“Disbelief” over plans to remove crafts from UK creative industries

Glassblowing, photo by Shutterstock

News: government proposals to remove crafts from its list of recognised creative industries have triggered “disbelief” and “frustration” in the sector.

Industry body the Crafts Council said the announcement had been met with “incomprehension” by the country’s craftspeople.

“The response has been mostly a sense of disbelief and incomprehension,” said research and policy manager Julia Bennett, pointing to the dozens of messages left on the organisation’s Facebook page today.

“There’s a lot of frustration, a sense of feeling undervalued and a fear that this will make people invisible.”

As reported yesterday, the proposed change is part of a review of the UK’s creative industries set out in a consultation paper released by the Department for Culture, Media and Sport (DCMS) earlier this week, which stated that craft occupations are largely “concerned with the manufacturing process, rather than the creative process.”

“I am so frustrated by this,” said crafts blogger Jen Smith of The Make Box. “The craft industry is booming right now and should be wholeheartedly supported by our government.”

Commenters on the Craft Council’s Facebook page said the decision revealed “a total lack of respect and understanding [of] the craft process” and was “obviously made by people that shuffle bits of paper around and have never created a thing in their lifetime.”

Dezeen commenters also branded the move “saddening” and “a symptom of myopic thinking.”

The decision to remove crafts from the list of creative industries seemed to be a reaction to the difficulties of gathering economic data on the sector, Bennett told Dezeen.

“The reason I think that [the government] is going down this route is that it’s challenging to come up with a methodology for measuring craft. We are working with DCMS and would welcome their investment in a methodology that would actually count craft,” she said.

In a blog post earlier this week, the Crafts Council said it was “disappointed” at the government’s proposals, adding that the methods of data collection and classification used by the DCMS did not present an accurate picture of the UK’s craft sector.

According to the council, nearly 90% of makers in the sector are the sole employee of their company, and many of them have an annual turnover of less than the VAT threshold of £79,000.

“If a sole trader falls below the VAT threshold, then because the government chooses not to gather business data below that level, they become invisible,” said Bennett, who argued that relegating crafts from creative industries would obscure the sector’s economic value and make it increasingly difficult for makers to obtain funding and support.

“We provide a lot of programmes at the Crafts Council to help people’s businesses grow. To get funding for things like that, we need to be able to say how many businesses we’re contributing to and what the scale of the sector is.

“We estimate in the UK there’s over 23,000 craft businesses with a gross value added of £220 million in 2011. It’s not as big as some other parts of the creative industries, but nevertheless it’s a substantial bit of business that’s not being made visible, not counted,” she said.

The proposed changes are intended to update the government’s 1998 Creative Industries Mapping Documents, one of the first attempts to quantify the value of creative businesses to the economy.

Consultation on the revised classifications closes on 14 June 2013. Details of how to respond can be found here.

Photograph is by Shutterstock.

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Power of Making at the V&A

Dezeen_Power of Making1

Cakes decorated like creepily realistic babies and pencils with the alphabet painstakingly carved into their tips are among the exhibits at power of Making, which opened at the Victoria & Albert Museum in London yesterday. 

Power of Making at the V&A

Top: Alphabet by Dalton Ghetti, 1990-2005 © Sloan T. Howard Photography
Above: Sculpted baby cake by Michelle Wibowo, 2006, © Michelle Sugar Art

Organised in collaboration with the Crafts Council and curated by Daniel Charny, the show also includes work by Thomas Heatherwick and shoe designer Marloes ten Bhömer.

Power of Making at the V&A

Above: Crochetdermy Bear by Shauna Richardson, 2007, © Shauna Richardson

Over 100 hand-made curiosities on show range from surgical equipment to musical instruments to art objects.

Power of Making at the V&A

Above: Rotationalmouldedshoe by Marloes ten Bhömer, 2009, © Marloes ten Bhömer

Read Alastair Sooke’s review of the exhibition in our Dezeen Wire story.

Power of Making at the V&A

Above: Blonde Lips headpiece by Charlie Le Mindu, 2009, © Manu Valcarce

The exhibition runs until 2 January 2012.

Power of Making at the V&A

Above: Anemone trilby hat by Sylvia Fletcher, James Lock & Co. Ltd, 2010-11, © James Lock & Co. Ltd

Here are some more details from the V&A:


Power of Making
A V&A and Crafts Council exhibition
6 September 2011 – 2 January 2012

This autumn, the V&A and Crafts Council will celebrate the role of making in our lives by presenting an eclectic selection of over 100 exquisitely crafted objects, ranging from a life-size crochet bear to a ceramic eye patch, a fine metal flute to dry stone walling. Power of Making will be a cabinet of curiosities showing works by both amateurs and leading makers from around the world to present a snapshot of making in our time.

Power of Making at the V&A

Above: King Silver’ gorilla sculpture by David Mach RA, 2011, ©Private Collection, photographer Richard Riddick

The exhibition will showcase works made using a diverse range of skills and explore how materials can be used in imaginative and spectacular ways, whether for medical innovation, entertainment, social networking or artistic endeavour. Works on display will include moulded shoes by Marloes ten Bhömer, new Saville Row tailoring by Social Suicide, furniture such as a spun metal rotating chair by Thomas Heatherwick to individual handcrafted puppets from the 2009 film Fantastic Mr Fox, a six-necked guitar, bio-implant embroidering to aid surgical implants, a lion-shaped Ghanaian coffin, extreme cake decorations and new technologies such as 3D printing.

Power of Making at the V&A

Above: Urban picnic table by Gareth Neal, 2010, © Gareth Neal Ltd

Daniel Charny, who is curating the exhibition, said: “This exhibition will celebrate the importance of traditional and time-honoured ways of making but also highlight the extraordinary innovation taking place around the world. We aim to show how the act of making in its various forms, from human expression to practical problem solving, unites us globally. We hope the exhibition will inspire people and cause them to more thoughtfully consider the role of making in their lives, in their society, in commerce and in education.”

Power of Making at the V&A

Above: Widow dressmaker pin dress by Susie MacMurray, 2009, Loaned by Manchester Art Galleries, © Ben Blackall 2011

Rosy Greenlees, Executive Director, Crafts Council said: “The Crafts Council and V&A partnership is a very fruitful one, enabling the development of ambitious contemporary craft exhibitions that are seen by very significant audiences. Power of Making is our second partnership exhibition and will focus on the universality of making. Over 100 hand-made objects from around the world will reveal the ingenuity of makers and highlight the influence of craft skills in a multitude of settings and across many industries.”

Power of Making at the V&A

Above: Picking Daisies glass hand grenade by Layne Rowe, 2011, © Layne Rowe

There will be a recently completed work by David Mach, a giant gorilla created of metal coat hangers, which will stand in the V&A’s Grand Entrance, outside the Porter Gallery.

Power of Making at the V&A

Above: God Save the King, F*** Hitler by Major A. T. Casdagli RAOC, 1941, © Captain A. T. Casdagli

The exhibition will encourage visitors to consider the process of making, not just the results. There will be commissioned documentary footage filmed at individual maker’s studios and factories, to provide an insight into how the knowledge of making is preserved. These will include Watson Bros. Gunmakers, CPP car makers in Coventry, John Lobb shoemakers and Moorfield Hospital’s prosthetic eye maker. There will also be a dedicated ‘Tinker Space’ for demonstrations and a wide programme of activities for visitors.

Power of Making at the V&A

Above: a Prosthetic Suit for Stephen Hawking with Japanese Steel by Michael Rea, 2007, © Contemporary Art Museum Virginia Beach

People from around the world will be invited to upload short films about making to a dedicated open submission website and a selection of the best entries will be continually screened in the exhibitions making area.

Power of Making at the V&A

Above: Miniature die cast ‘Chevy Van’ by Kevin Cyr, 2010, ©Kevin Cyr

Power of Making comes at a time when the loss of skill is threatening cultural practice and impacting on commercial industries. However, there is also a resurgence of making currently taking place as a means of self expression, social participation and cultural definition. The exhibition will examine and celebrate the expertise, knowledge and innovation demonstrated in objects, supporting the importance of traditional making skills and the drive towards new ways of working.

Power of Making is the second exhibition in the V&A/Crafts Council partnership.

6 September 2011 – 2 January 2012 in the Porter Gallery
Open daily 10.00 – 17.45 and until 22.00 every Friday


See also:

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Akio Hirata’s Exhibition of Hats by NendoA Flip Flop Story by Diederik SchneemannBlaue Blume by
Undergrowth Design