The Hive by Feilden CleggBradley Studios

Slideshow: just like the museum we published yesterday, this library in Worcester, England, by architects Feilden Clegg Bradley Studios is covered with shimmering squares of golden metal.

The Hive by Feilden Clegg Bradley Studios

Positioned on the riverbank between the city centre and one of the campuses for Worcester University, the four-storey building contains an academic library for students, a public library, a county archive and a local history centre.

The Hive by Feilden Clegg Bradley Studios

An extruded roof comprising seven rectangular cones divides the building into a conjoined cluster of blocks, which reflect the arrangement of rooms and spaces within.

The Hive by Feilden Clegg Bradley Studios

These chimney-like forms draw light and ventilation into each of the reading rooms, as well as into a central atrium that connects each of the floors.

The Hive by Feilden Clegg Bradley Studios

Balconies and staircases are picked out in ash, while a set of red, yellow and blue-painted volumes are slotted between rooms on one floor to provide a row of informal reading spots.

The Hive by Feilden Clegg Bradley Studios

The building will open in July.

The Hive by Feilden Clegg Bradley Studios

In the last year Feilden Clegg Bradley Studios have also completed a hospital unit for sick or premature babies, which you can see here.

The Hive by Feilden Clegg Bradley Studios

Photography is by Hufton & Crow.

The Hive by Feilden Clegg Bradley Studios

Here’s some more text from the architects:


UK’s first purpose-built joint-use library to open in July

The Hive which will open in July is the UK’s first purpose-built joint-use library serving the University of Worcester and the county that incorporates the county archive, a local history centre, accommodation for the County Archaeologist’s team and a ‘one stop shop’ for the local authority: It’s a pioneering response to the challenge of providing a wide range of public services in an age of austerity whilst promoting social and environmental sustainability.

The Hive by Feilden Clegg Bradley Studios

The distinctive form is a response to the project partners’ aspirations to create a beacon for learning in the city centre, a counterpoint to the Cathedral on the edge of the floodplain to the River Severn.

The Hive by Feilden Clegg Bradley Studios

The Hive forms part of a new city block which incorporates an accessible route connecting the city centre, via the top of the medieval city wall, to the new Castle Street University campus – it is designed to entice passers by to come in and explore.

The Hive by Feilden Clegg Bradley Studios

Sustainability was a high priority throughout: The Hive maximises daylight and natural ventilation via the seven iconic roof cones that echo the undulating ridgeline of the Malverns and the historic kilns of the Royal Worcester pottery.

The Hive by Feilden Clegg Bradley Studios

Water from the river Severn provides peak cooling and locally sources biomass provides heating.

The Hive by Feilden Clegg Bradley Studios

The building is designed to adapt to climate change predicted by UK-CIP to 2050. It has an A rated Energy Performance Certificate and confirmation is awaited on whether it has met or exceeded the requirement to achieve BREEAM Excellent.

The Hive by Feilden Clegg Bradley Studios

The roof structure was designed using award winning software developed for the project which allowed the form to be constructed from solid laminated timber: This generated a saving of more than 2000 tonnes of CO2 compared to the initial design in steel and concrete.

The Hive by Feilden Clegg Bradley Studios

The exterior is clad in a scaley carapace of copper alloy. Inside the palette of concrete and ash is animated by colours drawn from the palette used by Royal Worcester.

The Hive by Feilden Clegg Bradley Studios

The development includes extensive new public realm with both hard landscape (using locally sourced Forrest of Dean Pennant) and planting which draws on indigenous species to create a new and rich habitat for wildlife.

The Hive by Feilden Clegg Bradley Studios

The Hive, which was procured via a PFI process, is a testament to teamwork; from the inspiration of the Project Partners who identified the opportunity to create a generous new public facility to the creativity of the design team and the tenacity of the contractors it demonstrates that by sharing a vision and pulling in the same direction the UK construction industry can deliver extraordinary buildings.

The Hive by Feilden Clegg Bradley Studios

Vital Statistics:
1.34 ha site,
12,371m2 gross external area
£29.7m total construction ex vat, fees, external works and FF+E
£2400/m2
15.8 CO2/m2/yr
4.3m3/m2 at 50 Pa air tightness
40% GGBFS in cement

Team:
Client: University of Worcester and Worcestershire County Council
Architect: Feilden Clegg Bradley Studios
Structural Engineer: Hyder Consulting (UK) Ltd/ Atelier One
M&E Engineer: Max Fordham LLP
Planning Supervisor: Arcadis AYH
Landscape Consultant: Grant Associates
Contractor: Galliford Try Construction
Cladding Consultant: Montresor Partnership
Fire Consultant: Exova Warringtonfire
Access Consultant: All Clear Designs

Maidstone Museum East Wingby Hugh Broughton Architects

Maidstone Museum East Wing by Hugh Broughton Architects

A blanket of golden shingles clads the new wing that London studio Hugh Broughton Architects have added to a Tudor-style museum in Maidstone, England.

Maidstone Museum East Wing by Hugh Broughton Architects

Open since the end of March, the East Wing and new entrance block slot into the recesses of the sixteenth century brick building, which was converted from a manor house into a museum over 150 years ago.

Maidstone Museum East Wing by Hugh Broughton Architects

The copper-alloy exterior is interspersed with large panels of glazing to create views in towards the lower ground floor entrance lobby and shop, as well as into a new public meeting room.

Maidstone Museum East Wing by Hugh Broughton Architects

The rear of the building steps up to meet the sloping ground level of the public gardens just behind, while the windows of this elevation reveal the interior facades of a courtyard enclosed between the extension and the refurbished existing galleries.

Maidstone Museum East Wing by Hugh Broughton Architects

North-facing rooflights bring even levels of natural daylight into the one of the east wing’s three new galleries, which together will display some of the museum’s 600,000 artefacts.

Maidstone Museum East Wing by Hugh Broughton Architects

Other buildings with a similar copper alloy exterior include a visual arts centre and a public librarySee a selection here.

Maidstone Museum East Wing by Hugh Broughton Architects

Photography is by Hufton + Crow.

Maidstone Museum East Wing by Hugh Broughton Architects

Here’s some more text from Hugh Broughton Architects:


Maidstone Museum East Wing: new ‘gold’ clad extensions hint at treasures inside

Maidstone Museum & Bentlif Art Gallery has re-opened following an extensive £3 million refurbishment and the addition of a new east wing by Hugh Broughton Architects.

Clad with ʻgoldʼ shingles which hint at the museumʼs collection of ʻtreasuresʼ on display inside, the new East Wing provides the museum with a reinvigorated look making it the cultural focus for the town centre.

Maidstone Museum East Wing by Hugh Broughton Architects

Housing a collection of over 600,000 artifacts and specimens that are outstanding in their diversity and quality, Maidstone Museum forms the largest mixed collection in Kent and one of the largest in the South-East of England.

Hugh Broughton Architectsʼ 2006 RIBA competition-winning architectural scheme transforms the museumʼs display, storage and visitor facilities, allowing more of the collection to be accessed.

The core of Maidstone Museum, a Grade II listed building located within the boundaries of a conservation area, is a Tudor manor house dating from 1561. The building was acquired by Maidstone Borough Council in 1855 and opened as a Museum in 1858. Since then it has been subject to numerous expansions, resulting in an eclectic architectural arrangement.

Maidstone Museum East Wing by Hugh Broughton Architects

The East Wing project forms the second phase of the Museumʼs re- development programme, following the renovation of the West Wing in 2003. The aims of the project have been three-fold including the long-term preservation of the museumʼs collection, increase in visitor numbers and greater public involvement.

The scheme improves storage facilities, brings previously inaccessible spaces into use and allows more of the Museumʼs historic buildings to be experienced. The East Wing provides new gallery spaces, which enable more of the collections to be seen. The provision of new and improved services including a shop, new toilets with baby-changing facilities and cloakroom, ease visitor circulation throughout the building and enhance the visitor experience.

Maidstone Museum East Wing by Hugh Broughton Architects

The East Wing responds to the multilayered history and architecture of the museum. The elevations combine frameless glazing with a diagrid of copper alloy shingles, creating a contemporary counterpoise to the existing brick facades. The copper alloy shingles emulate the diamond leaded glass windows of the original Tudor building and have been individually hand cut and crafted on site, enhancing the artisanal qualities of the Museum.

A new entrance on the East elevation welcomes visitors from Maidstone High Street into the new East Wing. The entrance opens into an open plan foyer and orientation area occupied by Maidstoneʼs Visitor Information Centre and the Museum shop.

Maidstone Museum East Wing by Hugh Broughton Architects

Beyond the foyer and shop a multi-functional education suite brings areas previously occupied by storage into lively public use, creating a designated study area for community groups and schools.
At ground floor level the principal public space in the East Wing is a gallery housing one of the museumʼs noteworthy exhibits – a Solomon Islands war canoe, the only example of its kind outside of the Islands. Glazing on the rear wall of this gallery reveals a public courtyard and Tudor facades unseen by the public for over 40 years.

At first floor level a public meeting room housed in a glazed box offers dramatic views of St. Faithʼs Church which visually re-connects the museum with Brenchley Gardens, fulfilling the ambitions of the Museumʼs Victorian founders. A system of bespoke connectors between the glass and steel structure ensures a completely frameless flush glazed finish.

Maidstone Museum East Wing by Hugh Broughton Architects

Click above for larger image

The new Japanese Gallery is located within the copper clad space above the reception. It is lit by an undulating ceiling of north-facing rooflights, which enliven the white cube space and ensure an even stream of daylight in to the gallery. This gallery is the new permanent home for one of the museumʼs highlights, an internationally significant display of Japanese Art collected in the nineteenth century by one of the Museumʼs founders, Julius Brenchley.

In addition to these new galleries, the existing galleries in the original museum have been refurbished and re-organised, increasing the display space by 30%.

Beyond the public spaces, the practice has worked closely with the museum staff to completely overhaul and modernize the storage spaces, increasing the capacity by 100%, and improving security and accessibility. This process has allowed the museumʼs staff to take stock and reorganize exhibits in storage, taking the opportunity to digitize and hone the full collection.

Maidstone Museum East Wing by Hugh Broughton Architects

Click above for larger image

Projects facts
Address: Maidstone Museum & Bentlif Art Gallery St. Faithʼs Street, Maidstone, Kent ME14 1LH
Construction value: £3m (including a £2m grant from Heritage Lottery Fund)
Gross internal area: 1150 sq m (470 sq m new build / 680 sq m refurbishment)

Project credits
Client: Maidstone Borough Council
Architect: Hugh Broughton Architects
Project director: Hugh Broughton
Project architect: Gianluca Rendina
Structural Engineer: AECOM
Services Engineer: AECOM
Quantity Surveyor: GB Fitzsimon
Building Contractor: Morgan Sindall
Lighting Consultant: AECOM
Security Consultant: AECOM
Health & Safety: AECOM
Japanese Gallery Design (Concept): Ralph Appelbaum Associates