Kindergarten Susi Weigel by Bernardo Bader built from timber and concrete

Huge round cushions in shades of mustard yellow and cornflower blue add colour to the pale concrete and timber interior of this kindergarten in western Austria by local studio Bernardo Bader Architects (+ slideshow).

Kindergarten Susi-Weigel by Bernardo Bader Architects

Bernardo Bader Architects designed Kindergarten Susi Weigel for the small mountain town of Bludenz and named it after the late children’s book writer and illustrator Susi Weigel, who lived and worked locally until her death in 1990.

Kindergarten Susi-Weigel by Bernardo Bader Architects

The two-storey building has a raw concrete structure, which is left exposed in parts of the interior. The architects sourced local fir to clad the outer walls and used acacia wood to line interior surfaces.

Kindergarten Susi-Weigel by Bernardo Bader Architects

The entrance to the kindergarten sits within a wide recess at the northern corner of the building, leading into a central lobby where children can hang up their coats and bags.

Kindergarten Susi-Weigel by Bernardo Bader Architects

A row of glass doors forms a second entrance to this space, leading out to a playground lawn at the side of the building, while a wooden staircase provides a clear route up to the first floor.

Kindergarten Susi-Weigel by Bernardo Bader Architects

Spaces are divided up into different zones to create five classes. There are two on the ground floor and three upstairs, each with their own storages areas and toilets.

Kindergarten Susi-Weigel by Bernardo Bader Architects

The ground floor also features a sub-dividable space that functions as a canteen or group activity area, as well as a small office and meeting room.

Kindergarten Susi-Weigel by Bernardo Bader Architects

Glass doors create visibility through the building and are embellished with illustrations from Weigel’s books.

Kindergarten Susi-Weigel by Bernardo Bader Architects

Photography is by Adolf Bereuter.

Site plan of Kindergarten Susi-Weigel by Bernardo Bader Architects
Site plan – click for larger image
Ground floor plan of Kindergarten Susi-Weigel by Bernardo Bader Architects
Ground floor plan – click for larger image
First floor plan of Kindergarten Susi-Weigel by Bernardo Bader Architects
First floor plan – click for larger image
Section of Kindergarten Susi-Weigel by Bernardo Bader Architects
Section – click for larger image

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Bernardo Bader’s Haus Fontanella is a chalet built from pine and spruce

Austrian studio Bernardo Bader Architects sourced pine and spruce from the surrounding slopes to build this picturesque chalet in a village of western Austria (+ slideshow).

Bernardo Bader's Haus Fontanella is a chalet built from pine and spruce

Named Haus Fontanella, the house is built between the Glatthorn and Zafernhorn mountains in Fontanella – a village with historical ties to the nomadic Walser people that settled throughout the Alpine regions in the twelfth and thirteenth centuries.

Bernardo Bader's Haus Fontanella is a chalet built from pine and spruce

Bernardo Bader combined traditional and modern building techniques to build a house that resonates with the typical Walser buildings. A concrete base burrows down into the hillside, while the upper section comprises a pine frame clad with roughly-hewn spruce panels of random sizes.

Bernardo Bader's Haus Fontanella is a chalet built from pine and spruce

“Our use of the wood was similar to how it would have been years ago – simple, first-hand and rough,” said Bader, explaining how the spruce was delivered from the sawmill and then installed on the walls in exactly the same condition.

Bernardo Bader's Haus Fontanella is a chalet built from pine and spruce

Square windows also come in a variety of sizes and are dotted around the walls in a way that gives no clues about the internal layout.

Bernardo Bader's Haus Fontanella is a chalet built from pine and spruce

“The intentional rough planking together with the randomness of smaller and bigger windows generate an exciting facade game and an intimate atmosphere inside, with selected framed views to the exterior,” said the architect.

Bernardo Bader's Haus Fontanella is a chalet built from pine and spruce

There are three storeys inside the house, as well as an attic tucked beneath the sloping roof. Silver fir lines walls, floors and ceilings throughout the building, plus most of the fixtures are also made from wood.

Bernardo Bader's Haus Fontanella is a chalet built from pine and spruce

The main living and dining areas can be found on the middle floor, opening out to a sheltered terrace, while three bedrooms and a study are located upstairs, and a sauna and storage area occupy the partially submerged basement floor.

Bernardo Bader's Haus Fontanella is a chalet built from pine and spruce

A geothermal pump offers a sustainable heating source and extra warmth can be provided by a wood-burning stove.

Bernardo Bader's Haus Fontanella is a chalet built from pine and spruce

Photography is by Archive Architects.

Here’s a project description from Bernardo Bader:


Haus Fontanella

Aim of the project: Not far away from the town centre of Fontanella – an old village of Walserpeople – the house is situated on a inclined south-terrace-plane. Not just to benefit from the great view but also to optimise the property’s borders, the building is placed on the upper part of the property and the volume is kept as compact as possible.

Bernardo Bader's Haus Fontanella is a chalet built from pine and spruce

The whole facade of the building is a made of differently size sliced spruce boards, exactly how they are delivered from the sawmill.

Bernardo Bader's Haus Fontanella is a chalet built from pine and spruce

The intentional rough planking together with the randomness of smaller and bigger windows generate an exciting facade game and an intimate atmosphere inside with selected framed views to the exterior.

Bernardo Bader's Haus Fontanella is a chalet built from pine and spruce

The basement is made of concrete, the rest of the house is a whole wood construction. The interior work of the ground floor is also a silver-fir wood construction, the one in the upper floor is drywall.

Bernardo Bader's Haus Fontanella is a chalet built from pine and spruce
Site plan – click for larger image
Bernardo Bader's Haus Fontanella is a chalet built from pine and spruce
Basement floor plan – click for larger image
Bernardo Bader's Haus Fontanella is a chalet built from pine and spruce
Ground floor plan – click for larger image
Bernardo Bader's Haus Fontanella is a chalet built from pine and spruce
First floor plan – click for larger image
Bernardo Bader's Haus Fontanella is a chalet built from pine and spruce
Loft plan – click for larger image

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Haus am Moor by Bernardo Bader Architects

Bernardo Bader Architects used locally sourced spruce, fir and elm to clad the interior and exterior of this rural cabin in Lower Austria (+ slideshow).

Haus am Moor by Bernardo Bader Architects

Based on the traditional houses of the Bregenz district, the two-storey residence has a simple rectangular plan with a steep gabled profile and a wooden deck driven through its middle.

Haus am Moor by Bernardo Bader Architects

Austrian studio Bernardo Bader Architects used 60 trees to produce all the wood needed for the house with minimal waste. As well as the walls, the timber provided material for doors, flooring and also some of the furniture.

Haus am Moor by Bernardo Bader Architects

The structure of the building is concrete, which reveals itself on a selection of walls and ceilings to contrast with the light tones of the wooden surfaces.

Haus am Moor by Bernardo Bader Architects

Living and dining areas occupy the largest side of the ground floor. A wood-burning stove creates a central hearth.

Haus am Moor by Bernardo Bader Architects

Additional heating is generated from a ground-sourced heat pump.

Haus am Moor by Bernardo Bader Architects

A home office sits on the other side of the deck, alongside a garage with room for two cars. Bedrooms and a children’s playroom are located on the floor above.

Haus am Moor by Bernardo Bader Architects

Entitled Haus am Moor, which translates as “House on the Moor”, the cabin is situated near the market town of Krumbach.

Haus am Moor by Bernardo Bader Architects

Other recently completed residences in Austria include a boxy concrete house in the mountains and a wooden house that appears to climb down a hill. See more Austrian houses on Dezeen.

Haus am Moor by Bernardo Bader Architects

Photography is by Adolf Bereuter.

Haus am Moor by Bernardo Bader Architects
Site plan
Haus am Moor by Bernardo Bader Architects
Ground floor plan – click for larger image
Haus am Moor by Bernardo Bader Architects
First floor plan – click for larger image
Haus am Moor by Bernardo Bader Architects
Cross section – click for larger image

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Islamic Cemetery by Bernardo Bader Architects

Prayer rooms with walls of red concrete lead out to a staggered sequence of graveyards at this Islamic cemetery in western Austria by local studio Bernardo Bader Architects (+ slideshow).

Islamic Cemetery by Bernardo Bader Architects
Photograph by Adolf Bereuter

Located within the Alpine countryside, the cemetery serves the eight-percent Muslim population in the Austrian state of Vorarlberg and comprises a simple rectilinear building with five burial enclosures.

Islamic Cemetery by Bernardo Bader Architects
Photograph by Marc Lins

Bernardo Bader Architects used red-tinted concrete for the construction of the building and its surrounding walls. The surfaces remain exposed both inside and outside the complex, revealing the rectangular imprints of wooden formwork.

Islamic Cemetery by Bernardo Bader Architects
Photograph by Adolf Bereuter

A long rectangular window stretches across the facade, screened by a latticed oak framework that displays one of the traditional patterns of Islamic mashrabiya screens.

Islamic Cemetery by Bernardo Bader Architects

The building accommodates both prayer rooms and assembly halls. The largest room opens out to a private courtyard and features lighting fixtures set into circular ceiling recesses.

Islamic Cemetery by Bernardo Bader Architects
Photograph by Marc Lins

The five rectangular graveyards are lined up at the back of the building. Each one contains several trees, benches and small patches of grass.

Islamic Cemetery by Bernardo Bader Architects
Photograph by Adolf Bereuter

Completed in 2011, the Islamic Cemetery is one of 20 projects on the shortlist for the Aga Khan Award 2013. Five or six finalists will be revealed later this year and will compete to win the $1 million prize.

Islamic Cemetery by Bernardo Bader Architects
Photograph by Adolf Bereuter

Other architect-designed cemeteries completed in recent years include a seaside graveyard in Italy and a pair of wooden pavilions in Belgium. See more stories about cemeteries, funeral chapels and memorials.

Here’s a short project description from the Aga Khan Award organisers:


The cemetery serves Vorarlberg, the industrialised westernmost state of Austria, where over eight percent of the population is Muslim. It finds inspiration in the primordial garden, and is delineated by roseate concrete walls in an alpine setting, and consists of five staggered, rectangular grave-site enclosures, and a structure housing assembly and prayer rooms.

Islamic Cemetery by Bernardo Bader Architects
Site plan – click for larger image

The principal materials used were exposed reinforced concrete for the walls and oak wood for the ornamentation of the entrance facade and the interior of the prayer space. The visitor is greeted by and must pass through the congregation space with its wooden latticework in geometric Islamic patterns. The space includes ablution rooms and assembly rooms in a subdued palette that give onto a courtyard. The prayer room on the far side of the courtyard reprises the lattice-work theme with Kufic calligraphy in metal mesh on the ‘qibla’ wall.

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