BTV Branch Innsbruck by Rainer Köberl

A chequerboard of solid and void cloaks the tapered glass walls of this bank in Innsbruck by Austrian architect Rainer Köberl (+ slideshow).

BTV Branch Innsbruck by Rainer Koberl

The four-storey building, for European bank BTV, has a steeply gabled profile that creates enough height for two more storeys than are usually permitted in the area by local planning authorities.

BTV Branch Innsbruck by Rainer Koberl

The fibre-reinforced concrete panels function like louvres to moderate the daylight passing into the building.

BTV Branch Innsbruck by Rainer Koberl

Below the chequered screen, a wall of concrete surrounds the ground floor, with windows in the shape of overlapping circles.

BTV Branch Innsbruck by Rainer Koberl

The bank occupies the ground and first floors of the building, while the two upstairs floors are rented by a doctor and a shipping company.

BTV Branch Innsbruck by Rainer Koberl

We’ve featured a few interesting banks on Dezeen, including one with cardboard meeting rooms.

BTV Branch Innsbruck by Rainer Koberl

See all our stories about banks »

BTV Branch Innsbruck by Rainer Koberl

Photography is by Lukas Schaller.

BTV Branch Innsbruck by Rainer Koberl

Here’s a project description from the photographer:


Black and white squares cover the building in a regular pattern. It suggests a chessboard, but also has something of the white snow-covered mountains that surround Innsbruck. What really inspired Rainer Köberl for this new building on the edge of town he did not divulge to me.

BTV Branch Innsbruck by Rainer Koberl

But one thing is for sure: he succeeded in making a strong statement. He created a building that can hold its own in an urban architectural jumble without having to resort to great formal contortions.

BTV Branch Innsbruck by Rainer Koberl

We are standing on Mitterweg, a street extremely busy with both car traffic and pedestrians. A building supply store, even several large supermarkets, schools, residential buildings and commercial enterprises extend along its right and left sides.

BTV Branch Innsbruck by Rainer Koberl

The Vier Länder Bank, known as BTV for short, wanted to have a new building for a branch built here on Mitterweg and held a competition by invitation for its design.

BTV Branch Innsbruck by Rainer Koberl

The jury was chaired by the Viennese architect Heinz Tesar, who had built the head office for BTV, the so-called Stadtforum (completed in 2006), in Innsbruck’s historic centre.

BTV Branch Innsbruck by Rainer Koberl

In the course of the competition, the bank realised the property was actually too small for its needs and it did not award a prize. After being able to purchase an additional small lot adjoining the property, it invited the same participants to a second round.

BTV Branch Innsbruck by Rainer Koberl

That provided the Innsbruck architect Rainer Köberl a good opportunity to give his design an edge. He kept the pointy cap-like shape rising up to a peak, but proposed a different material for the facade and was able to win the competition.

BTV Branch Innsbruck by Rainer Koberl

The striking feature of this bank building is its steeply rising roof – Köberl wanted to make the building as tall as possible so it is not swamped by the surrounding urban architectural jumble. Actually, only two storeys are allowed in this location.

BTV Branch Innsbruck by Rainer Koberl

Site plan – click above for larger image

That is why the body of the building bends sharply towards the roof ridge from the second storey upward. Underscoring the shape is the striking pattern of the facade.

BTV Branch Innsbruck by Rainer Koberl

Ground floor plan – click above for larger image

Like a chessboard, the outer skin consists of square, concrete-coloured panels made of fibre-reinforced concrete alternating with black air holes of the same size. In order to be better able to gauge the size of the individual panels, Köberl recounts, he went to Vaduz. There, Hans Jörg Göritz had realised a similarly steeply rising form of roof ending in a point for the Landesforum and Landesparlament (parliament) of the principality of Liechtenstein, though in this case of small-sized bricks.

BTV Branch Innsbruck by Rainer Koberl

First floor plan – click above for larger image

Using the measurements of the bricks, Köberl was then able to count up and calculate what seemed to him the right size of panel for his own building. Behind the facade’s outer skin, the reinforced concrete structure with glazing all around tapers towards the top like a stepped pyramid. A 60-centimetre-wide steel maintenance balcony is positioned between the glass skin and outer skin of the facade.

BTV Branch Innsbruck by Rainer Koberl

Second floor plan – click above for larger image

Attached to it are steel struts which, in turn, hold the fibre-reinforced concrete panels. From the outside this net house allows hardly any views of the interior. From indoors, on the other hand, the dark squares scarcely obstruct the view out – better still, they help shut out the ugly neighbouring buildings and allow the focus on beautiful sights such as the silhouette of the mountains.

BTV Branch Innsbruck by Rainer Koberl

Third floor plan – click above for larger image

A concrete wall beginning its gradual ascent parallel to the garage entrance wraps once around the whole building at a certain distance from it, but then comes into contact with it on the east side after all.

BTV Branch Innsbruck by Rainer Koberl

Section – click above for larger image

Round windows are cut into the wall here; they provide views into and out of the more public part of the bank. Everywhere else the wall protects the offices from direct view but, because it is at a distance, it lets enough daylight indoors and creates a small inner court planted with greenery.

BTV Branch Innsbruck by Rainer Koberl

Section – click above for larger image

The bank occupies the ground floor and the first upper storey. Downstairs are the staff offices, reception counter and self-service area. Upstairs are meeting rooms and a small terrace, popular for private telephone calls or short breaks for smoking. The bank rents out the top two storeys to a doctor and a shipping company respectively.

The post BTV Branch Innsbruck
by Rainer Köberl
appeared first on Dezeen.

Landhausplatz by LAAC Architekten and Stiefel Kramer Architecture

Landhausplatz by LAAC Architekten

Austrian design studio LAAC Architekten and Stiefel Kramer Architecture have completed this public plaza in Innsbruck, Austria, with an undulating concrete surface.

Landhausplatz by LAAC Architekten

Completed in collaboration with Christopher Grüner, The Landhausplatz square retains the site’s four monuments with the addition of new trees, benches, lighting, a fountain and drinking fountains.

Landhausplatz by LAAC Architekten

The huge concrete slabs swell upwards to frame these elements, with textured surfaces giving way to a smooth polished surface.

Landhausplatz by LAAC Architekten

Water is allowed to drain away through the gaps between the slabs and is absorbed on site.

Landhausplatz by LAAC Architekten

More landscape architecture on Dezeen »

Photography is by Günter Richard Wett.

Here are some more details from the architects:


New Design for Eduard-Wallnöfer-Platz
(Landhausplatz) in Innsbruck, Tyrol, 2011

Project Description

Goal of the intervention at Eduard-Wallnöfer-Platz (Landhausplatz) was to create a contemporary urban public space that negotiates between the various contradictory conditions and constraints of the site and establishes a stage for a new mélange of urban activities characterised by a wide range of diversity. The realised project consists of a 9.000 square meter concrete floor sculpture.

Eduard-Wallnöfer-Platz was the largest but neglected public square in the centre of the city of Innsbruck in Tyrol, Austria. The site nevertheless kept a symbolic significance with the four memorials positioned there. A subterranean garage was built in 1985.

Landhausplatz by LAAC Architekten

Before the transformation took place, the square’s atmosphere and spatial appearance was dominated by the facing facade of the Tyrolean provincial governmental building from the period of National Socialism, and by a large scale memorial that looks like a fascist monument – which in fact and in spite of its visual appearance is a freedom monument that shall commemorate the resistance against, and the liberation from National Socialism. The intervention aims to compensate for existing misconceptions and to reinforce the monument’s historical significance. The new topography of the square offers a contemporary and transformative base for the memorials and makes them accessible – physically and regarding a new perception.

Landhausplatz by LAAC Architekten

The new topography sets a landscape-like counterpart to the surrounding. But it turns into an urban sculpture through its city context, its finish in concrete and trough its function. Accessibility and the layout of paths result from the modulation of the surface which deals with spatial constraints, functional requirements and with morphological considerations.

Pedestrians and users as well as the memorials in their role as protagonists on this new city stage allow for an operative public and open forum between main station and old town. The bright surface of the square functions as a three-dimensional projection field on which the protagonists together with the trees cause a high-contrast dynamic play of light and shadow during daytime. In front of this background the seasons are staged powerfully. Indirect light reflected from the floor sculpture directs the scenery at nighttimes.

Landhausplatz by LAAC Architekten

In the northern part of the square, the spacious flat area in front of the Landhaus is conceived as a generous multi-purpose event space providing the according infrastructure. A large scale fountain activates the expanded field and provides cooling-down in summertime.

South of the liberation monument the topography features a variety of spatial situations for manifold utilisations. The texture of the concrete surface varies according the type of geometrical configuration. Beneath many trees the floor continuously merges into seat accommodations with a terrazzo-like polished finish.

Landhausplatz by LAAC Architekten

The sculpture group of one of the monuments is integrated into the basin of a new fountain where water runs down steps cut into a slope. The shoal fountain and the water games in front of the Landhaus provide playground for children and cool down the climate in summer locally. There are drinking fountains in different heights for children and adults.

The surface of the square is realised in modulated slabs out of in-situ concrete, joined by bolts that deal with shearing forces. Infrastructural elements for the organisation of events which can take place anywhere on the square are integrated in the construction of slab-fields of max. 100 square meter. Drainage of the whole square including the fountains is located completely at the open joints between the individual fields so that there is no drainage pit visible on the whole site. An innovative buffer system allows that – despite of the existence of a subterranean garage – all the appearing surface water drains away within the property.

Landhausplatz by LAAC Architekten

Architects:
LAAC Architects/stiefel kramer architecture
in cooperation with Christopher Grüner

LAAC Architects – Innsbruck
stiefel kramer architecture – Vienna/Zurich
Christopher Grüner – Innsbruck


See also:

.

Miami Beach
by West 8
Grand Canal Square by
Martha Schwartz Partners
CDSea
by Bruce Munro