Wolf-Gordon exhibits collection of statement wall coverings by Latin American artists

El Muro wall covering by Wolf-Gordon

Promotion: the El Muro wall covering collection by US surface design brand Wolf-Gordon, featuring designs from artists of Latin American descent, is being exhibited at the brand’s head office until the end of the year.

Wolf-Gordon invited seven Hispanic artists who live on either side of the US-Mexico border to design a wall covering that celebrates patterning and murals through the lens of their lived experience.

The collection was conceived as an exhibition for Mexican artists north and south of the US-Mexico border, exploring issues of identity, culture, and heritage.

El Muro wall covering by Wolf-Gordon
Wolf-Gordon has launched a range of wall coverings designed by Latin American artists

The family operated surface design brand has been operating for over 50 years creating wall coverings, wall protection panels, paints, acoustic panels and upholstery.

“Mexico has a rich visual culture that has served to transmit its traditions, rhythms of life, and belief systems for thousands of years,” said Wolf-Gordon chief creative officer Marybeth Shaw.

“Cosmology, the persistence of dualities, and reverence for nature and its cycles are painted in murals, woven into patterns and sculpted in an elaborate vocabulary of signs.”

El Muro by Wolf-Gordon
El Muro aims to showcase how living above or below the US-Mexico border affects the designers’ identities

Shaw said she gave the artists a blank canvas with which to explore the themes, and chose artists across diverse disciplines from painting and conceptual art to product design, ceramics and textiles.

Four of the artists who designed for the El Muro collection live and work in Mexico, and three are of Mexican or Ecuadorian descent living and working in the US.

Wolf-Gordon digitally printed the artists’ designs as wall coverings, forming a collection that aims to represent how heritage is affected by living on either side of the US-Mexico border.

El Muro by Wolf-Gordon
Francisco Donoso used layers of acrylic, spray paint, ink and coloured pencils to create a vibrant feature wall

The designers living in Mexico included Platalea Studio co-founder Rodrigo Lobato, Ila Ceramics founder Camila Apaez, and artists Laura Noriega and Dyg’Nojoch. Those contributing from the US were Blanka Amezkua, Monica Curiel and Francisco Donoso.

“These murals and patterns are about hope built upon a proud knowledge of the past, regardless of the artist’s location south or north of El Muro,” said Shaw.

Hailing from Guadalajara, Apaez aimed to evoke the inner turmoil of leaving something behind when crossing a border in her design, Frontiers.

El Muro wall covering
Violet Spring features the bright purple flower petals of the Jacaranda tree

She used clay, liquid clay and oxides to create a sinuous design presenting the divide between before and after, which was photographed for the Wolf-Gordon wall panels.

Dyg’Nojoch, who lives and works in the Mexican town of San Cristóbal de las Casas, used the symbolism of deer as spiritual guides in his design, Iconografía y Flora Animal.

Painted in an expressive style, Dyg’Nojoch covered deer with colourful flowers and patterns, informed by Mexican festivals and textiles from his home region.

El Muro wall covering
Barro Blanco has a textured surface pattern

New York-based Amezkua created Echoes of the Codex de la Cruz-Badiano: A Floating Tapestry of Indigenous Medicinal Wisdom, which features colourful illustrations of medicinal plants on a black background, aiming to honour Indigenous American knowledge of botany.

Also based in New York, Donoso used acrylic, spray paint, ink and coloured pencils on mylar to create the colourful and fluidly patterned Boundless wall covering.

El Muro wall covering
Blanka Amezkua created a design informed by Indigenous knowledge of medicinal plants

Curiel, a first-generation Mexican American living in Denver, drew upon memories of her father working on construction sites when creating Barro Blanco, which has a textured design depicting plaster sheets layered on Roman clay.

Fulgor/Glare is a blue wall covering overlayed with roses, feathers and stars, designed by Mexico City-based Lobato to reflect Mexican religious symbolism.

Jacaranda trees informed Guadalajara-based artist Noriega’s design, Violet Spring, which depicts petals from the tree’s violet-hued flowers.

El Muro wall covering
The El Muro collection includes designs from seven artists

El Muro was exhibited at the HD Expo in Las Vegas earlier this year and is now on display at Wolf-Gordon’s New York City headquarters, where it will remain through December.

Created as part of the brand’s Curated Collection, the El Muro wall coverings can be used as feature walls, headboards or desk frontage in commercial, hospitality or office interiors.

For more information, visit the Wolf Gordon website.

Partnership content

This article was written by Dezeen for Wolf-Gordon as part of a partnership. Find out more about Dezeen partnership content here.

The post Wolf-Gordon exhibits collection of statement wall coverings by Latin American artists appeared first on Dezeen.

Ceramic flush-mount ceiling lights by Naaya Studio

Ceramic flush-mount ceiling lights by Naaya Studio

Dezeen Showroom: Indian lighting company Naaya Studio combined style and functionality in its series of ceramic flush-mount ceiling lights, which are made of natural clays.

The ceramic flush-mount ceiling lights intend to provide elegant ambient lighting option in spaces with low ceilings, for which it can be difficult to find stylish light fittings.

Ceramic flush-mount ceiling lights by Naaya Studio
Naaya’s ceramic flush-mount light options include the Canista design

The lighting designs include several with large openings that allow plenty of illumination for spaces that require high visibility, including kitchens, wardrobes and shops.

There is the simple, globe-shaped Orbic, as well as the large drum-like Canista and the more ornamental Ridges, which has ridged edges that create a sculptural gradient of light and shadow.

Ceramic flush-mount ceiling lights by Naaya Studio
Naaya aim for the lights to provide a stylish and practical option in spaces with low ceilings

Alternatively, the Eclipse design features indirect illumination from a concealed light source that creates an eclipse-like effect across the ceiling and provides more gentle lighting in spaces where a relaxing ambience is desired.

Naaya’s ceramic flush-mount ceiling lights are available in a choice of four clay types, and some come finished in painted colours.


Product details:

Product: Ceramic flush-mount ceiling lighting
Brand: Naaya Studio
Contact: sales@naayastudio.com

Material: ceramic

Dezeen Showroom

Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen’s huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

The post Ceramic flush-mount ceiling lights by Naaya Studio appeared first on Dezeen.

Transportation Designer Turns Xmas Card Concept Sketch into Real Electric Motorcycle

Alan Derosier is a French transportation designer. (We looked at his excellent work here.) Derosier has a quirky habit of sending out family Christmas cards with fanciful concept renderings on them, like this one:

Derosier got a chance to realize that concept, albeit with wheels. He was contacted by Eyelights, a French company that makes heads-up displays for motorcycle helmets, to help them produce a prototype electric motorcycle. The resultant design is called the Rocket One:

Derosier provides some background info:

“This is my first motorcycle project, and what a fun project it was! As it was something new for me and I had no experience in that field, I decided to approach it exactly the same way as with cars. I started with the proportions and silhouettes research, then balancing the masses and refining the surfaces, to finish with all the tech details.”

“The tricky part was to try to make it feel as light as possible even though it carries these huge batteries.”

“Done in a record time of 3 months from 1st sketch to working prototype! Supported by a team of incredibly skilled people from @l2concept (Alain Grandjean & David Carvalho) : 3D modeling (@_clara_rt_ , Anthony & Bernard), electronic specialist to setup all the lighting animations on the prototype (Jerome & Anthony), the team of assemblers (Manon, Julie & Jeff) the painters (Christian & BenJ) . But also video makers (Julien & Quentin) and photographer/retoucher (@tomwheatley.eu). This project is called ROCKET ONE and was initiated by Romain Duflot @duff.ro for his company EYELIGHTS @eyelightsfr.”

Eyelights says the bike is production-ready, and has started an e-mail notification list. No prices have been announced.

ASUS ROG Phone 9 Pro Review: The Ultimate Gaming Smartphone Experience

PROS:

  • More elegant, minimalist, and mature design
  • AniMe Vision display and AniMe Play features add a unique charm
  • Unbeatable performance and cooling system
  • Decent cameras for a gaming-centric smartphone

CONS:

  • Incremental upgrades only over the previous generation
  • 13MP ultra-wide camera feels a bit dated

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR’S QUOTE:

The ASUS ROG Phone 9 Pro offers great value, balancing advanced gaming features with an elegant and mature design.

award-icon

Mobile gaming remains a lucrative industry, with millions of gamers worldwide seeking the best devices to enhance their gaming experience. However, as mainstream smartphones improve their performance, the allure of dedicated gaming phones has diminished. Yet, a niche market persists for devices specifically designed for gaming enthusiasts. The ASUS ROG Phone 9 Pro emerges as a contender in this space, promising speed and flair. But does it meet the expectations of pro gamers?

The ASUS ROG Phone 9 Pro launches at a rather critical time for gaming smartphones and it seeks to carve out its niche by offering features tailored to gaming. Packed with high-performance specs and unique design elements, it targets those who demand more from their mobile devices. This review delves into whether the ROG Phone 9 Pro truly delivers on its promises and whether you should upgrade from the brand’s previous model if you already have it in your hands.

Designer: ASUS Republic of Gamers

Aesthetics

Just like its predecessor, the ASUS ROG Phone 9 Pro’s design marks steps away from the overtly flashy aesthetics typical of gaming phones. It adopts a minimalist approach that exudes maturity, appealing to both gamers and non-gamers. The geometric camera bump and off-center design elements subtly nod to its gaming roots, maintaining a distinct identity.

The back cover, crafted from a single piece of glass, showcases precision etching for added texture. This design choice not only enhances the phone’s visual appeal but also provides a tactile experience. The matte finish employs a crystalized nano-texture, ensuring a silky touch while resisting fingerprints, keeping the device pristine.

A standout feature for gamers is the AniMe Vision display that gives the smartphone a unique flair. The ROG Phone 9 Pro model utilizes 648 mini-LEDs to display icons, text, and even GIF animations, adding a dynamic element to the phone. Hidden animations can be unlocked when two ASUS ROG Phone 9 Pro devices are near, using NFC technology, offering a novel interactive experience that creates a community of ASUS ROG Phone 9 Pro owners.

Exclusive to the Pro model as well, the AniMe Play feature brings retro mini-games to the AniMe Vision display, further emphasizing the phone’s gaming focus. This playful addition caters to gamers seeking entertainment beyond traditional mobile games, enhancing the device’s appeal. Overall, the design balances sophistication with gaming-centric elements.

Ergonomics

Despite its large 6.78-inch display, the ASUS ROG Phone 9 Pro is designed for comfort. The textured finish provides a secure grip, making it easier to hold during long gaming sessions. This ergonomic consideration is crucial for gamers who prioritize comfort and usability.

However, the phone’s thickness, primarily due to its substantial battery, might be a drawback for some users. While it ensures extended gaming sessions, it adds bulk to the device. Balancing battery life with portability remains a challenge in gaming phone design.

The dual USB-C ports are a thoughtful addition, allowing users to charge the device without interrupting gameplay. This feature is particularly beneficial for gamers who engage in prolonged sessions, ensuring an uninterrupted power supply. Such practical design choices demonstrate ASUS’s commitment to enhancing the gaming experience.

Performance

The ASUS ROG Phone 9 Pro is a powerhouse, boasting the Qualcomm Snapdragon 8 Elite processor. Coupled with 24GB of RAM and 1TB of storage in the Pro Edition, it ensures high-performance gaming and multitasking capabilities. This setup positions it not only as a formidable contender in the gaming phone market but also as a reliable everyday mobile device.

The GameCool thermal management system effectively dissipates heat, preventing build-up and ensuring sustained performance. This feature is crucial for maintaining optimal performance during intense gaming sessions, where overheating can be a concern. If you need even more cooling, the Pro Edition ships with the AeroActive Cooler X Pro which enhances cooling with a Pelter chip for passive cooling and larger fans for active cooling. It also includes physical left and right buttons, providing additional functionality similar to popular game controllers.

The 2400×1080 6.78-inch AMOLED display offers vibrant colors and exceptional brightness. It also comes with a 2400×1080 resolution and a 185Hz refresh rate that’s boasted to be the highest on a phone. This display quality elevates the gaming experience, providing immersive visuals. The phone’s performance is further enhanced by AI features, including automatic item pickup and moment recording. That said, these AI features are limited to a few titles like Genshin Impact, Honkai: Star Rail, and Mobile Legends Bang Bang so they might not be generally useful.

The ASUS ROG Phone 9 Pro is equipped with a robust 5,800 mAh battery, ensuring extended gaming sessions without frequent recharges. It supports fast 65W charging and can go from zero to full in less than 50 minutes, a boon for gamers on the go. Additionally, the phone offers 15W wireless charging, providing convenient and flexible power options to suit various user needs.

The ASUS ROG Phone 9 Pro surprises with its competent camera system, featuring a 50MP Sony Lytia 700 sensor at the helm. This primary camera delivers detailed images, a pleasant surprise for a device primarily focused on gaming. It challenges the notion that gaming phones must compromise on camera quality.

The 32MP telephoto camera with 3x optical zoom and 13MP ultra-wide-angle lens provide versatility in photography. While not extraordinary, they offer decent performance for everyday use. This well-rounded camera setup adds value to the phone, catering to users who appreciate photography.

Features like Photo Vibe enhance the photography experience, offering color and temperature presets. AI Object Sense provides auto-correction, optimizing photos based on scene elements. The AirTrigger Capture function utilizes the same capacitive side buttons used for gaming as a dedicated shutter button, adding a unique touch to mobile photography. The ROG Phone 9 Pro is not a pro camera phone by a long shot, but this powerful camera system at least adds to its versatility and usefulness outside of games.

Sustainability

In terms of sustainability, the ASUS ROG Phone 9 Pro follows the conventional smartphone formula, utilizing plastic, metal, and glass. Unfortunately, it does not incorporate recycled materials, a growing trend in the industry. However, it boasts an IP68 dust and water resistance rating, enhancing its durability and longevity.

While sustainability may not be its strongest suit, the phone’s robust build quality ensures it can withstand everyday challenges. This aspect is crucial for gamers who demand reliability and resilience from their devices, particularly during intense gaming sessions.

Value

The ASUS ROG Phone 9 Pro offers impressive performance and a suite of features tailored for professional mobile gaming. Its beautiful screen and additional side charging port are standout features. These elements cater to gamers seeking a device that prioritizes performance and practicality.

However, for existing ROG Phone 8 Pro users, the upgrades may seem incremental, providing little incentive to switch. This aspect may affect its appeal to loyal ASUS customers seeking significant improvements. Nonetheless, the ROG Phone 9 Pro remains a compelling choice for new buyers.

Despite the incremental upgrades, the ROG Phone 9 Pro represents good value for those seeking a dedicated gaming phone. It combines high-end specifications with thoughtful design elements, appealing to gamers who value not only performance but also aesthetics. The phone’s value proposition lies in its specialized features, from ROG’s famous Armory Crate to the phone’s invisible AirTrigger buttons. Even the animated AniMe Vision display is a treat for mobile gamers who want to brag about their gear.

Verdict

Gaming smartphones are evolving, adopting more refined designs while maintaining their core gaming features. However, with regular flagship phones matching their performance, the reasons to invest in a dedicated gaming device are dwindling. Nevertheless, the ASUS ROG Phone 9 Pro continues to offer great value, balancing advanced features with a mature design.

For gamers who demand the best, the ASUS ROG Phone 9 Pro stands out as a worthy contender. It combines speed, style, and substance, making it a compelling choice for those who want a device tailored to their gaming needs. Despite the shrinking market for gaming phones, ASUS’s offering remains a testament to innovation in the mobile gaming arena.

The post ASUS ROG Phone 9 Pro Review: The Ultimate Gaming Smartphone Experience first appeared on Yanko Design.

Scullion Architects adds green "long gallery" to 1930s Dublin house

Rathdown by Scullion Architects

Irish studio Scullion Architects took visual cues from long galleries in country homes in its design of Rathdown, a window-lined extension to a house in Terenure, Dublin.

The elongated extension contains a spacious kitchen and dining area and opens up the home’s existing ground-floor living spaces, which were previously “cramped and dark”, Scullion Architects said.

Its layout is modelled on a long gallery, a spacious corridor-like room lined with windows, typically found in traditional country homes and used to connect spaces while providing outward views.

Exterior of Rathdown by Scullion Architects
Scullion Architects has extended a 1930s house in Dublin

“The existing house was lacking any social heart,” studio director Declan Scullion told Dezeen.

“Although the original home had three generous ground floor reception rooms, their distance from the kitchen and garden views meant that none lent themselves to daily use, and the family would instead tend to squeeze around an undersized table in the kitchen,” he continued.

“The long gallery was introduced to stimulate a more social home environment for the family, and act as a conduit between the existing ground floor reception rooms, hallway, and the garden.”

Dublin house extension formed of green powder-coated aluminium
It is formed of green powder-coated aluminium

Outside, Rathdown is defined by deep green powder-coated aluminium that is teamed with timber elements in the same hue.

According to Scullion Architects, this material palette references conservatories of a typical 1930s home in Ireland.

Interior of Rathdown by Scullion Architects
The extension is modelled on a long gallery

From inside, the extension is accessed via a cosy reading room, which connects to one of the existing reception rooms with a set of steps.

“Layering the more social programs of reading area, dining, kitchen, with the older more static reception rooms, it is hoped this new room will encourage dynamic coexistence of activities and increased interaction and communication,” said Scullion.

Rathdown’s kitchen and dining room feature warm-toned timber cabinetry and wall panelling, paired with minimalist stone steps and flooring.

Picture windows line the garden-facing wall, bookended by folded windows to maximise the extension’s access to nature.

Interior of Dublin house extension
It is accessed by a set of stone steps

“Part of the role of the long gallery was to draw the sun into a north-east facing kitchen for as long as possible during the day,” Scullion explained.

“The folded windows at either end flank of the long room draw in the morning sun for longer, as it tracks from east to west, but importantly it also alleviates the sense of a blinkered and bookended garden aspect,” he continued.

“By extending to the side on the west, and raising a clerestory window along the west and south facing glazing to the front, this room receives sun for most of the day.”

Front elevation of Rathdown by Scullion Architects
Brick planters conceal the front elevation of the extension

Towards the front of Rathdown, the extension has a stepped brick elevation, incorporating raised planters that help to screen the tall south-facing windows, balance balancing and natural light.

Scullion Architects is a Dublin-based studio established by Scullion in 2016. Its previous projects include the renovation of a cottage with a corrugated metal extension and a curved glass addition to a home that references Victorian conservatories.

The photography is by Johan Dehlin.

The post Scullion Architects adds green “long gallery” to 1930s Dublin house appeared first on Dezeen.

Fondation Louis Vuitton’s “Pop Forever, Tom Wesselmann &…”

A monumental tribute to one of the most impactful art movements

Read
Culture

Fondation Louis Vuitton’s “Pop Forever, Tom Wesselmann &…”

A monumental tribute to one of the most impactful art movements

<img width="1024" height="733" src="https://150102931.v2.pressablecdn.com/wp-content/uploads/2024/11/Tom_Wesselmann_Still_Life_60_1973-1024×733.jpg" class="attachment-large size-large wp-post-image" alt="Tom Wesselmann, Still Life 60, 1973" style="object-fit:cover" data-attachment-id="368795" data-permalink="https://coolhunting.com/culture/fondation-louis-vuittons-pop-forever-tom-wesselmann/attachment/tom_wesselmann_still_life_60_1973/" data-orig-file="https://150102931.v2.pressablecdn.com/wp-content/uploads/2024/11/Tom_Wesselmann_Still_Life_60_1973.jpg" data-orig-size="2400,1718" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"u00a9 Adagp, Paris, 20…[annu00c8e du00edautorisation], u00a9 Robert McKeever;Courtesy Gagosian Gallery","camera":"","caption":"","created_timestamp":"0","copyright":"u00a9 Adagp, Paris, 20…[annu00e9e du2019autorisation], u00a9 Robert McKeever;Courtesy Gagosian Gallery","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1"}" data-image-title="Tom_Wesselmann_Still_Life_60_1973" data-image-description="" data-image-caption="

Tom Wesselmann, Still Life 60, 1973, The Estate of Tom Wesselmann, New York, © Adagp, Paris, 2024
photo: © Robert McKeever; Courtesy Gagosian Gallery

” data-medium-file=”https://150102931.v2.pressablecdn.com/wp-content/uploads/2024/11/Tom_Wesselmann_Still_Life_60_1973-300×215.jpg” data-large-file=”https://150102931.v2.pressablecdn.com/wp-content/uploads/2024/11/Tom_Wesselmann_Still_Life_60_1973-1024×733.jpg” />

At Fondation Louis Vuitton, Pop Forever, Tom Wesselmann &… unfolds as an exuberant celebration of Pop Art’s vibrant legacy and its profound influence on the art world. Marking the Fondation’s tenth anniversary, this exhibition is a monumental tribute to one of the most impactful art movements of the 20th century, showcasing how Pop Art has transcended its origins to inspire contemporary culture.

vue_dinstallation_de_lexposition_pop_forever_tom_wesselmann_et_
© Adagp, Paris, 2024, Photo: © Fondation Louis Vuitton / Marc Domage

At the heart of the exhibition is Tom Wesselmann, a pivotal figure in Pop Art whose innovative work continues to captivate audiences. Known for his audacious use of color and form, Wesselmann’s art reflects a unique blend of American consumer culture and classical artistic traditions. His pieces transform everyday objects into iconic symbols, offering a fresh perspective on the mundane. Visitors are invited to explore over 150 works by Wesselmann, each showcasing his mastery in fusing traditional art forms with contemporary culture. His renowned Great American Nudes series, with its provocative depictions of the female form, captures the essence of the 1960s sexual revolution and continues to resonate with modern audiences.

yayoi_kusama_self_obliteration_1966-1974
Yayoi Kusama, Self Obliteration, 1966-1974 © 2024 Yayoi Kusama, photo: Courtesy M+, Hong Kong

However, the exhibition is not solely about Wesselmann. It features a rich dialogue among over 35 artists, each offering unique interpretations and contributions that span generations. Iconic figures such as Andy Warhol and Roy Lichtenstein ground the exhibition in the foundational elements of Pop Art, their works epitomizing the bold, graphic style that defined the movement. Meanwhile, contemporary artists like Mickalene Thomas, Derrick Adams and Tomokazu Matsuyama offer fresh interpretations and innovations.

vue_dinstallation_de_lexposition_pop_forever_tom_wesselmann_et_-6
© Adagp, Paris, 2024, Photo: © Fondation Louis Vuitton / Marc Domage

Matsuyama’s contributions stand out for their eclectic style which merges Eastern and Western influences, creating a vibrant synthesis of cultural symbols. His paintings often feature a kaleidoscope of colors and patterns, reflecting the globalized nature of modern identity. In the context of the exhibition, Matsuyama’s art bridges the traditional elements of Pop Art with modern digital aesthetics, offering a nuanced perspective on the movement’s cultural impact today.

Matsu, as the artist prefers to be called, shared with us during the press preview, “Living in New York and being heavily influenced by the American art scene while rooted in my Japanese heritage, I explore the evolution of Pop Art by embracing fluid identity. My work juxtaposes lifestyle magazine backdrops with traditional Japanese screens, reflecting a dialogue between cultures in this global age.”

vue_dinstallation_de_lexposition_pop_forever_tom_wesselmann_et_-5
© Adagp, Paris, 2024, Photo: © Fondation Louis Vuitton / Marc Domage

Mickalene Thomas, with her dazzling use of rhinestones, glitter, and vibrant colors, challenges traditional representations of beauty and race, drawing upon Wesselmann’s bold aesthetic while infusing it with her distinct perspective. “Pop Art is inherently radical both socially and politically, most artists that work in this genre engage with the world by presenting ideas that critique popular culture and the political landscape formally and conceptually,” Thomas shares with us. “As a queer, Black woman creating images that celebrate the Black body in moments of repose, joy and love I’m claiming a new narrative that redefines notions of beauty within the confines of the Western art canon.  Therefore, I radically shift the conversation from traditional tropes of objectification to empowerment and validation. In short, I’m unapologetically reimagining what art can and should be: inclusive, disruptive and deeply personal.”

Her work, often exploring themes of female identity and empowerment, resonates deeply within the Pop Art discourse, creating a bridge between past and present. We ask Thomas why she chose to create a series that serves as a counter narrative to Wesselmann’s Great American Nudes and she shares with us, “To explore, challenge and align the intersections of seduction, desire and sensuality of Black and Brown bodies, reclaiming them from historical objectification and redefining them as sites of power, agency and unapologetic beauty. Through this lens, I aim to reimagine erotica not as something to be consumed or marginalized, but as a celebration of identity, intimacy and the richness of lived experience. We are no longer in the supportive role, we are the main character!”

vue_dinstallation_de_lexposition_pop_forever_tom_wesselmann_et_-4
© Adagp, Paris, 2024, Photo: © Fondation Louis Vuitton / Marc Domage

Similarly, Derrick AdamsSuper Nudes series, created specifically for this exhibition, offers a counter-narrative to Wesselmann’s Great American Nudes. By incorporating elements from the African American flag and comic book motifs, Adams critiques societal norms and redefines the concept of heroism, challenging viewers to reconsider preconceived notions of identity and power.

tom_wesselmann_great_american_nude_31_1962
Tom Wesselmann, Great American Nude #31, 1962, © Adagp, Paris, 2024

The exhibition also includes a stunning array of artists who have shaped and been shaped by the Pop Art movement. Ai Weiwei adds a critical edge with works that interrogate political and cultural systems, resonating with Richard Hamilton’s pioneering explorations of consumerism and media. Njideka Akunyili Crosby brings a unique fusion of Nigerian and Western influences, weaving intricate narratives that reflect the complexities of cultural identity in a globalized world. Their works, alongside those of Frank Bowling, Hannah Höch and Jasper Johns, enrich the dialogue on identity and representation.

vue_dinstallation_de_lexposition_pop_forever_tom_wesselmann_et_-2
© Adagp, Paris, 2024, Photo: © Fondation Louis Vuitton / Marc Domage

The exhibition’s layout across the Fondation’s expansive galleries is a testament to the curators’ vision. Dieter Buchhart and Anna Karina Hofbauer have crafted an experience that transcends mere nostalgia, employing multimedia elements like moving images and sound to enhance the sensory engagement. This approach allows visitors to immerse themselves fully in the works, offering a dynamic exploration of Pop Art’s playful yet critical aesthetic.

vue_dinstallation_de_lexposition_pop_forever_tom_wesselmann_et_-3
© Adagp, Paris, 2024, Photo: © Fondation Louis Vuitton / Marc Domage

In essence, “Pop Forever, Tom Wesselmann &…” is a vibrant testament to Pop Art’s power to challenge conventions and provoke thought. The exhibition underscores Pop Art’s ability to reflect societal changes while remaining relevant across generations. It highlights the movement’s playful critique of consumerism and identity, making it as pertinent today as it was during its inception. For anyone seeking a vibrant and thought-provoking exploration of art, this exhibition is an unmissable journey into the heart of Pop Art’s legacy.

Kengo Kuma and Associates cloaks Chinese clay museum in handmade tiles

Japanese studio Kengo Kuma and Associates has completed UCCA Clay Museum in China, creating a peaked form clad in handmade ceramic tiles to celebrate the “warmth of craftsmanship”.

Located in Yixing, the 3,457-square-metre museum is part of a wider masterplan to redevelop the once-industrial area, dubbed the “ceramic capital” of China because of its rich history of pottery production, into a cultural district.

While the traditional pottery for which the area was once known has long since been replaced by mass production, Kengo Kuma and Associates said it sought a design that would hark back to the “warmth” of its handcrafted roots.

Exterior view of UCCA Clay Museum
Kengo Kuma and Associates has completed a clay museum in China

“We hoped to provide a space that would encourage visitors to rediscover and engage with the rich heritage of Yixing’s pottery culture,” Kengo Kuma and Associates partner Yutaka Terasaki told Dezeen.

“Rather than constructing a building based on industrial mass production, we intentionally focused on materials and details that convey the marks of the hand and warmth of craftsmanship,” he added.

UCCA Clay Museum’s distinctive roof is defined by a series of peaks, intended as a nod to the nearby Shushan mountain. Described by the studio as “an inverted shell structure carved by virtual spheres”, it is built from curved wooden beams arranged in a lattice.

Tile-clad museum by Kengo Kuma and Associates
The museum has a peaked form clad in handmade ceramic tiles

On the exterior, this framework has been cloaked with 3,600 handmade ceramic tiles glazed in various dark and light brown tones, evoking the colour changes that occur in pottery as it is fired.

Kengo Kuma and Associates invited local children to carve their designs onto some of the panels, aiming to engage younger generations with the area’s history.

Sheltered corridor at museum by Kengo Kuma and Associates
Large bamboo canes line the arched walkways

“From the beginning, we wanted ceramic panels that were not industrially produced, but were made by hand, with a sense of warmth,” said Terasaki.

“We were lucky to meet a craftsman who was willing to accept our request, introduced by a local person,” he continued. “This ceramic panel facade became something that each person involved could say, ‘I made this’. That is important for an art museum in a regional city like this.”

Outside, the wave-like form of UCCA Clay Museum extends downwards to meet the plaza at the ground-floor level. Here, arched glazed openings lead into the lobby and exhibition hall, a multipurpose events space and a cafe.

Between these spaces are a series of large arched walkways lined with bamboo canes, allowing visitors to pass beneath the museum while providing visual connections with the adjacent canal and surrounding industrial buildings.

Ground floor of UCCA Clay Museum
The museum hosts an exhibition hall, events space and cafe

The upper levels of the cafe and exhibition area are united by the large roof structure, with the wooden lattice left exposed internally.

“The rhythmic roof shape and the interaction with the wooden lattice beams create an expansive spatial experience that feels larger than its actual footprint,” said Terasaki.

Upper floor within UCCA Clay Museum in China
The wooden lattice roof structure is left exposed inside

Where the form of the building meets the ground, the arched entrances and windows are mirrored in shallow, circular pools of water, the bottoms of which are lined with tiles that were left over from the facade’s creation.

Kengo Kuma and Associates was founded in 1990 by Japanese architect Kengo Kuma. Its other recent projects include the Saint-Denis Pleyel Station in northern Paris and a sweeping extension to a Lisbon art centre.

The photography is by Fangfang Tian unless otherwise stated.

The post Kengo Kuma and Associates cloaks Chinese clay museum in handmade tiles appeared first on Dezeen.

LEGO® Botanicals to release four new collections for your inner florist

While it would be nice to always have fresh flowers adorn your homes, there are several reasons why not all of us can have that. It can either be too expensive to constantly have to replace them or if you’re like me, you have a black thumb and they may not last that long. An alternative to this would be to have artificial or plastic ones but wouldn’t it be more fun if you could “build” your own?

Designer: LEGO®

This is what LEGO® has discovered with the success of their hugely popular Botanicals collection. It’s not kids and geeks who have fun with all these builds but even those who believe plants and flowers are relaxing. It’s so popular that it now has its own logo and specific theme. For next year’s collection, they are adding four new sets: the LEGO® Botanicals Pretty Pink Flower Bouquet, the LEGO® Botanicals Mini Orchid, the LEGO® Botanicals Lucky Bamboo and LEGO® Botanicals Flower Arrangement. They will be available for pre-orders at the very start of 2025.

The LEGO® Botanicals Pretty Pink Flower Bouquet includes 15 flower stems and foliage including some of the most popular pink flowers like daisies, roses, cymbidium orchids, waterlily dahlia, etc. The stems are adjustable and this set can be combined with other bouquets. The LEGO® Botanicals Mini Orchid meanwhile features five orchid flowers that are in bloom and some that are still buds. it also has a terracotta flowerpot on a wood-effect plinth so you can display it beautifully.

The LEGO® Botanicals Lucky Bamboo is for those that find it relaxing to have a bamboo plant in the room but can’t keep an actual one. This includes three green bamboo stems, pebbles, a plant pot, and a wood-effect plinth. Lastly, the LEGO® Botanicals Flower Arrangement has several flowers in the set including camellia, peonies, hydrangeas, baby’s breath, ranunculus, bouvardia and lilies. This is the ultimate collection for those who want to explore their inner florist without wasting actual flowers.

The post LEGO® Botanicals to release four new collections for your inner florist first appeared on Yanko Design.

Upcycled Parachute Jackets

Nearly 20 years after the brand’s launch in Argentia Baumm is now available in the US. Founded by Lucas Desimone and working with his friend Ryan Volate, he saw potential in upcycling paraglider and parachute material, which have limited viability before they are decommissioned. A range of products for all genders, including bags, packs and jackets is now being designed specifically for the US market. Well priced, colorful and practical, each product is also unique.

Leopold Banchini creates "all the elements" of London bar from one oak tree

Wooden shelf at Goodbye Horses

Swiss studio Leopold Banchini Architects used natural materials when creating the interior of the Goodbye Horses bar, with the bar, chairs, lights, handrails and changing table all made from a single tree.

Located in east London’s De Beauvoir neighbourhood, Goodbye Horses is a local wine and listening bar that was designed by Leopold Banchini Architects to reference classic English pubs.

Wooden furniture in London bar
The De Beauvoir bar features wooden furniture and details

“The aim was to create a contemporary space deeply rooted in the long-lasting tradition of English pubs,” studio founder Leopold Banchini told Dezeen.

“As in most pubs, the space revolves around a central wooden bar,” Banchini continued. “In this case, the long wooden structure is a bar, a cooking counter and a table; thus, the relation between staff and customers is less constrained.”

Wooden shelf with records in listening bar
The listening bar stores vinyl records on wooden shelves

This nod to tradition can also be seen in the other materials chosen by Leopold Banchini Architects for the 95-square-metre bar, which also has a basement of the same size.

Its walls were painted with limewash and roughcast render, while the ceiling was covered by a hand-textured lime plaster.

“The pub is mainly built with natural materials referring to the history of British pubs,” Banchini said. “The wooden elements are built using solid English oak.”

“The natural textures, imperfections and oxidations create the atmosphere of the space,” he continued. “Over time and through their usage, these materials will only become more lively.”

Bar made from English oak
One single oak tree was used to create all the furniture in the bar

The ground-floor space features a ten-metre-long bar that has an unusually low design and which, together with the surrounding furniture, was built from the trunk of just one oak tree.

“In order to build the long table out of a single plank, we were looking for a tree with a circumference of about 120 centimetres,” Banchini explained.

“Once we found it, the trunk was large enough to produce all the elements of the pub – the bar, chairs, lights, handrails and changing table,” he added. “The oak tree had been cut half a century ago in Croatia and was transformed by Italian carpenters.”

The listening bar also has custom-made shelves that hold vinyl records.

Beaten-earth floor inside Goodbye Horses in London
Leopold Banchini Architects designed a beaten-earth floor for the bar

Goodbye Horses’ floor was made from beaten earth – a mix of soil, straw and clay with a natural linseed oil coating. The material was chosen for both its sustainable and its acoustical properties.

“Beaten earth floors were traditionally used in rural pubs and we liked the idea to revive this amazing material,” Banchini said.

“Clay floors are not only beautiful and ecological, they also have interesting acoustical properties,” he added. “Being a listening bar, all the materials – clay, cork, wood and textured lime plaster – were selected to create good acoustical conditions.”

Listening bar in De Beauvoir
Painted hessian curtains decorate the space

In the garden and the parts of the floor with the heaviest traffic, the studio added reclaimed Yorkstone slabs. The interior also features hessian curtains, which surround the space and were handpainted by artist Lucy Stein.

“Inspired by British folklore and mythology, the natural stain on the fabric filters the light entering the pub as stained glass windows in the past,” the studio said.

Other recent listening bar designs featured on Dezeen include Space Talk in London and a Sydney bar designed to feel like being “inside a giant speaker”.

The photography is by Rory Gardiner.


Project credits:

Architecture: Leopold Banchini Architects
Carpentry: DiSe

The post Leopold Banchini creates “all the elements” of London bar from one oak tree appeared first on Dezeen.