2013 Aga Khan Award for Architecture winners announced

News: an Islamic cemetery in Austria and a restored market hall in Iran are among the five winners of the 2013 Aga Khan Award for Architecture (+ slideshow).

Rabat-Salé Urban Infrastructure Project, Morocco
Rabat-Salé Urban Infrastructure Project, Morocco

A health centre in Sudan, a reconstructed community in Palastine and a concrete bridge in Morocco were also named as recipients for the triennial accolade, which recognises architectural projects that exhibit social responsibility as well as design quality.

Here’s the full list of winners:

» Salam Centre for Cardiac Surgery, Khartoum, Sudan
» Revitalisation of Birzeit Historic Centre, Birzeit, Palestine
» Rabat-Salé Urban Infrastructure Project, Morocco
» Rehabilitation of Tabriz Bazaar
» Islamic Cemetery, Altach, Austria

Islamic Cemetery by Bernardo Bader Architects
Islamic Cemetery, Altach, Austria

A jury including architects David Adjaye, Wang Shu and Murat Tabanlıoğlu selected the five winners from a shortlist of 20 projects and they were revealed at a ceremony in Lisbon on Friday night. A $1 million prize will be shared between the recipients, with allocations given to builders, clients and engineers, as well as the architects.

Rehabilitation of Tabriz Bazaar, Tabriz, Iran
Rehabilitation of Tabriz Bazaar, Tabriz, Iran

Other projects shortlisted for the award included a museum dedicated to the craft of paper-making, a reconstructed refugee camp and an apartment block constructed from stone offcuts. See more shortlisted projects »

Here’s some more information about each winning project from the competition organisers:


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Salam Centre for Cardiac Surgery, Khartoum, Sudan

The Salam Centre for Cardiac Surgery, which consists of a hospital with 63 beds, serves over 50,000 patients per year, drawing from a catchment area in eastern Africa of over 300 million people. The welcoming architecture “provides an exemplary prototype for the region as well as for the field”, remarked the Master Jury in their citation. The Centre meets the high technical demands of a hospital with complex functions, including three operating theatres, while providing a number of eco-friendly solutions to common problems. Mixed modes of ventilation and natural light enable all spaces to be homely and intimate. In addition to solar panels and special insulation techniques, the architects have reused 90 six- metre (20-foot) containers that had been discarded after being used to transport construction materials for the Centre.

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Revitalisation of Birzeit Historic Centre, Birzeit, Palestine

The five-year project, which will eventually encompass 50 villages, is part of a rehabilitation master plan initiated by the Riwaq Centre for Architectural Conservation. The project has transformed the decaying town of Birzeit, creating employment and reviving traditional crafts. The Master Jury remarked that the project brought together “stakeholders and local craftsmen into a process of healing that is not merely physical but that is social, economic and political”. By focusing on towns and villages in the area under Palestinian civil authority – where an estimated 50 percent of the surviving historic structures are located and where most Palestinians live – Riwaq realised that it could save much of the local heritage while at the same time having greatest significant socio-economic impact.

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Rabat-Salé Urban Infrastructure Project, Morocco

Linking Rabat and Salé to form an urban hub, the project was born out of a new vision of large-scale regeneration, one in which improved transportation and mobility were to be priority components of the larger urban plan. The project combines exemplary bridge design, infrastructure improvement and urban planning. As a result, the Hassan II Bridge has become a new icon for Rabat-Salé, reinforcing a modern, progressive, twin-city identity. The Master Jury remarked that the project was “a sophisticated and cohesive model for future infrastructure projects, especially in places of rapid urbanisation”.

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Rehabilitation of Tabriz Bazaar, Tabriz, Iran

With origins in the 10th century, the Tabriz Bazaar has long functioned as a main commercial centre for the city. But by the late 20th century, it had begun to deteriorate. To rehabilitate the structures, which cover 27 hectares and over 5.5 kilometres of covered bazaars, a management framework was established that involved the bazaar community, municipal authorities and the Cultural Heritage, Handicrafts and Tourism Organisation (ICHTO). During the pilot restoration project, the government contributed 85 percent of the financial coverage and the bazaar community contributed 15 percent; in subsequent stages, the bazaar community – convinced of the value of the restoration – provided up to 90 percent of the funding. The Master Jury found that the project was “a remarkable example of stakeholder coordination and cooperation to restore and revitalise a unique structure”. Since 2000, numerous complexes within the bazaar have been rehabilitated, infrastructure has been improved and public facilities have been built.

Islamic Cemetery by Bernardo Bader Architects

Islamic Cemetery, Altach, Austria

Until recently, some Muslims in Austria would send their dead back to their countries of origin for burial. But the desire of Muslims to be buried in the countries of their birth led to the creation of a multi-faith, multi-ethnic group of actors, including local authorities and an NGO, to create a cemetery where funeral rites could be administered locally. The design was lauded by the Award’s Master Jury for the way it realised “the wish of an immigrant community seeking to create a space that fulfils their spiritual aspirations and, at the same time, responds to the context of their adopted country”. Inspired by garden design, it features roseate concrete walls, five staggered, rectangular gravesite enclosures, and a structure housing assembly and prayer rooms. The principal materials used were exposed reinforced concrete for the walls and oak wood for the ornamentation of the entrance facade and the interior of the prayer space.

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Thula Fort Restoration by Abdullah Al-Hadrami

The watchtowers, walls and pathways of a historic fort were repaired and rebuilt as part of this restoration project in the 2000-year-old city of Thula, Yemen, one of 20 projects shortlisted for the 2013 Aga Khan Award.

Thula Fort Restoration by Abdullah Al-Hadrami

Prolific as a centre of Sabaean civilisation in the fifteenth century, the ancient walled city contains many well-preserved houses and mosques. However, locals were concerned that the arrival of a new road in 2004 would threaten their cultural heritage.

Thula Fort Restoration by Abdullah Al-Hadrami

“[It] will cause a lot of problems in the future, damaging the architectural elements and the features of the landscape and the terraces of the town,” explained architect Abdullah Al-Hadrami, who responded to the development by working alongside the Social Fund for Development and a group of local residents to preserve the architecture.

Thula Fort Restoration by Abdullah Al-Hadrami

The team repaired the old watch towers and the large Bab al Mayah gate, and rebuilt the walls of burial grounds and terraces.

Thula Fort Restoration by Abdullah Al-Hadrami

They also restored the fort’s pathways and waterways, including a large cistern that is still in use.

Thula Fort Restoration by Abdullah Al-Hadrami

Other projects on the shortlist for the Aga Khan Award 2013 include an apartment block built from stone offcuts and a series of timber and earth houses for tsunami victims. See more from the Aga Khan Award shortlist.

Thula Fort Restoration by Abdullah Al-Hadrami

Photography is by Cemal Emden.

Here’s a short project description from the Aga Khan Award organisers:


Thula Fort Restoration

Threatened by the disruption that might ensue from the construction of a road, the Thula community, with the help of The Social Fund for Development, has undertaken a series of historic preservation projects to protect cultural assets, including rebuilding the walls of burial grounds and walls of agricultural terraces, restoring the Bab al Mayah gate, watch towers, paths and waterways, and repairing the cistern that remains in use to this day.

Thula Fort Restoration by Abdullah Al-Hadrami

Thula is well-known for artefacts from the Sabaean period and its prototypical massive stone architecture. During the preservation process an archaeological site was discovered with gates and walls that should provide further insights into the Sabaeans and their civilisation.

Location: Thula, Yemen (Africa)
Architect: Abdullah Al-Hadrami, Sana’a, Yemen
Client: The Social Fund for Development, Thula Local Council
Completed: 2011
Design: 2004
Site size: 8,754 sqm

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Apartment No. 1 by AbCT

This apartment block in the Iranian town of Mahallat was constructed using the otherwise useless offcuts from local stone cutting businesses.

Apartment No. 1 by AbCT

Stone cutting is the largest trade in the area but is a wasteful process that discards more than half of its produce, so architect Ramin Mehdizadeh of Tehran studio Architecture by Collective Terrain (AbCT) decided to recycle the material and use it as cladding for a building.

Apartment No. 1 by AbCT

“There are some very nice characteristics of this waste, and one is that the thicknesses are all the same,” says Mehdizadeh, explaining how easy it is to stack the pieces in rows to form a wall.

“The form is very familiar for the people, because the origin of this form is the quarries, and that’s why even a contemporary piece of architecture could sit here easily,” he says.

Apartment No. 1 by AbCT

AbCT built up the stones around each elevation of Apartment No. 1, a five-storey block that contains eight apartments on its upper floors and two shops at ground level.

Apartment No. 1 by AbCT

The variations in colour, size and texture give a natural pattern to the walls, which angle outwards at intervals to shield small windows from direct sunlight.

Larger windows are screened by timber shutters made from locally milled wood. Designed in response to the conservative lifestyle of the local community, the shutters help to regulate light and temperature in the apartments at the hottest times of the year.

Apartment No. 1 by AbCT

The building is one of 20 projects on the shortlist for the Aga Khan Award 2013, alongside an Islamic cemetery in Austria and the reconstruction of a refugee camp in Lebanon. Five or six finalists will be revealed later this year and will compete to win the $1 million prize. See more shortlisted projects for the Aga Khan Award.

Apartment No. 1 by AbCT

Photography is by Omid Khodapanahi.

Here’s a short project description from the award organisers:


Apartment No. 1

The majority of Mahallat’s economy is engaged in the business of cutting and treating stone, over half of which is discarded due to inefficiencies in stone-cutting technology.

This project turns the inefficiency to economic and environmental advantage by reusing leftover stones for both exterior and some interior walls, and has led to the increasing adoption of stone recycling by local builders.

Apartment No. 1 by AbCT

The five-storey structure comprises two ground-level retail spaces and eight three-bedroom apartments above. Its austere prismatic form is balanced by the warmth of the natural materials. Small windows are shielded by triangular stone protrusions, and larger ones have wooden shutters that allow residents to regulate light and temperature levels.

Location: Mahallat, Iran (Central Asia)
Architect: AbCT – Architecture by Collective Terrain, Tehran, Iran
Client: Ramin Mehdizadeh, Hossein Sohrabpoor, Mehdi Mehdizadeh
Completed: 2010
Design: 2007
Site size: Ground floor area: 260 m2 – Total site area: 420 m2

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Preservation of the Mbaru Niang by Rumah Asuh

This project by architecture collective Rumah Asuh involved the repair and reconstruction of the last remaining traditional thatched residences on Flores Island, Indonesia.

Preservation of the Mbaru Niang by Rumah Asuh

Built using traditional Manggarai techniques, the conical houses originally comprised a group of ten, but six had collapsed and two others had suffered significant decay.

Preservation of the Mbaru Niang by Rumah Asuh

Led by architect Yori Antar, the Rumah Asuh team embarked on a project to repair these two buildings and then to replace the others. They organised sponsors to fund the construction, then enlisted members of the local community to help plan and build each structure.

Preservation of the Mbaru Niang by Rumah Asuh

“When I go to school what we learn is about modern structures, the concrete, the steel; but we never learn about this kind of building,” said Antar, explaining his decision to get involved in the project. “There’s a lot of things we can learn from these kind of buildings, like how we adapt with the [regional] climate.”

Preservation of the Mbaru Niang by Rumah Asuh

Each of the houses features a lightweight bamboo framework tied together with rope. The exterior is clad with a layer of rattan, made from locally sourced worok wood, and is designed to be renewed every few years using materials from the forest.

Preservation of the Mbaru Niang by Rumah Asuh

The architects also encouraged involvement from university students, who will continue to maintain the structure of the houses each year.

Preservation of the Mbaru Niang by Rumah Asuh

The Mbaru Niang preservation is one of 20 projects on the shortlist for the Aga Khan Award 2013. Other projects on the shortlist for the $1 million prize include an Islamic cemetery in Austria and a reconstructed refugee camp in Lebanon. See more from the Aga Khan Award shortlist.

Preservation of the Mbaru Niang by Rumah Asuh
Computer rendering of a Mbaru Niang

See more architecture in Indonesia, including a house containing pools of water and trees.

Here’s a short project description from the Aga Khan Award organisers:


Conical houses of ‘worok’ wood and bamboo in tied-together rattan construction with thatched roofs are the archetypal buildings of this remote island village.

A group of young Indonesian architects in the habit of touring a part of Indonesia each year arrived to find four of the last surviving examples of these houses, two of which were in need of renovation. Symbols of unity in the family and the community, the houses represent a living culture; the villagers are guardians of this culture but the necessary building skills, having traditionally been handed down, from generation to generation, had faded from memory.

The architects initiated and facilitated a community-led revival of traditional techniques enabling all the original houses to be rebuilt. In this a role was opened up to include university students who both participated in and documented this architectural preservation and cultural conservation project and continue to do so annually.

Location: Wae Rebo Village, Flores Island, Indonesia (South-East Asia)
Architect: Rumah Asuh/Yori Antar, Tangerang, Indonesia
Client: Wae Rebo Community
Completed: 2011
Design: 2008
Site size: 6,500 sqm

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