Miami Chapel by FREE

Mexican firm Fernando Romero EnterprisE (FREE) has won a competition to design a chapel in Miami with plans modelled on the pleated fabric gown of religious figure the Lady of Guadalupe.

Miami Chapel by FREE

As a Roman Catholic icon of the Virgin Mary, the Lady of Guadalupe is a popular image in Mexican culture and the architects explain how they were invited to design a Catholic Church devoted to her image.

Miami Chapel by FREE

The proposals show a billowing concrete structure with an undulating skirt of 27 clearly defined pleats.

Miami Chapel By FREE

Above: the Lady of Guadalupe and all 27 Latin American virgins – click above for larger image

Inside the building, small sanctuaries will be framed within these pleats, each containing an effigy of one of the other 27 Latin American virgins. ”We preferred to open the proposal to other Latin American cultures as well, having represented all the 27 Latin American virgins,” said the architects.

Miami Chapel By FREE

Above: concept – click above for larger image and key

A twisted tower will provide a spire over the chapel’s altar and will feature a stained-glass skylight decorated with an image of the Lady of Guadalupe.

Miami Chapel By FREE

Above: plan concept – click above for larger image and key

The architects intend this image to project down onto visitors sat in the sunken assembly hall, to “stress the connection with the sky” and “represent the contrast between earth and heaven”.

Miami Chapel By FREE

Above: exploded axonometric diagram – click above for larger image

Additional rooms will be located beneath the seating areas and will include a sacristy, offices and a small library.

Miami Chapel By FREE

Above: sky connection concept – click above for larger image and key

FREE is best-known for the design of the anvil-shaped Museo Soumaya in Mexico, which opened last year.

Miami Chapel By FREE

Above: stack ventilation scheme – click above for larger image and key

See more places of worship on Dezeen, including a cross-shaped chapel in Brazil and a stark concrete church in China.

Miami Chapel By FREE

Above: roof light section – click above for larger image and key

Here’s some more information from FREE:


Miami Chapel, Florida, USA

Designing a congregation space for the Miami Catholic community requires an understanding of the identity of a multicultural group and the ability to translate it into a representative building.

Miami Chapel By FREE

Above: traditional plan comparison – click above for larger image and key

We were asked to design a Catholic Church devoted to the Mexican Virgin Our Lady of Guadalupe. FREE chose to incorporate other Latin American cultures as well, by representing all 27 Latin American Virgins.

Miami Chapel By FREE

Above: masterplan – click above for larger image

The 27 Virgins are accommodated around Our Lady of Guadalupe’s figure, creating 27 small sanctuaries.

Miami Chapel By FREE

Above: long section – click above for larger image

In a single gesture, the extrusion of this floor plan results in an organic, corrugated form; resembling the pleats of Our Lady of Guadalupe’s cloth.

Miami Chapel By FREE

Above: short section – click above for larger image

The vertical shape stands out of its context, and the volume is rotated towards the corner for more visibility.

Miami Chapel By FREE

Above: car circulation diagram – click above for larger image

A roof light at the top filters natural light into the congregation space, projecting the image of Our Lady of Guadalupe in the presbytery.

Miami Chapel By FREE

Above: pedestrian and bicycle circulation diagram – click above for larger image

The main entrance distributes to the main congregation space, ambulatory, confessionals and community service area in the level below. At the rear, a reserved area contains the sacristy, preparation and changing rooms, offices, small library and working spaces for the priest and personnel.

Miami Chapel By FREE

Above: structural analysis – click above for larger image

The iconic shape performs an acoustic filter and dramatizes the ecumenical atmosphere of the church, outlining its identity in the metropolitan area of Miami.

Miami Chapel By FREE

Above: facade texture – click above for larger image

Competition 1st. prize
Program: Cultural
Size: 3,500 m2
Date: 2012-2013
Collaborators: None
Status: Ongoing

The post Miami Chapel
by FREE
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Museo Soumaya by FREE Fernando Romero EnterprisE

FREE Fernando Romero EnterprisE Museo Soumaya

FREE Fernando Romero EnterprisE have completed this anvil-shaped museum in Mexico City, with a windowless facade composed of hexagonal aluminium tiles.

FREE Fernando Romero EnterprisE Museo Soumaya

The Museo Soumaya is constructed of 28 steel curved columns with different diameters and geometries, which create its irregular form.

Museo Soumaya by FREE Fernando Romero EnterprisE

The building widens at the top, where a roof suspended from a cantilever allows natural daylight onto the top floor gallery.

FREE Fernando Romero EnterprisE Museo Soumaya

The museum will house over 6,200 Latin American artworks in a continuous exhibition space spread across six storeys, as well as an auditorium for 350 people, a library, offices, a restaurant, a gift shop and a lounge.

FREE Fernando Romero EnterprisE Museo Soumaya

More museum stories on Dezeen »

Here is some more information from the architects:


Completion of Museo Soumaya
FREE Fernando Romero EnterprisE

Mexico City–Designed by FREE Fernando Romero EnterprisE, Museo Soumaya opened to the public on March 29, 2011 after four years of development. The Museo Soumaya houses one of the most important art collections in Latin America with over 6,200 artworks and 60,000 square feet of exhibition space.

FREE Fernando Romero EnterprisE Museo Soumaya

The Soumaya Museum is located in a former industrial zone dating from the 1940’s which today presents a very high commercial potential. The Soumaya Museum plays a key role in the reconversion of the area:  as a preeminent cultural program, it acts as an initiator in the transformation of the urban perception. Its avant-garde morphology and typology define a new paradigm in the history of Mexican and international architecture.

Museo Soumaya by FREE Fernando Romero EnterprisE

From the outside, the building is an organic and asymmetrical shape that is perceived differently by each visitor, while reflecting the diversity of the collection on the inside. Its heterogeneous collection is housed in a continuous exhibition space spread over six levels, representing approximately 60,000 ft². The building also includes an auditorium for 350 people, library, offices, a restaurant, a gift shop and a multi-purpose gathering lounge.

Museo Soumaya by FREE Fernando Romero EnterprisE

The shell of the building is constructed with 28 steel curved columns of different diameters, each with its own geometry and shape, offering the visitor a soft non-linear circulation all through the building. Located at each floor level, seven ring beams provide a system that braces the structure and guarantees its stability. The top floor is the most generous space of the museum; its roof is suspended from an impressive cantilever that allows natural daylight to flow in freely. In contrast, the building’s envelope is nearly opaque, offering little and scarce openings to the outside. This gesture can be interpreted as an intention to create a protected shelter for the art collection. The façade is made of hexagonal aluminum modules that optimize the preservation and durability of the entire building.

Museo Soumaya by FREE Fernando Romero EnterprisE

“The Museo Soumaya is an extraordinary structure rising up from the earth’s crust as a multi-dimensional icon,”  Raymund Ryan, 
Curator, 
The Heinz Architectural Center.

FREE Fernando Romero EnterprisE Museo Soumaya

Location: Lago Zurich # 245, Col. Ampliación Granada, Del. Miguel Hidalgo. México DF. C.P. 11320
Completion: March 2011
Client/Owner: Fundación Carlos Slim
Architect Office: FREE Fernando Romero EnterprisE
General Contractor: CARSO Infraestructura y Contrucción
Interior Design:  FREE + MYT/ CEO-Andrés Mier y Teran


See also:

.

Zayed National Museum
by Foster + Partners
MAXXI
by Zaha Hadid
Design Museum Holon
by Ron Arad Architects