London Design Festival 2011: "Resonance" by RCA & Yamaha

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Students on the Design Products course at RCA, London have collaborated with Yamaha on a range of concepts for musical performances. Yamaha challenged the students to break the boundaries between performer and audience, encouraging participation and collaboration. The student group have put their work on display in the Yamaha flagship store in Soho as part of London Design Festival.

Inspired by the impromptu nature of busking, “Public Resonance” by Sam Weller is a selection of G-clamp pick-ups that allow street-performers to turn any object into a percussion instrument. Check out the video below to see Sam testing out his concept on curious passers-by on the Southbank.

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“Music Within” is a fascinating concept by Peter Thorne and Youness Benali. The pair have attached micro-cameras inside guitars and drums—and on the end of a flute—to provide, through a live projection, an extra visual element to music performances.

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London Design Festival 2011: Christopher Jarratt’s "Slingshots" at YCN

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If traipsing through busy London streets is getting you down this design week and you’re in need of a little light relief, we’d have to recommend a visit to Christopher Jarratt’s “Slingshots” installation at the YCN space in Shoreditch.

Jarratt, an artist/maker living in London, has created a limited edition of 30 slingshots hand crafted from forked tree branches found in the great Epping Forest. You can try out these impressively powerful toys out for size with a few paintballs. Very invigorating!

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London Design Festival 2011: Kyuhyung Cho’s Typo Patterns at Swedish Ambassador’s Residence

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Showing some serious dedication to promoting her country’s ever-growing design industry, the Swedish Ambassador to London has given up her stunning central city residence for the whole of design week to display some of the latest work by Swedish designers. A lot of the work we recognised from our visit to Stockholm Design Week last February but Kyuhyung Cho’s experimental typography really captured our imagination.

Producing fonts out of his delicate surreal sketches and geometric forms, Konstfach student Kyuhyung Cho produces patterns and illustrations through typing out complete texts. Pictured above, Kyuhyung stands with a screen print of the Book of Genesis, the pixel-like letters overlapping to create new shapes and effects. Apparently the illustration below reads “Core77” in his font called “Creatures”—this actually being the italic version, which Kyuhyung informs us he created by imagining wind blowing his creatures from left to right.

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London Design Festival 2011: "Inside Playful Minds" by Physical Pixels at University of Arts London

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We had a great time playing around with Physical Pixels—a start-up studio of RCA grduates—showing some of their most recent works in the foyer of the Univeristy of Arts London.

“In Contact” (picture above and below) is an experiment in disguising technology in natural touchpoints. Brushing the grass opens up the fan-like blinds above, thanks to the conductivity of the skin detected by sensors under the soil.

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London Design Festival 2011: "Mind Over Matter" Alan Fletcher tribute

To mark the tenth anniversary of graphic design legend Alan Fletcher’s groundbreaking The Art of Looking Sideways, a small exhibit of the preparatory notes for the book have gone on display at the Kemistry Gallery in Shoreditch.

Illustrating beautifully the fine line between genius and insanity, the poly-pocket lined walls are perhaps the most fitting tribute to a man infatuated with creativity. Well worth a look if you’re doing the rounds at LDF’11.

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London Design Festival 2011: Babak Golkar and the Jameel Prize at V&A Museum

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Taking a quick look at the artwork on show in the Jameel Prize exhibit—a selection of prize-winning Islamic art and design—we were immediately drawn to this little treasure.

“Negotiating the Space for Possible Coexistences” is an explorations of the contrasts in artist Babak Golkar’s life in America and Persian heritage. If you look closely you’ll notice that the ground plan of these fictional skyscrapers spring directly from the woven rug beneath them. Obviously then, when viewed from above the model disappears back into the pattern.

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London Design Festival 2011: "Lego Greenhouse" by Sebastian Bergne

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We had to stop by Covent Garden to check out Sebastian Bergne’s installation commissioned by Lego for the festival. Although perhaps a little smaller than we had let ourselves imagine, the spectacle was still certainly grabbing the attention of the hords of tourist ambling through the piazza—undeniably appealing to the child in all of us. The greenhouse seemed to be working surprisingly well—the sunflowers looking healthy despite having, apparently, brown lego bricks for soil. We’ll be sure to stop by at the end of the week to see how they’re getting on.

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London Design Festival 2011: “Scaffolding Brut” at V&A

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Why do we give something so ubiquitous so little designerly love? “Scaffolding Brut” is an inspiring installation put together by Berlin-based BetaTank, asking this very question. The Germans offer a selection of playful “temporary scaffolding accessories” including birdhouses, plant pots and even a porcelain radio. More of a call to arms than a fully formed solution, the installation leaves you wondering, if most of our cities are covered in the stuff, why isn’t scaffolding more of a feature of urban life, than the scourge of it. The project hopes to answer questions posed by BetaTank:

“If scaffolding systems are so impressive without design specifications, how utterly magnificent could they become if the need for beauty was attributed to construction?” And, “given the fact that they cover large sections of any given city, rather than getting in the way, could scaffolding assist accessibility and mobility?”

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London Design Festival 2011: “A Pylon for the Future” at V&A

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Also on display at the V&A in London this week, is a selection of design proposals for electricity pylons. Not the most glamourous of subjects, perhaps, but serious food for thought for industrial designers.

The design of the humble British pylon has barely changed from Sir Reginald Bloom’s 1927 design. An icon of technological progress to some; an ugly scar on the countryside to others; the British National Grid predict—what with the development of technology, and perhaps even an eventual switch to electric cars—that we will need more pylons rather than less in the coming years.

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London Design Festival 2011: Industrial Revolution 2.0 at V&A Museum

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London Design Festival kicked off this weekend; our first stop is the Victorian & Albert Museum, a hub of this year’s festivities, not least to find out what was behind the curious titled “Industrial Revolution 2.0” exhibit.

Dotted sporadically around the museum, a number of 3D printed objects have been put on show— all taking inspiration from the V&A’s collection. The exhibit commisioned by the well known New York-based curator Murray Moss is presented as something of a celebration of this “viral” production technique that is quickly graduating from a fringe craft to a mainstream fascination.

Among our favourites are the beautiful scanned and reinterpreted “Bust of Lady Belhaven, 1827” by British milliner Stephen Jones (above) and the stunningly impractical “Escapism” dress by Iris Van Herpen and Daniel Widrig (below).

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