Webb Chapel Park Pavilion by Cooper Joseph Studio

New York practice Cooper Joseph Studio was inspired by Mexican beach huts to insert four pyramidal chimneys behind the concrete exterior of this playground pavilion in Dallas, Texas (+ slideshow).

Webb Chapel Park Pavilion by Cooper Joseph Studio

Sandwiched between a football pitch and a children’s playground, the pavilion offers a sheltered seating area for resting between games as well as picnicking benches for lunchtimes, so Cooper Joseph Studio wanted to keep the space as cool as possible.

Webb Chapel Park Pavilion by Cooper Joseph Studio

The architects concealed the four bright yellow chimneys within the chunky concrete structure and each one works in the same way as the traditional Mexican “palapa” huts, drawing hot air upwards to keep the lower level ventilated.

Webb Chapel Park Pavilion by Cooper Joseph Studio

“The palapa is a time-tested mechanism for creating shade and encouraging passive air flow in a hot climate,” Cooper Joseph Studio’s Greg Evans told Dezeen. “Many state parks use a similar form for picnic structures. We took the geometry and embedded it within a different volume, gaining the cooling benefits without the prescribed aesthetic.”

Webb Chapel Park Pavilion by Cooper Joseph Studio

Describing the decision to colour them yellow, he explained: “We carefully selected a colour that could resolve itself with both the green landscape and the blue sky visible in the apertures.”

Webb Chapel Park Pavilion by Cooper Joseph Studio

The structure of the pavilion is built entirely from concrete and three rectangular columns support the weight of the rectilinear roof.

Webb Chapel Park Pavilion by Cooper Joseph Studio

“We were able to lighten the concrete with the use of local fly ash,” said Evans. “We used a rough board formwork to soften the aesthetic.”

Webb Chapel Park Pavilion by Cooper Joseph Studio

The two playing fields on either side are at slightly different levels, so the structure is partially sunken into the slope to create three tiered levels of seating on the raised edge.

Webb Chapel Park Pavilion by Cooper Joseph Studio

The Webb Chapel Park Pavilion is one one several new shelters planned in the city’s parks, as replacements for 1960s structures that have decayed over time.

Webb Chapel Park Pavilion by Cooper Joseph Studio

Above: site plan

Cooper Joseph Studio also recently completed a writer’s hideaway in upstate New YorkSee more projects in the USA »

Webb Chapel Park Pavilion by Cooper Joseph Studio

Above: ground floor plan

Photography is by Eduard Hueber.

Webb Chapel Park Pavilion by Cooper Joseph Studio

Above: ceiling plan

Here’s a project description from Cooper Joseph Studio:


Webb Chapel Park Pavilion
Cooper Joseph Studio

In Dallas, Texas, the Department of Parks and Recreation is working to replace several decaying, minimal 1960s shelters in the surrounding metropolitan public parks. Sandwiched between a community soccer field and playground, this simple pavilion embraces a passive, natural cooling system that becomes one with the spatial design.

Webb Chapel Park Pavilion by Cooper Joseph Studio

Above: long section

The solution asserts pure geometry to simultaneously achieve bold form and function. A concrete canopy of exaggerated depth enables a simple structure with minimal visible supports to create virtually seamless views of the surrounding site. The result is an impressive cantilever that comfortably sits atop a mere three structural supports.

Inside the pavilion, the heavy shell of concrete opens to reveal four playful, pyramidal voids in the roof. Although a whimsical surprise of color, the ceiling’s primary purpose is a natural ventilation system based on a traditional “palapa” encouraging the hot Texas air to move through the pavilion. Convection breezes are increased as the bold volume perceptually lifts away from the ground, leaving the seating embedded in a berm where the box once was.

Webb Chapel Park Pavilion by Cooper Joseph Studio

Above: cross section

The use of raw concrete as both structure and finish makes the shape both expressive and efficient. Both its conceptual model and execution match the demands of program and community with reductive simplicity. This bold result finds its identity in these dualities.

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by Cooper Joseph Studio
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Writer’s Studio by Cooper Joseph Studio

Budding novelists will lust after this writer’s hideaway in upstate New York designed by New York City architects Cooper Joseph Studio (+ slideshow).

Writer's Studio by Cooper Joseph Studio

The exterior is clad in black stained cedar to absorb sunlight during the cold winters, and a built-in ladder leads up to the roof.

Writer's Studio by Cooper Joseph Studio

The interior is sparsely furnished with custom-made pieces made from walnut, including a desk, a magazine table and even the sink in the bathroom.

Writer's Studio by Cooper Joseph Studio

See more dreamy places to work on Dezeen »

Writer's Studio by Cooper Joseph Studio

Photographs are by Elliott Kaufman.

Writer's Studio by Cooper Joseph Studio

Here’s some more information about the project:


Writer’s Studio
Ghent, New York

The writer’s studio is a place for one person to work, read and listen to music. Open vistas to a pond and fields are to one side, the other side is immersed in deep woods. The overall impression of the structure is deceivingly simple. Each façade is composed with distinct apertures specifically arranged to the light, the views and tailored, like a bespoke suit to his size and eye level. The inside is, uncluttered and elegant, unified by the use of walnut.

Writer's Studio by Cooper Joseph Studio

Design solution

Minimalist detailing, open glazed corners and transparency running the length of the structure challenge the simplicity of the “box”. Given harsh winters, the fireplace becomes the visual center, anchoring the asymmetrical composition with large, richly conceived hearth. On a structural level, the fireplace also anchors the large cantilevered corners to either side.

The studio volume is a small, rectilinear and restrained single-room space in the woods. The entire interior is immersed in walnut in varied ways. The rigid orthogonal geometry of the room is juxtaposed with dynamic sculptural designs of the furniture – a desk, a side table and two black leather armchairs. The sliding doors are walnut plank, the pantry counter is walnut, the floors are highly polished walnut, the sink in the bathroom is made of walnut as well as some of the wainscoting in the main room.

On the outside, cedar received a matte black stain, the same surface treatment for the flat broader, horizontal boards and the highly textured, thinner slats. Each was a precisely laid and mitered at the corner. Copper trim and scuppers set off the forms. The choice of using only wood framing was pragmatic, but it worked very well for even the large cantilevered roof sections over corner glass-to-glass windows at the north side of the building.

Energy and sustainability

Our strategy involves efficient equipment, passive heating and cooling, locally available materials and a wood-burning fireplace that uses wood fuel from trees on the property. The stone is black slate.

By locating the house in the deep deciduous woods, we are able to take advantage of the leaves as sun shading in the summer months. In the winter, when the trees lose their leaves, the building’s black exterior absorbs sunlight and with the fireplace, there is a reduction in fuel consumption.

Interior finishes:

The interior walls are a composition of walnut slats and white surfaces. A bookshelf, the kitchen and the window seat are all entirely of solid walnut allowing for uniformity of texture and color. The sliding door to the kitchen is walnut as well. As sunlight is filtered through the trees, the floor becomes a key surface, reflecting natural light with a warm hue. It’s high polish balances nicely with the lower intensity sheen on the walls and horizontal surfaces.

The fireplace has a river stone surround (to code) set flush to the wood slats. Next to it is the wood storage area. The wood enters this alcove from behind, as there is a hidden door in the north façade of the building allowing the fire to be easily maintained without having to bring the wood through the front door.

Bathroom:

With a shower wall entirely in glass and a ceiling-mounted “rain” fixture, it feels like being outdoors. Its drains are all hidden so that there is virtually no reading of the shower except when in use. The same slats continue in the bathroom on the entire entry wall and elsewhere above the local black slate. We designed the bathroom sink in walnut as well. Here we used solid stock with channels cut to carry the water to a trench drain cut into the wall. The channels are sloped. They are closer together near the faucet and further apart to the edges there providing more surface for a cake of soap or glass.

Furniture:

As there are very few objects within the space, it was critical that their design and materiality work well with the minimal interior finishes. Again, for the desk and table we turned to walnut for its warmth, strength and texture.

The desk is located on axis with a fireplace with views around it north to a pond and fields beyond, but it has an asymmetric relationship to the elements of the room. Technically, it was an achievement to make a large, heavy, wood top cantilever and its sculptural form makes this possible. In this way, when you enter the room, there is no visible structure and the plane of the surface floats freely. Below, on the backside there is a shelf (with hidden pencil drawer) for the printer. The electric connection is under the open base, and only a small slot for the cord disturbs the desk surface. The “scholar stone” sits above this slot.

The magazine table echoes the form of the desk nearby but with a ribbed construction that relates to the slatted walls in the room. Once more, the triangulated geometry sets it apart from the architecture. Each rib differs in configuration from its neighbor so that viewed in one direction it emphasizes the angular surfaces and from the other the surfaces blend to appear as solid planes. It’s a bit of an optical illusion due to the precise geometry. The form holds the books or newspaper on the open shelf against the lounge chair so that the room still appears free of clutter.

Project Name: Writer’s Studio
Location: Ghent, NY 12075
Completion date: Fall 2007
Size: 525 sq ft
Project Team: Wendy Evans Joseph, FAIA – Principal in charge
Thruston Pettus- Project Manager
Farzana Gandhi
Jonathan Lee
Landscape Architect: Peter Rolland
General Contractor: Romanchuk and Sons
Project Scope: One room building with bathroom, pantry, fireplace. Cantilevered glass corners.
Project Materials: Exterior: cedar siding, stained matte black. Interior: walnut, local grey slate, riverstone.

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Cooper Joseph Studio
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