Shannan Beehive Observation Cabin named best building at Dezeen Awards China 2024

An observation cabin in Tibet has been named Dezeen Awards China 2024 architecture project of the year at a ceremony in Shanghai where all eight architecture winners were named.

The winners were awarded at the second annual Dezeen Awards China ceremony. Dezeen Awards China aims to shine a spotlight on the best Chinese architecture, interiors and design, providing international recognition from around the globe.

Shannan Beehive Observation Cabin crowned project of the year

Shannan Beehive Observation Cabin by Omno Lab won architecture project of the year. It was also named cultural project of the year.

“The black box design is well integrated into its surroundings, sparking curiosity and encouraging visitors to explore the beehive story inside,” said judge Sou Fujimoto.

“The use of treated wood stands out as a thoughtful choice, balancing nature, functionality, ecology, tradition, and craftsmanship.”

A cabin using black carbonized wood in Tibet won architecture project of the year

Other winners include Hangzhou-based architecture practice Line+ Studio for its woven timber tunnel and international studio Aedas for a skyscraper in Shenzhen.

Entries were scored by our judges including architects Fujimoto, Amanda Levete, Doreen Heng Liu, Li Hu and Huang Wenjing, and architectural theorist and critic Xiangning Li.

View the winning architecture projects on the Dezeen Awards China website or read below:


Photo by Qiwei Jiang/Shen Gao

Architecture project of the year and cultural project of the year: Shannan Beehive Observation Cabin by Omno Lab

Situated amid the mountains in Shannan City in Tibet, the 60-year-old former orchard was transformed into a honey bee foraging area.

Omno Lab used black carbonised wood as the primary building material to resist the harsh conditions of the high-altitude plateau. The use of black colour blends the structure into the surrounding forest while forming a distinctive black landmark symbol.

“We designed it both for the bees that live here and for the visitors who set foot on this land because of their faith,” said Omno Lab.

“At the same time, this is also a rural revitalisation project – we hope that through such a project, we attract more tourists into Tibet, into Shannan, to learn about the people and natural heritage here, therefore bring some economic benefits to the park and nearby villagers.”

Read more about Shannan Beehive Observation Cabin ›


Photo by Spacework Architects

Residential project of the year: Courtyard Under Longan Trees by Spacework Architects

Located at the corner of the college campus, Spacework Architects’ designed the building around the natural distribution of the longan trees, to form a symbiotic relationship between the building and its environment.

“Our strategy is to go with the flow and let the natural distribution of preexisting trees inform the configuration of the building,” said Spacework Architects. “The resulting building volumes give shapes to multiple courtyards, and seemingly have become containers for the fruit trees.”

Read more about Courtyard Under Longan Trees by Spacework Architects ›


Photo by Aedas

Workplace project of the year: Shenzhen Transsion Holdings Headquarters (T33 Full-Time Centre) by Aedas

As a local landmark at the heart of Liuxiandong HQ Base, the tower offers a three-dimensional green office environment, breaking the spatial barriers between office floors and providing more room for interaction and connection with nature.

“We have set up several sky gardens to reduce the impact of east-west sunlight on the building’s energy consumption,” said Aedas.

“To ensure that office workers on each floor see green garden spaces when they step out of the elevator, we have positioned the east-west gardens directly opposite the tower’s core,” it continued.

Read more about Shenzhen Transsion Holdings Headquarters (T33 Full-Time Centre) by Aedas ›


Photo by Fangfang Tian/ACF

Civic project of the year: Shenzhen Energy Ring by Schmidt Hammer Lassen

This distinctive power plant is one of Shenzhen’s largest waste incineration facilities and addresses critical environmental challenges such as minimising energy consumption, water usage and carbon emissions.

“In line with the client’s initiative to ‘build a factory, return a park,’ this project demonstrates an innovative integration of large-scale industrial functionality with public educational areas, aiming to foster a harmonious dialogue between the waste treatment facility and the surrounding community,” said Schmidt Hammer Lassen.

Read more about Shenzhen Energy Ring by Schmidt Hammer Lassen ›


Photo by Arch-Exist Photography, Line+

Landscape and urban project project of the year: Woven Passage to Cloudy Peaks by Line+ Studio

Located in Xiayanbei Village, Zhejiang Province, the tunnel frames the landscape as a gateway and protects the road from further erosion during heavy rainfall.

“We transform a typical entrance into a unique experiential journey,” said Line+. “Also, the site was previously split by road construction. We pose risks of soil erosion and landslides, making the tunnel a vital infrastructure for ecological restoration.”

Read more about Woven Passage to Cloudy Peaks by Line+ Studio ›


Photo by Lei Zhang

Rebirth project of the year: Staircase Space – Old Factory Space, New Book Cafe by Suzao Architects

Located in the M60 creative campus in Kunming, the studio transformed the 12-metre factory into a cultural space with a bookstore and leisure facilities, whilst retaining the original architectural features.

“We designed a giant bookshelf using an entire wall of the factory building, making it the most core visual focus in the space and carefully designed the traffic walkways in the space, shuttling between the bookshelves on each floor and various functional areas in the space,” said Suzao Architects.

Read more about Staircase Space – Old Factory Space, New Book Cafe by Suzao Architects ›


Photo by Wenjun Liang

Mixed-use project of the year: Flying Carpet by GN Architects

The parent-child activity centre in Ado Town has various functions under a sweeping roof, with the gaps between them forming public spaces.

“We designed a rolled-up roof, under which are four independent functional bodies: a multi-functional hall, a cinema, stairs, and a cafe,” said GN Architects.

“The roof is the main visual part of the facade, weakening other elements and making the facade effects completely different during the day and at night.”

Read more about Flying Carpet by GN Architects ›


Photo by Dong Image

Hospitality project of the year: Guangzhou Ji Yun Yao Resort by Line+ Studio

Line+ reconstructed the settlement by renovating and rebuilding the existing structures with guest rooms arranged at various heights to offer diverse landscape views.

“The aim was to revive the original village using modern profiles combined with local rammed earth materials,” said Line+.

“We used sloping and steep roofs for 18 guest rooms. And they are arranged organically according to landscape orientation and terrain conditions, interconnected by variously scaled landscape platforms,” it continued.

Read more about Guangzhou Ji Yun Yao Resort by Line+ Studio ›

Dezeen Awards China 2024 in partnership with Bentley

Dezeen Awards China is the ultimate accolade for architects and designers across China. The second edition of the annual awards programme is in partnership with Bentley as part of a wider collaboration to inspire, support and champion design excellence and showcase innovation that creates a better and more sustainable world. This ambition complements Bentley’s architecture and design business initiatives, including the Bentley Home range of furnishings and real estate projects around the world.

The post Shannan Beehive Observation Cabin named best building at Dezeen Awards China 2024 appeared first on Dezeen.

Bamboo forest-informed home named Dezeen Awards China 2024 best interior

A Bamboo Sanctuary has been named Dezeen Awards China 2024 interiors project of the year following the announcement of all seven interior winners at this evening’s ceremony in Shanghai.

The seven winners awarded at the second annual Dezeen Awards China ceremony are located in five different cities including Hong Kong, Beijing, Xiamen and Shanghai.

A Bamboo Sanctuary crowned interiors project of the year

A Bamboo Sanctuary won the prestigious interiors project of the year award, sponsored by Huawei. It was also named home interior project of the year, sponsored by Gaggenau.

The judges praised the project for its compact and practical functional layout, precise and meticulous size control, warm and comfortable material planning.

“This interior design thinking is mature and restrained,” the judges said.

A Bamboo Sanctuary won interior project of the year. Photo by Common Studio

Other winners include a flagship store with “petal-like” facade in Shanghai and an exhibition installation inspired by traditional temple furniture in Beijing.

Entries were scored by our interiors jury, which includes Kuang Ming Chou and Vera Chu from design studio Vermillion Zhou, Vincent de Graaf and Wendy Saunders from Aim Architecture and Dirk Zscherpe from Bentley Motors China.

View the winning interiors projects on the Dezeen Awards China website or read below:


Photo by Canter and Gallop Design

Interiors project of the year and home interior of the year: A Bamboo Sanctuary by Canter and Gallop Design

Informed by Kyoto’s peaceful bamboo forests, the residence on top of a seaside cliff has been re-imagined as a serene sanctuary amidst bamboo trees.

The design blends earthy materials, subtle textures, and thoughtful elements to reflect the owner’s love for nature and spiritual sensibilities.

“The result is a tactile haven that whispers tranquillity, inviting its inhabitants to slow down and cultivate a deeper connection with their inner selves and nature,” said the studio

Read more about A Bamboo Sanctuary ›


Photo by Light String Studio

Workplace interior of the year: Sanj Haus by Sanj Design Studio

The studio transformed a historic arcade building into a design studio that includes a coffee shop, preserving the architectural features of the original structure to honour local history and culture.

“The design hopes to revitalise the space and participate in recording and inheriting the history of old Xiamen with the indigenous people,” said the studio.

“For this shophouse, we consciously tried to express what was old and what was new in terms of the design language and how the material is applied.”

Read more about Sanj Haus by Sanj Design Studio ›


Photo by Yumeng Zhu

Exhibition design of the year: Exhibition Installations and Permanent Historical Exhibition at Hong’en Temple by Wonder Architects

The architecture studio developed an exhibition that showcases the temple’s over 700-year history, reflecting the transformation of Beijing’s old city.

The exhibition installations draw inspiration from traditional temple furniture, designed to be easily disassembled and reassembled to adapt to varying needs.

“The information presented in the exhibition can ferment through the interaction between people and objects and between people and space, creating a novel experience,” said Wonder Architects.

“This becomes a documentary reconstruction of the historical site, which does not even rely on the space with historical information itself.”

Read more about Sanj Haus by Sanj Design Studio ›


Photo by Steven Ko

Health and wellbeing interior of the year: Gym Town by M.R. Studio

The founder of Myron Kwan Studio created a futuristic space with Mars-inspired elements that help visitors detach from their busy urban lives and focus on their health goals.

Occupying an entire floor within the On Hing Building in Hong Kong, the 550-square-metre gym provides a luxurious fitness space that includes a “celestial” common area, changing rooms with executive lockers, a designated area for weight training, high-end cardio equipment and a professional combat and boxing zone.

Read more about Gym Town by M.R. Studio ›


Photo by LIA Interior Design

Hotel and short-stay interior project of the year: Citadines Yazhou Bay Sanya by Lia Interior Design

Situated in the tower of a shopping mall complex, the hotel’s design facilitates pedestrian flow and adapts to the limited architectural space. The designer incorporated elements of traditional Chinese aesthetics, local architecture and coastal vacation style into the hotel for business travellers.

“The basic demand of customers is to create a high-quality business travel hotel experience in the coastal resort city of Sanya,” said Lia Interior Design.

“At the same time, they value Rio Design’s aesthetic fusion of humanities, fashion and locality, thus giving birth to the hotel.”

Read more about Citadines Yazhou Bay Sanya by LIA Interior Design ›


Photo by Huawei

Retail interior of the year: Huawei TKL Flagship Store by UNStudio

The store, which was inspired by nature and Huawei’s Harmony operating system, features biophilic forms that create a smooth transition between the indoors and outdoors.

The store’s exterior facade features the spiralling “Tree of Harmony” elements integrated with interactive experiences through AR.

The studio utilised a colour palette of warm and soothing tones for the store’s interior, facilitating the connection between the store’s multifunctional spaces across both floors.

“Our design for the flagship store blends interactive experiences, technology and community creation,” said UNStudio.

“The store provides a contemporary venue as inviting environments for consumers and visitors to meet, share and innovate.”

Read more about Huawei TKL Flagship Store by UNStudio ›


Photo by Half Half Photography

Restaurant and bar interior of the year: Da Niao Yakitori Interior Design by Atelier Tuo

The studio crafted a home-like restaurant with a deep, narrow entrance and integrated the contemporary design into an irregular site framed by historical buildings from various eras.

The restaurant’s interior features a bamboo ceiling that appears to float above the counter, defining the centre of the space while discreetly concealing the ventilation and air-conditioning systems.

Read more about Da Niao Yakitori Interior Design by Atelier Tuo ›

Dezeen Awards China 2024 in partnership with Bentley

Dezeen Awards China is the ultimate accolade for architects and designers across China. The second edition of the annual awards programme is in partnership with Bentley as part of a wider collaboration to inspire, support and champion design excellence and showcase innovation that creates a better and more sustainable world. This ambition complements Bentley’s architecture and design business initiatives, including the Bentley Home range of furnishings and real estate projects around the world.

The post Bamboo forest-informed home named Dezeen Awards China 2024 best interior appeared first on Dezeen.

Jellyfish-shaped lamps named design project of the year at Dezeen Awards China 2024

Polycycle Illumination has been named Dezeen Awards China 2024 design project of the year at a ceremony in Shanghai where all four design category winners were announced.

The four winners named at the Dezeen Awards China ceremony included designs by Goodo Design, Studio Ololoo and Momant Studio.

Polycycle Illumination crowned design project of the year

A series of jellyfish-shaped lamps by Xuanhao won the prestigious design project of the year award and was also named lighting design of the year.

The judges praised the project for its ingenious structure and modularity.

“The feasibility of industrial scalability is an important factor to determine the future of upcycling plastic waste,” said judge Mario Tsai. “Polycycle Illumination seems to find the right balance to secure a commercial value.”

Polycycle Illumination was named design of the year. Photo by Xuanhao Li

Other winners included a wooden stool with an inflatable cushion, a fetal movement and heart monitor and an installation crafted from golden tree trunks and veneer.

The shortlisted design projects were scored by our design panel, which included art journalist Cao Dan, designer Tsai, artist Qiong Er Jiang, curator Paola Antonelli and industrial designer Paul Priestman.

View the winning design projects on the Dezeen Awards China website or read below:


Design project of the year and lighting design of the year: Polycycle Illumination by Xuanhao Li
Photo by Xuanhao Li

Design project of the year and lighting design of the year: Polycycle Illumination by Xuanhao Li

Xuanhao Li’s Polycycle Illumination is a sustainable lamp collection upcycled from plastic film waste through CNC fabrication and craftsmanship.

Through computational design, digital fabrication and crafts, Polycycle Illumination repurposes discarded polyethylene plastic packaging into elegant jellyfish-shaped table lamps, saving them from ending up in landfills or oceans.

The bio-inspired silhouettes pay homage to the marine ecosystem and revive plastic waste with a captivating glow through the interwoven textures.

Read more about Polycycle Illumination by Xuanhao Li ›


Product design of the year: Mom's Hug – Fetal Monitor by Goodo Design
Photo by Goodo Design

Product design of the year: Mom’s Hug – Fetal Monitor by Goodo Design

Created by Goodo Design, the monitor enables non-medical users to easily obtain precise fetal movement data in daily environments like at home or at work.

Replacing the currently-used stethoscope technology, Mom’s Hug is the first of its kind in the industry to provide accurate monitoring while remaining convenient and budget-friendly.

“This is the first fetal movement and heart rate monitor in the industry that uses a pressure sensor combined with Doppler fetal heart rate measurement to provide accurate fetal movement and heart rate data,” said Goodo Design.

Read more about Mom’s Hug – Fetal Monitor by Goodo Design ›


Furniture design of the year: Bubble Stool by Studio Ololoo
Photo by Studio Ololoo

Furniture design of the year: Bubble Stool by Studio Ololoo

Crafted from ash wood and recyclable TPU airbags in a small factory in Ningbo, the stool exemplifies the studio’s exploration of using pressed multiform airbags to create designs for different user scenarios.

“The form of the stool iss inspired by a children’s game of blowing bubbles, like a steel ring,” said Studio Ololoo.

“The inflated TPU airbag is fixed in the seat and is squeezed by the irregular wooden ring to form an organic bubble-shaped seat cushion.”

Read more about Bubble Stool by Studio Ololoo ›


Craft and collectible design of the year: Treehouse Symphony by Momant Studio
Photo by Momant Studio

Craft and collectible design of the year: Treehouse Symphony by Momant Studio

Treehouse Symphony is a wooden sculpture informed by a treehouse with vibrant golden tree trunks and veneers that embody the vitality of nature.

Inspired by treehouses that merge art and nature, the design evokes the viewer’s memories of childhood adventures and the awareness of nature and its protection.

Read more about Treehouse symphony by Momant Studio ›

Dezeen Awards China 2024 in partnership with Bentley

Dezeen Awards China is the ultimate accolade for architects and designers across China. The second edition of the annual awards programme is in partnership with Bentley as part of a wider collaboration to inspire, support and champion design excellence and showcase innovation that creates a better and more sustainable world. This ambition complements Bentley’s architecture and design business initiatives, including the Bentley Home range of furnishings and real estate projects around the world.

The post Jellyfish-shaped lamps named design project of the year at Dezeen Awards China 2024 appeared first on Dezeen.

Coffee Wood Dog Chew (pack of two)

This caffeine-free eco dog chew is made from the dense wood trimmings of coffee plants; it is sanded, cut to size, wears gradually and won’t splinter like most hardwoods. It’s known that chewing is a great activity for dogs, alleviating boredom and aiding in dental health (the wood fibers acting like a natural toothbrush). Unlike some other chew toys these are animal-free and odor-free. Price is for a pack of two small chews; other sizes are available

Elon Musk claims Boring Company could build transatlantic tunnel for around $20 billion

Elon Musk portrait

Tech mogul Elon Musk has claimed that The Boring Company could create a transatlantic tunnel between New York and London for 1,000 times less money than previously estimated.

Musk made the claim in response to a post on the social media platform X, which he owns, by news platform Daily Loud that contained a rendering of a the tunnel with the headline: “Proposed $20 Trillion tunnel would get you from New York to London in 54 minutes.”

In response Musk said: “The @boringcompany could do it for 1000X less money.”

Elon Musk claimed he could create the transatlantic tunnel for around $20 billion

This estimation would put the price of the transatlantic tunnel at around $20 billion (£15.7 billion).

Daily Loud was referencing a figure that has recently appeared in multiple news outlets including Newsweek and CNN, although no scientific or engineering source was cited.

Tunnel would be world’s longest by over 3,000 miles

According to Forbes, in the early 2000s American researchers at MIT Ernst Frankel and Frank Davidson proposed a maglev vacuum train line that would cross the 3,500-mile distance between the metropolises and allow for speeds of up to 1,200 miles per hour.

If built, the 3,500-mile transatlantic tunnel would be the longest in the world by a huge distance. The current tunnel with the longest underwater section is the 31-mile-long Channel Tunnel, which connects the UK and France.

Opened in 1994, the Channel Tunnel cost £9 billion ($11.4 billion) to build, which would be around 18.5 billion ($23.4 billion) today.

Musk first announced his intention to develop “supersonic” lines, called hyperloops, in 2013, proposing a line between the California cities of Los Angeles and San Francisco that would carry small carriages at 700 miles per hour.

Since then, a number of other firms have tried to execute the plan to carry people in vacuum-sealed tubes.

In 2020, transportation company Virgin Hyperloop, owned by billionaire Richard Branson, travelled 500 meters in a BIG-designed pod and reached speeds of 100 miles per hour.

Numerous nations developing hyperloops

So far, the longest hyperloop journey carried out was earlier this year in Switzerland, where a team of scientists were able to run a pod for 11.8 kilometres with a top speed of 25 miles per hour.

A number of nations have also speculated on installing the technology – both India and Mexico have put forward proposals to connect major metropolitan centres with the technology.

Musk founded The Boring Company in 2016 to carry out some of these infrastructure projects, and in 2022 announced a proposal to build a tunnel for Teslas to drive underground and bypass traffic in Miami. This, and other similar projects proposed for Los Angeles and New York, have not moved forward.

A Wall Street Journal report claimed that Musk and The Boring Company had “backed out” on multiple cities to whom Musk’s company sent proposals.

In 2022, the New York Times cast doubt on the viability of these projects going forward. The main problems continue to be funding and questions of integration into the existing infrastructure systems.

“Some industry observers believe that regulatory, financial and political hurdles may doom hyperloop as a viable high-speed alternative to air travel,” said the New York Times.

The photography is courtesy of Shutterstock.

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The Dezeen team's favourite buildings of 2024

Brighton College performing arts centre by Krft

From an art gallery in a converted grain silo to a brick workshop in Vietnam, Dezeen’s editorial team have each picked their favourite building of 2024, out of more than 1,000 we have published throughout the year.


University Children's Hospital (Kinderspital) by Herzog & de Meuron
Photo by Maris Mezulis (also t0p)

University Children’s Hospital, Switzerland, by Herzog & de Meuron
chosen by Lizzie Crook, architecture editor

“At a glance, you might mistake this wood-lined courtyard for part of a luxury Scandinavian home, but it actually belongs to Kinderspital, a hospital for kids in Zurich.

“The project embodies the need to bring nature into the built environment that we so often hear about but is so rarely put into practice in healthcare – at least here in the UK, where medical infrastructure is plagued by sterile white-walled spaces.

“You can be sure the building not only aids the healing process for children but also comforts worried parents and fatigued staff. It’s an unexpected triumph for a studio best known for its cultural landmarks.”

Find out more about University Children’s Hospital ›


Kunstsilo in Norway by Mestres Wåge Arquitectes, BAX and Mendoza Partida
Photo by Alan Williams

Kunstsilo, Norway, by  Mestres Wåge Arquitectes, BAX and Mendoza Partida
chosen by Jane Englefield, design and interiors reporter

“No two galleries are the same within this converted 1930s grain silo in southern Norway, renovated to house the world’s largest private collection of modern art from the Nordic region.

Mestres Wåge Arquitectes, BAX and Mendoza Partida preserved the building’s bright white functionalist facade, which gives away nothing from the outside, making the ‘basilica-like’ central atrium a striking revelation.

“Imagining myself standing in the interior as a tiny person gawping at this 21-metre-high circulation core, I’m transported to the inside of an otherworldly spaceship or maybe a jumbo cheese grater. My references aren’t strictly architectural, but the project sparks a distinctive feeling – and that’s what I like to get from a building.”

Find out more about Kunstsilo ›


Cross Cabin
Photo by Daniel Cavazos

Cross Cabin, USA, by Moontower Design Build
chosen by Ben Dreith, US editor

“With mass timber‘s rising popularity, Texas-based studio Moon Tower Design Build gestured even further, constructing what it calls a ‘plant-based’ house in Austin.

“Relatively simple in form, the structure has a cork exterior and mass-timber structural elements, with many different types of wood used for the interiors, mostly left unfinished to highlight the processes and nature of the materials as well as the almost-ubiquitous use of wood.”

Find out more about Cross Cabin ›


Brighton College performing arts centre by Krft
Photo by Stijn Bollaert

Brighton College performing arts centre, UK, by Krft
chosen by Amy Peacock, architecture reporter

“‘Form follows function’ is a phrase often thrown around in architecture, and it’s perfectly embodied in Dutch studio Krft‘s design for the Brighton College performing arts centre, where the facade bulges out to accommodate stepped theatre seating.

“The studio made bold moves with the massive brutalist form, but the scale is somehow softened by the grey brick and flint cladding, which creates a subtle stepped pattern under the swooping curves and ties to the adjacent neogothic flint building.”

Find out more about Brighton College performing arts centre ›


Living in Lime by Peris+Toral Arquitectes
Photo by José Hevia

Living in Lime, Spain, by Peris+Toral Arquitectes
chosen by Nat Barker, features editor

Mallorca has emerged as an unlikely hotspot for quality social housing in recent years, and this development of 42 apartments by Barcelona studio Peris+Toral Arquitectes is among the best examples I’ve seen to date.

“It is respectful of its surroundings, gentle in its density and sparing in its use of concrete, as well as generous in layout and use of material finishes inside the flats. I expect it will be a place where people enjoy living for a very long time.”

Find out more about Living in Lime ›


Grand Palais Olympic venue
Photo by Laurent Kronental

Grand Palais restoration, France, by Chatillon Architects
chosen by Tom Ravenscroft, editor

“More than any other venue, the Grand Palais came to represent this year’s Paris Olympics with is vast green-steel-and-glass structure forming a dramatic backdrop for the fencing and taekwondo events.

“The 19th-century landmark structure between the Champs-Élysées and the Seine was restored by French studio Chatillon Architectes ahead of the games.

“It’s not only the restoration of a significant landmark, but also demonstrates the Olympics’ increased focus on reuse – with just one new permanent venue built for this games.”

Find out more about the Grand Palais ›


One-kilometre-long museum
Photo by Arch-exist

Zaishui Art Museum, China, by Junya Ishigami
chosen by Jennifer Hahn, design and environment editor

“Like Jesus, Junya Ishigami‘s Zaishui Art Museum allows visitors to walk on water – in this case, an artificial lake in China’s Shandong Province.

“Small gaps in the facade allow water to wash over the museum’s floor, setting a dramatic new example for how buildings in China – and the rest of the world – can actually bring people closer to nature rather than keeping them sequestered.”

Find out more about Zaishui Art Museum ›


Church interior
Photo by Jason Keen courtesy of the Library Street Collective

The Shepherd arts centre, USA, by Peterson Rich Office
chosen by Ellen Eberhardt, US reporter

“Following a recent increase in development in Detroit, The Shepherd arts centre is part of the wider Little Village project, which encompasses a host of creative spaces.

“While impact on the city from these recent projects remains to be seen, Peterson Rich Office thoughtfully restored and converted this early-1900s church into a gallery space. I imagine it lends itself well to a host of events, or a peaceful Sunday at its library.”

Find out more about The Shepherd ›


Rotating concrete wall at PLATO Contemporary Art Gallery by KWK Promes
Photo by Jakub Certowicz

Plato Contemporary Art Gallery, Czech Republic, by KWK Promes
chosen by Cajsa Carlson, deputy editor

“The Czech Republic has been the site of a significant number of interesting architecture projects in recent years, many of them adaptive reuse ones that transform existing buildings.

“The best one this year was architecture studio KWK Promes‘ metamorphosis of a former slaughterhouse in Ostrava. The studio turned the heritage-protected 19th-century brick building into an art gallery, adding rotating white concrete walls that let it open up to its surroundings.”

Find out more about Plato Contemporary Art Gallery ›


Sun Tower by OPEN Architecture
Photo by Jonathan Leijonhufvud

Sun Tower, China, by Open Architecture
chosen by Christina Yao, China editor

“After a museum inside a sand dune and a rock-like concert hall, Open Architecture managed another landmark cultural building that interacts with nature. This time, the building is able to mark the changing path of the sun throughout the year.

“The visually striking form is topped with a glass-lined library and a semi-open viewing deck. I can imagine myself just sitting there all day staring space into the sea. It’s exactly what the public in China need to slow down and relax.”

Find out more about Sun Tower ›


Terra Cotta Workshop by Tropical Space
Photo by Trieu Chien

Terra Cotta Workshop, Vietnam, by Tropical Space
chosen by Starr Charles, editorial assistant

“Encompassing a visitor centre and brick kiln, the Terra Cotta Workshop in Vietnam by Tropical Space was designed to accompany the site’s existing Terra Cotta Studio, which was designed by the studio for artist Le Huc Da in 2016.

“Drawing me to the project’s simple yet charming design is the use of perforated brick walls, which provide shade and ventilation on the interior, as well as its open shelving, which encloses the workshops and doubles as a display space for the pottery.”

Find out more about the Terra Cotta Workshop ›

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People's Architecture Office transforms Chinese porcelain factory using "plug-in architecture"

Porcelain Factory Conversion by People's Architecture Office

Chinese studio People’s Architecture Office has converted an old porcelain factory in Jingdezhen into workshops and a gallery using colourful steel and glass extensions.

Named Porcelain Factory Plug-in Revival, the project is located alongside the Imperial Kiln Ruins and Imperial Kiln Museum in a historical part of the city dubbed the porcelain capital of the world.

Beijing-based People’s Architecture Office‘s (PAO) design opens up the previously private site to expand the area’s offering for both locals and tourists.

Exterior of Porcelain Factory Conversion by People's Architecture Office
People’s Architecture Office has transformed an old porcelain factory in Jingdezhen

Using a strategy that the studio calls “plug-in architecture”, the site’s traditional brick and timber structures have been extended and interlinked with contemporary elements in glass and blue and orange steel.

“By using plug-in architecture, the design addresses contemporary needs within a heritage context, adding functional spaces that support modern artistic practices and community interaction,” PAO principal James Shen told Dezeen.

“This approach enables modern interventions to coexist with traditional elements, creating a space that harmonies old and new as a form of urban regeneration,” he added.

Interlinks of Porcelain Factory Conversion by People's Architecture Office
The studio connected the old structures with modern elements

At the centre of the site next to a large brick chimney, PAO has encased the factory’s tallest structure in a glazed shell.

This aims to better connect its internal exhibition spaces and cafe to a surrounding public square, created by uniting two previously isolated courtyards.

This central form is topped by an oversized roof described by Shen as the project’s “contemporary focal point”. It is finished with clay tiles on the exterior and faceted, slatted wood ceilings above the internal spaces.

“The three-story glass building, a key intervention, anchors the public square and introduces openness and transparency, visually harmonising with the surrounding traditional architecture,” he explained.

Central building of Porcelain Factory Conversion in China
The central structure is encased in a glazed shell

“The balance between modern and traditional is emphasised by the roof’s ‘floating’ quality over the transparent enclosure, creating a memorable architectural feature that elegantly bridges the distinction between the past and the present,” Shen added.

Around this central structure are the restored porcelain workshops, of which the existing brick and timber structures have been restored and extended by PAO with a series of prefabricated cuboid modules, staircases and walkways.

Restored buildings of Porcelain Factory Conversion by People's Architecture Office
PAO chose colourful finishes for the new steel elements

Each metal-clad module has allowed the insertion of modern facilities into the old buildings, including a kitchen, bathrooms, meeting spaces and sleeping areas, while minimising disruption to their existing fabric.

PAO was founded in Beijing in 2010 by Shen, He Zhe, and Zang Feng. Previous projects by the studio include an amoeba-shaped public restroom in Manshan Park and the renovation of a school in Shenzhen with blue-toned metalwork.

The photography is by Zhu Yumeng

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Dezeen teams up with Kia to profile vast South Korean arboretum containing Álvaro Siza buildings

Dezeen has partnered with  Kia Design Team to launch a video series highlighting contemporary South Korean architecture, beginning with the Sayuwon arboretum and architecture park.

In the first video reel in the series, Dezeen showcases the Sayuwon Arboretum alongside Kia’s EV9 car model.

Dezeen video profiles vast South Korean arboretum

Sayuwon is a 700,000 square-kilometre park located in a mountainous region outside the city of Daegu, South Korea.

Originally conceived as a preservation project for quince trees in 2004, Sayuwon has since grown into a sprawling complex of landscaped gardens, hiking routes, buildings and artworks.

Sayuwon park in Seoul, South Korea
The park includes structures designed by international architects

The park includes various buildings, including a monolithic concrete art pavilion created by Pritzker Architecture Prize-winning architect Álvaro Siza in collaboration with Carlos Castanheira Architects.

The pavilion comprises two large forked volumes, built partly underground from rough board-formed concrete. As visitors walk through the space, they encounter square openings in the walls and ceilings which provide glimpses of the sky and surrounding landscape.

The structure was built to be used as an exhibition space for sculptures designed by Siza, who also created an intimate chapel and a looming concrete observation tower for the park.

Kia EV9 car driving in park
The EV9 is a high performance electric vehicle

Dezeen’s collaborative video series with Kia situates the Kia Design Team’s electric car models alongside examples of contemporary South Korean architecture.

For the first reel in the series, Dezeen filmed Kia’s EV9 alongside the buildings at Sayuwon.

The Kia EV9 is a fully electric SUV with a polygonal form and partially faceted edges. The vehicle comes in six or seven-seat configurations.

Kia Ev9 front bumper
The EV9 is a fully electric SUV with a polygonal form

Kia aimed to create a sleek, sculptural exterior for the car, with fold-away door handles and flat vertical headlights, as well as Kia’s “digital tiger face” design for the front of the vehicle.

According to Kia, the car is designed to be compatible with a variety of environments, from dense urban areas to long-distance travel.

Partnership content

This video series was produced by Dezeen in partnership with Kia. Find out more about Dezeen partnership content here.

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Kengo Kuma tops sculptural community centre with swooping bamboo roof

Bamboo Gate community facility by Kengo Kuma and Associates

An oversized, bamboo-clad roof connects the spaces at the Bamboo Gate community centre in the Mabi Reconstruction Disaster Prevention Park, Japan, designed by architecture studio Kengo Kuma and Associates.

Designed to frame views of the surroundings, the building has two volumes separated by an opening to give it a form resembling a gateway.

Bamboo Gate community facility in Japan by Kengo Kuma and Associates
Bamboo Gate was made from bamboo sourced locally in Mabi

Named Bamboo Gate, the community centre is located in the town of Mabi in Okayama Prefecture, which was damaged by flooding in 2018.

The building and surrounding Mabi Reconstruction Disaster Prevention Park were designed by Kengo Kuma and Associates to provide a disaster-resilient public space for the town.

Bamboo Gate community facility by Kengo Kuma
Its swooping roof connects two sides of the building and forms an opening in the centre

One side of the building, which is clad almost entirely in bamboo contains an emergency storage warehouse.

The sculptural roof curves out from this storage warehouse to form a column at the centre of the community centre, which has glass walls and will be used as an events space.

The roof overhangs both volumes to shade the outdoor space around the building.

“The large bamboo eaves that extend out into the surroundings are opened as a breezeway to protect people from the rain and sunlight,” said Kengo Kuma and Associates.

Bamboo community centre in Japan
The building has a curving shape

A paved path forms an axis through the opening in Bamboo Gate, designed to connect the river, city and surrounding mountains.

“A large hole through the centre of the Bamboo Gate is made of bamboo, a local speciality of Mabi,” said Kengo Kuma and Associates.

“This opening receives the axis from the city and the river, and through this opening, the bustle of the city and the beautiful nature of the Oda River and mountains are connected.”

Mabi Disaster Prevention Park
Bamboo Gate is located in the Mabi Disaster Prevention Park

Japanese architect Kengo Kuma founded his eponymous studio in 1990. Today, it has offices in Tokyo, Paris, Beijing, Shanghai and Seoul.

Other projects recently completed by the studio include a sculptural clay museum in China clad in ceramic tiles and the Saint-Denis Pleyel Station in Paris, which was cloaked in wooden louvres.

The images are courtesy of Kengo Kuma and Associates.

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Eba opens London showroom featuring its "timeless" kitchens and furniture

Eba Marylebone

Promotion: kitchen and furniture brand Eba has opened its first London showroom, exhibiting its own kitchen and living room designs alongside furniture from other boutique brands.

Situated in Marylebone, on a street featuring other distinguished design brands, Eba‘s new showroom serves as a destination for those seeking refined, bespoke interiors, said the brand.

Interior view of London showroom by Eba
Eba has opened a showroom in Marylebone

“Marylebone’s blend of historical charm and modern sophistication makes it an ideal location for eba’s new showroom,” the brand said.

“This vibrant neighbourhood reflects the brand’s ethos: timeless design enhanced by contemporary living.”

It is the company’s fourth showroom around the world as it looks to extend its geographical footprint, adding to its presence in Paris, Auch (in south west France), and Mexico City.

Close-up of kitchen interior by Eba
The showroom exhibits exclusive kitchen designs and luxury furniture

Spread across two floors, the 215-square-metre London showroom features kitchens and living room furniture designed to “blend aesthetic beauty with everyday practicality”.

This includes Santos’ crafted kitchens, designed in collaboration with its Spanish parent company Santos, to create spaces ideal for modern living.

Living space interior at Eba Marylebone
The furniture is defined by sleek lines, ergonomic layouts, and craftsmanship

Defined by sleek lines, ergonomic layouts, and precision craftsmanship, the kitchen designs are intended to balance beauty and functionality.

Also featured in the space is a collection of luxury living room furniture by Eba, alongside iconic pieces by other design brands including House of Finn Juhl, PP Møbler, and Fredericia.

Reflecting its aim to serve clients seeking “sophisticated, beautifully crafted interiors”, the showroom is finished with natural and minimalist interiors consisting of neutral tones.

Kitchen interior within London showroom by Eba
Pieces from luxury design brands are exhibited throughout the space

The showroom opens up to a functional kitchen space, which features handless unit fronts in cashmere and worktops in Mont Blanc Quartzite, alongside a dining table in solid oak.

It also features a retractable sliding door unit and plinth drawers.

Eba kitchen
The kitchen area is in the basement level of Eba’s London showroom

The ground floor living area appears as a refined and contemporary space, accentuated by seating by House of Finn Juhl, lamps from Flos, and a bookshelf, alongside a stone and wood table by Eba.

A kitchen and dining area complete with walnut furniture is hosted on the showroom’s basement level.

Desk area within Eba Marylebone showroom
A Cherry Wood desk by Eba is on show in the library area

Also on show in the library area of Eba’s Marylebone showroom is a cherry wood desk paired with a PP Møbler chair.

Beside this space is a dining room intended to convey a modern elegant aesthetic, where lie a wooden table and chairs under hanging lights from Moooi.

Dining table at Eba's Marylebone showroom
Eba’s parent company Santos was founded in 1952

Eba was established by the designer behind Santos, a boutique kitchen and furniture manufacturer based in Spain which goes back to 1952 when it was founded.

To celebrate its opening in November, Eba hosted an exclusive reception, where guests were offered a first look at the brand’s furniture, alongside the creative team.

For more information, visit the brand’s website here.

The photography is by Verónica Rodríguez for Eba.

Partnership content

This article was written by Dezeen as part of a partnership with Eba. Find out more about Dezeen partnership content here

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