Ambientec turns to organising events to showcase lighting products

Remli lamp designed by We+ for Ambientec

Promotion: Japanese portable lighting brand Ambientec is, for the first time, organising its own events as well as showing at trade fairs to showcase its products.

The brand said augmenting its approach is part of a push to keep its identity fresh and innovative.

Prompted by the fact that Milan design week’s biennial lighting show Euroluce did not run this year, Ambientec chose to organise an event in collaboration with fragrance brand Fueguia 1833. Ambientec said it expects to be back at Euroluce next year.

Fotica lamp from Ambientec designed by Kensaku Oshiro
Top: Ambientec collaborated with Fuiguia 1833 on an event at Milan design week. Photo by Luca Caizzi. Above: the brand launched its Fotica lamp at the exhibition. Photo by Giuseppe De Francesco

Titled “Scent of Light”, the event showcased Ambientec’s new Fotica lamp, designed by Kensaku Oshiro.

Based on a concept of the combined power of lighting and scents to evoke emotions and memories, it took the form of an exhibition takeover in Fueguia’s showroom in Galleria Vittorio Emanuele.

Also in Milan this April, Ambientec presented its new limited-edition Remli lamp at the Rossana Orlandi Gallery.

Remli lamp designed by We+ for Ambientec
Designed by We+, the Remli lamp is made from recycled rubble. Photo by Giuseppe De Francesco

Designed by Tokyo studio We+, the body of the lamp is made from recycled rubble and debris, drawing upon materials which would otherwise be sent to landfill.

Then, exhibiting for the first time at 3 Days of Design in Copenhagen in June, Ambientec continued this event-based approach to promoting its products.

Enter the Salon designed by Signe Hytte at 3 Days of Design 2024
Ambientec lighting was also on show at the Enter the Salon exhibition during 3 Days of Design. Photo by Jonas Bjerre-Poulsen

It took part in a joint exhibition curated by Danish designer Signe Hytte. Titled “Enter the Salon”, the exhibition imagined the home of a fictional poet set in a historic townhouse.

Ambientec used Hytte’s exhibition as an opportunity to introduce its new N-TL01 table lamp.

The Japandi-style lamp is designed by Danish architecture studio Norm Architects but also the result of a collaboration with multiple Japanese manufacturers.

The underside of the lamp’s frame is made of wood, developed with wooden-furniture manufacturer Karimoku, while its lampshade was made from traditional Japanese washi paper with the help of heritage Kyoto-based lantern maker Kojima Shoten.

N-TL01 table lamp designed by Norm Architects for Ambientec
The N-TL01 table lamp designed for Ambientec by Norm Architects was unveiled at the exhibition. Photo by Jonas Bjerre-Poulsen

Intended for use in intimate settings, the lamp uses an LED light source specially developed by Ambientec to ensure the lampshade is evenly illuminated without internal components being revealed.

Founded in 2009, Ambientec specialises in portable, rechargeable and waterproof lamps designed to soothe.

Rather than prioritising manufacturing efficiency it emphasises the longevity of its products, providing an after-sale maintenance and repairs service.

Partnership content

This article was written by Dezeen for Ambientec as part of a partnership. Find out more about Dezeen partnership content here.

The post Ambientec turns to organising events to showcase lighting products appeared first on Dezeen.

SWNA designs "cute" rubbish bins for Seoul Metropolitan Government

Bins with animal ears by SWNA for Seoul Metropolitan Government

South Korean design studio SWNA has created a set of rubbish bins for use in Seoul‘s public spaces, featuring friendly rounded forms and animal ears on the lids.

The project is part of Design Seoul 2.0 – a five-year plan initiated by the Seoul Metropolitan Government to improve the capital’s urban design.

Bins with animal ears by SWNA for Seoul Metropolitan Government
SWNA has designed new public bins for Seoul

Alongside projects exploring the design of public spaces, benches and drinking water fountains, SWNA was commissioned to develop a proposal for standardised bins that could be installed across the city.

The rubbish bins are manufactured in two styles, both with a simple cylindrical steel base and a domed lid made from recycled or virgin plastic.

Man removing rubbish from street bin
The bins were designed to be easily emptied

SWNA founder Sukwoo Lee said the main objective for the Seoul City Public Trash Can project was to create a design that “satisfied both convenience and aesthetics”.

“Both types have wide slots and the top is open in all directions, making it easy to throw away and collect trash,” he explained. “Unlike existing square trash cans, the round design gives a soft impression.”

To enhance the fun factor of these utilitarian objects, SWNA added details aimed at “emphasising cuteness” including eyes that give the appearance of a smiley face.

The studio also produced a design featuring simplified bear or bunny ears on the lid, which Lee said would help to bring “vitality to the cityscape”.

As part of a pilot programme, thirty of SWNA’s bins were installed in high-footfall areas across the city centre, including in Sogong-ro, Seosomun-ro and Sejong-daero – the city’s widest road connecting Seoul Station to the historic Gwanghwamun Gate.

Two bins by SWNA for Seoul Metropolitan Government
They feature a domed lid made from recycled or virgin plastic

The scheme will be used to gather feedback from the Seoul Metropolitan Government, as well as from citizens and sanitation workers, which will inform improvements to the design.

“I hope that new trash cans will be placed throughout Seoul in the future,” Lee said.

The project forms part of the wider Design Seoul 2.0 programme launched in 2023, described by the municipal government as a five-year plan focusing on the five pillars of empathy, tolerance, dedication, recovery and sustainability.

SWNA was established in 2009 and undertakes projects across a range of disciplines. The studio’s previous projects include a design for a clock incorporating a concealed emergency kit that can be used in the event of a natural disaster.

The post SWNA designs “cute” rubbish bins for Seoul Metropolitan Government appeared first on Dezeen.

Tekto A7 Zastava OTF Knife adds a handsome and adventurous tool to your EDC kit

Tactical knives have become an important part of people’s tool kits, whether they’re for cutting through rope, preparing food outdoors, or even carving wooden figures and toys. Many EDC knives try to appeal to common aesthetic tastes, offering designs that look suave and sometimes even luxurious rather than the rugged style that usually comes to mind. While there’s definitely nothing wrong with a variety of designs, there are times when you want a knife that doesn’t try to hide its sharpness, strength, and tactical versatility. That’s the kind of experience that the new Tekto A7 Zastava brings to the table, an automatic out-the-front switchblade that delivers performance, reliability, and handsome good looks that proudly display its battle-hardened heritage.

Designer: Tekto

Click Here to Buy Now: $233.74 $274.99 (Use coupon code “A7YANKO” to get 15% off). Hurry, deal ends in 48-hours!

Outdoor ruggedness has a negative connotation of looking rough, unpolished, and unappealing. The Tekto A7 Zastava clearly lays those doubts to rest with a design that evokes a sense of sophistication without hiding its robust nature. It takes its cue from the design of the iconic Zastava M70 rifle, particularly in the wood inlays that grace its sides. Each inlay varies in grain and actual color, which makes each A7 Zastava OTF knife a one-of-a-kind item. The wood material also beautifully contrasts with the dark black handle and blade, giving it a premium appearance that will make it the star of your EDC collection.

Made from premium S35VN steel, the blade offers two versatile configurations—double-edged dagger and spear point—delivering superior strength and precision.

Of course, this tactical knife isn’t made just to be displayed, and its blade is ready to prove its mettle, whatever the task it faces. Made from high-performance S35VN steel, the 3.6-inch titanium-coated blade isn’t just sharp and tough but also offers excellent wear and corrosion resistance. Available in spear and double-edged dagger point configurations, the A7 Zastava OTF knife offers the versatility you need to meet the challenges of any outdoor task or mission.

Despite its powerful disposition, the A7 Zastava is designed to be easy to use and, most importantly, safe and secure. Jimping points on the handle offer a secure grip, and the contoured button delivers not only a smooth and reliable operation but also a satisfying feeling with every deployment. A reversible clip secures the knife in your pocket or bag and accommodates both left-handed and right-handed users. Last but not least, a tungsten glass breaker is integrated into the handle, making emergencies less stressful. With this variety of features, you get not just a tool but a dependable partner that’s ready to cut through tasks and challenges wherever you go.

With an exceptional blade and handsome looks, the Tetko A7 Zastava OTF knife elevates tactical knives from just cutting tools into works of high-quality craftsmanship. From the strategically placed jimping to the wood inlays to the reversible clip, Tekto’s meticulous attention to detail and partnership with Zastava Arms has given birth to an automatic tactical knife that exudes a character that is both rough yet elegant at the same time. Whether you’re camping outdoors, crafting a project, or responding to a crisis, the Tekto A7 Zastava OTF knife delivers the performance that you need in a stylish yet powerful design that will appeal to pros and enthusiasts alike.

Click Here to Buy Now: $233.74 $274.99 (Use coupon code “A7YANKO” to get 15% off). Hurry, deal ends in 48-hours!

The post Tekto A7 Zastava OTF Knife adds a handsome and adventurous tool to your EDC kit first appeared on Yanko Design.

This WWII Bunker In Hamburg Was Converted Into Hotel & Restaurant Space With A Rooftop Park

Named the St. Pauli Bunker, this mammoth building was constructed during WWII to protect the Hamburg residents from the Allied bombing raids. The imposing structure was once a representation of the Nazi ideology, but it has now been transformed into a unique-looking green hotel and restaurant space, and a big park and “mountain path”.

Designer: Matzen Immobilien KG

The St. Pauli Bunker was originally called the Flakturm IV and was constructed by forced laborers in 1942. The building had an official capacity of 18,000 people, but it protected and offered shelter to almost 25,0000 Hamburg residents. When the war ended, the Allies wanted to blow up the building but didn’t because it was unsafe on account of the bunker’s thick walls and central location. In the postwar years, the building was used as an art and cultural hub, and a music venue and events center. In addition, a massive extension has now been included which weighs as much as 60 AirBus A380s and is offered support by 16  steel pillars. This extension consists of five floors and elevates the bunker’s height from 35 m to 58 m above ground. The new extension includes a hotel, restaurant, cafe, and social spaces.

“The public recreational space combines a number of ecological, cultural, and historical aspects,” said the press release. “This is because, in addition to the spectacular urban garden, there are spaces for district culture, exhibition areas, urban gardening facilities, accommodation for scholarship holders and artists, a modern three-field hall for school sports and cultural events, and a hotel. In addition, the historic site has for the first time a memorial and information center: in the former control center and at other locations in the existing building, an initiative commemorating the victims of the Nazi regime and World War II.”

The interior includes almost 23,000 trees and plants, forming a lovely rooftop park that measures around 1 hectare. The park can be entered free-of-charge for visitors, although to reach it you need to climb 335 steps or walk on a 560-m “mountain path” around the exterior, which allows visitors to enjoy the views of the city.

The post This WWII Bunker In Hamburg Was Converted Into Hotel & Restaurant Space With A Rooftop Park first appeared on Yanko Design.

Golden Girls get their own fan-made LEGO kit featuring characters Dorothy, Blanche, Rose, and Sophia

I’m a 90s kid myself, but the beauty of growing up in the 90s was to see sitcoms building on the success of great comedies of the 70s and 80s. I was raised on Full House, Cartoon Network, and Nickelodeon, but also on the greats before it – Diff’rent Strokes, Small Wonder, Three’s Company, and Golden Girls. I was raised on these shows because of how mom would watch them on TV, while I hung around in the background, chuckling away at funny moments. Decades later, LEGO sets like these bring back that familiar feeling, as they capture the intricate details of our favorite shows. Designed by Martin_Studio, this fan-made recreation of award-winning show Golden Girls captures the iconic kitchen setting where protagonists Dorothy, Blanche, Rose, and Sophia tackled important issues like aging and friendship in a way that was both relatable and uplifting.

Designer: Martin_Studio

“The Golden Girls won Emmys and Golden Globes, showcasing its quality and impact on television. The show’s clever writing, exceptional performances, and heartfelt storytelling have left an enduring legacy that continues to delight audiences,” says designer Martin_Studio. “A LEGO set based on the show would not only celebrate its remarkable history but also offer a unique way for fans to engage with it.”

Imagine building the iconic Miami home of Dorothy, Blanche, Rose, and Sophia with LEGO bricks. This fan-made set offers a detailed recreation of the show’s most recognizable rooms, from the cozy kitchen where countless conversations were shared over cheesecake to the sun-drenched lanai where the girls enjoyed their morning coffee. The minifigures, each with their own distinctive personalities captured through facial expressions and accessories, would allow fans to recreate their favorite scenes or create new adventures entirely.

Beyond the nostalgia factor, a Golden Girls LEGO set offers a delightful building experience for fans of all ages. Although Martin_Studio doesn’t declare how many pieces the set uses, it caters to both casual builders and experienced LEGO enthusiasts. The building process itself is a fun and engaging activity, allowing fans to relive cherished moments from the show while putting their creativity to the test. The kitchen scene even features studio lights on the top, bringing the feeling of being on set down to the small LEGO mini-scale.

The appeal of this potential set extends far beyond just fans of the show too. LEGO is known for its ability to bridge generations through its building sets, and a Golden Girls set could be a wonderful way for families to connect. Parents who grew up watching the show can introduce their children to the characters and themes in a new and interactive way, quite like the Full House LEGO Ideas set we covered just last month. Building the set together can spark conversations about friendship, aging, and the enduring power of laughter.

The LEGO Ideas Golden Girls set is currently a submission on the LEGO Ideas forum, where fans build and share their own creations with the global LEGO community. You can vote for the set on the LEGO Ideas website, and if it hits the 10,000 vote mark, LEGO might turn it into a retail kit for everyone to buy!

The post Golden Girls get their own fan-made LEGO kit featuring characters Dorothy, Blanche, Rose, and Sophia first appeared on Yanko Design.

Porsche is Building its First Residential Tower in Bangkok with 22 Luxury Duplex Apartments

A car is simply a room on wheels, right? Or that’s what the oversimplified definition of a car is… by that very standard, all car companies might as well be architecture firms; and it seems like Porsche may be taking that theory rather seriously. The automotive marque has unveiled plans for a residential building in Bangkok, its first in Asia, following previous ventures in Miami, USA and Stuttgart, Germany. This new development is a collaborative effort between Porsche Design (carmaker’s luxury goods sub-brand) and Ananda Development, with the aim of creating an ultra-luxury living experience in the heart of Thailand’s bustling capital. Standing 95 meters tall, the 21-story tower is set to feature 22 exclusive duplex and quadplex apartments, each promising to embody the essence of Porsche’s design philosophy.

Designer: Porsche Design

The tower’s design is as striking as one would expect from a brand synonymous with cutting-edge automotive design. The building’s facade is sleek and modern, with a spiral ramp at its center, reminiscent of the winding roads often navigated by Porsche’s high-performance vehicles. This ramp not only serves as a striking architectural feature but also leads to communal garages within the building, which Porsche has aptly named “passion spaces.” These garages are designed to be more than just parking spaces; they are envisioned as social hubs where residents can display their car collections and interact with fellow automobile enthusiasts.

You wouldn’t expect a company like Porsche to simply build a residential complex without flexing a bit of innovation and engineering, right? Well, arguably one of the most innovative features of the Porsche Design Tower Bangkok is its fully automated terrace door system. This system is inspired by the retractable roof mechanism of the Porsche 911 Targa and allows for a seamless blend of indoor and outdoor living. The doors fold and hinge open from the top, creating an expansive terrace space that effortlessly extends the living area of each apartment. This feature is not only a nod to Porsche’s heritage but also a practical solution for enhancing the living experience in a tropical climate.

In addition to the unique architectural and design elements, the tower will also offer a range of luxurious amenities. Residents will have access to a 25-meter swimming pool, a state-of-the-art fitness center, a spa, and both social and business lounges. These amenities are designed to cater to the lifestyle needs of Porsche’s discerning clientele, providing them with spaces to relax, socialize, and conduct business without ever having to leave the building.

The Porsche Design Tower Bangkok is set to break ground in early 2025, with completion expected by the end of 2028. This project is part of a growing trend among luxury car brands to expand their influence into the real estate market, offering their customers not just a product, but a complete lifestyle experience. It does fall in line with an overall trend to move away from just mobility and focus on different aspects of life too, like with Tesla and its Powerwall, solar-panel roof tiles, etc.

The post Porsche is Building its First Residential Tower in Bangkok with 22 Luxury Duplex Apartments first appeared on Yanko Design.

Nike’s Secret Design Archive to be made visible to the public for the first time at the Vitra Design Museum

Early Mechanical Shox Prototype (1981) from the Department of Nike Archives

Nestled in an unassuming building, Nike’s top-secret design archive, known as the Department of Nike Archives (DNA), houses a treasure trove of over 200,000 rare artifacts. From never-before-seen sneaker prototypes to the original Nike “swoosh” sketch, the DNA is a sneaker lover’s paradise. Recently, the DNA opened its doors to curators for the first time, leading to the creation of the groundbreaking exhibition, “Nike: Form Follows Motion.” For the first time, Nike has opened its doors to a select group of curators who have scoured these holdings to create an exhibition at the Vitra Design Museum in Germany. The exhibition offers a rare glimpse into the brand’s history and design philosophy.

Set to run from September 21, 2024, to May 2025, the exhibition is the first of its kind dedicated solely to Nike. It traces the company’s journey from its founding in 1964 to its current position as the largest apparel company in the world. Curated by Glenn Adamson, who also co-edited a book to accompany the exhibition, the show seeks to explore Nike’s unique approach to design. According to Adamson, Nike’s design thinking is intensely creative and complex, rivaling that of any other company in the industry. The exhibition is structured into four chronological sections, each representing a significant phase in Nike’s evolution.

“Nike: Form Follows Motion” is divided into four chronological sections: “Track,” “Air,” “Sensation,” and “Relation.” The first section, “Track,” offers a look at Nike’s early years when jogging was a niche activity. This period is marked by the brand’s first product innovations, including the release of the waffle-soled trainer in the early 1970s. The next section, “Air,” covers Nike’s expansion into sports advertising, bolstered by high-profile partnerships with athletes like Michael Jordan. The “Sensation” section focuses on Nike’s extensive sports research programs, highlighting the brand’s commitment to pushing the boundaries of performance wear. Finally, the “Relation” section reflects on Nike’s history of collaborations with external designers, showcasing the brand’s willingness to embrace new ideas and technologies.

To create this exhibition, Adamson made several trips to the DNA, where he had access to materials that had never been publicly displayed. The archive itself is unremarkable from the outside, but inside, it’s a veritable wonderland for sneaker enthusiasts. The space is filled with moving shelves, each stacked with shoeboxes containing some of Nike’s most significant designs. Among the highlights are prototypes of the Air Force One that never made it to market and the original stock of the Air Max shoe, known for its revolutionary see-through soles designed by aeronautical engineer Frank Rudy.

Sketch of Air Max, Tinker Hatfield (1986)

The exhibition also features deadstock shoes and prototypes that have remained hidden in the DNA until now. These include early mechanical prototypes of the Shox line, which featured external shock mounts designed to improve athletic performance. Adamson describes one such prototype as a “Frankenstein object,” a bizarre yet fascinating piece of Nike’s design history that had to be included in the exhibition (image at the beginning).

In addition to these historical artifacts, the exhibition also offers a keen insight into Nike’s current design practices. One of the most impressive innovation centers is the Nike Sport Research Lab (NSRL) in Beaverton, Oregon. The 85,000-square-foot facility is equipped with cutting-edge technology, including hundreds of cameras and dozens of force plates that track athletes’ movements. The insights gathered from this research are used to develop new products like the Vapormax running shoe, which is one of Nike’s most studied shoes to date.

Nike: Form Follows Motion comes at a crucial time for the company. In recent years, Nike has faced challenges, including supply chain issues and increased competition from other running shoe brands like Hoka and Brooks. Despite these obstacles, Nike remains committed to innovation. The company recently launched an AI platform called Blackbox to aid in the design of new products. According to CEO John Donahoe, Nike is poised to make a comeback with bold, new releases that will once again set the standard in the industry.

via Fast Company

The post Nike’s Secret Design Archive to be made visible to the public for the first time at the Vitra Design Museum first appeared on Yanko Design.

Red curtains line facade of FADEU Building at Santiago architecture school

FADEU building by Alberto Moletto and Sebastián Paredes

Sunshades and screens line the exterior of a concrete-framed university building in Santiago, Chile, by architects Alberto Moletto and Sebastián Paredes that was envisioned as an “articulator of the campus”.

The building houses the FADEU – which stands for Facultad Arquitectura, Diseño y Estudios Urbanos, or the Faculty of Architecture, Design and Urban Studies.

It is part of the Pontifical Catholic University of Chile and sits within its Lo Contador campus, which stretches between the slopes of San Cristóbal Hill and the Mapocho River.

Facade of FADEU building with red curtains
Alberto Moletto and Sebastián Paredes have redesigned a concrete university building in Chile

The campus began on agricultural land, situated far from the historic centre of Santiago. One of the early structures – an 18th-century colonial house called Casona Lo Contador – is designated as a national monument.

In 1959, the Casona Lo Contador and surrounding parcels became the home of the architecture college, in turn “beginning the process of consolidating an urban university campus in a low-density neighbourhood”.

“Each construction adds new layers to the campus over time,” the team said.

Facade of FADEU building with bamboo slats
The new construction, rectangular in plan, was envisioned as an “articulator of the campus”

The FADEU Building – designed by local architects Moletto and Paredes – the latest addition.

Rectangular in plan, the 4,200-square-metre building stretches along the northwestern edge of campus and borders a plaza.

The building’s design was guided by a number of factors, including programme needs, adjacent buildings and the “strata” of the site.

The slender, multi-level building has two levels below ground and four levels at grade and above.

“The project becomes an articulator of the campus based on new connections at different levels, with adjacent buildings and the neighbourhood,” the team said.

Concrete frames of FADEU building by Alberto Moletto and Sebastián Paredes
The FADEU Building has two levels below ground and four levels at grade and above

Measuring 70 by 10 metres, the building is composed of 13 reinforced concrete frames, which are spaced 5.5 metres apart. Columns and beams were left exposed on all levels.

“Secondary elements, such as partition walls, facade, window frames, services, are located under the guidance of the building’s primary structure,” the team said.

Stairway of FADEU building by Alberto Moletto and Sebastián Paredes
The building is composed of reinforced concrete frames with columns and beams exposed on all levels

Mitigating solar heat gain was a concern, leading to the inclusion of sun-protection measures.

Along the street-facing facade, the team added a screen made of extruded aluminium frames with vertical bamboo slats. Some panels open and close.

Corridor of FADEU building by Alberto Moletto and Sebastián Paredes
A screen made of extruded aluminium frames with vertical bamboo slats line the street-facing facade

On the southeastern facade, the team added red fabric sunshades that are both automatically and manually controlled, allowing for an ever-changing appearance.

“The red curtains are designed to control the direct sun in the morning and have some privacy in the spaces,” Moletto told Dezeen.

“It was also important for us to have a building that will change during the day, taking into account the user’s will in terms of the atmospheric management of the space that they want to have.”

Classroom interior of FADEU building by Alberto Moletto and Sebastián Paredes
The southeastern facade has lined red fabric sunshades that are both automatically and manually controlled

In terms of the layout, the building’s lowest underground level contains parking, and the other below-grade level holds workshops, services, and a cafeteria.

The ground level is programme-free, allowing for views of the campus while also creating “a seamless transition between the university and the street”.

The first level contains workshops, and the upper two levels hold the Institute of Urban Studies.

Within the building, operable elements, such as the windows and curtains, help form a “dynamic and blurred image” of the building, the architects said.

The elements allow “air and light to change according to the requirements of use, and where only the weight of the structure becomes a constant”.

Other projects in Santiago include an education college by Moletto which features a concrete frame and gridded facade, and an innovation centre by Elemental that has a “monolithic” concrete exterior with deeply recessed windows.

The photography is by Cristóbal Palma.


Project credits:

Architects: Alberto Moletto + Sebastián Paredes
Team: Sebastián Fache, Bettina Kagelmacher, Andrea Roverato, Simón Carreño, Nicolás Benoit
Structural design: Hoehmann Stagno and Asociados, Daniel Stagno
Client: Directorate of Infrastructure, Pontifical Catholic University of Chile
Builder: Alcérreca and Diaz

The post Red curtains line facade of FADEU Building at Santiago architecture school appeared first on Dezeen.

Interview with Leif Lindner, CEO of IFA: Leading a New Era of Innovation and Culture

As the Internationale Funkausstellung Berlin (IFA) gears up to celebrate its 100th anniversary, the tech industry focuses on Berlin, where tradition meets innovation. IFA, one of the world’s leading trade shows for consumer electronics and home appliances, has long been a platform where global brands showcase their latest innovations, set trends, and connect with industry professionals and consumers alike. It’s an event that shapes the direction of technology, influencing the products and services that will define the market in the years to come. Leading this transformation into its next century is Leif Lindner, the CEO of IFA Management GmbH since October 1, 2023. With over 25 years of industry experience, including a significant tenure at Samsung Electronics Germany, Lindner brings a wealth of knowledge and a strong network to his role as CEO. His experience in multicultural settings enhances his leadership as he guides IFA into a new era. In this interview, I explore how Lindner balances IFA’s storied history with a fresh approach to ensure it remains at the forefront of global technology showcases.

Vincent Nguyen: Good afternoon! Thank you for taking the time to chat with me. You’ve been traveling all over the world recently. Is this normal for a CEO in your position, especially right before the show?

Leif Lindner: “Yes, it’s part of the job. I’ve been with IFA for a relatively short time, but given the importance of the 100th anniversary and the transition we’re going through, it’s crucial for me to be hands-on.”

This response underscores Lindner’s commitment to being actively involved in the evolution of IFA during such a pivotal year. His hands-on approach ensures that the event reflects his vision and strategy. Adapting and leading from the front is essential in an industry as fast-paced as technology.

Leif Lindner traveled to Tokyo with Jan Kronenberger (IFA, Head of PR and Content) to promote IFA Berlin.

Nguyen: How does IFA plan to balance the needs of big brands with the rising importance of smaller innovators?

Lindner: “Smaller brands can become significant players quickly, and they need special attention. At the same time, we must keep our mature, long-term partners in the spotlight.”

Lindner’s strategy to balance attention between established giants and emerging innovators is crucial. It shows that IFA is a platform where future technology leaders can emerge, ensuring that both new and established companies have the space to thrive. His approach fosters an environment where innovation from both large corporations and smaller, agile startups can flourish.

A prime example of a growing brand poised to make a significant impact at IFA 2024 is Narwal, a company that has rapidly ascended to the forefront of the smart home cleaning industry since its founding in 2016 in Shenzhen, China. Narwal is set to unveil its latest groundbreaking innovation in the smart home cleaning sector at IFA 2024 in Berlin, and we’re looking forward to seeing what they have in store. Its pioneering products, such as the world’s first self-cleaning mop and vacuum robot, highlight the company’s success. With over 1,200 international patents and a team of more than 700 R&D engineers, Narwal showcases the kind of innovation and technological leadership that IFA aims to highlight. The brand has received significant industry recognition, winning prestigious awards, including the CES Innovation Awards, Red Dot Design Awards, and the Edison Gold Award.

Narwal’s strategic expansion into key markets like North America, Europe, and Asia has solidified its leadership in the smart home sector. In Europe, particularly Germany, the company has built strong partnerships with major retailers like OTTO, MediaMarkt, and Saturn, making its products widely available. By investing in local research and partnerships, Narwal’s long-term vision focuses on further growth in Europe, with Germany as a crucial market. This commitment to meeting European consumers’ needs and delivering intelligent cleaning solutions aligns with the innovative spirit that IFA showcases.

Narwal’s mission is to give people more freedom to do what they love and with who they love.

Nguyen: Can you explain the rebranding process you’ve initiated? What is your vision for the new IFA?

Lindner: “We wanted to create a visual identity that’s more colorful and youthful, while also incorporating entertainment into the show. We want IFA to be seen not just as a tech show, but as a cultural event that resonates with younger audiences.”

The rebranding of IFA is about transforming the event into something that resonates with the next generation of tech enthusiasts. By incorporating elements of entertainment and culture, Lindner is positioning IFA as a multifaceted experience rather than just an exhibition. This approach aligns with broader trends where the lines between technology, culture, and lifestyle are increasingly blurred, making IFA a must-experience event.

As part of the IFA 100 celebrations, the “IFA 100 Years The Exhibition” reflects this transformation. After a successful summer run at Bikini Berlin, the exhibition now opens its doors to all IFA visitors at the Palais. This exhibition goes beyond commemorating IFA’s centennial—it sparks a dynamic dialogue at the intersection of technology and creativity, encouraging attendees to explore innovation’s impact on our lives.

Eight Berlin-based artists were engaged to interpret IFA’s history and future through art, each piece representing a distinct theme. Their works, accessible to Berliners and international visitors, draw from an inspiring past and a visionary future. The exhibition also features extraordinary technology exhibits that offer a glimpse back to the beginnings of technology, bridging the gap between past and future innovations.

Visitors can even take a piece of the exhibition home by creating their own personal AI avatar with the IFA avatar generator, highlighting the event’s integration of cutting-edge technology with personal and creative expression.

The themes explored by the artists include:

Radio, where the journey from early broadcasting to the era of podcasts, highlights the social relevance of media and its evolution. Video, an exploration of the transition from black-and-white television to on-demand video services, illustrates the evolution of visual media. Audio, which celebrates music from vinyl records to cloud streaming, captures sound’s emotional and experiential aspects—online, showcasing the transformative impact of the Internet and digitalization on society, from early telecommunication to the Internet of Things. Computers and Games offers an artistic take on the evolution of gaming and computing, from home PCs to mobile gaming and digital culture. Digital Lifestyle, portraying the smartphone’s role in shaping global, connected lifestyles, from telephony to social media and AI. Home Appliances & Networking, examining the evolution of household appliances, from traditional stoves to smart home networks. Finally, Creation & Social Media digs into content creation in the digital age, from analog photography to influencer-driven social media.

Bryan Adams concert at IFA 2024

IFA 2024 will also feature a special open-air concert by Bryan Adams at the Sommergarten Stage, adding a lively cultural dimension that sets the tone for the event. This reflects Lindner’s commitment to reimagining IFA as a vibrant experience that blends technology with entertainment and appeals to a diverse, younger audience, ensuring its relevance as it enters its second century.

Nguyen: How do you plan to address the risk of losing pillar brands that have supported IFA over the years?

Lindner: “It’s a real concern. We’ve already seen some brands pull out in recent years. My job is to bring them back by proving that we understand the changing landscape and are evolving to offer more value.”

Lindner’s candidness about the challenges IFA faces highlights his proactive approach to leadership. His focus on evolving IFA’s value proposition to re-engage these key brands demonstrates that he’s not content with maintaining the status quo. He’s actively seeking to adapt IFA’s offerings to better align with the needs of today’s tech giants. This strategy is vital for keeping IFA relevant in an industry constantly in flux.

Nguyen: Are you expanding IFA’s global reach, particularly in regions like India or China?

Lindner: “This year, we’ve focused on balancing our exhibitor base, especially bringing back more Korean, Japanese, and Taiwanese brands. India has a lot of potential, but we need to approach it with a full-speed strategy, which requires the right local partnerships.”

This strategy to expand IFA’s reach into Asia reflects an understanding of where the future of technology is being shaped. By strengthening ties with key markets like Korea, Japan, and Taiwan and recognizing the potential in India, Lindner is ensuring that IFA remains relevant on a global scale. His emphasis on local partnerships shows a thoughtful, sustainable approach to expansion, extending IFA’s influence well beyond Europe.

IFA Global Press Conference – Shanghai 2016

IFA Global Press Conference – Shanghai 2016

Nguyen: IFA often coincides with Labor Day in the US. Has the show always been scheduled during the first week of September?

Lindner: “Yes, it has traditionally been around this time. The dates for the next several years are already fixed. While it’s a challenge for US companies, especially with Labor Day, we believe this timing is right overall. The first week of September positions IFA at a critical juncture in the calendar, just before the peak sales season in Europe. This timing allows brands to showcase their latest innovations and launch products when consumer interest is at its highest. It also gives companies the opportunity to generate buzz and secure media coverage ahead of the crucial fourth quarter, which is often a make-or-break period for many in the consumer electronics industry.”

IFA Messe Berlin

Lindner elaborated on the rationale behind maintaining this traditional schedule despite potential conflicts for some international participants. He emphasized that the timing of IFA is not arbitrary; it has been carefully chosen to align with the European market’s key sales cycles. This alignment ensures that the event remains strategically positioned to offer maximum value to exhibitors and attendees. By scheduling IFA just before the peak sales season, the event becomes a pivotal platform for brands looking to make significant announcements and capture the attention of both the media and consumers at a time when it matters most.

He acknowledged the challenges that this timing presents for US companies, particularly given the overlap with Labor Day, a major holiday in the United States. However, the benefits of holding IFA during this period far outweigh the drawbacks. The fixed schedule allows companies to plan their product launches and marketing strategies well in advance, ensuring they can fully leverage the opportunities that IFA presents.

Moreover, Lindner pointed out that the consistency of IFA’s schedule has helped to establish the event as a key fixture in the global tech calendar. Companies and industry professionals know exactly when to expect IFA each year, which has contributed to its reputation as a must-attend event for anyone involved in the consumer electronics sector.

Vincent: There’s often a comparison between IFA and CES, especially since they’re so close together. How do you handle the competition, especially for brands that might only have the budget for one major event?

Lindner: “I believe IFA and CES can coexist because they serve different focuses. IFA is a comprehensive showcase right before the peak sales season in Europe, which is crucial for many brands.”

Lindner’s perspective clearly explains how IFA differentiates itself from CES. By emphasizing IFA’s unique timing and focus on the European market, Lindner highlights the event’s strategic importance for brands looking to engage with this critical audience. It’s not about competing head-to-head with CES but about offering a direct connection to the European market at a pivotal moment in the sales cycle.

Vincent: Are there any brands that have particularly impressed you this year that you think Yanko Design readers should check out?

Lindner: “There are several. For example, SharkNinja has been particularly innovative, releasing numerous products in Europe. Samsung continues to impress with their holistic approach to technology, and Chinese brands like DJI are also setting new standards in the market. We should also not underestimate how Chinese brands like Hisense and Haier are bringing power to the market. They understand the market better than before and are moving toward a more quality-driven approach. Their understanding and perception of the market always impress me.”

Lindner’s recognition of these brands highlights the tech industry’s diverse and dynamic nature today, emphasizing IFA’s role as a global platform where both established leaders and emerging innovators can shine.

SharkNinja has been making waves in Europe with various new products that combine cutting-edge tech with everyday practicality. Whether it’s their powerful vacuum cleaners or smart kitchen gadgets, SharkNinja has found a way to make life at home easier and more efficient, which has helped them become a household name in the appliance market.

Samsung, a tech giant, continues dominating a wide range of electronics—from smartphones and home appliances to smart home systems. Their latest advancements in QLED and OLED TVs keep them ahead of the curve in display technology. Samsung’s approach blends sustainability with innovation, making its products forward-thinking and eco-friendly and solidifying its leadership in the industry.

DJI, the brand that revolutionized the drone industry, continues to set higher aerial photography and cinematography standards. Their drones are known for their exceptional camera quality, user-friendly controls, and reliable performance, making them a favorite among professional filmmakers and hobbyists. But their innovation doesn’t stop at drones. They’ve expanded into handheld stabilizers, action cameras, and more. At IFA, there’s a lot of excitement around what they will unveil, particularly with the buzz surrounding the rumored Neo, which is expected to be a game-changer. We’re also eagerly anticipating their entry into the mirrorless camera market, which could bring their imaging expertise to new heights. Additionally, their entry into portable power solutions, including impressive battery technology, and their move into e-bikes are developments we’re watching closely. This expansion into new areas could significantly impact the market and add even more excitement to an impressive lineup.

Hisense has significantly impacted the TV and projector markets, particularly with their massive 100-inch-plus TVs and innovative projector technologies. Their commitment to delivering a cinema-like experience at home has made them a top choice for those seeking high-quality, immersive viewing. The Canvas TV, for example, combines a massive screen with a sleek, minimalist design that easily blends into any living space. This modular design allows users to arrange the display panels in various configurations, creating a customizable viewing experience. It’s about integrating technology seamlessly into the home environment.

In addition to their impressive TVs, Hisense has also gained attention with their short-throw projectors. These projectors deliver bright, sharp images from just a short distance, making them ideal for smaller spaces where a traditional projector setup might not be feasible. Hisense’s Laser TVs, which function as ultra-short-throw projectors, offer 4K resolution, HDR support, and vibrant colors while maintaining a compact and easy-to-install form factor. These projectors can display images over 100 inches in size, providing a theater-like experience without needing a dedicated projection room.

Hisense’s advancements in projector technology also include features like ALR (Ambient Light Rejection) screens, which enhance viewing even in well-lit rooms, and integrated smart platforms that offer easy access to streaming services, apps, and more. Their focus on innovation has positioned Hisense as a leader in the home entertainment market, allowing consumers to enjoy a big-screen experience at home without compromising on quality or convenience.

Haier, another major player from China, continues to grow its presence in the home appliance industry by focusing on quality and innovation. They offer various products, from refrigerators and washing machines to air conditioners and smart home devices. Haier’s commitment to creating durable, efficient, and easy-to-use appliances has earned them a solid reputation worldwide. As they continue to push into more advanced smart home technology, Haier is helping to shape the future of how we live at home.

Haier Appliances

These brands are pushing the boundaries of what’s possible, and their presence at IFA underscores the event’s position as a global stage for the best in technology. Lindner’s comments emphasize IFA’s role as a platform for showcasing established leaders and emerging innovators, highlighting the event’s importance in the ever-evolving tech landscape.

Vincent: Finally, can you share three personal things about yourself that we can share with our readers?

Lindner: “Sure! First, as a child, I was fascinated by consumer electronics, particularly TVs. That passion led me to where I am today. Second, I relax by listening to heavy metal music and attending concerts. Metallica is one of my favorites. And third, I box once a week to clear my head and stay fit.”

These personal insights provide a deeper understanding of the person behind the role. Lindner’s early fascination with consumer electronics reminds us that passion can drive a career, shaping his path to where he is today. His love for heavy metal and boxing shows a balance between intensity and focus—qualities undoubtedly reflected in his leadership style. It’s clear that his personal interests and professional approach are intertwined, bringing a level of passion and energy to his role at IFA that is both inspiring and effective.

Leif Lindner speaking at NextRise2024 Coex

As IFA embarks on its second century, Leif Lindner is guiding the event into a new era where technology and culture intersect, innovation is accessible to all, and the event remains as dynamic and forward-thinking as the industry it represents. This interview offers insight into the thoughtful leadership and clear vision driving IFA forward. Lindner’s commitment to making “innovation for all” a reality ensures IFA’s position as a cornerstone of the global tech calendar, drawing both established industry giants and rising innovators. His strategic focus on inclusivity, global expansion, and cultural relevance is actively shaping IFA’s future while preserving and redefining its legacy. Under Lindner’s leadership, IFA is set to remain a leading platform where innovation meets opportunity, influencing the tech world for many years to come. Starting this Wednesday, our team will be on the ground to bring you the latest and greatest products showcasing at IFA 2024. We invite you to check back often for coverage.

The post Interview with Leif Lindner, CEO of IFA: Leading a New Era of Innovation and Culture first appeared on Yanko Design.

Goettsch Partners designs Nashville's tallest skyscraper with "subtle" facets

Paramount skyscraper Nashville

Architecture studio Goettsch Partners has unveiled the design of the Paramount skyscraper , which is set to be the tallest skyscraper in Nashville, Tennessee.

Construction recently began on the Paramount skyscraper, which is planned to reach 60 storeys and stand 750 feet tall (229 metres) upon completion, unseating the 617-foot-tall (188 metres) AT&T Building.

The skyscraper will be constructed on an L-shaped plot on Church Street in Downtown Nashville, on the site of a YMCA, aspects of which will be kept in the renovation.

Nashville aerial view rendering
Goettsch Partners has designed Nashville’s tallest skyscraper

Paramount’s skyscraper component will only take up a portion of the site, with the rest slated to hold mid-rise parking and the restored YMCA facilities.

Goettsch Partners principal Vladimir Andrejevic led the project, having also led the 522-foot-tall (159 metres) 505 residential skyscraper in the city during his tenure at architecture studio Solomon Cordwell Buenz (SCB).

He told Dezeen that the faceted design of the building was chosen with respect to the building’s prominence in the skyline, and the team wanted a simple, elegant profile for the structure.

Paramount skyscraper Nashville
It has a faceted facade that taper to create a “crown” at the top

“It is going to be very prominent on the skyline,” Andrejevic told Dezeen. “So we thought that the facet actually is a very elegant way of creating an interesting reflection on the building.”

“It’s very subtle, but as the sun goes around it, it creates different shades and reflections,” he continued.

YMCA Nashville
The development includes a new structure for the YMCA on the site

As the tower rises the facets that will run along its face will come to triangulated points near the top, creating a “form that looks like a crown,” according to Andrejevic.

The skyscraper itself will face Church Street, on the long side of the L, with a podium that extends past it along Church Street that will include a glass-fronted parking garage with a “porte cochere”. Amenities will be hosted on top of the parking garage.

It will have a 30-foot-tall lobby adjacent to the porte cochere.

Pool on top of parking garage at Paramount Nashville
An amenities deck sits on top of the parking garage structure

The skyscraper will hold mostly multi-family residential units, and while Andrejevic believes it is “appealing” to create the city’s tallest building, he said the design was focused on translating the interior experience of the building to the outside.

“I’m a big proponent of design that’s from inside out – meaning that what’s inside the building defines how the building is going to look outside,” he said.

“We often discuss the exterior of the building, but I think my biggest contribution is really that the experience of this building from the outside translates into inside.”

He said that the angles on the outside were designed to be optimised for the scale of the condominiums and the light allowances inside.

Nashville-based Iva Studio will lead the interior design.

The building is being developed by local developer Giarratana, who has developed two other residential skyscrapers on Church Street in the last few years.

“I am very pleased to be bringing Paramount to downtown Nashville,” said Giarratana president Tony Giarratana.

“As the new tallest tower on the skyline, I hope it earns its place as a treasured landmark for the city.”

Lobby of Paramount
It will have a tall lobby along Church Street

Goettsch Partners was founded in 1938. In recent years the studio has completed several high-profile skyscrapers in its hometown Chicago, including another faceted skyscraper for the Viceroy Hotel and Riverside office tower, which features a sharply tapered based to fit into a narrow site adjacent to the Chicago River.

The imagery is courtesy of Goettsch Partners. 

The post Goettsch Partners designs Nashville’s tallest skyscraper with “subtle” facets appeared first on Dezeen.