Marcel Wanders on Drawing in His Head, Creating an Environment of Love, and Why Procrastination Equals Suffering

MarcelWanders-QA-1Marcel Wanders and his new Dalia armchair for Cappellini. Portrait by Erwin Olaf.

This is the fourth installment of our Core77 Questionnaire. We’ll be posting a new interview every other Tuesday.

Name: Marcel Wanders

Occupation: Designer of the new age

Location: I am working and living in Amsterdam.

Current projects: We always work on about 50 projects, so it’s difficult to say which I’m working on. I’m working on a large study for a musician. I’m working on products for Moooi. I’m working on lighting pieces for Flos. And so on and so on.

Mission: I’m here to create an environment of love, live with passion, and make my most exciting dreams come true.

MarcelWanders-QA-5Wanders’s new Cloud sofa for Moooi, where he is the art director

When did you decide that you wanted to be a designer? I was about 17. Someone told me there’s something like design. I had no idea. But then when I got to understand what it was about, I felt that it was so incredible and so wonderful and such important work. And I really gave my life to that.

Education: First I went to the Design Academy Eindhoven. And after nine months they kicked me out of school. So I went to another school which was way more craft oriented. Then, simultaneously, I started to study at a school which was really industrial oriented. And then, when I stopped with both of these schools, I finished my schooling in Arnhem at the Institute of the Arts.

First design job: While I was studying, I did quite a few projects already. But my first real job after I finished school was a project I did for the Dutch post office. I made a series of desk lamps.

Who is your design hero? I think there are quite a lot of heroes in my life, because there are so many people I learned different things from. There’s not one who stands out. But you do see people who are above the rest, because they are able to really change the field, to change how all of us think about design. Philippe Stark is one of them, Gehry is one of them, Koolhaas is one of them. Certainly there are a great deal of others.

MarcelWanders-QA-2Above and below: Wanders’s studio in Amsterdam

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Ayse Birsel on Designing in Three Dimensions, Rethinking Modern Living, and Why Creativity and Money Don’t Always Mix

AyseBirsel-QA-2.jpgAyse Birsel in her studio. Photo by Hello Design.

This is the third installment of our Core77 Questionnaire. We’ll be posting a new interview every other Tuesday.

Name: Ayse Birsel

Occupation: Chief De:Re Officer at Birsel + Seck. My occupation is product designer, but my design process is deconstruction and reconstruction. So I declared myself Chief De:Re Officer a while back.

Location: New York City, Istanbul and Dakar. Our office is in New York, and the majority of our clients are in the states. But we also have clients in Istanbul, and then Dakar is really my partner, Bibi Seck’s, specialty.

Current projects: At NeoCon, I had a collection with FilzFelt, a company that makes beautiful felt products. Most of their focus is custom felt products, and they asked me to make some ready-mades for them, including screens, rugs and tabletop products.

We have a project for the Herman Miller Collection, but I can’t say more than that. We’ve been working with Toyota, deconstructing and reconstructing driving around some of their current segments. For Bridgestone Turkey, we’re developing an innovation culture for them, from the ground up.

I also teach at the Products of Design program at the School of Visual Arts, and I’ve launched a workshop, Design the Life You Love, which I continue to do. Then we do Design the Work You Love with corporate clients, and I’m also working on the Design the Life You Love book.

Mission: Think differently and design the life you love.

AyseBirsel-QA-1.jpgPhoto by Hello Design

When did you decide that you wanted to be a designer? I thought that I was going to become an architect, and then a family friend came to tea and told me about product design, using a teacup as an example. It changed my life. I fell in love with the humanness of product design and decided to become a designer.

Education: I studied product design at Middle East Technical University, in Turkey, and then came to Pratt Institute to do my graduate studies, also in product design.

First design job: Bruce Hannah was the chair of the product-design department at Pratt and my thesis advisor. As I was graduating, he offered for me to collaborate with him on this new project that he was working on, which was office accessories for Knoll. And when the product came out as Knoll Orchestra, they gave me credit with him. So that was my first design job.

Who is your design hero? Rowena Reed Kostellow. She was my teacher at Pratt. She was 80-plus years old when I met her, and she became my teacher and then my friend and my hero. She was the co-founder of this methodology of three-dimensional visual thinking—she taught you how to create something beautiful, dynamic, and well balanced in three dimensions, just like you would create a beautiful piece of music. It’s one of the key building blocks of design education at Pratt to this day.

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Paul Loebach on Improving Society, Trying Not to Procrastinate, and the Importance of Patience in Design

PaulLoebach-Core77Questionnaire-1.jpgLoebach and some “failed experiments” in his Brooklyn studio

This is the second installment of our Core77 Questionnaire. We’ll be posting a new interview every other Tuesday.

Name: Paul Loebach

Occupation: I’m a furniture and product designer.

Location: Brooklyn

Current projects: I’m just finishing up a watering can design I did for an American brand called Kontextür, and I’m working on some new lighting with the American company Roll & Hill. And there are always a couple confidential new projects in the works.

Mission: My philosophy as a designer is to improve the lives of society as a whole by bringing value and meaning to the objects that inhabit our material world.

PaulLoebach-Core77Questionnaire-2.jpgThe X3 Watering Can‘s handle and pour spout are a single metal tube, bent three times.

When did you decide that you wanted to be a designer? When I was really young. I remember playing with my toys and thinking about ways that they could be improved and wanting to redesign them. Eventually that evolved into my awareness of the field of industrial design.

Education: I went to Rhode Island School of Design, studying industrial design. Graduated in 2002.

First design job: Right after I graduated, I moved to New York City to do an apprenticeship for a furniture designer named John Davies. Basically I did full-scale drawings of wood furniture under his guidance. I did that for a year, at which point I branched off and started my own design business.

Who is your design hero? I don’t know if I have any one particular hero. Anytime I open up a design book or magazine, I just have respect for all those people that have made their mark in that way, because I know how much effort, thoughtfulness, patience, and stamina it takes to get there. So the people that are out there doing it and making it happen in general are my design heroes.

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Microsoft’s Ralf Groene on Building the Surface Experience, Stepping Away from the Canvas, and the Joy of Fast-and-Crappy Prototypes

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This is the first installment of our new Core77 Questionnaire. We’ll be posting a new interview every other Tuesday.

Name: Ralf Groene

Occupation: I’m an industrial designer by training, and in the Surface brand I’m the Director of Design, overseeing the industrial design and interaction design teams.

Location: Redmond, Washington

Current projects: I only have one project: Surface. But it of course has many, many facets.

Mission: To build the Surface experience and brand

RalfGroene-QA-2.jpgSurface prototypes

When did you decide that you wanted to be a designer? In 1989, when a friend told me that design is an occupation. I grew up in Wolfsburg, which is the German headquarters of Volkswagen. There I started to become a sheet-metal toolmaker. At some point, a friend told me that he was going to become a car designer. He showed me what design was about, and I immediately fell in love; I knew that this was what I had to do.

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