Perfect for SteamVR and VRChat: Experience Next-Gen VR with UDCAP Glove

Tired of interacting in virtual reality with joysticks and buttons? A glove could be a good alternative to a controller. However, not many effective solutions have emerged, partly because playing with gloves can be challenging due to sweat and the limited number of games designed for wearable peripherals. The UDCAP VR Glove for SteamVR aims to change that when it exits its crowdfunding campaign and becomes widely available.

The UDCAP VR Glove by Udexreal from China isn’t just another wearable controller; it’s touted as the next-generation VR input device that allows users to interact with natural hand gestures. This claim, along with the glove’s compatibility with all current and future SteamVR games and its ability to pair effortlessly with VRChat avatars right out of the box, could pose a threat to traditional VR controllers.

Designer: UdexReal

Click Here to Buy Now: $499 $699 (29% off). Raised over $248,000. Hurry, backed by 309 backers already!

Whether you’re feeling the intensity of a game on SteamVR or expressing yourself in VRChat with hand gestures, the UDCAP glove offers complete precision and limitless flexibility. Traditional VR controllers limit natural interaction, but these VR gloves provide a natural way to interact in the virtual environment with data transmission speeds of up to 120Hz. According to the company, a pair of gloves work on a 2.4G wireless connection with a dongle for data transmission, which has under 10ms latency within a 10-meter radius.

Crafted from lycra, the 45g VR gloves are embedded with sensors made from a patented polymer material that helps collect and transmit data simultaneously. They combine precision motion capture with integrated control modules that detect and relay the subtlest hand movements. Each UDCAP VR glove is embedded with 11 sensors capable of tracking 15 different finger joints and 21 joint angles to record the most precise hand movements, relaying smooth and stable gestures in VR.

The glove controls are fully customizable, allowing users to fine-tune their experiences to match any avatar. In-game movements are controlled by thumb-controllable joysticks and AB buttons on the index finger. Their positions are adjustable and topped with rubber cushioning for long-term use. The flexibility is combined with real-time tactile feedback to enhance gameplay. As mentioned, playing or interacting in VR with gloves can get sweaty and uncomfortable.

Udexreal has addressed this problem by making the gloves breathable and comfortable. Users can easily lift a glass, type, or use a smartphone while wearing the UDCAP gloves. The electronic components can be detached and the gloves can be washed by hand in lukewarm water. If you’re convinced this can be your next VR controller, the gloves are available for crowdfunding on Kickstarter. A super early bird rebate can get you a pair for just $499.

Click Here to Buy Now: $499 $699 (29% off). Raised over $248,000. Hurry, backed by 309 backers already!

The post Perfect for SteamVR and VRChat: Experience Next-Gen VR with UDCAP Glove first appeared on Yanko Design.

Top 5 Unexpectedly Versatile Desk Tools for the Modern Professional

In a world where flexibility and efficiency are the cornerstones of productivity, your desk setup should reflect the same principles. Gone are the days of single-function tools that do only one job. Today, we’re looking at gear that can multitask, bringing both style and versatility to your workspace. From a letter opener that doubles as a paperweight to scissors that moonlight as a boxcutter, these top 5 desk tools aren’t just unexpectedly versatile—they’re game-changers. Let’s explore how these innovative tools can elevate your everyday work experience.

1. Effortless Standing Letter Cutter: The Sleek, Multi-Tasking Marvel

Why It’s Noteworthy:

Kick off your desk transformation with this sleek letter cutter. Not only does it make opening mail a breeze with a simple slide, but it also doubles as a stylish paperweight. Its minimal design adds a sophisticated touch to any desk, standing upright and ready to slice through envelopes with ease. Plus, with a replaceable blade, it’s built to last—saving you from the clutter of unnecessary paper scraps and adding a chic element to your workspace.

Click Here to Buy Now: $49

What We Like:

  • Effortless, clean cuts that make opening mail almost enjoyable.
  • Dual-purpose design that also serves as a modern paperweight.
  • Replaceable blade ensures longevity and continued sharpness.

What We Dislike:

  • Not ideal for cutting through thicker materials or heavy-duty use.

2. Scissors with Base: Your Go-To Cutting Companion

Why It’s Noteworthy:

These aren’t your ordinary scissors. Standing tall on a magnetic base, they’re always within arm’s reach—no more digging through drawers! Beyond cutting paper, one of the finger rings doubles as a boxcutter, making this tool incredibly versatile. It’s perfect for professionals who need to go from snipping paper to slicing open packages without missing a beat. Made from Japanese stainless steel with a Teflon coating, these scissors are designed to perform and impress.

Click Here to Buy Now: $49

What We Like:

  • Always upright and accessible thanks to the magnetic base.
  • Boxcutter function adds an extra layer of utility.
  • Premium materials ensure durability and a sharp cut every time.

What We Dislike:

  • The boxcutter feature is not as sharp or precise as a dedicated box cutter.

3. Ballpoint Pen: The Power Pen with a Twist

Why It’s Noteworthy:

Think pens are boring? Think again. The Ballpoint Pen is designed for those who appreciate a bit of flair with their function. Its dodecagonal barrel shape not only adds a unique visual element but also provides a comfortable, secure grip for long writing sessions. Built tough with a heavy-duty clicker that’s perfect for fidgeting, this pen is more than just a writing tool—it’s a desk accessory you’ll want to show off.

Click Here to Buy Now: $39

What We Like:

  • Ergonomic, dodecagonal shape enhances grip and comfort.
  • Heavy-duty clicker mechanism stands up to frequent use and fidgeting.
  • Sturdy build ensures it’s more than just a pretty face.

What We Dislike:

  • The unique dodecagonal shape, while ergonomic, may not be comfortable for everyone.

4. Paperweight and Pen Holder: The Compact Desk Organizer

Why It’s Noteworthy:

Say goodbye to desk clutter with this clever combo. The donut-shaped paperweight keeps your documents from flying off your desk while doubling as a pen holder. Its 12 beveled edges offer a tactile experience and serve as a playful fidget tool during those long conference calls. Perfect for those who like their desk accessories to pull double duty, this piece adds a touch of modern design to your workspace while keeping things tidy.

Click Here to Buy Now: $35

What We Like:

    • Two-in-one design for both organizing and styling your desk.
    • Adds visual and tactile interest to any setup.
    • Compact size makes it a versatile addition to any workspace.

What We Dislike:

  • Limited to holding a single pen, which might not suit everyone’s needs.

5. Japanese Drawing Pad: The Creative’s Multi-Purpose Canvas

Why It’s Noteworthy:

Whether you’re a designer, an artist, or someone who just loves doodling during meetings, the Japanese Drawing Pad is your perfect companion. Made with high-quality Japanese paper, this pad is durable enough for a range of media, from pen to brush. The microperforated edges make tearing pages a breeze, giving you a clean canvas every time. Plus, with a recycled cardboard base, it’s as eco-friendly as it is functional—ideal for those who want their creativity to come with a side of sustainability.

Click Here to Buy Now: $26

What We Like:

  • High-quality paper that’s perfect for various artistic endeavors.
  • Microperforated pages allow for easy, clean tearing.
  • Recycled materials make it a sustainable choice for eco-conscious creatives.

What We Dislike:

  • Not as many pages as some might prefer for heavy use.

The post Top 5 Unexpectedly Versatile Desk Tools for the Modern Professional first appeared on Yanko Design.

The OBSBOT Meet 2 is the Perfect Compact Solution for Streaming, Content Creators, and Professionals

OBSBOT continues to push the boundaries of what’s possible in digital content creation with its latest addition, the Meet 2. This compact yet powerful webcam is designed for those who demand high-quality video and seamless functionality in their daily activities. Whether you’re a dedicated gamer, a creative content producer, or a professional navigating the challenges of remote work, this device is built to meet your needs. It combines cutting-edge features with top-tier performance, all within a sleek design that fits effortlessly into any workspace.

Designer: OBSBOT

Design That Fits Your Style and Offers Clear Visuals

OBSBOT Meet 2 Cloud White

Combining minimalism with functionality, the OBSBOT Meet 2 easily fits into any setup. It comes in three distinct colors—Cloud White, Space Grey, and Aurora Green—allowing you to match it with your style.

Weighing just 40.5g, it’s light and unobtrusive yet packed with features that help you create high-quality content. This device combines style with practical features, delivering professional-grade performance in a compact design.

OBSBOT Meet 2 weighs 40.5g

Visuals are captured with Ultra HD 4K resolution at 30 frames per second, ensuring every detail stands out. Whether you’re streaming a game, recording a tutorial, or joining a virtual meeting, the clarity and sharpness of your video will be noticeable. The advanced Phase Detection Auto Focus (PDAF) and 4x digital zoom ensure you can highlight key details without compromising image quality, turning your content into an engaging experience.

AI-Powered Framing and Low-Light Performance

Smart AI technology keeps you in the center of the frame, even when you’re moving around. During live streams or video calls, the AI automatically adjusts to keep you perfectly positioned, freeing you from constantly adjusting your camera. This is particularly useful in fast-paced situations where staying focused on your task is crucial.

With this webcam, low-light settings won’t compromise video quality. Its larger 1/2″ CMOS sensor and F/1.8 aperture work together to produce bright, clear images even when lighting is less than ideal. Paired with HDR technology to balance exposure, your video remains sharp and polished, whether it’s day or night.

Clear Audio That Complements the Visuals

While visuals are essential, clear audio plays an equally important role. The dual omnidirectional microphones, equipped with Noise Reduction and Auto Gain Control, capture your voice naturally and filter out background noise. This ensures that your voice remains clear and easy to understand whether you’re streaming, recording, or in a meeting. The microphones are designed to pick up sound from different angles, giving you the flexibility to move around while still delivering high-quality audio.

Beyond just technical specs, this webcam’s audio capabilities contribute to a more immersive experience for your audience. Whether you’re offering commentary during a game or presenting a topic in a virtual meeting, the natural and crisp sound keeps listeners engaged. Clear audio ensures that everyone is heard in collaborative settings, creating a more effective communication environment. This level of audio quality helps bridge the gap between virtual and in-person interactions, making it an essential tool for effective communication.

Versatile for Different Uses

This webcam is versatile enough to be useful in many different scenarios. Gamers will appreciate the 4K resolution and AI Auto Framing features, which make streams more dynamic and engaging. The camera’s ability to maintain focus on you, even during intense moments, enhances the overall viewing experience, making your streams more captivating.

For content creators, it proves to be an invaluable asset. Whether you’re recording tutorials, demos, or reviews, the high-quality visuals and intelligent framing give your content a polished, professional look. The freedom to move around without losing focus allows for more dynamic videos, reducing the hassle of constant camera adjustments.

For professionals, this webcam is a reliable tool for virtual meetings, webinars, and presentations. Its ability to perform well in low light and ensure balanced exposure means you’re always seen clearly, even in challenging environments. The high-quality microphones also ensure your voice is heard, which is critical for effective communication in remote work settings.

Time to Think About Your Setup

With the growing importance of online interactions, the need for high-quality webcams is on the rise. This device meets the need for advanced technology with a simple, user-friendly design. Compact, powerful, and affordable, it’s a valuable addition to any setup.

Whether you’re enhancing your gaming streams, improving your content creation, or elevating your virtual communications, the OBSBOT Meet 2 is designed to help you upgrade your digital presence. Consider how it could fit into your workflow and help you achieve better results.

The post The OBSBOT Meet 2 is the Perfect Compact Solution for Streaming, Content Creators, and Professionals first appeared on Yanko Design.

Honor’s Ridiculously Slim Magic V3 Folding Phone grabs a Guinness World Record by sitting on a House of Cards

Bryan Berg, the renowned American architect and card-stacking virtuoso, has once again pushed the boundaries of human ingenuity and set a new world record for the tallest house of cards. This extraordinary achievement, accomplished in a mere eight hours, has a tech spin to it. Sitting atop this colossal 54-level card tower is Honor’s Magic V3 foldable phone. Aside from being the world’s thinnest phone, measuring just 4.35mm when opened completely (that’s thinner than the 2024 iPad Pro), the phone clocks in at just 226 grams… that was enough for Berg to gingerly place it on top of his record-setting colossal structure – constructed without the aid of glue, wiring, or any metalwork.

The Guinness World Records adjudicator, Thomas Bradford, was on hand to witness this extraordinary feat and certify the new record. The challenge was far from straightforward, as Berg required a near-airtight environment with high humidity to ensure the cards’ cooperation throughout the building process. To achieve these conditions, seven humidifiers were set up in the room, creating a rather stuffy atmosphere for the crew tasked with capturing the momentous occasion on film.

Undeterred by the challenging environment, Berg worked tirelessly for the majority of the eight-hour period, taking only brief pauses for hydration and sustenance. His consistent pace, averaging five or six levels per hour, culminated in the placement of the HONOR Magic V3 atop the completed structure, signaling the end of his monumental endeavor… but more importantly, redefining the term ‘ultralight’ in the context of foldables and tech in general.

Berg’s latest record-breaking achievement adds to his impressive track record of card-stacking accomplishments. His previous record for the tallest playing card structure, standing at 7.86 meters, has remained unbroken since 2007. Over the years, Berg has consistently pushed the limits of his craft, repeatedly breaking and reestablishing his own world records. This attempt, in collaboration with HONOR, also sets a record just before the company takes the stage at IFA 2024 to showcase its products for the year.

The post Honor’s Ridiculously Slim Magic V3 Folding Phone grabs a Guinness World Record by sitting on a House of Cards first appeared on Yanko Design.

Wheeler Kearns wraps Michigan lake house with two tones of wood

Meadow Lane Retreat by Wheeler Kearns Architects

Chicago-based studio Wheeler Kearns Architects has created a wood-wrapped lake house with three separate structures whose design was informed “by the natural beauty and tranquillity” of Lake Michigan.

Completed in August 2022, the Meadow Lane Retreat is a multi-structure house on a wooded site in Michigan.

Facade of Meadow Lane Retreat by Wheeler Kearns Architects
Wheeler Kearns Architects has built a Lake Michigan house inspired by the surrounding landscape

“By using natural materials and optimising the home’s orientation and layout, we aimed to harmonise the architecture with its environment, creating a space that is both restorative and timeless, ” Wheeler Kearns Architects principal Jon Heinert told Dezeen.

The house is separated into three blocks – the main house and entertainment block that measure 8927 square (830 square metres) and a detached garage building – that maximise privacy, views of the lake and natural light.

Garage
The Meadow Lane Retreat restores a natural stormwater ravine, integrated into a bridged driveway

The two spaces are set perpendicular to the lake.

The main house – which includes the kitchen and dining room as well as two lounge spaces on the ground floor and the large primary suite above – is located on the southwestern side of the property and screens the guest house from view upon entry.

The entertainment space includes a den, recreation room, and gym and doubles as a guest house with four private suites that are entirely separate from the shared areas of the home.

Kitchen
The property has three separate structures – the main house, entertainment block and detached garage

In addition to forming a garden courtyard on the northeast side of the property, the blocks are sited to restore a natural stormwater ravine on the 2.55-acre property in Lakeside, Michigan.

Integrated into a bridged driveway, the ravine captures stormwater from neighbouring properties and redirects into the base of a lakefront bluff.

Lounge space
The main house is located on the southwestern side and screens the guest house from view upon entry

Excess rainwater is absorbed into permeable aggregate paving and planted roofs that serve as a pollinator source for bees.

“Natural native materials define the architectural palette, fostering a timeless connection with nature,” the team said, noting the durable species.

Bedroom
The second floor of the house interlocks domestic black locust boards that weather with a silver finish

Selected to echo the surrounding woodlands, the ground floor is wrapped in Accoya tongue-and-groove siding stained dark and milled into narrow vertical slats to serve as a textured reference to tree trucks.

In contrast, the second floor is clad in short, interlocking domestic black locust boards that weather with a silver finish.

“At the entry, the cantilevered black locust upper level reveals a slatted white oak ceiling that extends into the living spaces,” the team said.

The whole house is set on a stereotomic limestone wall base that connects the interiors to the pool terrace through floor-to-ceiling glass openings with mitred glass corners that extend views outward in multiple directions.

“The focal point of Meadow Lane’s design is its deep connection to nature, achieved through the home’s staggered configuration, natural materials, and expansive floor-to-ceiling glass openings,” the team said.

“These elements create a seamless flow between indoor and outdoor spaces, allowing sunlight to flood each room and enhancing harmony with the ever-changing surrounding vista.”

Pool terrace
The wood-wrapped house is set on a stereotomic limestone wall base that connects interiors to a pool terrace

Recently, Wheeler Kearns has completed a multipurpose greenhouse with internal wood-clad living rooms for an organic farm in southwestern Michigan, an art-filled penthouse with a library wall in Chicago and a lake house with a cluster of wood-clad buildings with zig-zagging gables, also on Lake Michigan.

The photography is by Steve Hall.


Project credits:

Architect: Wheeler Kearns Architects; Jon Heinert, Emily Ray, Laura Cochran
General Contractor: Bulley & Andrews
Structural Engineer: Enspect Engineering
Landscape Architect: Hoerr Schaudt
MEP Engineer: Building Engineering Systems
Lighting Design: Lux Populi

The post Wheeler Kearns wraps Michigan lake house with two tones of wood appeared first on Dezeen.

High Line "under threat" from proposed skyscrapers and casino say Friends of the Highline founders

High Line extension plans, photo from original completion in 2014

The rezoning of land in New York City for skyscrapers and a casino puts the experience of the city’s High Line “under threat” according to the founders of Friends of the Highline.

Friends of the Highline founders Joshua David and Robert Hammond made a series of criticisms about proposed developments in an opinion piece published in NY Daily News today.

The duo expressed concerned about the impact of a proposed development at West Side Yard on the experience of the High Line – a disused railway track that was turned into a raised park by studios Diller Scofidio + Renfro, James Corner Field Operations and Piet Oudolf.

Earlier this year, New York developer Related Companies applied for a rezoning of the West Side Yard – an under-utilised train depot adjacent to the skyscraper-filled Hudson Yards development in Manhattan.

It released proposed designs for skyscrapers to fill the site and was one of a few to apply for what would be Manhattan’s first casino license for the development.

“The High Line is under threat again”

The pair claims that such a development would negatively affect both the experience of the High Line and community-oriented urban development that has they say has resulted from the conversion of the elevated industrial rail line into a planted walkway a decade ago.

“Today the High Line is under threat again from Related and its casino partner, Wynn Resorts,” said David and Hammond.

“They are now proposing a massive, Las Vegas-style development on the western rail yard that would wall off city views and eviscerate a hard-won, community-supported plan for a more balanced development centered on a major, riverview green space.”

Related Company Hudson yards
Related has put forward plans to put skyscrapers on an under-utilised plot of land on the Hudson River

According to David and Hammond, the West Side Yard site was part of negotiations between the Friends of the Highline, the city and Related in 2009 that slated the the site for housing, a school, and green space.

“Now the developer wants to undo the agreement and rezone the site again,” said David and Hammond.

“The principal changes include much taller and wider buildings at an overwhelming scale, less accessible green space, more office space (in a city that has a glut), and less housing in a city that has a desperate shortage.”

The pair claims that the development would “block” the views from the High Line, which ends at Hudson Yards, and suggested that the casino and restaurants would negatively affect local businesses.

“So much for supporting the community fabric of Chelsea and Hell’s Kitchen. This stands in contrast to other NYC-area casino proposals that offer incentives to patronize neighborhood restaurants,” they said, adding that they support development of the site that would conform to the 2009 agreement.

The comments come after the Friends of the High Line organisation announced a campaign to stop the development, which includes several local business and community leaders in its supporters.

Friends of the High Line “have failed to communicate any substantive concerns”

Related denied the claims, highlighting its status as a “long-time supporter” of the High Line. It claims that Friends of the High Line have engaged in a “disinformation campaign”.

“First, the High Line is not remotely under threat by our proposal to develop the Western Rail Yards; as longtime neighbors and supporters of the High Line, we have met with them 10 times and made substantial amendments to our proposal in response to their concerns,” a spokesperson for the company told Dezeen.

“Since that time, they have failed to communicate any substantive concerns and instead have launched a disinformation campaign.”

Related also claims that the 2009 plan was scrapped because of economic feasibility, and noted the inclusion of housing under the proposed scheme, adding that the development will add housing and maintain the views from the High Line.

“While the High Line hand wrings over the impact on their ‘city views’ of a rail yard, this proposal will create a 5.6-acre new green public park, 5,000 permanent union jobs in the resort, more than 300 units of new affordable housing and much needed economic investment in NYC, all while enhancing access to the High Line.”

Related has published a video rendering of what the proposed development might be like for visitors of the High Line.

Related’s proposal is one of many that have been forth to create developments that include casinos. Others include a parcel on Manhattan’s East Side by BIG and another with designs by CetraRuddy, also near Hudson Yards.

The top photo by Iwan Baan.

The post High Line “under threat” from proposed skyscrapers and casino say Friends of the Highline founders appeared first on Dezeen.

ASUS Zenbook S 14 with Ceraluminum lead Ubiquitous AI push with Intel Core Ultra 200V

If you haven’t noticed it yet, AI is taking over, but not in the nefarious Skynet sense. You can hear about it everywhere and, to be fair, it is actually everywhere, even when you don’t see it, let alone be aware of its existence. It’s coming to consumer devices, even when you’re not that interested in AI image generation and photo effects. To be fair, AI can do plenty to improve the computing experience, from optimizing performance to organizing our mess of data to make sense of all the notes and photos that we have taken over the years. To support that kind of AI in computers, however, you need a capable processor to handle that load, and ASUS collaborated with Intel to power this new generation of mobile computers with the latest Intel Core Ultra 200V Lunar Lake chips to cover a wide range of laptops that cater to an equally varied range of users.

Designer: ASUS

ASUS Zenbook S 14 with Ceraluminum

Revealed last June at Computex 2024, the ASUS Zenbook S 14 offers not only AI prowess but, perhaps more importantly, an exquisite design that’s made to last. The new Ceraluminum material, an amalgamation of ceramic and aluminum, combines the durability of metal with the elegance and texture of glass, delivering a graceful aesthetic that belies the power inside. This attention to detail carries over to the cooling system that includes a geometric grille design composed of no less than 2,715 vents. Only 2.6 lbs light and 0.47 inches (11.9mm) thin, the Zenbook S 14 offers a delightful mobile experience that doesn’t compromise on power either.

That power is delivered by the new Intel Core Ultra 7 258V, promising 47 TOPS of neural processing performance to drive those AI features, whether it’s cleaning up audio for conference calls or adding effects to video interactions. Windows’ CoPilot+ key is also there, ready to generate images, create detailed summaries, and more with just the push of a button. The laptop’s 72Wh battery and a full range of ports, including Thunderbolt 4 support, allow users to take their work anywhere they go without having to worry too much about running to the nearest power outlet.

ASUS Vivobook S 14

Embracing minimalism and simplicity, the ASUS Vivobook S 14 delivers that same Intel Lunar Lake performance in a sleek and unassuming design. With a weight of 2.85 lbs and a 0.55-inch profile, this mobile computer offers a stylish companion for all your work and entertainment needs, wherever life takes you. With an Intel Core Ultra 7 258V and its 47 NPU TOPS performance, you also have the full range of AI features available at your fingertips.

Quality of life features for the Vivobook S 14 include a gorgeous 14-inch 16:10 OLED display and Harman Kardon-certified Dolby Atmos speakers, a good number of I/O options, including a microSD card reader, and a large touchpad to complement an RGB backlit keyboard. A 75Wh battery promises hours of use on the go, while USB-C charging offers the flexibility to charge even when away from power outlets.

ASUS Vivobook 14/16 Flip

If flexibility is the name of the game, then the new 14-inch and 16-inch ASUS Vivobook Flip notebooks will satisfy your needs. A 360-degree hinge converts the laptop into a tablet or display, depending on the circumstances, and support for the optional ASUS Pen 2.0 helps those creative juices flow more naturally. Of course, it is also powered by the new Intel Core Ultra 7 258V, giving it AI chops you can take with you anywhere.

The ASUS Zenbook S 14 (UX5406), which is now available from ASUS’s online store, will also be available for pre-order from Best Buy starting 6th September with a starting price tag of $1,399.99. The ASUS Vivobook S 14 (Q423) has a starting price of $999.99 and will be up for pre-order from Best Buy on 5th September, with other configurations following in Q4 this year. Also launching in Q4 are the ASUS Vivobook 14 Flip and Vivobook 16 Flip, with details to be disclosed closer to their availability.

The post ASUS Zenbook S 14 with Ceraluminum lead Ubiquitous AI push with Intel Core Ultra 200V first appeared on Yanko Design.

"The shadow of Grenfell Tower's burnt-out husk will follow the refurbishment architect forever"

As the long-awaited final report from the public inquiry into the Grenfell Tower fire is published, Nat Barker reflects on the role of the lead architect on the building’s notorious refurbishment project.


And so we come to the end. I watched hundreds of hours of the Grenfell Tower Inquiry. Among the dozens of witnesses I saw give evidence, the one I still think about most is Bruce Sounes.

Sounes was the lead architect on the fateful refurbishment project that effectively turned the tower into a death trap. He gave evidence right at the beginning of phase two, four-and-a-half years ago now.

Decisions he had made, emails he had sent several years prior, were scrutinised in forensic detail

It was hard going. The cross-examination was highly technical, digging into every minutiae of Sounes’s involvement in the refurbishment. Over six days of hearings – significantly more than most witnesses – decisions he had made, emails he had sent several years prior, were scrutinised in forensic detail.

It all seemed too much for Sounes. Sitting in the witness box, his voice faltered frequently, his boyish features twisted and tremored. Proceedings twice had to be halted because he was “taken ill” – and all of us in the room had an idea what that meant.

Sounes’s position was that he had no idea about how dangerous the cladding installed on Grenfell Tower was. He claimed that he understood this aspect of the project to fall under the purview of the cladding sub-contractor, Harley Facades, and that compliance with building regulations would be established by building control.

Whether or not we believe that – whether or not Sounes himself believes it – it was abundantly clear: he was traumatised by the disaster.

I do not for a second mean to equate Sounes’s suffering with that of the people unfortunate enough to have been inside Grenfell Tower on that dreadful night, or their loved ones.

I think also of Marcio Gomes, who plunged through thick black smoke for 35 minutes as he tried to escape the tower, believing the family he had been separated from in the terrifying darkness were all dead. His baby son, Logan, was the youngest victim of the fire before he even took his first breath. He was stillborn in hospital shortly afterwards.

It is not often you see an ordinary person struggling to live with themself

I think of Nabil Choucair, who lost six members of his family. I think of the little girl who lived in flat 175, who lost literally everything in the fire: her mum, her dad, and her two sisters. She was six years old, and will now be about 13.

I think too of the aspiring young architects Gloria Trevisan and Marco Gottardi, trapped in their flat together on the 23rd floor having moved to London from Italy only a few months before. Trevisan ended a call home shortly before she died so that her mother would not have to listen.

Their stories are just a snapshot of the unbelievable, unhealable pain caused by that fire.

But, still, for some reason, time and time again my mind returns to Sounes and the haunted figure he cut as he answered the inquiry’s questions. It is not often you see an ordinary person struggling to live with themself.

There are few surprises in the mammoth report published today. The strength of the language it uses to describe the architect’s role in the disaster is perhaps its most remarkable aspect.

Studio E, the firm that employed Sounes, “bears a very significant degree of responsibility for the disaster”, the report said. This is more damning terminology than I have seen applied to any other participant. In the hierarchy of blame, the inquiry apparently considers the architects to be very near the top.

My own personal opinion is that Sounes displayed a startling lack of knowledge and curiosity about building regulations and fire safety, but may have had more of an inkling than he let on; his first instinct when looking for an insulation product was to reach for non-combustible mineral wool. Asked why, he replied: “It’s the safest.”

Criminal charges, with prison sentences for the convicted, are generally believed to be likely

Sounes wanted the refurbishment to be a success, but seems to have only really thought about the criteria that he personally was interested in: how it looked, and whether it improved thermal efficiency. Everything else, he was content to leave to someone else.

In the context of what happened, some may consider that to be unforgivable. Others may recognise it as behaviour they themselves tend towards. Regardless, among all the people who worked on the refurbishment called to give evidence to the inquiry across 80 weeks of hearings, Sounes was the most visibly affected.

It is not clear what the future holds for him now. A police investigation into the fire is ongoing, and criminal charges, with prison sentences for the convicted, are generally believed to be likely.

Will Sounes be among those individuals? I don’t know. Either way, the eerie shadow of Grenfell Tower’s burnt-out husk will follow him forever.

Architects must, of course, pay close attention to the inquiry’s findings and recommendations beyond the news headlines that will emerge over the next 24 hours. In particular, its conclusion that Studio E was responsible for ensuring that the cladding complied with building regulations and not the contractor, or the specialist sub-contractor, or building control, may be an alarming wake-up call.

But they should also think about Sounes. Think about him working on that project, and him on the witness stand several years later, barely able to come to terms with his role in one of the worst peacetime disasters in modern British history.

Try to feel what Sounes must feel today

Let’s be honest, lengthy reports – even ones as important as this – can be difficult to engage with emotionally. You may know what it says, but do you feel it?

Well, try to feel what Sounes must feel today. Try to imagine what it would be like to work on a project, and later have to live with the fact that it turned out to cause even a fraction of the anguish caused by the Grenfell Tower fire. If that does not motivate you to learn whatever lessons are relevant to you from this disaster, I doubt anything will.

As we sift through the 1,700 pages of the phase two report in the coming days, the stories of Gomes, and Choucair, and Trevisan and Gottardi, and the little girl from flat 175, and everyone else affected who is still waiting for justice, and will have to wait for some time longer, should never leave our minds. I wonder if they ever leave Sounes’s.

Nat Barker is features editor at Dezeen.

The photo is courtesy of the Grenfell Tower Inquiry.

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The post “The shadow of Grenfell Tower’s burnt-out husk will follow the refurbishment architect forever” appeared first on Dezeen.

Drexel University spotlights twelve architecture and design student projects

Visualisation of a spa in tones of brown.

Dezeen School Shows: a spa that integrates natural materials including stone and mineral plaster is included in Dezeen’s latest school show by students at Drexel University.

Also included is an education centre for agriculture in Puerto Rico and a music venue situated by the Trinity River in Dallas, USA.


Drexel University

Institution: Drexel University
School: Department of Architecture, Design and Urbanism
Courses: BArch, BS Interior Design, MS Interior Architecture and MS Design Research
Tutors: William Mangold, Dee Nicholas, Andrew Phillips and Frances Temple-West

School statement:

“Drexel University offers the nation’s top programs for experiential learning with dedicated co-op work experiences and a mission of civic engagement.

“The Department of Architecture, Design and Urbanism includes undergraduate programs in architecture and interior design and graduate programs in interior architecture, design research and urban strategy.

“Work from our programs explores qualities of place and considers that our lives are constantly shaped by the spaces we inhabit.

“At all scales, we respond to the form, light and materials of the world around us and we actively engage our social and natural environments.

“Through research and design interventions, our work enhances our lives and promotes community.”


Visualisation of a hotel against a grey background.

Architecture as Séance: A Dialogue Across Time by Lauren Tennenbaum

“Architecture embodies both history and visions of the future.

“The way we inhabit old buildings then can be a form of seance: a dialogue with the ghosts of our past to grapple with history and take agency in constructing heritage.

“Utilising Philadelphia’s landmark brutalist Roundhouse building – former home of the Philadelphia Police Department – this thesis explores how design can amplify or subvert experiences of place and history, enabling us to reimagine our relationship with the past as an active conversation, always in progress.”

Student: Lauren Tennenbaum
Course: MS Interior Architecture
Tutor: William Mangold


Visualisation of community spaces in tones of grey and brown.

The Mix: Adapting to Gentrification Through Community Place-Making by Ananya Vijayendra

“This thesis project focuses on addressing socio-economic disparities in the Chelsea neighbourhood of New York City through strategic design interventions.

“Unlike typical gentrification that causes physical displacement, Chelsea is experiencing ’emotional displacement’ where long-term residents feel out of place amid rapid development.

“The project creates ‘third spaces’ – community-oriented areas separate from home and work that facilitate social interaction between different socio-economic groups.”

Student: Ananya Vijayendra
Course: MS Interior Architecture
Tutor: Sarah Lippmann


Visualisations of a jewellery store in tones of pink.

Temple at Tiffany’s: Finding Meaning in Contemporary Material Culture by Nihitha Sreenath

“Temple at Tiffany’s is a set of interior interventions that explore our complicated relationship with material culture.

“The project examines our aspirations of luxury and questions widely accepted symbols of status and appearances.

“Tiffany’s is a symbol of prestige that operates through mechanisms of reification, fetishisation and phantasmagoria to construct meaning and produce objects that embody wealth and power.

“The interventions within the flagship Tiffany’s store on fifth Avenue in New York City engage with the tension inherent in these mechanisms of status – we adore these luxury objects, yet they perpetuate stark inequalities.”

Student: Nihitha Sreenath
Course: MS Interior Architecture
Tutor: William Mangold


A visualisation of a repurposed caslte in tones of brown and beige.

The Connemera Greens: Kylemore Abby Hospitality Project by Jules Pipinos

“Transforming an old Irish castle into a destination hospitality venue is a vital step in cultural preservation, offering a unique blend of history and modern luxury.

“This initiative not only safeguards the architectural heritage of the castle but also breathes new life into its storied halls, making them accessible and relevant to contemporary audiences.

“By incorporating live music, several bars and lounges, the project creates a vibrant social hub that celebrates Irish culture and traditions.”

Student: Jules Pipinos
Course: BS Interior Design
Tutor: Karen Pelzer


A visualisation of an agricultural education centre.

Agricultural Education Center in Puerto Rico by Almudena Munoz Ferran

“This agriculture education centre located in Puerto Rico will house volunteers in an immersive education program who want to learn how to work and cultivate their own land.

“The program will give them the necessary tools to create their farm or garden in Puerto Rico or wherever they choose to do so.

“The building will also serve as a community space, offering neighbours a place to meet, shop for fresh produce and take an array of classes, including on topics related to home gardens.

“The project is meant to address the lack of agricultural production in Puerto Rico in a holistic and vibrant way.”

Student: Almudena Munoz Ferran
Course: BS Interior Design
Tutor: Marie Mastrobattista


A visualisation of a museum in tones of brown and grey.

Museum for History and Cultural Expression by Adelyn Winger

“This thesis explores recent controversies surrounding ethnographic museums and the decolonisation of art, with the goal of designing a space that is culturally sensitive and can pioneer a new age of museums.

“This space will combine classical elements with modern technology to create a 21st-century museum that paves the way for the future of education and curation, whilst attracting people from various cultural backgrounds to come together and learn.

“The space will function as an educational and community space for users to have a cup of coffee and write or sketch.”

Student: Adelyn Winger
Course: BS Interior Design
Tutor: Frances Temple-West


Visualisation of a town in Indonesia.

Footprints of Urban Heritage, Revitalising Kembang Jepun by Anjelica Soesanto

“Once a vibrant place where my grandparents fell in love, Kembang Jepun now suffers from a declining population, making it an unfavourable and unsafe area.

“My thesis suggests rejuvenating this historic street by honouring its urban heritage and attracting people to live, work and socialise there again.

“I propose a design inspired by vernacular Indonesian architecture for the heart of Kembang Jepun that includes mixed-use buildings and street amenities tailored to residents and visitors, creating ‘third places’ at multiple scales that serve as anchors of community life.”

Student: Anjelica Soesanto
Course: BArch
Tutor: Kelly Vresilovic


Visualisation of a music venue with an audience, with a city skyline behind it.

Reshaping the Trinity: The Dual Performance of Critical Infrastructure by Rachel Sasson

“The project considers the dual ability of the Trinity River to function as both essential stormwater infrastructure and a vibrant public space.

“The floodway, an expansive landscape between two levees, has historically divided Dallas communities both physically and socially.

“The proposed redesign integrates ecological strategies to manage water, with features including a dynamic stage for outdoor music, house ticketing, vending and other support programmes.”

Student: Rachel Sasson
Course: BArch
Tutor: Joanne Aitken


Visualisation and plan in tones of brown of a postpartum healthcare centre.

Beyond Birth: Crafting Supportive Postpartum Environments by Teagan Robinson

“There are three million pregnant women in the United States each year, and many feel like candy wrappers: packaging to be discarded after use.

“American apathy towards the female experience after birth is reflected in our lack of standardised postpartum care.

“This has contributed to one of the highest maternal death rates in the developed world, with more than half occurring after birth – according to the World Health Organisation, many of these deaths are preventable with proper postpartum care.

“This thesis explores the role of interior design in providing this crucial support, aiming to improve outcomes for both mothers and infants.”

Student: Teagan Robinson
Course: MS Interior Architecture
Tutor: Jihyun Song


Visualisation of a room in tones of brown, white and grey, with figures throughout the space.

Reflective Effect: Materiality Impact on Embodied Cognition in Experience Design by Banan Baeesa

“This thesis explores the relationship between humans and the environment by combining reflective materials and immersive design.

“Reflective surfaces can transform spaces and their symbolic and illusionary aspects blur the traditional boundaries between internal and external characteristics.

“It can bridge the gap between the occupants and the surrounding space and is a spatial phenomenon that allows people to observe themselves in their surroundings.

“Reflective materials in interior spaces create engaging and immersive user experiences by taking advantage of our embodied cognition, and these materials aid in the physical body’s complete immersion in its environment.”

Student: Banan Baeesa
Course: MS Interior Architecture
Tutor: Telsa Love


Visualisation of a spa in tones of brown.

Nature Connection: Integrating Nature into Sensory Design by Chi-Ying Lin

“This thesis explores the integration of sensory and natural design elements within a spa environment to enhance mental wellbeing and create a transformative experience.

“The design utilises visual, auditory, olfactory and tactile stimuli to craft a holistic experience that is aesthetically pleasing and promotes relaxation and ease.

“The use of natural materials such as wood, stone and mineral plasters, along with strategic placement of plants and water features, aims to replicate the calming effects of the natural world.”

Student: Chi-Ying Lin
Course: MS Interior Architecture
Tutor: Lisa Patusky


A visualisation of the exterior of a school in tones of green.

Entwine – Elementary Education Interwoven with Nature by Yael Asman

“Entwine is a fun elementary school that I would have loved to send my kids to.

“When working on this project, I aimed to create a design that is a plethora of engaging experiences related to the natural environment.

“This is conceived as architecture that is dynamic and multifaceted at some locations and peaceful and harmonious at others; however, the principal idea of the design is employing the natural environment as a tool to inspire natural curiosity and motivation of independent learning.”

Student: Yael Asman
Course: BArch
Tutor: Kelly Vresilovic

Partnership content

This school show is a partnership between Dezeen and Drexel University. Find out more about Dezeen partnership content here.

The post Drexel University spotlights twelve architecture and design student projects appeared first on Dezeen.

Yaber’s K3 Series Projectors Debut at IFA 2024 with Advanced Cooling and Brightness For Modern Living

Yaber has proven its mettle in the short throw projector market with the K2 and now the successor arrives at IFA 2024. Revealed at IFA 2024, the flagship K3 series projectors come with improved features and two proprietary technologies for significantly better visuals. According to Marshall Mao, General Manager of Yaber. “We’ve enhanced our flagship lineup to push the boundaries of what’s possible for in-home entertainment experiences.”

The home theatre projectors come in two variants – K3 and K3 Pro models, both featuring the new CoolSwift cooling tech for more stable extended use and the NovaGlow optical technology for far better brightness levels and vivid true-to-life images. Along with the visuals, these new-age projectors have dual JBL 15W stereo speakers with certified Dolby Audio for immersive audio.

Designer: Yaber

K3 series promises cinematic viewing with a 1080p FHD resolution and 1,600 ANSI lumens brightness, capable of projecting visuals to a distance of 40 to 200 inches even in the brightest of ambient conditions. Heat management is another feature that keeps you sorted for long viewing sessions courtesy of the U-shaped heatsink and dual thermoelectric coolers, which effectively manage heat, ensuring consistent performance.

Other important operational features that edge this series above other options on the market are the Auto Focus, Auto Keystone Correction, Intelligent Screen Alignment for seamless setup, and Intelligent Obstacle Avoidance for optimal image alignment. Ease-of-use functions that resonate well with modern smart life include a built-in TV dongle with access to over 7,000 apps including the likes of Netflix, Disney+ and YouTube.

Users can control the projectors hands-free from a distance using voice commands. For easy content transfer from your Android or Apple device, the NFC Tap option is a good option. Of course strain on the eyes is another thing that needs attention, hence the K3 series comes with a blue light-filtering coating to reduce eye strain while watching movies or web series.

“The K3 series reflects our dedication towards refining audiovisual technology and capabilities,” said Marshall Mao, General Manager of Yaber. “We’ve enhanced our Flagship lineup to push the boundaries of what’s possible for in-home entertainment experiences.” Let the Netflix and chill begin.

The Yaber K3 will launch for 599 EUR (roughly $660), while the K3 Pro will go for 649 EUR (around $720). Yaber also announced a new entry-level L2 series that starts at 239 EUR ($270).

The post Yaber’s K3 Series Projectors Debut at IFA 2024 with Advanced Cooling and Brightness For Modern Living first appeared on Yanko Design.