Stonehenge Visitor Centre by Denton Corker Marshall opens tomorrow

News: here are the first photographs of Denton Corker Marshall’s visitor centre at Stonehenge – a prehistoric stone circle in England – which finally opens to the public tomorrow (+ slideshow).

Stonehenge Visitor Centre by Denton Corker Marshall

After years of negotiations and a string of failed proposalsDenton Corker Marshall‘s Stonehenge Visitor Centre is now complete on a site 1.5 miles west of the stone circle, within the World Heritage Site but out of site of the ancient monument.

Stonehenge Visitor Centre by Denton Corker Marshall

The building comprises three enclosures, all finished with different materials, which are sheltered beneath a undulating steel canopy and surrounded by a forest of over 200 angular steel columns.

Stonehenge Visitor Centre by Denton Corker Marshall

The largest block is clad with sweet chestnut wood and houses the museum’s exhibition gallery. Another features glass walls and houses an education centre, cafe and shop, while a smaller zinc-clad structure is sandwiched between and functions as a ticket office.

Stonehenge Visitor Centre by Denton Corker Marshall

The underside of the steel canopy is clad with zinc panels and features an elaborate pattern of square-shaped perforations. It oversails all three blocks, creating sheltered seating areas around the perimeters.

Stonehenge Visitor Centre by Denton Corker Marshall

“The design of the centre is based on the idea that it is a prelude to the stones, and its architectural form and character should in no way diminish their visual impact, sense of timeless strength and powerful sculptural composition,” said Denton Corker Marshall’s Barrie Marshall.

Stonehenge Visitor Centre by Denton Corker Marshall

“Where the stones are exposed, massive and purposefully positioned, the centre is sheltered, lightweight and informal. And where the stones seem embedded into the earth, the centre rests on its surface,” he added.

Stonehenge Visitor Centre by Denton Corker Marshall

Visitors can walk from the centre to the monument via a winding pathway, or can choose to take a ten-minute shuttle ride.

Stonehenge Visitor Centre by Denton Corker Marshall

Photography is by Peter Cook.

Here’s the full press release from Denton Corker Marshall:


New Stonehenge Visitor Centre Opens

Denton Corker Marshall’s new Stonehenge Visitor Centre opens its doors on 18th December, inviting more than one million visitors every year to experience the transformed ancient site.

Located 1.5 miles to the west of the stone circle at Airman’s Corner, just within the World Heritage Site but out of sight of the monument, the new visitor centre is designed with a light touch on the landscape – a low key building sensitive to its environment.

Stonehenge Visitor Centre by Denton Corker Marshall

Sited within the rolling landforms of Salisbury Plain, the design consists of a subtle group of simple enclosures resting on a limestone platform, all sheltered by a fine, perforated, undulating canopy.

Barrie Marshall, director at Denton Corker Marshall, said: “The design of the centre is based on the idea that it is a prelude to the stones, and its architectural form and character should in no way diminish their visual impact, sense of timeless strength and powerful sculptural composition. Where the stones are exposed, massive and purposefully positioned, the centre is sheltered, lightweight and informal. And where the stones seem embedded into the earth, the centre rests on its surface.”

Stonehenge Visitor Centre by Denton Corker Marshall

Three pods, finished in different materials, provide the principal accommodation. The largest, clad in sweet chestnut timber, houses the museum displays and service facilities. The second largest, clad in glass, houses the educational base, a stylish café and retail facilities. Located between these is the third, by far the smallest and clad in zinc, which provides ticketing and guide facilities.

Oversailing them all, and resting on 211 irregularly placed sloping columns, is a steel canopy clad on the underside with zinc metal panels and shaped with a complex geometry reflecting the local landforms.

Stonehenge Visitor Centre by Denton Corker Marshall

Local, recyclable and renewable materials have been used wherever possible. The material palette includes locally grown sweet chestnut timber cladding and Salisbury limestone.

Stephen Quinlan, partner at Denton Corker Marshall, said: “Various strategies have been adopted in the design to ensure that the centre is environmentally sensitive and uses natural resources in a responsible way. These range from the natural sun shading qualities of the canopy which promotes natural ventilation and reduces the need for cooling in the pods, through to more technical solutions such as heat pumps and high efficiency insulation.”

Stonehenge Visitor Centre by Denton Corker Marshall

The new building allows Stonehenge to have dedicated facilities on site for education and interpretation for the first time, with museum-quality exhibits that tell the story of the 5,000 year- old monument.

From the new centre, visitors can either walk to the monument or take a ten-minute shuttle ride. During the trip the henge emerges slowly over the horizon to the East.

Stonehenge Visitor Centre by Denton Corker Marshall

Dr Simon Thurley, chief executive of English Heritage, said: “For too long, people’s appreciation of Stonehenge is this mysterious, impressive but anonymous monument. The Neolithic period itself is pretty much a murky expanse of time, shrouded by many outdated notions. We want people to come here and take away a fresh view.”

Stonehenge Visitor Centre by Denton Corker Marshall

There will also be an outdoor gallery including the reconstruction of three early Neolithic houses, based on rare forensic evidence found near Stonehenge. These houses will be built by skilled volunteers and are due to be complete by Easter 2014.

Sustainable Design

The building is sensitively designed to sit lightly in the landscape. Reversibility – the ability to return the site to its current state – was a fundamental design concept. The building will last as long as it needs to but could, if necessary, be removed leaving little permanent impact on the landscape.

Stonehenge Visitor Centre Denton Corker Marshall
Site plan – click for larger image

This is achieved by constructing it on a concrete raft which in turn sits on an area of ‘fill’ with minimal cutting into the soil. The modern construction, using slender steel columns and lightweight framed walls, and semi-external spaces allow the depth of foundations to be minimised.

Stonehenge Visitor Centre Denton Corker Marshall
West elevation – click for larger image

Other green features include:

» An open loop ground source heating system that pumps underground water through a unit to extract/inject heat energy. This enables the building to be heated and provides some cooling without the need for fossil fuels.

» Fully insulated cavity walls – the timber pod is constructed of structurally insulated panels (SIPS), which enables efficiencies in construction whilst minimising material waste and ensuring the building is well insulated.

Stonehenge Visitor Centre Denton Corker Marshall
North elevation – click for larger image

» Mixed mode ventilation – the building will be naturally ventilated whenever external conditions allow, switching to an efficient mechanical ventilation system that enables the heat energy in the exhaust air to be ‘recovered’ and transferred to the supply air, thereby reducing the load on the heating plant and saving energy.

Stonehenge Visitor Centre Denton Corker Marshall
East elevation – click for larger image

» “Grey water”, including rainwater collected from the roof of the building, will be used for the bulk of water required at the visitor centre, e.g. for flushing toilets. Other water – e.g. for drinking – will be drawn from the aquifer, a local and renewable resource.

» The facilities will use on-site water treatment for sustainability and to avoid intrusive trenching for connections to water and sewer mains.

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View Hill House by Denton Corker Marshall

One storey hangs precariously over the other at this isolated hilltop house in Australia by architects Denton Corker Marshall.

View Hill House by Denton Corker Marshall

The dramatic cantilever defines the silhouette of View Hill House, which looks out over the Yarra Valley winemaking region of Victoria.

View Hill House by Denton Corker Marshall

The exterior of the lower storey is clad in pre-rusted steel and the upper storey has walls of black aluminium.

View Hill House by Denton Corker Marshall

Chunky chipboard lines the interior walls and ceilings of both levels and the floor of the upper storey, while the lower storey features a polished concrete floor.

View Hill House by Denton Corker Marshall

Denton Corker Marshall also recently unveiled proposals for a visitor centre at Stonehenge in England.

See all our stories about Australian houses »

Photographs are by Tim Griffith.

Here’s some more information from Denton Corker Marshall:


The Yarra Valley was originally settled as a series of farms strung out along the tracks through the valley on either side of the river. Yering Station and Gulf Station, for example, still exist as heritage buildings, but View Hill is identifiable only as an isolated hill abutting the historic Yarra Track with magnificent views of the whole valley.

The 60-hectare site was progressively developed as a premium cool climate vineyard from 1996 to 2004 and now has around 32 hectares of vines. A site for a house was identified at the top of the hill looking north over the vineyard but also taking in view all around.

View Hill House by Denton Corker Marshall

Click above for larger image

Denton Corker Marshall have completed six houses over the last 20 years, a sideline to their larger building work but seen as an important part of their exploration of ideas about architecture. There were also opportunities to consider the isolated building in the landscape as ‘land art’. Here on the top of the hill the house is reduced to two sticks placed one on top of the other ‘dropped’ onto the landscape. It is a counterpoint to their Phillip Island house of 20 years ago where the house is buried in the sand dunes.

The stick sitting on the ground is made of rusting steel whilst the stick sitting on right angles on top and cantilevering impossibly is made from black aluminium. The sticks read as very thin metal tubes with glass inset at each end. The reading of the tubes is reinforced inside by their lining with a grey green stained OSB board – on the upper level its walls, ceilings and even the floor is lined – at ground level the floor is charcoal polished concrete. The ground level tube is 6m x 4m in cross-section so that the ceiling heights are 3.2m, the upper tube is 4m x 3m with 2.4m ceilings.

View Hill House by Denton Corker Marshall

Click above for larger image

Ground floor uses are centred around a living, dining, kitchen space – with bedrooms at either end. Upstairs two offices and another guest bedroom complete the primary spaces. Planning is therefore very simple – presenting controlled views out from each end of the tubes and then by raising three panels on the side of the lower tube so that the living area looks out over the vineyard. The mountains containing the valley on all sides offer a dramatic backdrop.

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Stonehenge Visitor Centre by Denton Corker Marshall

Dezeen Wire: work finally starts this week on architect Denton Corker Marshall’s design for a new visitor centre at Stonehenge, a prehistoric stone circle in England, after years of wrangling and delay, English Heritage has announced (+ slideshow).

Stonehenge Visitor Centre by Denton Corker Marshall

In 2009 the Australian architecture firm won a competition to replace existing facilities branded “a national disgrace”, but plans were ditched the following year by the incoming government.

Stonehenge Visitor Centre by Denton Corker Marshall

The design, which was the latest in a string of proposals dating back to 2003 for the World Heritage Site, was later rescued by funding from the Heritage Lottery Fund.

Stonehenge Visitor Centre by Denton Corker Marshall

As well as a low-key visitor building, the £27 million project involves the closure and grassing over of the A344 road that runs alongside the monument and the removal of the existing car park, underpass, toilets and other facilities.

Stonehenge Visitor Centre by Denton Corker Marshall

The visitor centre will be constructed away from the stones, with visitors reaching the monument on foot or by shuttle.

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China Bridge by Denton Corker Marshall

China Bridge by Denton Corker Marshall

Architects Denton Corker Marshall designed this spaghetti-like bridge for Hangzhou in China. Unfortunately the competition it was shortlisted for has now been cancelled.

China Bridge by Denton Corker Marshall

The 500 metre-long bridge would have comprised three entwined metal ribbons, winding across the Jinsha Lake.

China Bridge by Denton Corker Marshall

The route for cyclists would be level, while the pedestrian bridge would climb up to a viewing platform.

China Bridge by Denton Corker Marshall

A third, sculptural ribbon would weave around the two.

China Bridge by Denton Corker Marshall

Zaha Hadid Architects and Grimshaw Architects were also shortlisted in the abandoned competition.

China Bridge by Denton Corker Marshall

Denton Corker Marshall previously won a competition to design a bridge in Auckland, New Zealand, which has been delayed and won’t complete until 2016  – see the project on Dezeen here.

China Bridge by Denton Corker Marshall

We’ve published a few loopy bridges for China on Dezeen – see a foot bridge for Xinjin here and another called Pearl River Necklace by NL Architects here.

China Bridge by Denton Corker Marshall

Stories about bridges are always popular on Dezeen – see them all here.

Here are some more details about the project from the architects:


China bridge, international competition abandoned

A limited international design competition, for which Denton Corker Marshall was shortlisted, has been abandoned. Also shortlisted for the 400m-long pedestrian bridge at Jinsha Lake, Hangzhou, were Zaha Hadid and Grimshaw.

Denton Corker Marshall’s sculptural solution is a modern and energetic interpretation of the traditional local culture. Sinuous and dynamic, it responds to the requirement for a bold and distinctive icon. The thin profile of a long, non-vehicle bridge risks appearing insubstantial. Rising elegantly above the skyline, Denton Corker Marshall’s solution attains a signature presence amid the modern building scale of New Hangzhou.

China Bridge by Denton Corker Marshall

The architects teamed with Arup to develop the concept, described by director Neil Bourne as “truly memorable and distinctive”. Three ribbon elements – the lower deck, upper deck and arched support structure – combine into an integrated object, in harmony both structurally and visually.

“It’s a powerful concept offering numerous interpretations: ribbons, dragons, landscape, calligraphy or simply abstract sculpture,” said Mr Bourne.

China Bridge by Denton Corker Marshall

Importantly, the concept is very buildable using standard construction techniques, and structurally very efficient for its geometric complexity. It was on the acclaimed Webb Bridge scheme more than 10 years ago that Denton Corker Marshall and Arup pioneered the use of 3D CAD modelling and design in geometrically challenging bridge design.

Arup’s John Bahoric says the development and intelligent use of a digital model for Jinsha Lake Bridge has created a powerful tool for efficient delivery of the project, and which has been fundamental to the achievement of the design. Denton Corker Marshall understands that the competition organisers will now conduct a local design competition.


See also:

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Nanhe River Landscape Bridge by WXY Pearl River Necklace
by NL Architects
Melkwegbridge by NEXT
and Rietveld Landscape