Core77 Design Awards 2013 Honorees: Social Impact, Part One

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Over the next few weeks we will be highlighting award-winning projects and ideas from this year’s Core77 Design Awards 2013. We will be featuring these projects by category, so stay tuned for your favorite categories of design! For full details on the project, jury commenting and more information about the awards program, go to Core77DesignAwards.com.


Professional Runner-Up

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  • Project Name: Clean Team
  • Designers: IDEO.org + Unilever and Water & Sanitation for the Urban Poor (WSUP)


Clean Team is an affordable in-home sanitation system in Ghana that offers residents an alternative to unsanitary public latrines. Essentially, a portable toilet is delivered to customer homes and serviced three times a week. Families pay on an incremental basis.

– How did you learn that you had been recognized by the jury?

Clean Team was notified that we had been recognized for the Core77 Design Awards from IDEO.org’s marketing and communications team.

– What’s the latest news or development with your project?

Clean Team is rapidly scaling in Kumasi since the end of the pilot, with another 120 new Clean Team toilets installed just in the past month of July. The business has recently received a shipment of 1,000 new toilets and plans to have at least 1,000 total installed in homes by the end of the year, reaching out and providing improved sanitation solutions to over 7,000 Ghanaians. With scale, Clean Team is proud to maintain a positive customer experience. In the words of one of our clients: “Clean Team is hygienic, ensures privacy, safe and has provided me something to be boastful about as these days it is the only predictable and dependable service I get.”

– What is one quick anecdote about your project?

When it came for prototyping, the IDEO.org design team arrived in Kumasi to test four toilet prototypes. Industrial designer, Danny Alexander, explains that “one of our concepts going into prototyping was a water flush toilet, similar to a high-end camping toilet. It had been the clear favorite in the drawings we shared earlier in the process. When we brought prototypes to the field, though, we realized very quickly that water flush toilets would do more harm than good.”

After leaving water-flush and non-flush toilet prototypes in user’s homes for a few nights, the team returned to check on the toilets. “All the water-flush toilets had overflowed–what a disaster!” Between that, the complexity of use, the lower capacity of the tank, and the need to use expensive water to flush their waste, users of water-flush toilets unanimously rejected them. Everyone wanted the simplicity of non-flush toilets. Had we not physically tested the toilet prototypes with users, though, we would have thought water-flush toilets were the answer!

– What was an “a-ha” moment from this project?

During the design process, WSUP, Unilever, and IDEO.org were driven by the fundamental belief that every family deserves a toilet. This project was as much about providing dignity as it was about providing clean sanitation for our clients. So one of our biggest a-ha moments came when thinking about our branding and business design strategy. Seeing as our product provided dignity for families, our brand had to follow suit. For this reason, Clean Team’s business design was heavily structured around the strength of its service—following through with promises in a professional manner and making people the cornerstone of the design. To achieve this, we found that an important part of business development would entail Clean Team making an often stigmatized and undesirable job into an esteemed profession.

View the full project here.

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Core77 Design Awards 2013 Honorees: Interiors & Exhibitions, Part Two

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Over the next few weeks we will be highlighting award-winning projects and ideas from this year’s Core77 Design Awards 2013. We will be featuring these projects by category, so stay tuned for your favorite categories of design! For full details on the project, jury commenting and more information about the awards program, go to Core77DesignAwards.com.


Professional Runner-Up

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  • Project Name: NUBE-PET
  • Designers: NUBE-PET: Jose Arturo Revilla Perez


NUBE-PET is a cultural project that proposes the re-incorporation of waste material into structures with architectural potential. It is a collective initiative aiming to generate alternative forms of public spaces.

Capitalizing on horizontal communication systems and social networks, NUBE-PET seeks to generate ecological and urban awareness. Through the construction of a proto-architectural structure, this initiative seeks new environmental aesthetic horizons for the contemporary phenomena of urban recycling. A parametric PET (Polyethylene terephthalate) mantle transforms the space, changing its temperature, luminosity, colour, texture and dimension; inviting the visitors’ senses to form an active part of the space and its metabolism.

– How did you learn that you had been recognized by the jury?

Well, form the beginning we were carefully following the schedule published by the website and in Twitter.

– What’s the latest news or development with your project?

The project (NUBE-PET) has been storage to be recycled in to a hanging garden. We are also looking for other places to place the installation. We have also presented the initiative at the University of Kent, University of Houston, Centre for Canadian Architecture CCA, The Architectural Association and the University of Houston and Universidad de Los Andes.

– What is one quick anecdote about your project?

In a sense the whole project was a big anecdote, an event. Nevertheless the most important and surprising episode during the process was the interest that the installation brought. I’m referring to the different moments were the students and the institutions decided to participate and form part of a collective urban effort.

– What was an “a-ha” moment from this project?

I would say that the project had 2 great moments. The firestone was with out a doubt the moment of the opening where the public, collaborators and authorities had the opportunity to wonder around and experience the object in the space. The second a-ha moment happened when we realized the potential that design strategies have to engage the community and produce knowledge on the relation between architecture and the urban environment.

View the full project here.

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Core77 Design Awards 2013 Honorees: Interiors & Exhibitions, Part One

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Over the next few weeks we will be highlighting award-winning projects and ideas from this year’s Core77 Design Awards 2013. We will be featuring these projects by category, so stay tuned for your favorite categories of design! For full details on the project, jury commenting and more information about the awards program, go to Core77DesignAwards.com.


Student Winner

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  • Project Name: GRAVITY – The body in space / Inversion Glasses
  • Designers: Camille Dedieu, Jérémie Lasnier, Camille Seewer
  • HEAD – Genève / Geneva University of Arts & Design


The projects explores notions of gravity and its influence over space, over our perception of it and over the body itself. By offering a world where people are affected by multiple gravities, we expose new spatial possibilities and new ways of negotiating space.

The inversion glasses are a tool to navigate the inverted gravity experience re-orientating our point of view and spatial references.

– How did you learn that you had been recognized by the jury?

We received the congratulating e-mail at 3 in the morning, because of the time difference here in Geneva, Switzerland. At that moment, we were still working in order to finish our final degree projects. It was less than one week before our latest presentation, we were tired and exhausted. We had to read the email several times in order to fully understand what it was about. Was our project a runner up or the winner? This good news came to give us really strong motivation for the last stages to go!

Camille de Dieu and Jérémie Lasnier are now graduates from the Media Design Master, and Camille Seewer completed the Spaces and Communication Master, both orientations in HEAD-Genève / Geneva University of Arts & Design.

– What’s the latest news or development with your project?

For the moment, this project is not evolving anymore. It has been developed at a workshop led by El Ultimo Grito and Auger-Loizeau and was presented in the “Inverse Everything” exhibition for the Milan Design Week in 2012.

However, this exploration about the perception of space through the body was the starting point of other discoveries that we carried on with our master projects.

– What is one quick anecdote about your project?

During the exhibition, it was really funny to invite people to wear the Inversion Glasses. Everyone reacted in a different way. Some were really at ease, almost running, while others seemed drunk. Some were even lost and scared when they had to “climb the stairs,” referring to the orange path that modulated the ceiling. The most exciting moment was when we guided them to the entrance of the building, crossing from the interior to the exterior was like jumping into the void! Many people were scared of heights and did not even go out!

– What was an “a-ha” moment from this project?

We remember when we did our first prototype of the Inversion Glasses. The three of us already tested walking with them. We were pretty uncomfortable, walking slowly with our hands in front of us, scared of the different height changes of the door frames that looked like steps. Then, we showed them to Jimmy Loizeau. He put them on his head, and just ran in the corridor! We were terrified that he would fall and hurt himself, but he was just laughing so hard!

View the full project here.

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Core77 Design Awards 2013 Honorees: Packaging

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Over the next few weeks we will be highlighting award-winning projects and ideas from this year’s Core77 Design Awards 2013. We will be featuring these projects by category, so stay tuned for your favorite categories of design! For full details on the project, jury commenting and more information about the awards program, go to Core77DesignAwards.com.


Student Winner

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  • Project Name: Diageo Guinness Keg
  • Designers: Jonathan Doyle & Rebecca Mooney
  • National University of Ireland Maynooth


Diageo has used the same problematic system for storing draught beer for several decades. Our design project was to address the problems they are having with costs, maintenance and staff safety. We designed a one-trip keg that can be shipped from its filling point and then are recycled after the beer is consumed. The new Guinness Keg allows for injection moulding making it lighter and cheaper. Maintenance is no longer a factor as the keg is destroyed after use. The reduced capacity of 20 litres means that kegs will be changed faster reducing the chance of a bad pint.

– How did you learn that you had been recognized by the jury?

We watched the live feed but unfortunately had to switch it off for a class midway through so we had thought we had not won. During a quick break we went back to the video and saw our project in the thumbnails under the video. We were all excited to see that the project had been chosen as winner of the Student Packaging Design category as we are a new course with only two years graduated so far.

– What’s the latest news or development with your project?

We completed the project for college and now have continued to make boards and graphics for our college design show which was sadly cancelled. We are hoping to possibly hold our own event to showcase our work as well as our fellow classmates in Dublin soon.

– What is one quick anecdote about your project?

The project brief itself came from Diageo as they wanted a fresh student perspective on the problem of the current keg design. We went out to St. James Gate and pubs to discover and identify these problems. Through our design process we came up with our Diageo Guinness Keg. It is fully recyclable and addresses the problems of staff safety, beer quality, brand identity, ecology and much more.

– What was an “a-ha” moment from this project?

Our entire design process was built on an Oscar Wilde quote from the Ballad of Reading Gaol:

“Yet each man kills the thing he loves,
By each let this be heard,
Some do it with a bitter look,
Some with a flattering word,
The coward does it with a kiss,
The brave man with a sword!”

The existing keg design and our concepts were what we had to kill. We developed some concepts far into the process before leaving them and going back to another. So it is quite difficult to say where our “a-ha” moment was. It was a far more gradual and slow process to get to our final design.

View the full project here.

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Core77 Design Awards 2013 Honorees: Furniture & Lighting, Part Two

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Over the next few weeks we will be highlighting award-winning projects and ideas from this year’s Core77 Design Awards 2013. We will be featuring these projects by category, so stay tuned for your favorite categories of design! For full details on the project, jury commenting and more information about the awards program, go to Core77DesignAwards.com.


Professional Winner

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  • Project Name: M Lamp
  • Designers: David Irwin


The M lamp is a wireless task light that can be transported anywhere within the home, office and in between.

It stands at 9″, projects up to 3,000 lux of warm light from its movable head. This is approximately equivalent to a 40W incandescent bulb. In its standard mode the Lamp’s dimmable LED will emit 1,000 lux of light for more than 18 hours on a single charge. And in the case of a power outage, the M Lamp will automatically illuminate with enough power to light up a small room, making it a useful companion in times of need.

– How did you learn that you had been recognized by the jury?

It was a Friday afternoon in the studio with the announcement streaming live in the background. Needless to say not much work was done after hearing the verdict…

– What’s the latest news or development with your project?

The lamp is currently in the final stages of production and will be available from Juniper in October.

– What is one quick anecdote about your project?

Nothing really of note, apart from blowing a few fuses and taking a few electric shocks when I was making the first prototype.

– What was an “a-ha” moment from this project?

There hasn’t really been one defining moment, more a series of small ones. Discovering a new material or component that has solved a problem during the development process. It’s been a hard slog in terms of development but we know the hard work and patience will be worth it come October and receiving this award has really helped to keep the momentum going.

View the full project here.

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Core77 Design Awards 2013 Honorees: Furniture & Lighting, Part One

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Over the next few weeks we will be highlighting award-winning projects and ideas from this year’s Core77 Design Awards 2013. We will be featuring these projects by category, so stay tuned for your favorite categories of design! For full details on the project, jury commenting and more information about the awards program, go to Core77DesignAwards.com.


Student Runner-Up

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  • Project Name: Rocking Lump
  • Designers: Michael Neville
  • Cranbrook Academy of Art


The Rocking Lump is no ordinary cardboard chair. This project is my largest experiment with cardboard pulp to date. My goal was to create a chair that had a small ecological footprint and could double as both a rocking chair and an adult-sized rocking horse. This object is designed for enjoyment and play. Rocking Lump is designed for two primary sitting positions. In one, the user can lounge on the form, using the “handle” as a backrest. In the other position, the user rides the form as a rocking horse. Most importantly, this object showcases handmade construction.

– How did you learn that you had been recognized by the jury?

Honestly, I was alerted when my phone started vibrating. It woke me up! A few close friends were congratulating me about the award via text and Facebook. I really didn’t believe it until I logged into my email to find the official announcement. It was a huge surprise! It was even more pleasant to learn that Ryan Pieper, a classmate of mine, had also been awarded in the same category!

– What’s the latest news or development with your project?

I am continuing to work with paper pulp as a construction material for furniture making. However, the Rocking Lump is still the only adult-sized project with this material to date. I have been primarily producing child-sized rockers with the paper pulp. Conceptually, the link between the recyclable/biodegradable nature of the material and the short life span of a child’s toy is much stronger to me. I am essentially producing toys that can be conscientiously disposed of. I am continuing to experiment with the qualities of the paper pulp itself. I am currently researching and producing natural dyes to color and pattern the surface of the pieces. I am also researching paper “recipes” to realize greater tensile strength and aesthetic variation. Concerns over the paper pulp’s durability have led me to investigate natural finishes as well.

– What is one quick anecdote about your project?

The debut of the Rocking Lump was for my first-year review in February. This involves the Artists-In-Residence (AIRs) at Cranbrook visiting a curated space of yours to review and critique your work. It is a tense day, concluding weeks and weeks of work and anticipation. One of the AIRs silently walked about the room before sitting down in the Rocking Lump and commenced her critique of my work, all the while gently rocking back and forth and caressing its sides. At one point, the Academic Dean strolled though my review space and asked if he could ride it… times when you wish you had a camera!

– What was an “a-ha” moment from this project?

My “aha” moment came shortly after I saw the paper pulp crumble apart during construction. I begrudgingly began to rebuild the form, questioning my motives and worrying over the value of my time here in graduate school. Was the time this piece demanded worth it? What was this piece even intended to do? As I said in my original Q & A, the Rocking Lump was essentially a scaled up version of a smaller rocker I had previously produced. Beyond stretching the material limits of the paper pulp to achieve an adult-sized form, I was pretty clueless as to what my other goals for making it were. The “aha” came at this moment, when I fully realized the absurdity of what I was making and decided to embrace it. I remember it distinctly. I was making another batch of pulp (super labor-intensive) when it dawned on me that this project was about play to its core. The making was free play, formless and with little direction or aims. The outcome had little importance to me, its function various and loose. I went to sleep that night with a big smile on my face.

View the full project here.

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Core77 Design Awards 2013 Honorees: Food Design, Part Three

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Over the next few weeks we will be highlighting award-winning projects and ideas from this year’s Core77 Design Awards 2013. We will be featuring these projects by category, so stay tuned for your favorite categories of design! For full details on the project, jury commenting and more information about the awards program, go to Core77DesignAwards.com.


Professional Winner

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  • Project Name: New Earth MRE
  • Designer: Tattfoo Tan


New Earth MRE (Meals-Ready-to-Eat) is a dehydrated food for disaster preparation that was cook from raw ingredients saved from the food system due to their imperfection and odd shape.

– How did you learn that you had been recognized by the jury?

I learned about the result via email.

– What’s the latest news or development with your project?

New Earth MRE is part of the umbrella project of New Earth that look at our ecological issue in a more holistic perspective by unlocking consciousness of our being. Currently I’m working on New Earth Solitude Observation Station that was inspired by Buckminster Fuller’s Operating Manual for Spaceship Earth.

– What was an “a-ha” moment from this project?

Hurricane Sandy is a big a-ha moment for me, Staten Island was totally cut off and I was running low on food. Preparing resources in facing natural disaster is a must for everyone.

View the full project here.

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Core77 Design Awards 2013 Honorees: Food Design, Part Two

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Over the next few weeks we will be highlighting award-winning projects and ideas from this year’s Core77 Design Awards 2013. We will be featuring these projects by category, so stay tuned for your favorite categories of design! For full details on the project, jury commenting and more information about the awards program, go to Core77DesignAwards.com.


Professional Notable

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Project Name: Blendtec Stealth – Quiet + Smart in a Blender
Designers: Blendtec R&D Team

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The Blendtec Stealth is a powerful commercial blender that integrates the latest sound reducing technology, an intuitive touch interface and USB delivery of customizable blend cycles. This allows coffee houses and eateries to serve up blended recipes without the noise discomfort associated with other blenders. The web app with our extensive library custom blend cycles, combined with USB programming functionality makes maintaining a fleet of blenders fast and simple.

– How did you learn that you had been recognized by the jury?

We actually had been keeping up with the live announcements throughout the week and found out like most people through the live broadcast announcement. We we’re very anxious since our category was one of the last ones so the build up of the whole week was great!

– What’s the latest news or development with your project?

The Blendtec Stealth has been in the market now for a few months and has won some additional awards including the Kitchen Innovations Award. It’s quickly becoming one of our most successful commercial products. We’ve been able to learn a lot from the development of the stealth that we’re incorporating into other products throughout our line up. Our commercial partners/restaurants are loving the Stealth and we have gotten some amazing feedback as we continue to improve our product line up.

– What is one quick anecdote about your project?

Blendtec is known for being a hardcore engineering company. We’re obsessive about the little details so much that we even manufacture some of our own screws here in our Utah facility so that they meet our stringent standards. One really unique thing about the Stealth is that because of our use of a capacitive interface we had to develop our own algorithm so the interface can detect wether a finger is touching it or if it’s a drop of water that may have spilt during use. Those are just 2 quick anecdotes about how obsessive we were with this project.

– What was an “a-ha” moment from this project?

We had several during this project, but one major one was when we were developing our user interface. During our research we learned that some restaurant chains update their menu throughout the year to keep up with food trends, but their equipment would stay the same. Their equipment’s function would never change from when they purchased it to when they would dispose of it at the end of the products life. The interfaces stayed the same the whole time because their buttons/interfaces were static. When we learned this we decided we would develop an interface that could be reprogrammed on the spot. The blender can go from having blend cycles specifically for smoothies to blender cycles for iced coffee or ice cream or even hot soups. We made our entire library of Blend Cycles available to the Stealth.

As part of this we learned that there was no easy way to change these cycles on their blenders throughout all the locations in their chains in the country. As a result we made an online web-app where a corporate chef or menu coordinator can organize a series of blend cycles into a blender profile and email that out to all their restaurant chains throughout the country so that all their Stealth blenders can be updated immediately regardless of where in the world the restaurant is located.

This was our aha moment. We were able to deliver a commercial product whose interface can be adjusted to the users specific needs and can be easily replicated across their whole fleet and getting rid of the notion of one size fits all.

View the full project here.

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Core77 Design Awards 2013 Honorees: Food Design, Part One

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Over the next few weeks we will be highlighting award-winning projects and ideas from this year’s Core77 Design Awards 2013. We will be featuring these projects by category, so stay tuned for your favorite categories of design! For full details on the project, jury commenting and more information about the awards program, go to Core77DesignAwards.com.


Student Notable

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  • Project Name: COMPETITIONANDRELIC
  • Designer: Wei He
  • Cranbrook Academy of Art


The title of the project is: Competition and Relic, which is a fossil-like clay utensil. Users could put their dishes and fruit into the holes of utensil. This work is comprised of the clay and various fruits and vegetables.

– How did you learn that you had been recognized by the jury?

When I heard the news via email in Beijing, I had just got up in the morning. I felt super excited and then rushed out of my room to tell my families this wonderful news that I won an award. After hearing my words, my aunt told me seriously: “Calm down, my kid. I always receive email blackmailing me that I won some prize with 100,000 Yuan. Never trust them!!!”

– What’s the latest news or development with your project?

After finishing COMPETITIONANDRELIC, I keep on playing with clay and design a new piece – Alice in Wonderland – which is a series of colorful clay tiles molded by the various vegetables. And all these tiles could be assembled together as a long tabletop.

– What is one quick anecdote about your project?

I got the design idea when Martino Gamper as the visiting artist held the workshop in my department, Cranbrook Academy of Art. But I was not a good student at the workshop, for I didn’t go to Mr. Gamper’s Lecture in the academy, however, I went to down town Detroit to see Jennifer Rubell’s food lecture. Finally, I didn’t make a chair but the prototype of COMPETITIONANDRELIC.

– What was an “a-ha” moment from this project?

When I made it in Naishu Hu’s studio. I suddenly knew I was on the way, since she inspired and encouraged me a lot.

View the full project here.

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Core77 Design Awards 2013 Honorees: Speculative

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Over the next few weeks we will be highlighting award-winning projects and ideas from this year’s Core77 Design Awards 2013. We will be featuring these projects by category, so stay tuned for your favorite categories of design! For full details on the project, jury commenting and more information about the awards program, go to Core77DesignAwards.com.


Professional Winner

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  • Project Name: The Extrapolation Factory
  • Designers: Elliott P. Montgomery and Chris Woebken


The Extrapolation Factory is an imagination-based factory for developing future scenarios, embodied as artifacts for sale in a Brooklyn 99¢ store.

The project is comprised of two parts, a workshop and a pop-up store-exhibition. “Factory workers” translated future forecasts into unique scenarios, each inspiring a future 99¢ store product-concept. Workers fabricated these future products, including packages that revealed its inspiration story and sources that support it.

The products conceived in the workshop were shelved in a Brooklyn 99¢ amidst items already available. Store regulars and invited shoppers strolled the aisles, conversed with strangers, and purchased futures that spoke to them.

– How did you learn that you had been recognized by the jury?

We were looking through our futurescope, searching for potential attractions to be built at Coney Island, and accidentally caught a glimpse of the Core77 Awards list.

– What’s the latest news or development with your project?

The Extrapolation Factory is focusing in for our next two projects. Later this year, the assembly lines will start churning out future souvenirs for the City of New York, followed by synthetic biology-enabled services.

– What is one quick anecdote about your project?

We loved working with the owners and employees of the 99¢ store, who allowed us to install the speculative products in their shop, and helped us out along the way. As an exchange, we agreed to design and install seasonal window displays for their winter holiday and Valentines Day sales. We never imagined we’d be doing window displays when we started this project!

– What was an “a-ha” moment from this project?

For us, the most exciting moment was the actual experience of strolling the aisles of the fully installed store. Stocking the shelves, and then seeing the fictional products next to the real ones conjured a surreal feeling that we didn’t get in our studio, and could never be replicated in a gallery.

View the full project here.

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