Hasta La Ideas

EDC and stationery have more of an overlap than you think. EDC multitools help you deconstruct objects physically, stationery helps you do the same creatively on paper. Making notes as you fix a product go hand in hand. Creating an engineering schematic while reverse-engineering a gadget go hand in hand. One uses stationery, the other uses EDC… so rather than separate them, Ideaspark decided to combine them with the Prule – a fusion of a protractor, ruler, and a precision craft knife all in one incredibly sleek package.

The Prule may function primarily as a stationery instrument, but it isn’t designed like one. Machined from Grade 5 Titanium, the Prule outlasts any plastic or metal ruler you’d have ever owned in your lifetime. It’s well-designed, grippy, ruthlessly efficient, compact, and robust enough to last generations. Civilizations might come to an end but the Prule won’t.

Designer: Ideaspark

Click Here to Buy Now: $69 $99 (30% off) Hurry, only 40 hours left!

The Prule tries to achieve multiple things, and succeeds thanks to two things – a good vision and great execution. Your stationery tool is effective when it needs to be, and just in case you need yourself an EDC blade, the magnetic Xacto knife pops right out, giving you something to cut with, whether it’s a delivery parcel, a piece of paper, a material for a craft project, or even food. Want your EDC to serve more of a purpose, a glass bead breaker on the top of the Prule lets you strike to shatter through reinforced glass, making the Prule perfect for regular or emergency scenarios.

The choice of Gr5 titanium wasn’t arbitrary. Known for its durability and lightweight properties, it ensures the Prule holds up under pressure without being cumbersome to carry. The magnetic fold, sleek and compact, transforms it into a pocket-sized powerhouse that’s as easy to store as it is to deploy. It fits neatly into your workflow, whether you’re a designer tracing lines, an architect marking dimensions, or a DIY enthusiast crafting your next project.

Opening it reveals more than a simple measuring tool. The hinge serves as a precise protractor, locking smoothly into set positions for common angles. The click as it snaps into place feels deliberate, almost mechanical, and makes quick work of drawing or measuring angles. Paired with laser-etched scales in both metric and imperial, reading measurements becomes effortless. Every mark is crisp, visible even in dim light, thanks to the tritium slots built into the design.

Using the Prule feels intuitive, but its design is anything but simple. The angled surface, for instance, aligns perfectly with your line of sight, making measurements more comfortable. The grip feels natural, the thickened edges adding stability during use. These aren’t afterthoughts; they’re deliberate choices made to ensure the tool fits seamlessly into your hand and your tasks, no matter how intricate.

The knife might play a small part in the Prule’s working, but it’s pretty much the star of the show. Designed to slip right into the Prule when not in use, it stays sheathed to keep your hands protected from its sharp scalpel blade. The blade, made from surgical steel, can cut through everything from paper to soft materials like leather or plastics. It’s the perfect craft knife – there when you need it, gone when you don’t.

Plus, the fact that the Prule uses a scalpel blade makes it infinitely reusable. When the blade dulls or breaks, you don’t need to sharpen it (as you would with most regular knives). Just ditch the old blade for a new one and you’re good to go. Scalpel blades come cheap and in packs of 5 or 10. In the end, it’s a lot more sustainable to replace a blade than to ditch an entire knife because it’s dull or broken. Moreover, throw the blade away before you travel and the Prule is suddenly TSA friendly too!

The name Prule, however, is a portmanteau of its two distinct features – the protractor, and the ruler. With a folding design, the Prule either sits shut at 10cm in length (3.9 inches), or opens up to measure 20cm long or 7.8 inches. In the process of opening, the Prule reveals its function as a protractor. Etched markings on its pivot joint let you hit 15° increments with a fair amount of accuracy, making it perfect for measuring angles, making schematics, drawing perspective diagrams, etc. Whether you’re an architect, designer, engineer, woodworker, or any sort of creative/craftsperson, this comes in fairly handy.

Of course, the Prule comes with both imperial and metric markings, making it fairly universal. Its slim design makes it easy to measure depth too, simply by inserting it into objects like you would a depth rod on a set of calipers.

From its foldable design to its versatility as a depth-measuring tool, the Prule adapts to its user. Its ceramic bead breaker adds a layer of emergency preparedness, while its customizable features—like slots for luminous vials and optional engraving—make it uniquely yours. Whether clipped to a lanyard or carried loose, it becomes a constant companion, ready for anything from precision tasks to unplanned challenges.

It isn’t common to see EDC and stationery collide so perfectly, although it does feel like a match made in heaven with the Prule. Use it in a workshop, a classroom, a studio, outdoors, or even in an emergency. Having a ruler/scale, a knife, a protractor, and a glass breaker all in one tool feels like a motley crew of tools that can either serve their individual purposes well, or come together to form something that’s greater than the sum of its parts. The Prule starts at a discounted $69, and ships globally with a set of 10 spare scalpel blades.

Click Here to Buy Now: $69 $99 (30% off) Hurry, only 40 hours left!

The post Meet Prule: The All-in-One Titanium EDC and Stationery Crossover that’s a Game-Changer first appeared on Yanko Design.

Luxury cars often operate in a world of extremes—loud, ostentatious machines built to grab attention. Yet sometimes, the most compelling statement is a whisper. Maserati’s latest creation, the MC20 Cielo Fuoriserie by Hiroshi Fujiwara, leans into that philosophy with an elegance that feels almost defiant in a landscape of neon paint jobs and roaring exhausts. This isn’t a car clamoring for approval; it’s a piece of design that sits confidently in its own space, daring you to look closer and discover its layers.

What makes this collaboration intriguing isn’t simply the car or Fujiwara’s influence but the way it bridges two worlds: the heritage-laden tradition of Italian sports cars and the quiet precision of Japanese streetwear. It’s a cultural dialogue, an exchange of ideas rendered in matte finishes and stitched leather. Instead of shouting, the MC20 Cielo invites conversation, embodying the kind of luxury that thrives on subtlety and leaves a lasting impression precisely because of it.

Designer: Hiroshi Fujiwara for Maserati

Fujiwara’s touch on the MC20 Cielo is subtle yet unmistakable. This isn’t a wild departure from Maserati’s DNA but rather a nuanced refinement. The car comes in two striking matte finishes, Nero Vulcano and Bianco Audace—black and white, perfectly mirroring Fujiwara’s signature monochromatic style. What really draws the eye, though, is the Fragment logo, replacing Maserati’s Trident emblem on the rear hood. It’s bold, unconventional, and feels like a deliberate nod to those who appreciate quiet luxury with an edge.

Slip inside, and the details tell a similar story. Black leather upholstery dominates the cabin, punctuated by Fujiwara’s unique wave-pattern stitching in white. It’s not flashy, but it’s undeniably cool—a design choice that feels tactile, intimate, and in step with the car’s exterior aesthetic. Even the steering wheel, swathed in Alcantara, feels like it was tailored for this collaboration. Between the headrests sits a commemorative metal plate, a small but significant marker of the partnership between Maserati and the “Godfather of Streetwear.”

Of course, a Maserati is only as good as its engine, and the MC20 Cielo doesn’t disappoint. At its heart is the F1-inspired 3.0-liter twin-turbocharged V6 Nettuno engine, capable of delivering a jaw-dropping 621 horsepower. This is a car that can hit 100 km/h in three seconds flat and soar beyond 320 km/h without breaking a sweat. It’s raw, it’s responsive, and yet, thanks to the refined suspension and cutting-edge aerodynamics, it never feels unwieldy.

The roof, however, might be the real showstopper. Maserati calls it a “smart glass” panel, and that’s not just a marketing term. With the push of a button, it can shift from clear to opaque, letting you choose between an open-air driving experience or a bit more privacy. It’s the kind of feature that’s as functional as it is showy—perfect for cruising city streets or taking in coastal views.

But here’s where Fujiwara’s influence really shines: this isn’t a car screaming for attention. Instead, it whispers to those who already know its value. The collaboration feels curated for a niche audience that appreciates both the legacy of Maserati and the cultural currency of Fujiwara’s Fragment label. It’s a balancing act—melding high performance with high fashion—and this car nails it.

The MC20 Cielo Fuoriserie isn’t mass-produced; it’s available only on request, making it as exclusive as it is stunning. While pricing remains a closely guarded secret, it’s safe to say that owning one is as much about buying into a lifestyle as it is about the car itself. For enthusiasts and collectors alike, it represents a rare intersection of automotive excellence and contemporary design.

The post Streetwear Meets Supercars: Hiroshi Fujiwara’s Custom Maserati MC20 Cielo first appeared on Yanko Design.

French startup outfit KILOW made the headlines a couple of years back for its two-seater La Bagnole electric UTV having the typical Willys Jeep vibe. This has inspired another concept design by an independent designer who envisions the Le Buddy single-seater buggy-styled commuter for inter-city rides. The vehicle gets the technical prowess of CIXI, a brand known for its electronic cranksets.

The bicycle car is designed for an outdoor lifestyle in and around the city. Yes, it can even take on the odd gravel trip to the outskirts if need be. The primary use-case scenario for the vehicle is the hauling of light cargo, perfect for newbies.

Designer: Alexandre Pain

This low-carbon emission rural mobility vehicle is also ideal for people who don’t want to invest in a heavy-duty ride because their needs are not that expansive. When the single-seater four-wheeler is not hauling everyday cargo or even your family’s groceries, the compact footprint makes it the ideal choice for shorter trips. It has a dry weight of 85 kg and comes loaded with two 800Wh batteries for a range of 90 km on a single full charge. The maximum speed Le Buddy can reach is 70 km/h which is not that bad for a commuter targeted towards city and rural use.

It boasts a chainless electronic crankset for a unique mobility experience as you don’t have to go through gear shifting while stuck in moving city traffic. The tires on this one are a tad thin and stability on twisting streets or hills could be an issue, but you could always make some aftermarket upgrades. On the rear, there is a wooden cargo box for carrying anything medium-sized. While the vehicle could be a handful in inclement weather conditions, it could be a resourceful choice for regions that don’t see that much rain or snow.

The post This single-seater electric cargo buggy is the ideal choice for urban or rural hauling needs first appeared on Yanko Design.

For Hublot, innovation in material, texture, shape, and of course, some intriguing display of bling on the dial is an integral part of its watches’ designs. All-Black Spirit of Big Bang Sang Bleu laden with Pavé diamonds is a new example of this quest for state-of-the-art watchmaking. The timepiece, high on design and charisma is tuned to fine mechanics, and is made from materials to stand the test of time.

The latest watch from Hublot, the Spirit of Big Bang Sang Bleu All Black Pavé has a diamond-laden design created by tattoo artist Maxim Plescia-Buchi. Built on Hublot’s All Black concept, this amazing bling watch with its geometric patterns and distinctive 3D design is limited to only 200 models.

Designer: Hublot

The Spirit of Big Bang Sang Bleu All Black Pavé – despite its exclusivity – is a captivating enhancement of the iconic All Black collection that has been enthralling us fans since 2006. The new bold black watch has a 42mm polished black-plated case adorned with 180 black diamonds; totaling approximately 2.4 carats worth of diamonds. Positioned in Maxime Plescia-Buchi’s signature geometric tattoo layout, 80 of these diamonds are on the case and the rest 100 are on the polished black bezel.

The high-tech ceramic watch features a date window at the five o’clock position and three push buttons on the side for controlling the chronograph on the skeletal dial, which allows the wearer to peep through at the movement ticking beneath. It is a HUB4700 Self-winding Skeleton Chronograph movement that comprises 31 jewels and offers up to 50 hours of power reserve.

The Spirit of Big Bang Sang Bleu All Black Pavé will come paired with a black rubber strap or a black ceramic and titanium clasp for an asking price of £40,500 (approximately $50,700). Water resistant to 100 meters, the watch radiates with transparency and robustness in a bold black shade to win 200 hearts all at once.

The post Hublot’s Latest Timekeeping Masterpiece Comes Studded With 180 Black Diamonds first appeared on Yanko Design.

For the latest instalment of our 2024 review, we’ve compiled the most popular chairs published on Dezeen Showroom over the course of the year, including a chair referencing the design of houses in Thailand.

Clam chair by Arnold Madsen and Dagmar

A bulbous seat wrapped in sheepskin and rounded wooden legs combine to form Danish upholsterer Arnold Madsen’s Clam chair, which was originally designed in 1944.

Recently brought back into production by British brand Dagmar, the chair has a soft, timeless appearance and can be upholstered in a range of materials.

Find out more about Clam ›

Able chair by Blå Station

A canvas or leather seat and backrest are stretched across a rectilinear steel frame in the Able chair by Swedish furniture brand Blå Station.

The chair can be specified with casters in place of feet, and the frame and fabric elements come in a range of colourways for increased personalisation.

Find out more about Able ›

Sala chair by Natthorn Uliss for Ülii Design Studio

The design of houses in Thailand was the main touchpoint for designer Natthorn Uliss when creating this wooden chair for furniture brand Ülii Design Studio.

Rounded timber rods were used alongside a pair of wooden planes in the Sala chair, which can be made from mahogany, beech or oak wood.

Find out more about Sala ›

Moon chair by Mark Litvyakov for Wigiwama

Three separate components come together to form this chair released by children’s furniture brand Wigiwama.

The modular Moon chair is upholstered in tactile corduroy or teddy fabric and can be disassembled to be used as equipment for other forms of play, such as fort building.

Find out more about Moon ›

Goodwood chair by Morgan

The shapes of hand-carved sculptures and mobiles informed the appearance of this lounge chair by British furniture brand Morgan.

The Goodwood chair comes in two iterations – one with cut-out armrests and one where they are filled in and appear to be uniform with the seat and backrest.

Find out more about Goodwood ›

Bud chair by Fora Form

A C-shaped, tubular backrest envelopes anyone sitting in the Bud chair by Scandinavian brand Fora Form.

The aim of the design was to provide a more cheerful alternative to conventional task chairs, which Fora Form tackled by using rounded forms and playful colourways.

Find out more about Bud ›

Mosso chair by Pommier

Furniture design company Pommier created this solid wooden chair to have a light, free-flowing appearance.

The Mosso chair is made from FSC-certified timber that was carved to create arching shapes and rounded corners.

Find out more about Mosso ›

Specere chair by Andreas Krob for Okamura

Design motifs found in mid-century drafting chairs were paired with modern ergonomic technology to create this monochromatic task chair.

Created by designer Andreas Krob for Japanese office furniture brand Okamura, the Specere chair was designed to offer users both support and physical flexibility, as well as timeless seating solutions for offices and workspaces.

Find out more about Specere ›

Samba dining chair by David Aguirre for Aguirre

Fibreglass was the main material used for American furniture brand Aguirre‘s Samba dining chair, and the chair’s unusual materiality is matched by its distinctive design.

Samba is made up of a branching backrest, chunky legs and a plush upholstered seat and comes in black, beige and green. The seats can be combined with a choice of upholstery materials.

Find out more about Samba ›

Faneeri folding chair by Jonas Forsman for Nikari

Designed to appear elegant both when folded away and in use, this chair released by Finnish brand Nikari was created by designer Jonas Forsman.

The Faneeri folding chair is made of lacquered oak and features an ultra-thin backrest and seat, allowing it to take up little space when not being used.

Find out more about Faneeri ›

The post The top 10 chairs of 2024 appeared first on Dezeen.