East London House by David Mikhail Architects

London studio David Mikhail Architects has renovated a nineteenth-century house in London and added a glazed kitchen and dining room at the rear (+ slideshow).

East London House by David Mikhail Architects

Recent additions and extra staircases were removed to make room for the new rear extension: a larch-framed glass box that stretches along the rear elevation to create an open-plan kitchen and dining room at the lowest ground floor level. This room is double-height on one side to accommodate a staircase and mezzanine library.

East London House by David Mikhail Architects

As well as using Siberian larch, the architects specified pale brickwork for both interior and exterior walls. Doors and windows are framed by chunky timber surrounds, while balustrades are made from bronze.

East London House by David Mikhail Architects

“These materials were all chosen to provide texture and scale and to achieve a domestic intimacy, which can so easily be lost with the tendency towards abstract planes and surfaces,” David Mikhail told Dezeen. “They also need to mediate between both the feel and the construction of the new and the older parts of the house, the inside and the outside.”

East London House by David Mikhail Architects

Other additions include a pivoting wall, which links the study with a billiard room, and a new landscaped garden comprising tiered patios and built-up planting areas.

East London House by David Mikhail Architects

The house was first constructed in the 1830s at three times the width of most London terraces, resulting in a later conversion into three separate residences. David Mikhail Architects’ job was to restore the original logic of the building so that it could again be used as a single family home.

East London House by David Mikhail Architects

The architects tracked down early photographs of the building and consulted other architects that had worked on the property in the 1980s to piece together plans of the original design and layout.

East London House by David Mikhail Architects

In front of the library is the original grand staircase, which winds up between the upper ground floor and first floor of the house. Previously there were no corridors beside this stair, but now residents can walk around it to reach the new rooms beyond.

East London House by David Mikhail Architects

One of these corridors leads through to a study in the north-east corner of the building. The architects extended this space to add an extra metre in length, creating a top-lit window seat beneath a large skylight. This extension also increased the size of a living room underneath.

East London House by David Mikhail Architects

“Our philosophy was to give the building back its dignity as a single house, and to be mindful of the likely original plan form,” David Mikhail told Dezeen. “But to combine original features with modern details is a question of both philosophy and detail; it needs an absorption in both to work.”

East London House by David Mikhail Architects

David Mikhail launched his studio in 1992. Other residential projects in London by the practice include a set of houses with triangular skylights and an extension that is just one metre wide.

East London House by David Mikhail Architects

See more residential extensions on Dezeen, including a barrel-vaulted addition to a farmhouse.

East London House by David Mikhail Architects

Photography is by Tim Crocker.

East London House by David Mikhail Architects

Here’s some more information from David Mikhail Architects:


East London House

Introduction

The East London House is the principle house of a picturesque development built in the 1830s and Grade 2 Listed. At 16m, it is the width of three typical London houses. The original house had been subdivided into three units, with an uneasy relationship to the garden. A glass conservatory to the rear gave the only rear access via an internal spiral staircase. These multiple alterations over time changed what was once a grand home into a jumble of dark, disconnected rooms, with no meaningful access to the large garden.

East London House by David Mikhail Architects

Client brief

This was to re-establish the elegance of the original, whilst removing the feeling of their being separate dwellings. At the same time, to inject a fresh, modern feel, maximising natural light and harnessing the potential of a large rear garden. The clients have children and other family members often stay. They had several ideas about how the house could function, but guidance was sought on how to connect the various levels and to make sense of the warren of rooms and staircases.

East London House by David Mikhail Architects

Spatial Strategies

Spatial remodelling has focused on the rear, the basement and the attic. The garden has also been designed by David Mikhail Architects (with planting by Jane Brockbank) and is the other major addition to the building. Much of the remainder of the work was about meticulously restoring the original, with recent works such as staircases and extensions removed. Upper ground and first floors were refurbished to respect the original. For example, one wall has been rebuilt on the upper ground floor to concord with the original plan form, making resultantly smaller, but more usable rooms. (Study/Billiards rooms). The basement and rear garden were excavated to give level access and a sense of openness to the landscape while the gentle terracing of the garden avoids the sense of being underground. The garden forms two spaces, a formal walled garden with water features and raised beds, and beyond it a rougher area for play, with garden sheds and turf.

East London House by David Mikhail Architects

Upon entering the house the original sweeping staircase is now presented in its original form, with the entrance hallway fully restored. Originally there were no views through beyond the stair, and no real connection to the garden, but now the stair hall is a prelude to the main event. Moving forward either side of the stair, you pass through the rear wall of the main house into a naturally lit double-height library with views to the garden and a bronze staircase down to the dining area. We were keen that this journey from the old to the new was explicitly experienced. The extension itself is a modern open-plan kitchen and dining space giving full views of the garden, with the junction between old and new highlighted through the use of linear flat roof lights.

East London House by David Mikhail Architects

Planning constraints

Although many original-styled features were present, some were later additions. Unfortunately, many records had been lost. We tracked down the local architects that had worked on the terrace in the 1980s and also used images from the Metropolitan Archive. We were able to use their records to form an understanding of where original details lay, and presented this knowledge to planners in the form of a room-by-room analysis. The extension was designed to clearly differentiate the new from the old, making our own works legible in the future. Even so, the design challenge of such a strategy is to do so in a way that resonates with the scale and sensibility of the original.

East London House by David Mikhail Architects

Materials and construction

The rear-half of the basement and rear garden was excavated and underpinned to increase head height and accessibility. The extension is a predominately timber and steel structure. Where two-storey, steel gives way to posts and beams of laminated Larch, forming a timber portal frame. The engineering required to achieve such a thin library floor was challenging.

East London House by David Mikhail Architects

All the timber used in the project is a white-oiled Siberian Larch, including the bespoke sliding doors designed by the architects, the floors the joinery and the external cladding. A white brick with light-grey lime mortar is used inside and out. Metalwork and ironmongery is bronze. A specialist precision metalwork company, where joints are glued rather than welded, constructed the fine bronze stair.

East London House by David Mikhail Architects

Above: basement floor plan – click for larger image

East London House by David Mikhail Architects

Above: ground floor plan – click for larger image

East London House by David Mikhail Architects

Above: first floor plan – click for larger image

East London House by David Mikhail Architects

Above: second floor plan – click for larger image

East London House by David Mikhail Architects

Above: third floor plan – click for larger image

East London House by David Mikhail Architects

Above: cross-section – click for larger image

East London House by David Mikhail Architects

Above: rear elevation – click for larger image

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David Mikhail Architects
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Church Walk by David Mikhail and Annalie Riches

Church Walk by David Mikhail and Annalie Riches

Triangular roof lights step up the side of this terrace of houses built on a former industrial site in north London.

Church Walk by David Mikhail and Annalie Riches

Architects David Mikail and Annalie Riches designed and live in the building, which has stepped and angled roofs to prevent blocking the light of other residences close by.

Church Walk by David Mikhail and Annalie Riches

“Roofs have been shaved and angled to avoid injuring the light and amenity to the rear, and in particular the ground floor windows of the closest neighbours,” Mikhail told Dezeen.

Church Walk by David Mikhail and Annalie Riches

Siberian larch clads the top storey of each unit and wraps around to cover the back of the building, while the facade along the street is predominantly brick.

Church Walk by David Mikhail and Annalie Riches

A two-storey residence occupies the two floors at the south end of the scheme, while another sits above a ground floor flat to the north and a three-storey property is sandwiched in the middle.

Church Walk by David Mikhail and Annalie Riches

The stepped volume creates balconies on each level and a series of gardens at the back of the building can be accessed from any of the ground-floor homes.

Church Walk by David Mikhail and Annalie Riches

Douglas fir is used for skirting, panelling and flooring inside the house.

Church Walk by David Mikhail and Annalie Riches

External balustrades and the sliding front doors are made from aluminium mesh coated in anodised bronze, the same finish applied to the windows.

Church Walk by David Mikhail and Annalie Riches

The architects ran into problems when they found a well hidden on site. ”We discovered an absolutely beautiful brick-lined well after we started digging,” explained Mikhail.

Church Walk by David Mikhail and Annalie Riches

“We would have glazed it over and made it visible, but unfortunately it sat directly between 151A and 151B. Instead, we bridged over it in reinforced concrete but not before inserting an aluminum rectangular hollow section down into the well and directly between the party walls. It’s now visible as a metal slot in the brickwork at about 600mm off the pavement – a secret wishing well!” he continued.

Church Walk by David Mikhail and Annalie Riches

Church Walk is named after the street it is located on, which is one of oldest streets in Stoke Newington, north London, just a stone’s throw from Dezeen’s offices.

Church Walk by David Mikhail and Annalie Riches

David Mikhail Architects won the New London Architecture’s Don’t Move, Improve! competition with a project that extended a London terraced house by just one metre.

Church Walk by David Mikhail and Annalie Riches

See all our stories about housing »

Church Walk by David Mikhail and Annalie Riches

Photography is by Tim Crocker.

David Mikhail Architects sent us the information below:


Architects David Mikhail and Annalie Riches have just completed their own development in North London, and comprises two houses and two apartments on a tight urban site. The project is a detailed response to themes of density, overlooking and overshadowing, problems often found in urban housing.

Church Walk by David Mikhail and Annalie Riches

Originally a stroll between the churches of Clissold Park and Newington green, Church Walk is now truncated by the Stoke Newington School, and ends abruptly at the schools service entrance. But along the way, up from Newington Green, it is hugely varied, with some notable one-off houses, semi industrial buildings, a much-tendered communal allotment, 19th century flats and post war deck access housing.

Church Walk by David Mikhail and Annalie Riches

The architects purchased the site at auction, which had a planning permission for two flats and a bungalow, both designed and financed the scheme, and are now living in one of the 4 units. The site is approximately 21m x 11m and roughly rectangular. Significantly overlooked at the rear, it is also overshadowed for much of the afternoon. At the southwest end, the site boundary comes to within 2 meters of neighbour’s living room windows. In this very challenging context, the scheme sought to carve out memorable housing at a high density, whilst managing to remain neighbourly and to enhance the street.

Church Walk by David Mikhail and Annalie Riches

Within the four units, various types of accommodation are provided. A two-storey house entered via a small private courtyard sits at the southern end. In the middle of the terrace is a house over three floors with bedrooms on the ground floor, living rooms on the first floor and a study with roof terrace on the second floor. At the northern end is a one bedroom flat with a rear garden, and above it a four-storey apartment. Each property has its own entrance from the street.

Church Walk by David Mikhail and Annalie Riches

Above: site location plan

The building form has been closely calibrated using the BRE Guide to Sunlight and Daylight. Roofs have been shaved and angled to avoid injuring the light and amenity to the rear, and in particular the ground floor windows of the closest neighbours.

Above: ground floor plan – click for larger image

A ‘concertina’ arrangement of angled walls to the back means that no windows overlook or are overlooked by the wall of neighbouring windows (8-12 Clissold Road), since this building is at 45 degrees to Church Walk. Along the street, south facing terraces and wildflower garden roofs step up in a ziggurat form to give an animated and unexpectedly verdant streetscape. Living rooms, roof terraces and bedrooms address the street, providing much needed natural surveillance and security to an area of Church Walk that had witnessed consistent anti-social behaviour.

Church Walk by David Mikhail and Annalie Riches

Above: first floor plan – click for larger image

 

Materials are intentionally taken from a limited palette, with white oiled Siberian larch, arranged board over board giving a ‘corduroy’ effect, a light buff coloured brick set in a flush white lime mortar giving an homogenous ‘cast’ feel to the street facade, recalling the ubiquitous London stock brickwork of Georgian London, and a large gauge expanded aluminum mesh, finished like the windows in anodized bronze; individually robust materials, but which together with the wildflower roofs, seek to achieve a new delicacy and lightness.

Church Walk by David Mikhail and Annalie Riches

Above: second floor plan – click for larger image

 

At the rear, brick gives way to a much softer and lighter feel, with whitened Siberian Larch taken right down to low brick plinth walls. As well as giving good levels of reflected light to the Clissold Road flats, it was also chosen over the original zinc for both its acoustic and perceptual softness. Triangular roof lights at ground level use opaque white glass to maintain privacy from the potential gaze of the flats whilst providing good light levels, and dramatic interiors. The raked slopes of these ground floor roof lights are calibrated to minimise any possible sense of bulk to each of the 151 Church Walk neighbours. Since the photographs were taken, the gardens have been planted and bespoke hazel wood hurdles have been suspended between the three separate gardens, giving a textured enclosure to each property.

Church Walk by David Mikhail and Annalie Riches

Above: third floor plan – click for larger image

 

There are a variety of outdoor spaces. In addition to brick lined courtyard gardens at the rear, three 10m2 terraces orient south and provide an elevated place to enjoy the wider views back to the City of London and the best sunlight.

Church Walk by David Mikhail and Annalie Riches

Above: roof plan – click for larger image

House 151A is entered via a small courtyard garden off of the street, its entrance gate the first in a series of expanded aluminium sliding gates, bin and meter store doors, and balustrades. House 151B and flat 151C have sliding mesh security screens in front of external lobbies, with glazed doors and bedroom windows behind. These coordinate with bespoke letterboxes that are key operated from inside the lobby, LED illuminated street numbers and entry phones. The front door to 151D is directly off the street, into its own staircase hall, from which you rise 4 storeys to the top floor study / bedroom and roof terrace. Whilst 151A is more horizontally arranged, 151D has a vertical emphasis. It also enjoys a north facing roof terrace at the living floor level, which in the summer gets end of day sun.

Church Walk by David Mikhail and Annalie Riches

 

Internally the theme of whitened wood and muted shades continues. Douglas fir, either white oiled (joinery) or soaped with a white lye stain (floors) is used throughout. Instead of the usual shadow-gaps and minimal detailing, here a more robust, traditional architectural language is used, which was considered more suitable for a development; architraves, lined window reveals and internal sills, tall skirting boards and solid wide plank floors, staircases and joinery; one species of wood, and all prepared in the joinery shop of the builders, Eurobuild Contractors Limited.

Church Walk by David Mikhail and Annalie Riches

Above: east elevation – click for larger image

Due to the complex section and the pressure to retain good light levels to others, many of the principle rooms on the street side have relatively low ceiling heights at 2.1m, opening onto the more generous 4.5m vaulted ceilings over kitchens and dining rooms. Even so, full height doors and generously tall skirting are designed to accentuate this lower nature. Like the brickwork, the skirting brings to mind 18/19th century housing. Each room’s skirting is a different height to negotiate the particular features or connections of a room. For example in the living rooms they are at their most luxurious, coordinating with the 425mm high Douglas fir window seat sills. In bedrooms they line with thresholds to roof terraces, at 280mm.

Church Walk by David Mikhail and Annalie Riches

Above: west elevation – click for larger image

At the heart of each of the three larger dwellings is a double height kitchen / dining room. In 151B and D, these identical spaces are lent drama by Douglas Fir staircases sitting over integrated kitchen storage going up to the top floor room, with full height windows looking northeast, and with the spectacular triangular roof lights which are visible from the street, sitting directly over the kitchen. Similar themes can be seen in the layout of 151A. Construction is of simple load bearing concrete block and timber floors and roofs with the minimum use of steel beams for the wider spans.

Church Walk by David Mikhail and Annalie Riches

Above: long section – click for larger image

It has low temperature water under floor heating, using condensing gas boilers. This combined with whole house ventilation with heat recovery and good levels of airtightness (3m3) ensure both low fuel bills and a well-tempered internal environment winter and summer. Almost all the lighting is LED. Bricks in lime mortar will be re-usable in the future. The wildflower roofs help to mitigate the loss of insect and plant life that was found when the site was abandoned.

Given the context this site could have resulted in an introspective solution. Instead David Mikhail and Annalie Riches have achieved something far richer, inside and out. With its multiple levels, its terracing and its stepped garden roofs, this housing terrace manages to engage with its location in a way that makes a significant contribution to this part of the London.

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and Annalie Riches
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Hoxton House by David Mikhail Architects

Hoxton House by David Mikhail Architects

David Mikhail Architects won the New London Architecture‘s Don’t Move, Improve! competition with this project extending a London terraced house by just one metre.

Hoxton House by David Mikhail Architects

Called Hoxton House, the project involved reconfiguring the interior and connecting it to the small courtyard garden through the addition of a glazed facade with timber frame.

Hoxton House by David Mikhail Architects

Part of the living room floor was removed at the rear of the house to create a double-height kitchen and dining area in the basement.

Hoxton House by David Mikhail Architects

See more stories about residential extensions on Dezeen »

Here are some more details from David Mikhail Architects:


An extension of only one metre combined with a reworking of the interior, has transformed this Victorian house. A two-storey cruciform façade is engineered from timber (Douglas fir) and structurally bonded double-glazing.

Hoxton House by David Mikhail Architects

A white kitchen and concrete floor are offset with natural materials and warm brick hues in the small courtyard.

Hoxton House by David Mikhail Architects

Like our ‘Square House’ in Camden, this property had a multitude of small rooms, and the architectural organisation is very similar, only on a smaller scale. A tiny kitchen sat underground in the semi basement, with a head height of only 2m.

Hoxton House by David Mikhail Architects

Above: front of the property

The garden was accessed from the half landing of a cramped servants staircase.

Hoxton House by David Mikhail Architects

Above: rear of the property before project began

Aims

Whilst modest in scale, we wanted to give the house a grander architectural order to complement the existing rooms. The clients are a young couple and they wanted a great place for eating or watching each other cook or chat. They felt it essential that the new room should be connected to the garden, even though it is small.

Hoxton House by David Mikhail Architects

Strategies

By taking away fabric as well as adding it, we have been able to carve out a set of new relationships. The house was extended to the rear by only one metre so as not to encroach too much on the rear garden, or to affect the neighbours. Even so, in such a small property this single move has revealed a new potential for how the house and its courtyard garden are experienced.

Hoxton House by David Mikhail Architects

We also removed part of the upper ground floor in two places; firstly to give access for a new stair at the front of the house, and secondly at the rear to give height to the basement. This provides a generous double height dining area and kitchen that connects directly to the garden. The vistas and drama that unfold within this small house, as you walk in directly off the street in Hoxton are a complete surprise.

Hoxton House by David Mikhail Architects

Material

A two-storey cruciform façade is engineered from timber (Douglas fir) and structurally bonded double-glazing. A white kitchen and concrete floor are offset with natural materials and warm brick hues in the small courtyard, which was also refashioned by the architects.

Hoxton House by David Mikhail Architects


See also:

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Extension by Anne Menke
and Winkens Architekten
Extension by
Ailtireacht Architects
Extension by
Neostudio Architekci