House of Silence by FORM/Kouichi Kimura Architects

Japanese studio FORM/Kouichi Kimura Architects designed this concrete house in Shiga to be deliberately alien to its neighbours (+ slideshow).

House of Silence by FORM/Kouichi Kimura Architects

Named House of Silence, the two-storey building contains rooms with split levels and varying ceiling heights, creating a segmented structure with overlapping volumes and protruding walls. “The client wanted to have a house which is not influenced by the environment of its location,” explains architect and studio founder Kouichi Kimura.

House of Silence by FORM/Kouichi Kimura Architects

“This house will give you the experience of going through a variety of sequences, like going through cloisters with the light,” he adds.

House of Silence by FORM/Kouichi Kimura Architects

Above: photograph is by Kei Nakajima

The roof staggers up to its highest point in the north-west corner, creating a tower that Kimura refers to as a belfry.

House of Silence by FORM/Kouichi Kimura Architects

Unlike the surrounding houses, most of the building’s walls and ceilings are concrete and the architect has also picked out a few surfaces with textured ceramic tiles.

House of Silence by FORM/Kouichi Kimura Architects

A small courtyard contains seating areas slotted into horizontal recesses.

House of Silence by FORM/Kouichi Kimura Architects

Some furniture inside the house uses the same materials as the architecture, so tiled worktops appear to extend from the walls and a glass dining table rests upon a precast concrete base that matches its backdrop.

House of Silence by FORM/Kouichi Kimura Architects

One long concrete wall extends along the north-west facade, enclosing a large parking area for residents.

House of Silence by FORM/Kouichi Kimura Architects

Japanese architect Kouichi Kimura set up his studio in Shiga in 1991 and other projects he’s completed include the House of Representation that features a large light chimney and the House of Integration based on traditional folk houses.

House of Silence by FORM/Kouichi Kimura Architects

See more stories about FORM/Kouichi Kimura Architects »

House of Silence by FORM/Kouichi Kimura Architects

Photography is by Takumi Ota.

House of Silence by FORM/Kouichi Kimura Architects

Here’s some more information from Kouichi Kimura:


House of Silence

The client wanted to have a house which is not influenced by the environment of its location.

House of Silence by FORM/Kouichi Kimura Architects

This architecture, which is composed of a concrete volume, has not got many windows and is closed by walls, but has got a variety of space inside that you will never imagine from outside.

House of Silence by FORM/Kouichi Kimura Architects

The rough concrete finish, shiny tiles and an opening like a belfry will give you a hint of the variation of spaces inside.

House of Silence by FORM/Kouichi Kimura Architects

The inside spaces are divided by the ceiling height, the different levels of floor and type of lights, and are then connected by the circulated line of flow.

House of Silence by FORM/Kouichi Kimura Architects

Above: photograph is by Kei Nakajima

The inner court is cut off from the outside environment and shows a variety of expressions as the light changes.

House of Silence by FORM Kouichi Kimura Architects

Above: photograph is by Kei Nakajima

Moreover, the contrast of the height makes the space even deeper and wider than it actually is.

House of Silence by FORM/Kouichi Kimura Architects

This house will give you the experience of going through a variety of sequences, like going through cloisters with the light.

House of Silence by FORM/Kouichi Kimura Architects

Above: photograph is by Kei Nakajima

It exists as a landmark in the town, but it also has highly secured privacy and variety of spaces inside.

House of Silence by FORM/Kouichi Kimura Architects

Above: photograph is by Kei Nakajima

Architects: FORM / Kouichi Kimura Architects
Location: Shiga, Japan

House of Silence by FORM/Kouichi Kimura Architects

Client: Private
Construction Year: 2012

House of Silence by FORM/Kouichi Kimura Architects

Site Area: 394,42 sq m
Constructed Area: 321,23 sq m

House of Silence by FORM/Kouichi Kimura Architects

Above: ground floor plan

House of Silence by FORM/Kouichi Kimura Architects

Above: first floor plan

The post House of Silence by FORM/
Kouichi Kimura Architects
appeared first on Dezeen.

Takanawa House by Hiroyuki Ito and O.F.D.A. Associates

This concrete house in Tokyo by Japanese architect Hiroyuki Ito has a glazed stairwell that splits the building into two distinct halves.

Takanawa House by Hiroyuki Ito

Ito, of O.F.D.A. Associates, describes the three-storey house as “two boxes” containing a mix of both rooms and courtyards.

Takanawa House by Hiroyuki Ito

Named Takanawa House, the building accommodates living rooms and bedrooms on both sides of the central divide, while a small single bedroom is suspended above the stairwell on the top floor.

Takanawa House by Hiroyuki Ito

“The staircase landings that connect the boxes are actually bridged by concrete cantilevering floors, which barely touch,” said Ito. “The same gap in the roof forms a thin skylight permitting a sliver of sunlight to help illuminate the circulation space below.”

Takanawa House by Hiroyuki Ito

Walls and ceilings inside each of the rooms are painted white but the interior of the stairwell features the same exposed concrete surfaces as the building’s exterior, with a textured finish that reveals the markings of its wooden formwork.

Takanawa House by Hiroyuki Ito

Two courtyards are located on opposites sides of the ground floor and are orientated to each receive daylight at different times of day.

Takanawa House by Hiroyuki Ito

Windows puncture all four facades, but are relatively small in comparison with the glazed stairwell. “The facade contains minimal openings, in order to have relevant relations with neighbours in this area,” explained Ito.

Takanawa House by Hiroyuki Ito

There are also glazed walls inside the house so residents can look down onto the courtyards from rooms on the upper floors.

Takanawa House by Hiroyuki Ito

Other Japanese houses we’ve featured recently include one with a secluded balcony and one with a sweeping facade.

Takanawa House by Hiroyuki Ito

See more houses in Japan »

Takanawa House by Hiroyuki Ito

Photography is by Daici Ano.

Takanawa House by Hiroyuki Ito

Above: site plan

Takanawa House by Hiroyuki Ito

Above: ground floor plan

Takanawa House by Hiroyuki Ito

Above: first floor plan

Takanawa House by Hiroyuki Ito

Above: second floor plan

Takanawa House by Hiroyuki Ito

Above: section one

Takanawa House by Hiroyuki Ito

Above: section two

The post Takanawa House by Hiroyuki Ito
and O.F.D.A. Associates
appeared first on Dezeen.

House F by Ido Kenji

A secluded balcony surrounded by timber protrudes from the clean white facade of this house in Osaka, Japan, by architect Ido Kenji (+ slideshow).

House F by Ido Kenji

The architect planned the three-storey house to cover two thirds of the site, allowing for a driveway in front and a small garden at the rear.

House F by Ido Kenji

“The client requested a garden on the south side of the site, so I decided to make the building three storeys to secure the required rooms,” said Ido Kenji.

House F by Ido Kenji

There’s no bedroom, but a traditional Japanese room on the ground floor provides a sleeping area that opens out to the garden.

House F by Ido Kenji

The living room occupies a double-height space on the middle floor and a study overlooks it from the level above.

House F by Ido Kenji

Pine is used for flooring, surfaces, doors and bookshelves throughout the house. ”It’s aimed as a quiet, soft space with the wood and the paint-finished walls,” added Kenji.

House F by Ido Kenji

The frame of the house is also timber and structural beams are exposed around the edges of the rooms.

House F by Ido Kenji

Kitchen and bathrooms are located above the car port at the front of the building and lead out onto the balcony.

House F by Ido Kenji

The house was completed in 2010 but was not published at the time.

House F by Ido Kenji

Other houses we’ve featured from Japan include a house in Nagoya with a stretched facade and a house for an elderly couple in Sendai.

House F by Ido Kenji

See more Japanese houses on Dezeen »

House F by Ido Kenji

Photography is by Takumi Ota.

House F by Ido Kenji

Above: site plan

House F by Ido Kenji

Above: ground floor plan

House F by Ido Kenji

Above: first floor plan

House F by Ido Kenji

Above: second floor plan

House F by Ido Kenji

Above: long section

House F by Ido Kenji

Above: cross section

The post House F by
Ido Kenji
appeared first on Dezeen.

House H by Mattch

Japanese studio Mattch has completed a family house in Nagoya with a sweeping facade that stretches out towards the corner of its plot (+ slideshow).

While the rear and side walls of House H are straight, Mattch designed the roof of the building as an irregular gable that curves up then down as it runs along the length of the building.

House H by Mattch

“I let the form of the ceiling curve gently to diffuse the light that enters through the slit-shaped top light on the north side of the ridge,” said architect Ryuji Takenaka.

House H by Mattch

The curved elevation frames the outline of a patio at the entrance, while a row of timber rods screens a sheltered deck that could be used for storing bins or bicycles.

House H by Mattch

Glass walls slide back to connect the patio with the interior, where a kitchen, living room and dining room occupy one double-height space at the front of the building.

House H by Mattch

A traditional Japanese room filled with Tatami mats is also located in this space but can be partitioned off when necessary behind folding translucent screens.

House H by Mattch

A mezzanine floor is positioned above the bedroom and bathrooms to provide a multi-purpose room at the rear of the home.

House H by Mattch

The owner of the residence works for a paint company, so the interior was decorated using white paint he supplied. “[He] wanted to make a showroom for visitors,” explained Takenaka.

House H by Mattch

Wooden flooring runs through each room, while exposed wooden columns provide extra support for the concealed steel framework.

House H by Mattch

House H is one of many projects we’ve published that are named after letters of the alphabet and you can see more by catching up with our A-Zdvent calendar, which is counting down one house every day until Christmas.

House H by Mattch

Other Japanese homes we’ve featured recently include one that generates all its own energy and heating.

House H by Mattch

See more houses in Japan »

House H by Mattch

Photography is by Nacasa & Partners.

House H by Mattch

Above: ground floor plan – click above for larger image

House H by Mattch

Above: first floor plan – click above for larger image

The post House H
by Mattch
appeared first on Dezeen.

B House in Shimasaki by Anderson Anderson Architecture

Despite being surrounded by electricity pylons, this hillside cabin in Japan by San Francisco firm Anderson Anderson Architecture generates all its own energy and heating using photovoltaic panels and a ground-sourced heat pump (+ slideshow).

B House by Anderson and Anderson

Named B-House, the single-storey building is positioned on a slope overlooking Kumamoto, so Anderson Anderson added a wall of glazing to the rear facade that gives residents a view out across the city from the living room, study and bedroom.

B House by Anderson and Anderson

The house was built on a tight budget and sustainability was key to the design. “The extremely modest budget required a close collaboration of the architects and builder to achieve a high quality, off-site fabricated timber frame construction meeting high sustainability standards,” explain the architects.

B House by Anderson and Anderson

The edge of the roof is tilted southwards to maximise sunlight to the photovoltaic panels, while integrated channels collect rainwater so that it can be reused.

B House by Anderson and Anderson

There is no air conditioning, so when the temperature increases residents can slide open the glazed north-facing walls.

B House by Anderson and Anderson

There are only clerestory windows on the southern facade, which allow hot air to escape and prevent the unnecessary heat gain that would occur with larger windows.

B House by Anderson and Anderson

The whole house sits on a thick concrete base, while the walls and roof were constructed using locally sourced timber.

B House by Anderson and Anderson

The house was completed in 2009, but hasn’t been widely published.

B House by Anderson and Anderson

Other sustainable houses we’ve featured include a pavilion-like house in Germany that generates all its own power, as well as a concept for a house that is entirely self-sufficient.

B House by Anderson and Anderson

See more stories about houses in Japan, including a concrete residence with barely any windows.

Photography is by Chris Bush.

B House by Anderson and Anderson

Above: floor plan – click to see larger image

B House by Anderson and Anderson

Above: section – click to see larger image

B House by Anderson and Anderson

Above: south elevation – click to see larger image

B House by Anderson and Anderson

Above: west and east elevations – click to see larger image

B House by Anderson and Anderson

Above: north elevation – click to see larger image

The post B House in Shimasaki by
Anderson Anderson Architecture
appeared first on Dezeen.

Ryusenji House by Tomoaki Uno Architects

Daylight funnels into this dark concrete house in Japan through two narrow light wells in the roof.

Ryusenji House by Tomoaki Uno Architects

Designed by Japanese studio Tomoaki Uno Architects, the two-storey house in Nagoya contains just three rooms; a living room and bathroom on the ground floor and one bedroom on the half-sized first floor.

Ryusenji House by Tomoaki Uno Architects

Aside from the skylights, the building has no windows in the double-height living room, creating a space that is dimly-lit.

Ryusenji House by Tomoaki Uno Architects

Despite this, architect Tomoaki Uno told Dezeen he “values sunlight” most of all. “The inside is dark in these photographs, but that expression varies from one day to another,” he said.

Ryusenji House by Tomoaki Uno Architects

The interior walls are left as stark concrete.

Ryusenji House by Tomoaki Uno Architects

This theme continues on the exterior, where the only relief from the bare concrete walls is a metal door that reveals an entrance on the side of the building.

Ryusenji House by Tomoaki Uno Architects

Uno described the project as a once-in-a-lifetime opportunity. “I do not make such an architecture all the time,” he said.

Ryusenji House by Tomoaki Uno Architects

Other houses in Japan we’ve published this week include a residence with sheds on the roof and a house with courtyards punching through its walls.

Ryusenji House by Tomoaki Uno Architects

See more Japanese houses on Dezeen »

Ryusenji House by Tomoaki Uno Architects

See more stories about concrete »

Ryusenji House by Tomoaki Uno Architects

Here’s a few extra project details from the architect:


House at Ryusenji

Location: Nagoya, Aichi
Prinicpal use: residence

Ryusenji House by Tomoaki Uno Architects

Site area: 118.33 sq m
Total floor area: 69.94 sq m
Structure: wall reinforced concrete
Scale: 2 storeys

Ryusenji House by Tomoaki Uno Architects

Above: plans and section – click above for larger image

The post Ryusenji House by
Tomoaki Uno Architects
appeared first on Dezeen.

House Yagiyama by Kazuya Saito Architects

Courtyards punch through the walls and roof of this bungalow that Japanese studio Kazuya Saito Architects designed for an elderly couple in Sendai (+ slideshow).

House Yagiyama by Kazuya Saito Architects

Architect Kazuya Saito designed the single-storey building with a square-shaped plan and created the terraces within recesses on three different elevations.

House Yagiyama by Kazuya Saito Architects

A double-height dining room is positioned at the centre of the house and the terraces stretch back to meet it on three sides, while a bathroom occupies the same space on the fourth side.

House Yagiyama by Kazuya Saito Architects

There are no corridors, so rooms just lead into one another. ”I designed the house to be used for a variety of purposes, so it has various routes plus inside and outside spaces,” Saito told Dezeen.

House Yagiyama by Kazuya Saito Architects

Windows are positioned within the recesses and on the sloping roof, rather than on the galvanised steel exterior walls. “I designed the exterior to look like a fortress or spaceship, but with a bright space inside,” said Saito.

House Yagiyama by Kazuya Saito Architects

Surfaces inside the house are finished with wood panels and grey tiles, or are simply painted white.

House Yagiyama by Kazuya Saito Architects

This is the fifth house we’ve featured from Japan in the last week, following one with sheds on its roof and one inspired by animals’ nests.

House Yagiyama by Kazuya Saito Architects

See more Japanese houses » 

House Yagiyama by Kazuya Saito Architects

Photography is by Yasuhiro Takagi.

Here’s some more information from Kazuya Saito:


House Yagiyama

This one-storey house is for an old couple will spend their rest of life after retirements.

The house is located in Yagiyama hilly district which lies south of a Hirosegawa river terrace. It is a historical residential area developing from the beginning of showa era 1960 by scraping off bedrock. The site is surrounded by houses, apartment, and a nearby house which client’s son family is living, so the clients requested living in privacy, but a sunny and breezy house while considering connection with the nearby house.

House Yagiyama by Kazuya Saito Architects

To take appropriate distances from the surroundings, first I decided to put volume at the middle of the site. Instead of no window at outer walls, I took out four spaces as terraces from the volume: the entrance, a side door connecting to main house, a bright wash room, and a garden space softly divides living room and bedroom.

House Yagiyama by Kazuya Saito Architects

Then setting high or small windows in those spaces allows daylight in with good ventilation while keeping privacy. As for the roof, I cut off the slope at the four corner of central volume to adjust to surrounding houses; besides, there is a skylight to release hot air and prompt natural ventilation.

House Yagiyama by Kazuya Saito Architects

Above: site plan – click above for larger image

The flat shape formed by equivalently arranged rooms including exterior terraces gives an impression that the space is unending. On the other hands, the space expression is ever changing since each room has various specifications; exterior to interior; woody color to inorganic white color; and flat ceiling to inclined ceiling. It is like African music which has a unique sound by playing various rhythm at the same time, that is to say, Yagiyama house is created as architecture by combining individual rhythm of each space.

House Yagiyama by Kazuya Saito Architects

Above: floor plan – click above for larger image

This kind of architecture is producing various time and space from moment to moment, so every day each client can find the place where each of them feels comfortable; such as the moment their grandchildren happily running around, family dinner with feeling a breeze, reading under the sunshine, or bath time under the star-filled sky. I hope this architecture achieved “fluctuation” of space which allows creative and fascinating life.

House Yagiyama by Kazuya Saito Architects

Above: section – click above for larger image

Architect: Kazuya Saito Architects
Location: Sendai, Miyagi, Japan
Structural Design: Atsuhiro Nakahata + Yasushi Moribe
Structural System: Wooden
Storeys: 1 Storey
Maximum Height: 5,330 mm
Site Area: 468.96 sqm
Building Area: 137.47 sqm
Total Foor Area: 137.47 sqm
Project Year: 2011-2012

The post House Yagiyama by
Kazuya Saito Architects
appeared first on Dezeen.

House in Yamasaki by Tato Architects

The top floor rooms of this house in Japan by Tato Architects are contained inside sheds that sit on the roof (+ slideshow).

House in Yamasaki by Tato Architects

Located in a residential area in Hyogo Prefecture, the house was designed for a family with two children. “The residents requested that, as the area has short hours of sunlight in winter, they’d like to bring in as much light as possible,” architect Yo Shimada of Tato Architects told Dezeen.

House in Yamasaki by Tato Architects

To achieve this, the architect designed two of the rooftop sheds like greenhouses with translucent polycarbonate walls that let light through into the study room and bathroom contained inside, as well as down to the ground floor spaces below.

House in Yamasaki by Tato Architects

A layer of translucent insulation prevents the bathroom walls becoming too transparent. “There is no problem because they are not clear enough to expose more than the silhouettes,” explained Shimada.

House in Yamasaki by Tato Architects

The third shed has opaque walls to create more privacy for a guest bedroom.

House in Yamasaki by Tato Architects

Ladders and a staircase connect the upstairs rooms with the living room and kitchen on the lower floor, which is slightly sunken into the site.

House in Yamasaki by Tato Architects

This reduces the height of the building and also brings the rooftop courtyard closer to the ground. “It was expected that the whole site could be used like a garden,” said the architect.

House in Yamasaki by Tato Architects

Two bedrooms are also located on the ground floor and were designed with wooden walls so that they would look like storage crates.

House in Yamasaki by Tato Architects

Other recent projects by Tato Architects include a house with stairs in its lightwell and a house that comprises a metal barn on top of a glass box.

House in Yamasaki by Tato Architects

See all our stories about Tato Architects or see more Japanese houses on Dezeen.

House in Yamasaki by Tato Architects

Here’s some more information from Yo Shimada:


Looking for the stable climate in the room

This is a house in the northern part of Hyogo Prefecture for a couple and their two children. The construction site is a part of a place surrounded by mountains and the sky is overcast most of the days.

House in Yamasaki by Tato Architects

I wanted to create light, stable indoor climate and came up with a plan of three sheds of house type arranged on a 1.8 m high, grey foundation platform.

House in Yamasaki by Tato Architects

The level of the first floor was lowered by 760 mm below the ground to get firm basement, as the site was slant before the development, and to get more stable performance of the floor heating system of foundation heat condensing type utilizing the terrestrial heat.

House in Yamasaki by Tato Architects

It was also expected that the whole site could be used like a garden as the rooftop neared the ground thereby.

House in Yamasaki by Tato Architects

The site is at the corner entering the residential area and I thought that lowering the rooftop would leave wide visibility to the surroundings of the mountains and the sky, and that it would be beneficial to the whole residential area.

House in Yamasaki by Tato Architects

Overhead courtyard

On the foundation platform I arranged three – for a bathroom, for a sunroom and for a guestroom.

House in Yamasaki by Tato Architects

The bathroom shed and the sunroom shed provide lighting and ventilation for the lower floor. They form a overhead courtyard in a sense. Especially the sunroom collects heat in winter, and exhausts heat in summer by the breeze through the five motor-operated windows.

House in Yamasaki by Tato Architects

The three sheds do not actually provide spaces for usual staying but cover the living floor on the foundation platform.

House in Yamasaki by Tato Architects

This resulted in keeping away from neighboring eyes and keeping in touch with eyes of children playing in the garden or nearby.

House in Yamasaki by Tato Architects

Accordingly, I think, both delicate closeness and distance to the surroundings have been realized.

House in Yamasaki by Tato Architects

The residential area including the site was developed in recent years and is the front for the fields to change further to building lots. It was anticipated that brand-new commercialization houses would be built one after another.

House in Yamasaki by Tato Architects

By constructing a house looking as small as a peasant’s work shed of such material as vernacular as corrugated panels in an agricultural area I expected for this house to be a tie for the prospective rows of such new houses and the rural landscape still existing.

House in Yamasaki by Tato Architects

For free behavior of things

Some box-shape volumes, such as storages and a lavatory were required in the house, and they were made to resemble boxes for packing. Through studying the method of fixing the balustrade onto the rooftop without damaging the waterproofing membrane benches were mingled with the balustrade.

House in Yamasaki by Tato Architects

A washstand is fixed to the stairwell serving as handrail as well. The sunroom is a greenhouse itself, where various elements are misused as reference elements. Construction elements, such as handrails and top lights, are mingled together with conventional things for dual serving.

House in Yamasaki by Tato Architects

The reason for such elaboration is that I wanted to give the indoor scenery a kind of freedom using everything happened to be there as bricolage. Various things the residents carry in are expected to behave freely.

House in Yamasaki by Tato Architects

About material

Corrugated polycarbonate panels are used for outer walls of bathroom shed and sunroom shed among the three sheds to take in solar radiation. Moisture and water absorbing and heat-retaining sheets of greenhouse use are inserted in between the corrugated panels and structure.

House in Yamasaki by Tato Architects

The inside of the walls are formed with heat insulating layer of polycarbonate clear hollow sheet. The ceiling and walls of bathroom are further filled up with light transmitting thermal insulation material of reproduced PET bottles.

House in Yamasaki by Tato Architects

To bring the second floor close to the first floor 50 mm square pipes are laid around the opening connecting both floors. They are sandwiched by the flooring material and the ceiling material to come up to 80 mm thickness. This opening is to be closed with a shade during extremely hot hours in summer and extremely cold nights in winter.

House in Yamasaki by Tato Architects

The outer walls of a foundation platform are covered with fiber reinforced cement board leaving space a little to make rainwater drops easily off the edges and also to provide shading. The RC part is provided with external heat insulation and broken cobblestones are laid all around it for drainage of rainwater and heat insulation.

House in Yamasaki by Tato Architects

Project name: House in Yamasaki
Location of site: Hyogo, Japan
Site area: 231.72m2
Building area: 93.68m2
Total floor area: 119.11m2
Type of Construction: Wooden
Program: house
Project by: Tato architects
Principal designer: Yo Shimada
Design period: Oct.2010 -Aug. 2011
Construction period: Oct.2011 – Feb.2012

House in Yamasaki by Tato Architects

Above: ground floor – click above for larger image

House in Yamasaki by Tato Architects

Above: first floor – click above for larger image

House in Yamasaki by Tato Architects

Above: long section – click above for larger image

House in Yamasaki by Tato Architects

Above: cross-section – click above for larger image

House in Yamasaki by Tato Architects

Above: north elevation – click above for larger image

House in Yamasaki by Tato Architects

Above: east elevation – click above for larger image

The post House in Yamasaki
by Tato Architects
appeared first on Dezeen.

MYZ Nest by no.555

Our second story this week about Japanese architects no.555 features a low-budget house inspired by animals’ nests beside a rice field in Matsumoto (+ slideshow).

MYZ Nest by no. 555

Architect Takuya Tsuchida of no.555 explains how he wanted to “capture the feeling of the surrounding natural environment” by designing a house that copies some of the characteristics of a bird or animal’s home.

MYZ Nest by no 555

In keeping with this, the small tunnel-like house is slightly sunken into the ground with excavated soil built up around one side for insulation, similar to a rabbit’s warren.

MYZ Nest by no 555

“By taking inspiration from nature and following a strict building logic, I was able to recreate elements of nature in an abstract manner,” said Tsuchida.

MYZ Nest by no 555

Inside the house, walls are lined with boards of cement-bonded wood chip that alludes to the compacted twigs of a bird’s nest.

MYZ Nest by no 555

There are no floor-to-ceiling interior walls, as the architect wanted to let residents create their own spaces using furniture and screens.

MYZ Nest by no 555

Our first story this week about no.555 featured a house with a multi-tonal concrete facade.

MYZ Nest by no 555

See more Japanese houses »

MYZ Nest by no 555

Photography is by Koichi Torimura.

MYZ Nest by no 555

Here’s a project description from the architect:


The site of the house is surrounded by rice paddies, with mountains in the distance. The goal of the project was to build a small house for a husband and wife within a tight budget of $180,000.

MYZ Nest by no 555

My initial instinct was to build a structure that captured the feeling of the surrounding natural environment. Architecture being an artificial construct made this a challenge. Rather than simply imitating forms found in nature I tried to create an abstract representation that still imparts a feeling of nature.

MYZ Nest by no 555

In the natural world, there is expression that is algorithmic and beautiful. For example, the way the birds weave nests out of leaves and twigs, or the holes and patterns of displaced earth created by animals burrowing into the ground.

MYZ Nest by no 555

By abstracting these ideas, it is possible to use them as a starting point for creating architectural models. In doing so, I believe it is possible to create an architecture that is both rational and organic.

MYZ Nest by no 555

Although the budget for the project was low, we decided to use reinforced concrete for three reasons:

1) Reasons the groundwater level is high, because we can ensure reliably waterproof.
2) By studying the details, there was a possibility of finding a reasonable way to eliminate the secondary member.
3) We knew because it can be used as insulation materials and finishing materials.

MYZ Nest by no 555

By it, we were able to reduce the cost of materials and artificial. Bysimplifying the building process we were able to complete construction in 3 months. The soil that has been discharged by it was used as embankment around the building. It is to reduce the cost of disposal of the soil. In addition, the building insulation has been improved by surround soil.

MYZ Nest by no 555

Despite the difference between the exterior and interior materials, the experience inside the home distinctly nest-like. Also, the shape of the house brings to mind an animal nest with the displaced earth piled around the exterior of the structure.

MYZ Nest by no 555

The house was constructed without discrete rooms, inviting its occupants to define interior spaces and level of privacy through the placement of furniture. Once furnished, the building is complete.

MYZ Nest by no 555

MYZ _ “NEST”, single family house,
Location: Matsumoto-city, Nagano, Japan
Architect: no.555 _ Takuya Tsuchida
Structural frame works: Megumi Akimoto
Design period: 2009.05 – 2011.03
Construction period: 2011.05 – 2011.08
Site area: 335.96 sq m
Floor Area: 97.39 sq m

MYZ Nest by no 555

Above: site plan – click above for larger image

MYZ Nest by no 555

Above: ground floor plan – click above for larger image

MYZ Nest by no 555

Above: cross-section – click above for larger image

MYZ Nest by no 555

Above: long section – click above for larger image

MYZ Nest by no 555

Above: side elevation – click above for larger image

The post MYZ Nest
by no.555
appeared first on Dezeen.

Onjuku Surf Shack by BAKOKO

Black-stained cedar clads this weekend house at the beach in Chiba, Japan, by Tokyo studio BAKOKO (+ slideshow).

Onjuku Surf Shack by BAKOKO

Architects Kayoko Ohtsuki and Alastair Townsend of BAKOKO designed the house for a Tokyo-based couple that wanted a second home by the sea. “He envisioned a rustic retreat where he can throw parties on deck and she wanted a high-spec kitchen, a luxurious bath with a view and her own hobby room for sewing projects,” explained Townsend. “We developed a compact design to accommodate their varied interests with the flexibility to informally sleep five or six guests.”

Onjuku Surf Shack by BAKOKO

The entrance to the house is tucked inside a traditional Japanese genkan; a porch where residents can take off their shoes.

Onjuku Surf Shack by BAKOKO

Most of the ground floor is taken up by a double-height living and dining room, which opens out to the sheltered deck that stretches across the facade. “To maximize solar exposure, the glazed facade is angled south, shaded by a projecting eave during hot summer months,” said Townsend.

Onjuku Surf Shack by BAKOKO

Stairs lead up from the living room to a spruce-clad mezzanine that is used as both a guestroom and a home office.

Onjuku Surf Shack by BAKOKO

From here, a ladder leads up through a pivoting skylight so that residents can climb up onto the roof and survey their surroundings.

Onjuku Surf Shack by BAKOKO

The bathroom is at the corner of the ground floor, beside a window that faces out onto a small walled garden.

Onjuku Surf Shack by BAKOKO

The house also features an outdoor shower, as one of the residents is a keen surfer.

Onjuku Surf Shack by BAKOKO

Townsend told Dezeen how the project was “almost aborted after the March 2011 earthquake,” as the disaster forced the clients to rethink what the house might have to withstand. He explained how the house was designed with earthquake and typhoon-proof foundations and in the end the clients chose to proceed with the construction.

Onjuku Surf Shack by BAKOKO

Other Japanese weekend houses we’ve featured include a woodland summerhouse and a house of two blocks beside Tokyo Bay.

Onjuku Surf Shack by BAKOKO

See more stories about holiday homes or see all our stories about Japanese houses.

Onjuku Surf Shack by BAKOKO

Here’s some extra information from BAKOKO:


Onjuku Surf Shack
2012 Onjuku, Japan

Onjuku is a popular seaside resort and fishing town on Chiba’s Pacific coast, about an hour and a half by train from Tokyo. The beach house is sited behind a bluff, 300 meters from Onjuku’s famous white sand beach. Built for an international couple (the husband is a lifelong surfer who live and work in Tokyo), this weekend getaway may become a permanent residence once they reach retirement.

Onjuku Surf Shack by BAKOKO

The home’s concealed entrance is served by a Japanese genkan, a porch separating the home proper from a built-in shed for stashing surfboards and bicycles. This tunnel-like outer porch connects the gated rear entryway and the wooden deck which incorporates a built-in seat and planter. Timber shutters slide across the entire southern eave, securely locking-down the home to protect it from the seasonal typhoons.

Onjuku Surf Shack by BAKOKO

From the road, the home maintains an intentionally low profile. Its austere stained tongue and groove cladding is sourced from native Japanese cedar.

Onjuku Surf Shack by BAKOKO

Returning from the beach, a private outdoor shower leads directly into the tiled bathroom. An intimate garden provides a tranquil backdrop to the sunken bathtub.

Onjuku Surf Shack by BAKOKO

The home’s dark exterior skin contrasts with its light and airy interior. The double-height living space is occupied by a spruce-clad box that supports a loft space above and contains the master bedroom, WC, and bathroom below. Careful detailing has incorporated the staircase and doors that close flush to conceal these private rooms.

Onjuku Surf Shack by BAKOKO

Sitting at the built-in desk upstairs, one can gaze out the sea for inspiration. The shallow pitched roof is accessible via a ladder extending into a large pivoting skylight.

Onjuku Surf Shack by BAKOKO

Since the home is intended for casual entertaining, the loft spaces and a timber-lined lower study double as occasional guest rooms.

Onjuku Surf Shack by BAKOKO

The home is predicated on passive design principles. Generous south-oriented glazing is shaded by the eaves in summer. Cross ventilation captures cool sea breezes. Slotted perforations milled into the wooden balustrade promote air circulation and cleanly conceal mechanical air conditioning units. In winter, the wood-burning stove provides renewable heat energy.

Onjuku Surf Shack by BAKOKO

Above: ground floor plan – click above for larger image

Onjuku Surf Shack by BAKOKO

Above: first floor plan – click above for larger image

The post Onjuku Surf Shack
by BAKOKO
appeared first on Dezeen.