Zinc-clad loft extension by Konishi Gaffney creates an extra bedroom

Scottish studio Konishi Gaffney has constructed a wide dormer window to convert the loft of a terraced house in Edinburgh into an extra bedroom.

Zinc-clad loft extension by Konishi Gaffney creates an extra bedroom

Konishi Gaffney, which is led by Scottish architect Kieran Gaffney and Japanese designer Makiko Konishi, added the roof extension to a two-storey house in Edinburgh’s Portobello – a seaside community filled with heritage properties.

Entitled Regent Street Dormer, the zinc-clad structure projects out from the rear of the house’s shallow-pitched roof to double the amount of useable floor space within the attic.

Zinc-clad loft extension by Konishi Gaffney creates an extra bedroom

“The planners were resistant to the idea of a dormer in this location at all, but following long negotiations a rear dormer was conceded,” explained Gaffney, noting that the property sits within the immediate vicinity of over 50 listed buildings.

“We then made a case for a low profile, long dormer, more than twice as long as is normally permitted, because this had less visual impact than a dormer located near the eaves,” he added.

Zinc-clad loft extension by Konishi Gaffney creates an extra bedroom

Pre-weathered zinc gives a charcoal colour to the outer walls of the structure blending in with the existing slate roof.

The west-facing picture window spans one face and sits within a tapered recess. “[It] includes an idiosyncratic splay to let afternoon light in,” said Gaffney.

Zinc-clad loft extension by Konishi Gaffney creates an extra bedroom

A timber shutter at one end of the window lets in fresh air. “This is a nod to my favourite window – located at Louis Kahn’s Fischer House – where the glass is fixed and oak window shutters open for ventilation,” the architect told Dezeen.

The new bedroom is painted white and contains enough space for a double bed and a wall of built-in storage. A wooden staircase connects the room with the two storeys below.

Zinc-clad loft extension by Konishi Gaffney creates an extra bedroom

Regent Street Dormer is one of 24 projects shortlisted for the AJ Small Projects 2014. The winner will be announced next month.

Axonometric dormer detail of Zinc-clad loft extension by Konishi Gaffney creates an extra bedroom
Axonometric diagram of dormer – click for larger image

Photography is by Alan Craigie.

Here’s the project description from Kieran Gaffney:


Regent Street Dormer

The project was to extend a small 1st floor flat into the loft and create a new bedroom with dormer. A simple brief complicated only by the lack of headroom in the loft, the client’s design ambition and conservative planning rules in this conservation area of Edinburgh.

First floor plan of Zinc-clad loft extension by Konishi Gaffney creates an extra bedroom
Loft plan – click for larger image

This street has the densest concentration of listed buildings in Portobello (54 in 120m). The planners were resistant to the idea of a dormer in this location at all but following long negotiations a rear dormer was conceded. We then made a case for a low profile, long dormer, more than twice as long as is normally permitted, because this had less visual impact than a dormer located near the eaves.

Ground floor plan of Zinc-clad loft extension by Konishi Gaffney creates an extra bedroom
First floor plan – click for larger image

The project allowed a west facing picture window with an unusual view. It is clad in anthracite zinc by French artisans and includes an idiosyncratic splay to let afternoon light in, a fixed glass pane and a timber door for ventilation.

Section of Zinc-clad loft extension by Konishi Gaffney creates an extra bedroom
Section – click for larger image

Completed: July 2013
Budget: £32,000
Architect: Konishi Gaffney
Contractor: Gloss Projects
Zinc: Artisan Roofing
Engineer: Burnt Siena Structures

The post Zinc-clad loft extension by Konishi Gaffney
creates an extra bedroom
appeared first on Dezeen.

Centre for Scottish War Blinded by Page\Park

Centre for Scottish War Blinded for Page \ Park Architects

Scottish architects Page\Park have completed a centre for blinded sailors, soldiers and airmen in Wilkieston, Scotland.

Centre for Scottish War Blinded for Page \ Park Architects

The single-storey Centre for Scottish War Blinded curls around the site and has an undulating zinc roof, inspired by a sculpture of a dragon found in the charity’s existing facilities.

Centre for Scottish War Blinded for Page \ Park Architects

Located on an adjacent site, the new day care and rehabilitation centre replaces the old buildings and includes a workshop, art space, training areas, a gym, therapy spaces and administration as well as a remembrance room and sensory garden.

Centre for Scottish War Blinded for Page \ Park Architects

Photography is by Andrew Lee.

The following information is provided by the architect:


Scottish War Blinded was founded in Edinburgh in 1915 with the object of caring for Scotland’s sailors, soldiers and airmen and women who were blinded in the service of their country. With the organisation now taking in a higher number of veterans of more recent conflicts, the Scottish War Blinded recognised that a new facility was required so that the scope and quality of the services they offer could be improved.

Centre for Scottish War Blinded for Page \ Park Architects

Their new 750m2 facility is located on an inspiring site at Linburn, West Lothian and replaces the charity’s 1950’s facility which occupied an adjacent site. The scheme takes inspiration from a hand-carved Chinese celestial dragon memorial sculpture which was housed in the display room of the previous facility. This inspiration manifests itself in the sweeping and twisting geometry of the building’s undulating zinc roof.

Centre for Scottish War Blinded for Page \ Park Architects

The building operates as a day care centre and offers a comfortable and sociable environment whilst also providing rehabilitation and life skills assistance for ex-servicemen and women suffering from visual impairments. Facilities include a workshop, art space, training areas, a gym, therapy spaces and administration as well as a remembrance room. A terrace and landscaped sensory garden to the south of the building is also provided for recreational use in addition to education. The shifting demographic of users that the organisation now supports has influenced this broad mixture of activities.

Centre for Scottish War Blinded for Page \ Park Architects

The building harbours a strong focus on internal flow, with a mainly open plan arrangement fed by one, generous circulation spine. The accommodation is organised so that the circulation and larger spaces are placed near the external walls, while smaller, ancillary spaces requiring enclosure, privacy and acoustic insulation are placed in ‘pod’ elements nearer the centre of the plan. The organisation of the building aims to be as simple as possible so that the users can easily form a mental picture of the building, thus allowing straightforward navigation. In addition, bold gestures (both architecturally and through the use of colour) are made at doorways and changes of direction to further assist building users’ wayfinding.

Centre for Scottish War Blinded for Page \ Park Architects

The curving geometry has been formed by the use of steel portal frames set out on a radial grid and in-filled with cold rolled purlins. The twists and sweeps of the geometry have been formed by gentle facets, with the steel frame only including two relatively short curved structural members. A restrained palette of materials are used throughout the building to clad the steel structure beneath. The roof is formed in zinc strips with the external walls clad in timber panels set out alongside large glazed openings. Internally, the ‘pod’ type spaces are picked out in oak and detailed to sit like pieces of furniture under the large twisting roof.

Centre for Scottish War Blinded for Page \ Park Architects

Inclusive Design

Given the nature of the Client, inclusive design was at the forefront of our thoughts from the very start. With the building users having visual impairments of varying degrees, in addition to many of the users being elderly, careful consideration had to be given to a number of key areas of the scheme. As a team we had to go much further than simply meeting the DDA requirements. Advice was received from Adapt Access Services in addition to members of the War Blinded Client group.

Centre for Scottish War Blinded for Page \ Park Architects

Click above for larger image

Firstly, the building and surrounding garden are all on one level so as to allow full access to wheelchair users. In addition to this, there are ultra low-profile thresholds throughout the building so as to avoid any potential trip hazards.

Centre for Scottish War Blinded for Page \ Park Architects

Click above for larger image

Inside the building, the primary circulation route is a generous width and has a continuous handrail down one side to provide support where required in addition to acting as a guide to the visually impaired. Where access to rooms occur off this corridor, bold gestures have been made at these locations both in the layout and in terms of the colours used on the walls.

Centre for Scottish War Blinded for Page \ Park Architects

Click above for larger image

By studying the Light Reflectance Values (LRV) of each of the finishes (floors, timber panelling, door laminate, ceiling), this allowed us to carefully select the colours of the painted slots at these access points so as to provide sufficient visual contrast.

Centre for Scottish War Blinded for Page \ Park Architects

Click above for larger image

Green Credentials

From the onset the design of the new centre for the Scottish War Blinded was based on sustainable principles. Natural ventilation is utilised in the majority of the spaces and heating is supplied from a ground source heat pump. In order to minimise energy requirements, high levels of insulation and air tightness have been designed in to the building envelope. In addition, carefully controlled amounts of glazing have been provided, balancing the need for pulling light deep in to the plan with the need to control glare and solar gain / heat loss.

Centre for Scottish War Blinded for Page \ Park Architects

Click above for larger image

Method of Procurement: Traditional SBCC
Value: £2.4 million
Planning Granted: October 2009
Site Start: January 2010
Project Completed: January 2011
Location: Wilkieston, Kirknewton
Key Design Features: Sweeping zinc roof, Curving geometry, Designing for the sensory impaired
No.of Floors: 1
Funding: Solely funded by the charity, Royal Blind / Scottish War Blinded
Client: Scottish War Blinded

Centre for Scottish War Blinded for Page \ Park Architects

Click above for larger image

Page\Park
Project Architect Jamie Hamilton
Director Karen Pickering
Partner David Page
Structural Engineers: SKM Anthony Hunt, Douglas Walker
M&E:Harley Haddow, Chris McLaren
QS: NBM, Bryan Houston
Landscape: Ian White Associates, Sam Shaw
Contractors: Main -Brown Construction, Grant MacIntosh

Centre for Scottish War Blinded for Page \ Park Architects

Click above for larger image


See also:

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