Ten interior design projects by students at Virginia Commonwealth University

A visualisation of an interior space in tones of white and grey, with two large planters in its centre that have a brown wooden panelling with tall green plants in them. There are people sitting around the planter and walking in the space.

Dezeen School Shows: a housing project designed according to adaptive reuse and biophilic design approaches is included in Dezeen’s latest school show by students at Virginia Commonwealth University.

Also included is a project promoting wellbeing through interactions with nature and a museum that comments on racism in the US.


Virginia Commonwealth University

Institution: Virginia Commonwealth University
School: Department of Interior Design at VCUarts
Course: Thesis Studio
Tutors: Roberto Ventura, Kristin Carleton and Seung-Ho Lee

School statement:

“These studios are the culmination of year-long independent, issue-based design exploration.

“Students completing their final undergraduate and graduate years in the Department of Interior Design at VCUarts are challenged to explore how design can engage an issue or idea that has three tiers of relevance.

“First: the project must have relevance to the student to sustain the passion required for a year-long investigation.

“Second: the project must engage with an issue or need in the local community where the project is based – the vast majority of projects are situated in or near Richmond, Virginia, where the university is located.

“Third: the project should invite interest from the larger interior design community.

“Students develop research projects that include primary investigations of their own authorship, programming and site documentation in the fall semester.

“This backbone sets the foundation for developing a design response to the student inquiries in the spring.

“Ultimately, these projects demonstrate the values driving the pursuits of these students and the power and potential they have as emerging designers to transform not only interior spaces but our communities overall.

“We do not know how our students will engage with design after graduation, but we do know that they will all be citizens of our communities who will have the opportunity to build them for the better.

“Our hope is they put their passions and skills to use with interior space as their medium.”


A photograph of a beige wooden architectural model amongst dark green greenery.

Sacred Cultural Celebration Center by Sara Nicoletti

“In a world often marked by division and isolation, I believe in the power of community and culture to heal, inspire and unite.

“Inspired by the people of the Amazon rainforest integrating natural materials and having an intuitive approach to creation, this third place blossoms into a sacred environment where gatherings and playful exploration intertwine.

“Here, individuals discover solace, inspiration and a profound sense of belonging within a collective of fragments.

“This sanctuary stands as a symbol of inclusivity, where all are welcome to share their stories, traditions and laughter.

“Rejecting the notion of boundaries and instead embracing the fluidity of cultural exchange and coexistence, this exploration seeks to foster a sense of proximity and childlike experience.”

Student: Sara Nicoletti
Course: IDES 401: Senior Interior Design Studio II
Tutor: Seung-Ho Lee
Email: nicolettisc[at]vcu.edu


A visualisation of a building in tones of brown and white, against a grey backdrop of a sky and mountains.

Bee’ééhózinii Archaeology Lab by Isabel Dingus

“Archaeological dominance by major Western nations has often resulted in the dislocation of cultural artefacts from smaller countries under the premise of better preservation facilities.

“This project presents a solution to mitigate this issue: the design and implementation of The Bee’ééhózinii Archaeological Laboratory.

“Designed to be built with traditional practices and rapid deployment to diverse archaeological locales, it seeks to equip nations with the resources to independently study, conserve and promote their own cultural heritage.

“By doing so, this approach minimises the need for international artefact relocation, ensuring heritage remains in its Indigenous context – not only does this preserve historical value, but it promotes local educational opportunities and prevents cultural displacement.

“This design looks at the impact it may have if deployed to the southwest United States, where there is a rich cultural identity that historically has been stolen and erased by colonial practices and external interventions.”

Student: Isabel Dingus
Course: IDES 401: Senior Interior Design Studio II
Tutor: Kristin Carleton
Email: isabeldingus[at]gmail.com


A visualisation of an interior space with tones of orange, pink, brown and blue. There is a person walking through the space and behind them, on a white wall, are the words 'dedicated to getting you back on the field' in orange.

Alleviate by Mia Daniel

“Alleviate is an athletic wellness and training centre focused on improving the mental and physical performance of active and recovering collegiate athletes.

“Located at the abandoned terminal number three warehouse on the James River in Richmond, Virginia, this design caters to schools in a 20-mile radius and the voted three sports: American football, basketball and soccer.

“The design concept is based on chakras and their associated characteristics and elements – the crown, solar plexus and root chakras are the targeted energy points for resetting the optimal athletic performance and mindset.

“This design seeks to break away from the stereotype of elitist characteristics towards athletic design by putting mental health at the forefront to create a holistic design approach.

“For users, this place is intended as a journey of enlightenment and acceptance while gaining back self-esteem and confidence to help them redefine themselves as athletes.”

Student: Mia Daniel
Course: IDES 401: Senior Interior Design Studio II
Tutor: Seung-Ho Lee
Email: danielmr2[at]vcu.edu


A visualisation of an interior space with people sitting at tables and chairs in colours of blue, pink and yellow, with the same colours on the ceiling of the space.

Reflection: Cultivating Creativity and Healing Through Art Therapy by Caroline Ciccone

“This project explores the establishment and implementation of an art therapy centre designed specifically for elementary-aged children, providing them with a supportive and therapeutic environment where they can engage in creative expression as a means of addressing emotional, social and psychological needs.

“Reflection is encouraged in the space through design features that promote the overall health and wellbeing of the client.

“Within the City of Richmond public school system, 31.7 per cent of students are economically challenged and 13.1 per cent of students are disabled.

“Giving more resources in the arts and mental health support to students outside of their school environments was the goal for this project.”

Student: Caroline Ciccone
Course: IDES 699: Creative Project – Thesis
Tutor: Roberto Ventura
Email: cicconec[at]vcu.edu


Visualisation of an interior space in colours of white and pink, with people sitting at tables and chairs of the same colours. There are large lights over the centre of the space and a large glass window on the right.

The Collection by Camille Rovani

“The Collection is a third place library and cafe that aims to unify diverse people, enhance wellbeing and increase community connection in downtown Richmond, Virginia.

“Inspired by the shape of the existing building and its new program as a community library, the design explores books on a bookshelf as a conceptual interpretation for people in a building.

“Undulating and staggered volumes of space represent books while people are highlighted as the stories and substance because, just as books are nothing without the stories within them, spaces are nothing without the people who occupy them.

“The most critical component of third places is the opportunity for people to connect.

“Therefore, it was important to break the regimented levels through a three-storey atrium and a glass stair feature spanning all four levels to emphasise the unity of this diverse community bookshelf.”

Student: Camille Rovani
Course: IDES 699: Creative Project – Thesis
Tutor: Roberto Ventura
Email: rovanicc[at]vcu.edu


An image displaying nine visualisations of a building in tones of brown, blue, red and green, against a white background, each with small figures in the building.

Hands in the Clouds by Bryce Carlson

“Creativity is often misunderstood as a given talent rather than a skill.

“Creativity is developed by simply observing one’s surroundings, exercising imagination, making physical ‘things’ and engaging in conversation – it is a practice anyone and everyone can do.

“This project explores creativity by encouraging users to see the potential in the every day and look at their surroundings from a new perspective: to see both what is and what can be.

“Hands become the ultimate tools, household waste becomes raw material for making and obligations become opportunities.

“A ‘half design’ approach is utilised in order to provide users with the freedom to create and alter space as they see fit while providing a framework from which to build.”

Student: Bryce Carlson
Course: IDES 401: Senior Interior Design Studio II
Tutor: Kristin Carleton
Email: carlsonbd[at]vcu.edu


A visualisation of the interior of a space in tones of brown and orange, with a bar in the centre of it and arches and columns throughout, with people in the space.

The Mosby by Leen Sylvain

“The Mosby is a jazz club located within an existing hotel in downtown Richmond, Virginia, inspired by the city’s rich jazz history.

“Often misunderstood, jazz played a crucial role not only in African American culture and the fight for equality, but also in women’s rights and liberation, with its improvisation and unpredictability contributing to the liberation of all art genres.

“The Mosby aims to bring together musicians, students and jazz enthusiasts.

“Jazz is more than music, it’s a movement – the Mosby serves as a platform to narrate and educate people about Richmond’s jazz legacy and its historical significance.

“It provides an immersive jazz experience to the community, offering a harmonious fusion of music-inspired spaces resulting in a contemporary and sophisticated experience.”

Student: Leen Sylvain
Course: IDES 401: Senior Interior Design Studio II
Tutor: Seung-Ho Lee
Email: segolene.sylv1[at]gmail.com


A visualisation of a museum space with black bricks on its walls. There are silver statues hanging from the ceiling in red rope, and a person viewing them.

Destruction as Creation: The American Museum of Iconoclasm by Nina Gregory

“Iconoclasm, or the breaking of art, has existed as long as there has been art to break – however, the phenomenon is often associated with a barbaric ancient world far from US soil.

“Yet, Richmond, Virginia, recently served as the backdrop to one of the largest instances of iconoclasm in recent history when, in the aftermath of Black Lives Matter and George Floyd protests in the summer of 2020, the city took down its public monuments depicting confederate leaders.

“This most recent occurrence brings up larger questions about the story of iconoclasm in the United States and how a museum should be designed to answer them.

“By investigating different methodologies and philosophies behind immersive museums, as well as the nature of breaking and being broken, this project creates an experience that is rewarding and impactful for visitors of all kinds while reintroducing empathy and humanity into a topic that has been wildly divisive for the nation.”

Student: Nina Gregory
Course: IDES 401: Senior Interior Design Studio II
Tutor: Kristin Carleton
Email: nina.gregory027[at]gmail.com


A visualisation of an interior space in tones of white and grey, with two large planters in its centre that have a brown wooden panelling with tall green plants in them. There are people sitting around the planter and walking in the space.

Inspiring a Ripple: Evidence-Based, Biophilic Design for Affordable Housing by Chelcey Dunham

“This adaptive reuse and affordable housing project, based in a 1930s concrete riverside warehouse, enhances community and individual wellbeing through evidence-based biophilic design.

“Research demonstrates that biophilic design characteristics enhance wellbeing in health care facilities, which suggests great potential for application in affordable housing.

“The concept of ‘ripple’ – inspired by the adjacent river and the metaphoric ripple effect of wellbeing – along with biophilic design informs all the design decisions that make up the project.

“A central courtyard is introduced to the rectangular building to satisfy the primary biophilic design goals of maximising natural light, access and views of nature – providing an outdoor community space, as well as exterior access and bilateral exposure to natural light for each unit.

“Indoor and outdoor plants, as well as recycled and sustainable materials – particularly those with a rippled form or texture – are specified for all spaces throughout the project, making this a thoroughly nature-centric design.”

Student: Chelcey Dunham
Course: IDES 699: Creative Project – Thesis
Tutor: Roberto Ventura
Email: chelcey[at]enlightenedinteriors.space


A visualisation of an interior space in tones of brown and orange, with large green trees and rocks throughout and grey pillars. People can be seen throughout the space.

A Walk in the Woods by Caitlin McLean

“Time spent in nature has been proven to have a positive effect on a human’s physical, psychological and emotional wellbeing, as well as fostering increased connectedness to the natural world.

“A Walk in the Woods explores the interaction between humans and nature.

“The path encourages visitors to interact with and experience the intersection of man-made structures with the encroachment of nature.

“A Walk in the Woods promotes the dissolution of boundaries between the interior and exterior, inspiring heightened environmental awareness and responsibility.”

Student: Caitlin McLean
Course: IDES 699: Creative Project – Thesis
Tutor: Roberto Ventura
Email: caitlinfmclean[at]gmail.com

Partnership content

This school show is a partnership between Dezeen and Virginia Commonwealth University. Find out more about Dezeen partnership content here.

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Google reports 50 per cent jump in emissions due to AI energy use

Photo of servers inside Google's St Ghislain data centre

Google‘s greenhouse gas emissions have increased by half over the last five years due to the energy demands of artificial intelligence, the company has revealed.

The figures were contained in Google’s 2024 annual environmental report, which reported an increase in emissions of 48 per cent in 2023 compared to the baseline set in 2019, with a 13 per cent increase year-on-year.

Google attributed the surge primarily to electricity consumption by its data centres and emissions from its supply chain, which includes the third-party production of hardware and equipment for these centres.

Photo of the server room at Google's data center in Hamina, Finland
Google’s servers in data centres require vast amounts of energy

Both are linked to the use of AI, as the technology requires more computing power than regular internet operations, all of which is derived from data centres.

The rise in emissions is significant enough to put Google’s 2030 net-zero emissions target at risk, the company admits in the report.

“As we further integrate AI into our products, reducing emissions may be challenging due to increasing energy demands from the greater intensity of AI compute, and the emissions associated with the expected increases in our technical infrastructure investment,” the report reads.

The company’s total greenhouse gas emissions were approximately 14.3 million tons of carbon dioxide equivalent (CO2e) in 2023, similar to that of a small European nation such as Latvia.

The report details Google’s initiatives to reduce these emissions, which include buying renewable energy and building more efficient computing infrastructure.

It also discusses ways the company is using AI to cut emissions elsewhere across the world, such as by implementing fuel-efficient routing for cars in Google Maps.

Google estimates this feature has helped to reduce global emissions by 2.9 million metric tons since its launch in 2021 – figures that aren’t included in its overall emissions data.

However, if the company is to hit its climate targets, the report suggests that there will need to be external technological breakthroughs.

Photo of the exterior of Google's data centre in Council Bluffs, Iowa, USA
Google’s data centre at Council Bluffs, Iowa, is one of its many large facilities

“Our approach will continue to evolve and will require us to navigate significant uncertainty – including the uncertainty around the future environmental impact of AI, which is complex and difficult to predict,” says the report.

“In addition, solutions for some key global challenges don’t currently exist, and will depend heavily on the broader clean energy transition.”

At the World Economic Forum earlier this year, OpenAI CEO Sam Altman said that to meet the energy demands of future AI, a breakthrough in nuclear fusion was needed.

Experts have for some time cautioned about the “eye-watering” use of resources required for AI, and the threat this poses to climate goals.

Microsoft has also reported a rise in emissions in its latest sustainability report, while Amazon and Meta have had a mixed few years. Most of the world’s largest data centres are owned by Google, Microsoft and Amazon.

All photos courtesy of Google.

The post Google reports 50 per cent jump in emissions due to AI energy use appeared first on Dezeen.

Pet getting scared of 4th July fireworks? These quirky yet effective Dog Headphones with ANC can help

Fourth of July can be a really fun time for the entire country, but a very stressful time for pet parents who have to deal with the extreme anxiety that dogs feel around those loud bangs and other noises. Dogs are highly sensitive to sound, so any loud noises, be it the pop of a firework or even the bang of a thunderstorm, can cause them high amounts of stress. Kirsten Brand nearly lost her dog Emma when a firework show on the 4th of July caused the pet to get so scared that she ran away from home. “After what seemed like hours, we found my furbaby, Emma, down the street. Thankfully, she had been taken into a garage by a neighbor, to ride out the rest of the firework show,” Kirsten mentioned.

That prompted her to design the Pawnix, a pet ‘helmet’ that covers their ears to dampen loud noises, while also playing calming and soothing sounds via Bluetooth. Sort of like ANC Headphones but for dogs, the Pawnix keeps your pets calm with relaxing audio, while also wrapping around their head to make them feel a sense of physical security and comfort.

Designer: Pawnix

Improved over various iterations, the Pawnix now comes with a foam-padded neoprene design, similar to the laptop sleeves you usually see people carry their MacBooks in. The helmet, shaped to look almost like a bonnet for your pet, wraps around the dog’s head, with pockets for the ears to fit in. The design works equally well for dogs with all kinds of ears, whether they’re erect, semi-erect, or hanging down. 4-way stretch Anti-microbial fabric with durable stitching means the Pawnix can go without being washed, and can definitely endure your dog trying to scratch at it or take it off.

On the inside, a set of audio drivers with active noise canceling and Bluetooth 5.0 let your dog listen to calming soundscapes instead of loud noises. Pop the headphones on, and you can connect your phone to the Pawnix via Bluetooth, choosing from a variety of calming sounds (you can actually find dog-calming tracks on YouTube). Alternatively, just the Pawnix itself should be able to drown out less intense noises like a dinner party with loud music. The Pawnix comes in 4 colors, and 4 sizes too, although there’s also an option to custom-make a Pawnix for even larger dogs.

The post Pet getting scared of 4th July fireworks? These quirky yet effective Dog Headphones with ANC can help first appeared on Yanko Design.

Five US-based opportunities on Dezeen Jobs

The lobby of Goop's Santa Monica headquarters designed by Rapt Studio

We’ve selected five US-based roles available on Dezeen Jobs this week, including positions at Rapt Studio, Maya Romanoff and DBI Projects.


Interior of material showroom

Associate studio creative director at Maya Romanoff

Maya Romanoff is hiring an associate studio creative director to join its team in Illinois, USA.

Responsibilities for this role include the developing of in-house products/production processes for in-line collections and Atelier custom projects, as well as exploring techniques and inventing new handcrafted wallcovering finishes.

View more artist roles ›


Intermediate designer at Studio BANAA

Studio BANAA is seeking an intermediate architectural designer to join its San Francisco-based team on a full-time basis.

Three to five years’ experience working in an architectural or interior design practice in the United States and an ability to model and design using SketchUp and Rhino are essential for this role.

View more designer jobs ›


Perelman Center Manhattan

Marketing manager at DBI Projects

DBI Projects is seeking a marketing manager to join its team in New York.

As part of its recent portfolio, the firm has partnered with architecture studio REX to create the Perelman Performing Arts Center in New York.

View more PR/marketing jobs ›


Senior account manager at Karla Otto

Karla Otto is recruiting a senior account manager for design communications to join its team in New York.

The ideal candidate should be a creative, innovative thinker with an open attitude and eagerness to learn and have a solid understanding of ongoing trends in the luxury, design and lifestyle industry.

View more US-based jobs ›


Goop headquaters designed by Rapt Studio

Senior designer at Rapt Studio

Rapt Studio is looking for a senior designer to join its team in Los Angeles.

The firm’s project for Goop’s Santa Monica headquarters features an open-plan office with light colours and soft furnishings for a calm ambience.

View more jobs in Los Angeles ›


See all the latest architecture and design roles on Dezeen Jobs ›

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RoboGrocery is the first step towards robots packing our grocery

When I first encountered a self-checkout system in IKEA a few years ago, I sort of panicked because I didn’t know what to do. But after experiencing it and eventually figuring things out, I thought this was such a convenient way to do your shopping, especially if you want to keep social interactions at a minimum. Now if only there was a also a self-packing system since the packing up groceries stuff is the most difficult.

Designer: MIT CSAIL

Eventually, this can of course come true and one step towards a system like this is the RoboGrocery. This was developed by MIT’s CSAIL department and uses a soft robotic gripper together with computer vision to help you bag groceries and other small items. It’s still in its early stages of course but seeing how it’s working at this time seems pretty promising.

They tested it out by placing 10 objects on a grocery conveyer belt, ranging from soft items like grapes, crackers, muffins, bread to the more solid ones like cans, meal boxes, and ice cream containers. The vision detects the size of the item to determine the order of placing it in a box. The grasper, with the pressure sensors in its fingers, then determines whether the item is delicate and should not be placed at the bottom of the bag.

 

While we’re still a few steps away from actually having a robot to bag your groceries, it’s an interesting first step towards that. Eventually, after it becomes available for commercial use, they might also be able to develop this for industrial spaces like recycling plants and factories.

The post RoboGrocery is the first step towards robots packing our grocery first appeared on Yanko Design.

realme 13 Pro is coming with ultra clear camera powered by HYPERIMAGE+ AI

Smartphone cameras have gotten quite powerful, that they might have hit a wall when it comes to hardware. Although they have reached mind-blowing 100 megapixels, sensors have also gotten a little too large for the ever-thinning smartphones. To make up for that slump in optical solutions, manufacturers are turning to software, specifically everyone’s favorite AI special sauce, to produce astounding images and experiences that wouldn’t have been possible with hardware alone. That said, AI alone won’t be enough either, so at its AI Imaging Media Preview Event in Bangkok, realme unveiled a new AI photography architecture that harnesses both powerful optics and powerful algorithms to bring mobile photography to the next level.

Designer: realme

realme’s new HYPERIMAGE+ AI photography architecture, which it claims is a first for the industry, leverages three layers to create its seemingly magical imaging feats. It stands on a solid foundation of powerful hardware, delivered by a new Sony LYT-701, a 50MP sensor with OIS, and a 50MP Sony LYT-600 paired with a periscope-style telephoto lens that lets it zoom in up to 3x without any loss in detail. The hardware alone would have been enough to handle any photography task even in challenging lighting situations, so you can imagine how much more impressive the results would be with help from AI.

HYPERIMAGE+ also utilizes both on-device AI imaging algorithms as well as cloud-based AI image editing to go beyond what the hardware is capable of. HyperRAW, for example, brings image processing capabilities to the high-quality RAW domain, boosting image quality and dynamic range to faithfully recreate light and shadows. AI Pure Bokeh helps in the separation of foreground, midground, and background elements, applying pixel-level segmentation and targeted optimization to create realistic portrait photos, all within seconds. An in the event that the cameras weren’t able to capture enough resolution for rich details, AI Ultra Clarity enhances the image to still produce crystal clear and stunning images.

Oplus_131072

Of course, all these benefits of AI would be meaningless if it doesn’t get into the hands of those who need it the most. Young users, in particular, are always craving stunning photos, striking videos, and unforgettable memories, pushing the boundaries of what their smartphones are capable of. They are, therefore, the perfect audience for this ultra clear camera with AI, and are exactly who the upcoming realme 13 Pro+ will be aiming for. realme’s AI-empowered flagship is set to launch soon, though details are still scant and will be provided closer to the launch date.

The post realme 13 Pro is coming with ultra clear camera powered by HYPERIMAGE+ AI first appeared on Yanko Design.

Sala chair by Natthorn Uliss for Ülii Design Studio

Sala chair by Natthorn Uliss for Ülii

Dezeen Showroom: furniture brand Ülii Design Studio worked with designer Natthorn Uliss to create a chair made from wood. The design is informed by elements found in Thai residential architecture.

Sala chairs are available in three types of wood – Mahogany, Oak or Beech – and are characterised by their expansive side panels, which display the natural details and grain of the timber.

Sala chair by Natthorn Uliss for Ülii
Sala chairs are available in Oak, Beech or Mahogany

The construction of the chair aims to demonstrate the precision and skill of Thai craftspeople. The two corners that make up the front of the seat feature three converging wooden elements, a scaled-down motif found in classical Thai home construction.

“Ülii Design Studio decided to explore the characteristics of Thai-style residences in various places all over Thailand, including details such as joinery, material, furniture, lighting, and shading,” said Ülii Design Studio. “We found out there are many interesting architectural characteristics that could be transformed into iconic furniture design.”

Sala chair by Natthorn Uliss for Ülii
Each piece is handmade by artisans

“[The Sala chair] may not exude the machine-like precision of mass-produced items; rather, it radiates the warmth of the human touch, exemplifying the authentic identity of each Ülii piece,” the brand continued.

Woven paper cord makes up the seat – this can be specified to either match the frame of the chair or create contrast.


Product details:

Product: Sala chair
Designer: Natthorn Uliss
Brand: Ülii Design Studio
Contact: natthornuliss@uliidesignstudio.com

Materials: Mahogany, Oak or Beech
Colours/finishes: Mahogany, Oak, Beech or black
Dimensions: 560 x 542 x 824 millimetres

Dezeen Showroom

Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen’s huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

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The Ultimate Guide to Staircase Types: 10 Designs to Inspire Your Next Renovation

interior shots of a modern loft, in foreground the dining table with its chairs to whose right there is a wooden staircase the walls are covered of bricks

Stairs are important in buildings because they help people move safely between floors. They come in many styles and sizes, allowing for different types of staircases that fit well with their surroundings. Discover 10 types of staircase options and choose the one that is best suited for your home.

Image courtesy of: adpephoto

1. Straight Stairs

Image courtesy of: wirestock

Image courtesy of: pro_creator

In a straight staircase, there’s a continuous direction without any turns, making it ideal for both residential and commercial properties. If the staircase is lengthy, it’s crucial to break the flight of stairs to facilitate climbing. Having a platform in the middle of the staircase is strongly advised, particularly when the distance to the floor exceeds 12 feet. Straight stairs are typically the most convenient for ascending and descending, favored for their ease of construction, and particularly suitable for minimalist residences. A downside is that straight stairs occupy linear space, requiring careful consideration in design planning.

2. L-Shaped Stairs

Image courtesy of: bilanol

The L-shaped staircase is a variation of the straight staircase, with a bend achieved by adding a landing, typically forming a 90-degree angle, though not necessarily. When the landing is closer to either end, it’s sometimes termed a long L staircase or a quarter-turn staircase. L-shaped stairs offer increased visual appeal and privacy due to the inclusion of a central landing, enhancing safety by reducing the number of steps in each flight and providing a resting spot before continuing the ascent, contrasting favorably with straight stairs. In an L-shaped staircase, a landing requires support, while modern homes often opt to expose the stair structure to enhance space openness.

3. U-Shaped Stairs

Image courtesy of: wirestock

U-shaped stairs comprise two parallel flights of straight stairs that are connected by a landing, forming a 180-degree turn in the walking path. One of the biggest advantages of U-shaped stairs is that they can be integrated easily into the architectural design of the building, along with their ability to provide substantial visual appeal. Additionally, these stairs feature a landing that serves as a resting point within the staircase structure that ensures comfort while climbing up and down the stairs.

4. Winder Stairs

Image courtesy of: LightFieldStudios

Designer: Royal Oak Railing & Stair Ltd.

Winder stairs, an alternative to the L-shaped configuration, feature triangular steps at corner transitions instead of flat landings. This design advantageously suits compact spaces, occupying less area, thus gaining favor in contemporary residences and sustainable home designs. However, caution is necessary while ascending these triangular treads due to their increased risk of tripping.

5. Spiral Stairs

Image courtesy of: bialasiewicz

Image courtesy of: Mint_Images

Image courtesy of: antonytrivet

Spiral stairs feature a compact design, following a helical arc where treads radiate around a central pole. They are ideal for space-constrained environments like city lofts, maximizing space efficiency. The railing significantly contributes to the stair’s aesthetics. Note that the central pole and landing offer structural support, simplifying installation compared to other stair types. However, navigating spiral stairs can be challenging, especially with a smaller diameter. Moving large items up or down is cumbersome, and only one person can ascend or descend at a time.

6. Curved Stairs

Image courtesy of: wirestock

Similar to spiral stairs, curved stairs also follow a helical arc, but with a larger radius that doesn’t complete a full circle. Curved stairs exude elegance and are best situated at entrances, leaving a striking first impression, particularly complementing contemporary and transitional style homes. With a large radius, climbing becomes more manageable, yet construction proves challenging and costly.

7. Cantilever Stairs

Image courtesy of: Mint_Images

Image courtesy of: anontae2522

Cantilever stairs give the impression of floating without visible support, with the stair stringer affixed to one end of the treads, which can either be concealed or exposed. They introduce intrigue and a sense of spaciousness to any space, offering a distinctive visual appeal. Enhancing the room’s openness and aesthetic, cantilever stairs require meticulous design to accommodate the necessary support system capable of bearing the staircase’s weight. However, their construction entails considerable expense due to the added structural demands.

8. Ladders

Image courtesy of: pro_creator

Image courtesy of: pro_creator

Ladders, akin to stairs, provide access, although they typically serve as secondary means of access. Commonly found in libraries and lofts, ladders offer a compact solution for vertical movement between floors, proving cost-effective. Some ladders even feature wheels for convenient removal when not in use and they are perfect for accessing shelves within double-height spaces. However, ladders pose greater difficulty in navigation compared to stairs, particularly during descent.

9. Split or Bifurcated Stair

Image courtesy of: wirestock

Split stairs, also known as bifurcated stairs, typically begin with a wide set of stairs at the bottom, leading to a landing partway up the flight. From this landing, the stairs divide into two narrower sets, each going in opposite directions. This design allows one staircase to serve dual purposes, providing access to different sections of the building and facilitating easy access to both ends of the upper level. Split stairs make a striking architectural statement, often seen in grand entries of large homes or commercial buildings, suitable for both interior and exterior settings. However, they require a significant amount of space, which should be considered during the building’s design process.

10. Open Well Stair

Image courtesy of: Daemaine

The open well staircase earns its name from the space or “well” between the balustrades. Despite its extravagant use of space, when designed properly, it can make a grand statement in a home. It provides visual connectivity from the topmost level to the bottom level, irrespective of the number of floors it spans. One disadvantage is that an open staircase can be risky in the event of a fall. Additionally, open-well staircases also require a significant amount of space, hence, if you’re considering installing one in your residence, ensure you have sufficient room to construct it without it feeling cramped.

What are the different staircase materials?

Some of the common materials that are used for constructing a staircase include wood, concrete, glass, metal, and bamboo:

Wood

Image courtesy of: pro_creator

Wood remains a timeless choice for stairs, providing a cozy and traditional atmosphere to the décor. Common materials for staircases include teak, oak, maple, and mahogany. Due to the high cost of wood, it is highly recommended to consider laminate or engineered wood as more budget-friendly alternatives. Note that these two options of wood are made with composite layers of wood veneer or laminate finish that is durable and aesthetically pleasing too.

Concrete

Image courtesy of: Daemaine

Concrete, known for its durability and strength, is ideal for modern and industrial-style staircases. It can be poured and shaped into different forms and finishes, like polished concrete or textured surfaces. Additionally, the surface can be covered or clad with marble, limestone, granite, or tiles once the staircase is complete. It offers an elegant touch to the staircase design.

Metal

Image courtesy of: OlgaMurasheva

Metal staircases offer a modern and streamlined look and materials like steel, iron, or aluminum are commonly used for the structural framework, supports, and balusters. Metals pair well aesthetically with wood or glass elements, enhancing the overall appearance.

Glass

Image courtesy of: BGStock72

Glass staircases exude a contemporary and elegant vibe, enabling light to permeate the area and create a feeling of spaciousness. Make it a point to utilize tempered or laminated glass for the treads, balustrades, or railings to ensure safety and durability.

Bamboo

Image courtesy of: photovs

Bamboo stands out as an environmentally friendly and sustainable choice for both staircase steps and railings. It offers a highly sustainable and budget-friendly option.

The post The Ultimate Guide to Staircase Types: 10 Designs to Inspire Your Next Renovation first appeared on Yanko Design.

Accordion paper cup concept makes carrying coffee easier and more sustainable

The number of coffee chains spread around the world is undeniable proof of how much people desire or even thrive on the beverage. Unfortunately, that number is also an indirect testament to the waste that the industry produces, especially when it comes to to-go cups. The majority of these cups are made of plastic, though some brands and consumers are becoming wiser and opting for more sustainable drinkware. The problem, however, is when you need to carry more than one of these cups, usually in precarious trays or bags. A paper cup design concept tries to hit two birds with one stone, offering not only a more sustainable cup but a better way to hold and carry them.

Designer: Shenzhen Samore Design & Research

Although iced coffee to go is still usually served in plastic containers, unless you bring your own reusable cup, the more common hot beverage is thankfully put in paper cups with cardboard sleeves. Their designs are simple and handy for holding in one hand, but some people have the unfortunate task of buying for a group. Some stores offer cardboard trays or boxes for carrying two or four drinks at once, though some have to resort to bags that could let the coffee spill as you swing it while walking.

Neither are ideal solutions, especially for long-term use or reusable cups, so someone thankfully thought of a better and admittedly more aesthetic solution to this common problem. It doesn’t have a formal name yet, but the Accordion Paper Cup design offers a simple yet ingenious way not just to carry coffee paper cups but also to hold one in your hand. In a nutshell, the paper cup has a sleeve that expands upward, turning it into a bag of sorts.

The trick to this sleeve design is the accordion-like structure can easily expand and contract without changing its total mass. This same structure happens to also be a good insulator against heat, allowing you to wrap your hand around a hot cup. It might not be an intentional part of the design, but the alternating pattern of holes and divisions also makes it easier to grip an otherwise smooth and slippery cup.

The paper cup and its innovative sleeve are allegedly made of recyclable, renewable, and biodegradable materials, further driving home the idea of an all-in-one sustainable solution for to-go cups. But while the cup itself seems to have that brown hue typically associated with recycled paper products, the sleeve has a gradient that softly shifts from blue to brown, though other colors are also possible. Unfortunately, there is no word on whether this concept has any chance of becoming an actual product, but it’s definitely an interesting avenue to consider for large coffee chains.

The post Accordion paper cup concept makes carrying coffee easier and more sustainable first appeared on Yanko Design.

Accordion paper cup concept makes carrying coffee easier and more sustainable

The number of coffee chains spread around the world is undeniable proof of how much people desire or even thrive on the beverage. Unfortunately, that number is also an indirect testament to the waste that the industry produces, especially when it comes to to-go cups. The majority of these cups are made of plastic, though some brands and consumers are becoming wiser and opting for more sustainable drinkware. The problem, however, is when you need to carry more than one of these cups, usually in precarious trays or bags. A paper cup design concept tries to hit two birds with one stone, offering not only a more sustainable cup but a better way to hold and carry them.

Designer: Shenzhen Samore Design & Research

Although iced coffee to go is still usually served in plastic containers, unless you bring your own reusable cup, the more common hot beverage is thankfully put in paper cups with cardboard sleeves. Their designs are simple and handy for holding in one hand, but some people have the unfortunate task of buying for a group. Some stores offer cardboard trays or boxes for carrying two or four drinks at once, though some have to resort to bags that could let the coffee spill as you swing it while walking.

Neither are ideal solutions, especially for long-term use or reusable cups, so someone thankfully thought of a better and admittedly more aesthetic solution to this common problem. It doesn’t have a formal name yet, but the Accordion Paper Cup design offers a simple yet ingenious way not just to carry coffee paper cups but also to hold one in your hand. In a nutshell, the paper cup has a sleeve that expands upward, turning it into a bag of sorts.

The trick to this sleeve design is the accordion-like structure can easily expand and contract without changing its total mass. This same structure happens to also be a good insulator against heat, allowing you to wrap your hand around a hot cup. It might not be an intentional part of the design, but the alternating pattern of holes and divisions also makes it easier to grip an otherwise smooth and slippery cup.

The paper cup and its innovative sleeve are allegedly made of recyclable, renewable, and biodegradable materials, further driving home the idea of an all-in-one sustainable solution for to-go cups. But while the cup itself seems to have that brown hue typically associated with recycled paper products, the sleeve has a gradient that softly shifts from blue to brown, though other colors are also possible. Unfortunately, there is no word on whether this concept has any chance of becoming an actual product, but it’s definitely an interesting avenue to consider for large coffee chains.

The post Accordion paper cup concept makes carrying coffee easier and more sustainable first appeared on Yanko Design.