista by Apollo Architects and Associates

In addition, we made an effort to emphasize the impression of diving downwards that results from the height difference between the dining room and the living area.

Vista by Apollo Architects and Associates

The child’s room and a large outdoor living space are located on the third floor, which also offers the residents a full, untrammeled view of the beautiful landscape surrounding the house.

Vista by Apollo Architects and Associates

Although the scenery visible from the terraces located on each floor is identical, the varied character of each space ensures that a different impression of this single landscape is created each time.

Vista by Apollo Architects and Associates

In addition to a car-sized parking space, the entrance to the house also includes a built-in bike garage for the owner’s beloved Ducati motorbike that offers ample room for maintenance and cleaning work to be carried out.

Vista by Apollo Architects and Associates

Standing at the foot of the slope and looking up at this sleek, white mass that seems to float on top of the hill, the viewer is struck by this symbolic, monumental presence – an impression that contrasts sharply with the closed appearance presented by the front entrance.

Vista by Apollo Architects and Associates

The spatial character of this house, which embodies elements that are both mundane and extraordinary, demonstrates the wealth of possibilities that can be realized in urban residential architecture.

Vista by Apollo Architects and Associates

Architecture: Satoshi Kurosaki/APOLLO Architects & AssociatesProject Outline

Vista by Apollo Architects and Associates

Location: Nishidai Itabashi ward Tokyo
Date of Completion: 2011.8
Principal Use: Private housing

Vista by Apollo Architects and Associates

Structure: Timber structure
Site Area: 54.86㎡
Total Floor Area: 111.78㎡ /1F(42.02㎡),2F(47.41㎡),3F(22.35㎡)
Structure engineers: Masaki Structure Laboratory, Kenta Masaki

Vista by Apollo Architects and Associates

Facility engineers: Shimada Architects, Zenei Shimada
Construction: Honma Construction
Material Information
Exterior Finish: hydrotect colorcoat eco-ex

Vista by Apollo Architects and Associates

Floor: Walnut Flooring
Wall: Wall paper
Ceiling: Wall paper

Large Roof House by Architect Cafe

Large Roof House by Architect Cafe

This Japanese house with a sharply pointed roof is by Tokyo studio Architect Cafe.

Large Roof House by Architect Cafe

Translucent gridded screens slide back across the house’s facade to reveal a double-height living room finished in stark timber.

Large Roof House by Architect Cafe

A mezzanine first floor houses three bedrooms and two terraces, which are open to the sky through square holes in the roof.

Large Roof House by Architect Cafe

Some other angled Japanese residences we’ve featured lately include an extremely pointy apartment block and a house that looks like it’s toppling over.

Large Roof House by Architect Cafe

Photography is by Satoshi Asakawa.

Large Roof House by Architect Cafe

The following information is from Architect Cafe:


Large Roof House

Roof as New Landscape

The site is situated in typical suburban dwelling area.

Large Roof House by Architect Cafe

There are farmer’s villa next to the site. So this site is on the border between developed dwelling scene and country view.

Large Roof House by Architect Cafe

Large roof seen from dwelling side is fit in the scene with gentle mountain.

Large Roof house by Architect Cafe

On the contrary, this house can be seen from opposite side as geometrical form with the other brand-new houses behind.

Large Roof house by Architect Cafe

Large Roof as New Life and New Communication

If you can say people living under one roof are family, the roof can be presented as a family and house itself.

Large Roof House by Architect Cafe

There are many places under the roof and various activities might be happened with various communication.

Large Roof by Architect Cafe

Not only people living here but also neighbors ordinary come together under this roof.

Large Roof House by Architect Cafe

Large Roof as Environmental Equipment

There are two big open square on this large roof.

You can get natural light and wind from this openings. You can feel various natural phenomena through this openings and large roof.

Large Roof House by Architect Cafe

Site area: 232.55 sqm
Total floor area: 109.21 sqm

Large Roof House by Architect Cafe

Height: 7.21 m
Structure: wooden

House for Three Sisters by Drawing Notes

House for Three Sisters by Drawing Notes

Curved alcoves nestle into earthquake-resistant walls at the rear of this renovated house in Tokyo.

House for Three Sisters by Drawing Notes

Japanese architects Drawing Notes completed the two-storey interior in 2009, which included replacing a series of ground floor rooms with an open-plan living area.

House for Three Sisters by Drawing Notes

The left-hand recess in this room frames a window and dining table, while the one on the right surrounds glass doors leading out to the garden.

http://www.dezeen.com/?p=177963

In-between, arched openings lead into an enclosed cubbyhole, which is used as a computer room.

House for Three Sisters by Drawing Notes

Following the devastating earthquake in the Tohoku region of Japan at the start of this year we’ve published a few residences with quake-resistant structures – see our earlier stories about a house with a bevelled cantilever and another that branches into four blocks.

House for Three Sisters by Drawing Notes

Photography is by Koichi Torimura.

Here’s a little more text from Drawing Notes:


This house where three sisters and their parents live is located in a quite residential area of Tokyo, Japan.

Since it was built 60 years ago, this house has gone through a number of extensions to meet the family’s changing needs and lifestyle. However, the family finally found it too old to continue to live in without extensive repair and renovation. Having very strong attachment to the house, the family decided to reinforce the structure, while keeping the silhouette and three sisters’ favorite red-tiled roof, and completed renovation so it would match their present lifestyle.

House for Three Sisters by Drawing Notes

In order to create a space where family members can naturally come together, we combined small rooms on the first floor into one, spacious well-lit living-dining room.

House for Three Sisters by Drawing Notes

We arranged quake-resistant walls on both sides of the window to secure a large space while reinforcing the structure, which resulted in the void surrounded by those walls. The family plans to use this void as a closet and a computer room.

House for Three Sisters by Drawing Notes

The space by the window with wall niches creates a comfortable corner filled with lights.

The small computer room in the void makes a perfect work station where one can focus while still feeling the presence of the family members around.

House for Three Sisters by Drawing Notes

The bathroom,/laundry room, rest room and kitchen are arranged in a manner in which one can access the kitchen directly from the laundry space passing the rest room. When the rest room is not used, the doors can be left open to provide a smooth traffic flow for everyday housework.

House for Three Sisters by Drawing Notes

Click above for larger image

Architect: Mitsuru Hirai + Sayu Yamaguchi[Drawing notes] Name Of The Project: House for Three Sisters
Location of the project: Tokyo, Japan
Construction nature: timber structure
Site: 174.48 m2

House for Three Sisters by Drawing Notes

Click above for larger image

Building area: 344.88 m2
Total floor area: 110.13 m2
No. of floors: 2F
Building function: house [Renovation] Completion: December 2009

Outside In by Takeshi Hosaka

Outside In by Takeshi Hosaka

Glass screens fold across the front of this house in Yamanashi, Japan, to transform a covered garden into an indoor dining room.

Outside In by Takeshi Hosaka

Japanese architect Takeshi Hosaka’s concept for Outside In was to bring the garden inside, the opposite of previous house Inside Out, which turns indoor rooms into outdoor spaces by letting the rain in.

Outside In by Takeshi Hosaka

White-painted concrete walls down the sides of the single-storey house have a zigzagging profile that creates four connected gables.

Outside In by Takeshi Hosaka

These gables define the linear arrangement of rooms inside, which include the garden dining room, a kitchen and living room, a row of bedrooms and a row of bathrooms.

Outside In by Takeshi Hosaka

The concrete walls are exposed inside the house and contrast with built-in timber furniture that fills every room.

Outside In by Takeshi Hosaka

Although the building has no other windows, natural light enters through skylights atop each of the gables.

Outside In by Takeshi Hosaka

Some other recent projects by Takeshi Hosaka include one house with a grid of arched skylights in the ceiling and another where a deaf couple and their children can to sign to each other through the walls – see all our stories about the architect here.

Outside In by Takeshi Hosaka

Photography is by Koji Fujii / Nacasa & Partners.

Here’s some more text from Takeshi Hosaka:


OUTSIDE IN

Gradation of scenery, from outdoor area to inside area

The project was launched when I was commissioned to enlarge a house for a couple in their 30′s and their three daughters living in Yamanashi Prefecture.

Outside In by Takeshi Hosaka

On my first visit there, I found the houses of one story and two stories both stand close together but that there remain some empty lots, farming fields, wooded areas and unpaved roads.

Outside In by Takeshi Hosaka

I remember that the bounty and generosity of the place inspired me. My client told me that we would have the opportunity to hear beautiful sound of birds in the early mornings and to see wild pheasants, peafowl and every now and then raccoon dogs.

Outside In by Takeshi Hosaka

I looked for how the residents here could live in harmony with such nature and climate even in a crowded residential area.

Outside In by Takeshi Hosaka

In the beginning I destroyed half of the main house, and then designed and built a new, one-storied structure with a continuous gradation from the wooded area located on the south side of the house to the inside area – that is, it is a boundary structure built in space between nature and human beings.

Outside In by Takeshi Hosaka

Sky above, forest sidelong, ground below

The sky being above the house, the forest close to the house, and the ground below the house, nature is attractive enough to be taken in into the inside area of the house.

Outside In by Takeshi Hosaka

I planned a structure in which nature is horizontally and vertically incorporated as an integral part of the design of the structure to create a gradation from the outside area to the inside areas.

Outside In by Takeshi Hosaka

To put it concretely, the open shed lies facing the south, which makes it possible for the residents to feel as if they were in one room, filled with a sense of unity with the wooden area.

Outside In by Takeshi Hosaka

And the upper part of the house also has an open structure, consisting of some combinations of reinforced concrete V beams and transparent acrylic, as a result of which the residents can see the sky through the transparent acrylic ceiling.

Outside In by Takeshi Hosaka

The V-beam structure conveys an impression of durability and reliability, while the presence of the transparent acrylic is next to nothing, which enables us to ignore the acrylic unconsciously and see only the rows of reinforced concrete V beams.

Outside In by Takeshi Hosaka

What comes into our eyes is nothing but the beams, so we feel the sky so close to us, being unconscious of the existence of the roof.

Outside In by Takeshi Hosaka

And the dining room is located at the end of the house, which is a boundary area between outside area and insider area in terms of the gradation.

Outside In by Takeshi Hosaka

I regarded the floor of the dining room as comprising a part of the ground, and therefore I planted flowers and trees there.

Outside In by Takeshi Hosaka

Enjoyment of climate

In winter, the temperature here gets -10 C. However, the residents of this house do not need to stay still home during the long winter months. They can positively enjoy the climate in their own house, feeling the outside physically and spiritually.

Outside In by Takeshi Hosaka

The cries of wild pheasants echo in the morning air, and will wake the residents up. The peacocks can be seen from their bedroom, and they can enjoy eating in the dining room where flowers and trees are growing up.

Outside In by Takeshi Hosaka

During hot summer months, with no air conditioners, opening the window to its full width is to exchange the air inside with the air outside, which is a kind of synchronization of inside and outside temperature.

Outside In by Takeshi Hosaka

Even on the rainy days when the rain blows into the room, they do not need to hurry to close the window because the floor of the room is a kind of a flower bed.

Outside In by Takeshi Hosaka

Click above for larger image

In the residential area stands the house with the gradation of scenery positively open to the climate, filled with bounty and generosity.

Outside In by Takeshi Hosaka

Click above for larger image

Architect: Takeshi Hosaka
Structural Engineers: Hirofumi Ohno
Client: Seiichiro Kawaguchi

Name Of The Project: Outside In
Exact definition of the building: a couple and 3 children (girls)
Location of the project: Yamanashi, Japan

Construction nature: RC structure
Site: 174.48 m2
Building area: 102.14 m2
Floor area ratio: 102.14 m2
Building height: 3400 mm
No. of floors: 1F
Building function: house

Design: January 2010 – May 2010
Planning start: January 2010
Beginning of construction: Jun 2010
Completion: April 2011