Civic Centre in Palencia by Exit Architects

Slideshow: our second project this week by Madrid studio Exit Architects is a civic and cultural centre inside a former prison in Palencia, Spain.

Constructed from load-bearing brickwork, the nineteenth century building comprises four wings that have been completely refurbished to accommodate an auditorium, a library, multi-function rooms and classrooms for art and music.

Civic Centre in Palencia by Exit Architects

A translucent glass pavilion provides an entrance to the building, while new walls and roof structures have been created over and around the existing blocks using zinc and more semiopaque glass.

Civic Centre in Palencia by Exit Architects

At the centre of the four wings is a new hall, inside which large round skylights extend down to create cylindrical light wells and miniature courtyards.

Civic Centre in Palencia by Exit Architects

The library is contained within the wing that previously housed prisoner cell blocks and features a central reading area beneath an octagonal skylight.

Civic Centre in Palencia by Exit Architects

Our other project this week by Exit Architects is a concrete sculpture museum, which you can see here.

Civic Centre in Palencia by Exit Architects

Photography is by Fernando Guerra.

Civic Centre in Palencia by Exit Architects

Here’s some more text from Exit Architects:


Rehabilitation of Former Prison of Palencia as Cultural Civic Center

The former Palencia Provincial Prison complex was created at the end of the XIX century, built with brick bearing walls following the “neomudéjar” style, and composed mainly of four two-storey wings and some other with one storey.

Civic Centre in Palencia by Exit Architects

On this building was planned a comprehensive refurbishment to transform the former use and convert it into a center that promotes the social and cultural activity in this part of the town.

Civic Centre in Palencia by Exit Architects

Our proposal intends to convert the former prison into a meeting place, recovering some of the old spaces, and creating at the same time new structures that make possible the new planned activities.

Civic Centre in Palencia by Exit Architects

It is a project that respects the existing building, which is given a contemporary, lighter appearance, and where the natural light will play a key role.

Civic Centre in Palencia by Exit Architects

With this aim the main two-storey wings have been refurbished, emptying their interior and placing a new independent structure to bear the new floors and roofs. Besides, between the main wings have been built new connecting pavilions, which form the new complex perimeter and give it a modern and friendly aspect.

Civic Centre in Palencia by Exit Architects

To introduce the light in the building we had to remove the old covered with tiles which were in very poor condition, and have been replaced by others of zinc that open large skylights which introduce light into the open halls of the Center.

Civic Centre in Palencia by Exit Architects

The entire building is organized around a great hall that connects the 4 pavilions of the former prison. It is a diaphanous space based only on a few mild cylindrical courtyards of glass that illuminate and provide the backbone of the stay.

Civic Centre in Palencia by Exit Architects

Due to its central location in relation to the pavilions, this space acts as a nerve center and distributor of users, across the Pavilion access and reception, directed towards the rest of the areas of the Centre.

Civic Centre in Palencia by Exit Architects

The hall gives way to the lateral pavilions where the auditorium and various music and art classrooms are. On the upper floor, under a large glass skylights, are two multi-purpose areas dedicated to more numerous groups.

Civic Centre in Palencia by Exit Architects

In the area where is the cells of prisoners were, we placed the library. The reading rooms are articulated around a central space of high-rise under a lantern of octagonal shape that acts as a distributor for the different areas and that arrives vertical communication and control areas and offices.

Civic Centre in Palencia by Exit Architects

Finally, access to the Centre are carried out through a very light and bright glazed perimeter that pretends to be a filter between the city and the activity of the interior.

Civic Centre in Palencia by Exit Architects

A structural steel beam travels abroad tying areas glazed with the former factory walls getting an alleged industrial air.

Civic Centre in Palencia by Exit Architects

The use of metallic materials in all intervention, as the zinc in facades and roofs, glass and uglass in the lower bodies and skylights and the aluminium lattices as light filters also contributes to this.

Civic Centre in Palencia by Exit Architects

architects: EXIT ARCHITECTS – ÁNGEL SEVILLANO / JOSÉ Mª TABUYO
location: AVDA. VALLADOLID Nº 26, 34034 PALENCIA
clients: MINISTERIO DE FOMENTO, AYUNTAMIENTO DE PALENCIA

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Civic Centre in Palencia by Exit Architects

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area: 5.077 m2
budget: 9.675.038 EUROS
project date: 2007
completion date: 2011
quantity surveyor: IMPULSO INDUSTRIAL ALTERNATIVO. ÁLVARO FERNÁNDEZ

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structural engineers: NB35. JOSÉ LUIS LUCERO
mechanical engineers: GRUPO JG. JUAN ANTONIO POSADAS
light consultant: MANUEL DÍAZ CARRETERO
collaborators: MARIO SANJUÁN, IBÁN CARPINTERO, MIGUEL GARCÍA-REDONDO, SILVIA N. GÓMEZ

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Easter Sculpture Museum by Exit Architects

Slideshow: Madrid studio Exit Architects designed this concrete sculpture museum behind the retained facade of an old house in southern Spain.

Easter Sculpture Museum by Exit Architects

Translucent glazed walls connect the existing brick walls to the new three-storey-high structure, which is recessed by a few metres to create a public plaza at the main entrance.

Easter Sculpture Museum by Exit Architects

Concrete tiles clad the exterior of the museum, while the interior walls are cast concrete, formed against timber.

Easter Sculpture Museum by Exit Architects

At ground level, the floor of a central exhibition hall snakes upwards on a series of parallel ramps to correspond with the steeply inclining site.

Easter Sculpture Museum by Exit Architects

Chunky wooden platforms separate these ramps and provide exhibition stands for the display of artworks.

Easter Sculpture Museum by Exit Architects

Huge folding doors at the back of the building allow larger sculptures to be transported inside the building with relative ease.

Easter Sculpture Museum by Exit Architects

See all our stories about museums here, or all our stories about galleries here.

Easter Sculpture Museum by Exit Architects

Photography is by Fernando Guerra.

Easter Sculpture Museum by Exit Architects

Here’s a more comprehensive description from Exit Architects:


The Museum Project was the result of an ideas competition organized by the Hellín Municipality.

Easter Sculpture Museum by Exit Architects

The competition rules considered the refurbishment of the Casa del Conde as well as the construction of an extension on the plot area former occupied by some small service buildings of the house.

Easter Sculpture Museum by Exit Architects

In the competition winning proposal we included the completely refurbished Casa del Conde as a part of the Museum. We even wanted to give it a main role, incorporating the former backyard facade as the background of the new main exhibition space.

Easter Sculpture Museum by Exit Architects

The inner court of the house played also a significant role as an exhibition area which established a relationship between the old and the new parts. The upper levels hosted an administration area and a library.

Easter Sculpture Museum by Exit Architects

Nevertheless, at the time we developed the Project, and after a rigorous inspection of the building we confirmed that it was not possible to refurbish the whole house at a reasonable cost, so we decided to concentrate all the efforts in preserving and restoring the painted façade and those valuable elements (stone columns, ironworks,…) we could recover for the museum.

Easter Sculpture Museum by Exit Architects

This way, the old façade, once disappeared the rest of the house, is no more only a construction element and becomes also a canvas, a decorated surface to be integrated in the museum as an exhibition object.

Easter Sculpture Museum by Exit Architects

Indeed a very special one, due to the decisive role it plays in the relation of the building with its surroundings (the Assumption Church) and with the city history and memory.

Easter Sculpture Museum by Exit Architects

Despite the disappearing of the house, we preserve the volume occupied buy it, as a mechanism to adequate to the surroundings scale.

Easter Sculpture Museum by Exit Architects

The new building steps backwards, creating a small square in front of the main visitors access.

Easter Sculpture Museum by Exit Architects

Therefore the museum as a whole responds to a double urban scale, the close-scale of the street and the far-scale of the Church square.

Easter Sculpture Museum by Exit Architects

Besides the building adapts itself to the steep slope of the plot decreasing its height in the longitudinal section so that it keeps always the urban scale of the surrounding houses.

Easter Sculpture Museum by Exit Architects

Another mechanism to integrate the building and give it a representative character is the use, for the facades, of the same local stone as the one of the nearby Church, keeping the museum into the chromatic spectrum of the historic centre.

Easter Sculpture Museum by Exit Architects

In the inside, a white-concrete space, shaped by light, surrounds a sinuous way among the sculptures, which stand on several big wooden bases that organize the exhibition and contain the showcases for smaller objects.

Easter Sculpture Museum by Exit Architects

Therefore it happens just the opposite as in Easter, and in this case it is the visitor who wanders between the sculptures as he discovers them from different points.

Easter Sculpture Museum by Exit Architects

The great scale of the main space, the intentional use of light and the construction with few and durable materials give the interior a character very appropriate for the important collection of religious sculptures to be exposed.

Easter Sculpture Museum by Exit Architects

project: EASTER SCULPTURE MUSEUM. HELLÍN. ALBACETE
architects: EXIT ARCHITECTS – IBÁN CARPINTERO / MARIO SANJUÁN
client: PUBLIC WORKS MINISTRY / HELLÍN MUNICIPALITY

Easter Sculpture Museum by Exit Architects

built area: 2.160 m2
budget: 3.512.235 EUROS

Easter Sculpture Museum by Exit Architect

project: 2002
completion: 2011

Easter Sculpture Museum by Exit Architect

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collaborators: MIGUEL GARCÍA-REDONDO, SILVIA N. GÓMEZ, ÁNGEL SEVILLANO, JOSÉ Mª TABUYO
technical architects: ALBERTO PALENCIA / JOSÉ ANTONIO ALONSO

Easter Sculpture Museum by Exit Architects

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mechanical consultant: MAINTENANCE IBÉRICA
structural consultant: INDAGSA (JOSÉ LUIS CANO)

Easter Sculpture Museum by Exit Architects

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general contractor: PEFERSAN, S.A.

Easter Sculpture Museum by Exit Architects

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Easter Sculpture Museum by Exit Architects

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Easter Sculpture Museum by Exit Architects

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Easter Sculpture Museum by Exit Architects

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Easter Sculpture Museum by Exit Architects

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Easter Sculpture Museum by Exit Architects

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