Recession Art at Culturefix

Aspiring collectors find emerging artists in a new gallery storefront
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Sensitive to the cash-strapped culture lovers of the world, Recession Art began with the simple premise of uniting aspiring collectors with emerging artists. After three years of shows at Brooklyn’s Invisible Dog, they have now opened RAC on New York’s Lower East Side. Seated atop Culturefix, an artsy watering hole with adjoining event space, RAC combines a storefront shop with a permanent gallery.

“We wanted to bring together two groups of people we knew personally,” says founder Emma Katz. “Artists who were making work but had no way to get it out into the world, and young art lovers who were maybe furnishing their first apartment and wanted access to original artwork.” True to their mission, Katz and curator Melanie Kress stocked the storefront with prints and books by emerging artists, along with affordable original works.

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The space has played home to a number of pop-ups over the years, but both Culturefix and Recession Art saw the benefit of a shared venue. “We get people to come into the gallery that might not usually visit an art gallery. Our goal is for anyone to feel welcome here—if you come for a beer or a concert you might end up buying a handmade pop-up book or a photograph. It allows us to work with many kinds of artists including musicians, performers and poets.”

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Kicking off things at RAC is an exhibition by veteran Recession Art artist Megan Berk. “Weird Party on the Other Side of the Hedge” shows scenes of Berk’s native Los Angeles, the nostalgic dreamscapes tinged with an air of outsider skepticism. A friend of Recession Art, Berk also designed a totebag and limited edition print for the store.

Recession Art plans to continue shows at the Invisible Dog, and are currently taking submissions online for “Everything is Index, Nothing is History,” curated by Melanie Kress. In an effort to build relationships with collectors, Recession Art also runs a Collector Club to keep the community abreast of artist activities, studio visits and private previews.

RAC

9 Clinton Street

New York, NY 10002


Public Hotel Chicago

Low-cost luxury in a renovated Chicago landmark

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Fed up with the overpriced minibars and underacheiving service standards that plague the American hotel industry, Studio 54 co-founder Ian Schrager recently unrolled Public, an affordable luxury hotel in downtown Chicago. Schrager reclaimed the walls of the Ambassador East Hotel and its classic restaurant Pump Room, imbuing a shock of new life into the historic structure. With value and simplicity as the stated ethos, Public marries upscale luxury travel with almost unbelievably affordable prices.

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I was a guest of the Public on a recent trip to Chicago and was immediately impressed by the hotel’s pared-down look and flawless service. With austere lighting and dark interiors, the new appearance is a departure from the glitz and glam of the Pump Room of bygone days, which hosted celebrities of all walks from the Queen of England to Richard Pryor. For the restaurant, Schrager kept the name, ditched the dress code and over-priced entrees, and brought in chef Jean-Georges Vongerichten to head up the kitchen. Needless to say, the food is delicious.

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The Public’s 285 rooms are individually furnished with an uber-clean, but still slightly eclectic aesthetic to appeal to people of varying tastes. The new direction for Schrager signals a change in demand from travelers, who are willing to trade terry-cloth complimentary robes for a more economical experience. The Public defines its own brand of luxury in the simplicity, efficiency and convenience that the hotel offers. The Public Express—a short menu of healthy meals crafted by Jean-Georges—was a high-speed version of room service that I enjoyed almost immediately upon arrival.

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In addition to great suites and common spaces, the hotel also has a few more add-on amenities to boast about. The meeting spaces are ideal for creative workshops, a real boon considering Chicago’s centralized location that makes it a perfect meeting point for businesses. The downstairs library and coffee bar offers international java drinks, so you can have your pick of café con leche, caffé latte or café au lait depending on your European lean. The fitness room is located on the upper floors and features an amazing view of the Chicago skyline, something greatly appreciated by health-conscious frequent flyers tired of exercising in dismal hotel basements.

Public is open for reservations with rates starting at $135. The company has confirmed that their next location will be opening in NYC in 2012.


2012 Chevy Sonic

Fun meets safety in an affordable, made-in-the-U.S. minicar

Driving supercars is exhilarating and the stories of craftsmanship and engineering that goes into them are unparalleled. But some of the most impressive creativity and innovation behind car design can be found among other classes of autos as well. Chevy’s Sonic, the latest contender in the small-car class, is an awesome affordable car with an anticipated five-star safety rating, made right here in the U.S. Eager to see another example of the Renaissance happening in Detroit, I visited GM last week to tour the design center, safety facilities, and of course, drive the Sonic. I was more than pleasantly surprised that the miniature domestic model achieves the dream of safety and sport with a sticker price of $14k.

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The Sonic comes in a four-door sedan as well as a five-door hatchback. Both models feature motorcycle-inspired headlamps, a high waistline and a low roofline. This slightly squat stance affords better handling, while a slight increase in width also makes for a roomier interior than typical small cars.

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While I had a chance to drive both models on GM’s amazing proving grounds, it was the five-door LTZ with a 1.4L turbo engine and six-speed manual transmission that I enjoyed the most. “The little engine that could” was quite zippy, the steering responsive and the suspension firm but forgiving.

The real test was when three of us packed in the car with John M. Buttermore behind the wheel. Buttermore, the Sonic’s lead engineer, is not only a second generation GM engineer, he’s also a champion racecar driver. The Sonic breezed through big 90-mile-per-hour turns holding the road with little more than a quiet screech from the tires. Adding the weight of a full car of course slowed acceleration down a bit, but not nearly as much as expected. And the suspension quality didn’t vary from when I was driving solo.

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Before starting the drive we had a chance to witness a crash test of the Sonic at GM’s safety facility. The test was a 40 m.ph.. offset head-on collision, meaning the driver’s side of the car slams hard and fast in to a massive concrete and steel block. It was over in what seemed like a second and upon inspection it seemed the driver’s compartment remained intact, thanks to the car’s reinforced steel frame and 10 airbags that not only protect the front and sides of the cabin, but also the knee area and headliner as well.

For something small, fun, cheap, safe and American, the Sonic is where it’s at.