Dezeen School Shows: an installation featuring a film made using generative AI is included in Dezeen’s latest school show by students at the Royal College of Art.

Also included is a sculpture that explores user interaction and a textiles project utilising reclaimed coconuts and wool.

Royal College of Art (RCA)

Institution: Royal College of Art
Schools: School of Arts & Humanities (20 to 23 June), School of Design (12 to 14 July and 19 to 21 July), School of Architecture (12 to 14 July), School of Communication (19 July to 4 August)
Courses: Contemporary Art Practice MA, Jewellery & Metal MA, Design Products MA, Textiles MA, Interior Design MA, Digital Direction MA, Visual Communication MA, Painting MA, Animation MA, Photography MA, Curating Contemporary Art MA, Sculpture MA and Arts & Humanities MFA

School statement:

“From 20 June to 4 August, students from the Royal College of Art (RCA), the world’s leading art and design university, will present RCA2024, a series of exhibitions, events and activities exploring innovative and boundary-pushing art and design projects.

“Alongside exhibitions showcasing student work, there will be a variety of workshops, readings, performances, screenings, panel talks and lectures from students and alumni which are free and open to the public.

“With exhibited works exploring themes including sustainability, AI, identity, innovative technology and inclusivity, RCA2024 will highlight some of the world’s most pressing issues along with the latest art and design innovations.”

An Allegorical Conglomeration of Origins and Inevitabilities by Adjani Ossakkèh Okpu–Egbe

“Adjani Ossakkèh Okpu–Egbe presents abstract semi-figurative work which incorporates autobiographical content, unpredictable materials and symbolisms like fish, vine-bearing lemons and fantastical beasts he refers to as ‘manimals’.

“He is the inaugural recipient of Ritzau Art Prize and an awardee of Sir Frank Bowling Scholarship at RCA.”

Student: Adjani Ossakkèh Okpu–Egbe
Course: Contemporary Art Practice MA

Untitled by Tak Hei Tam

“Tak Hei Tam is interested in spatial relationships and objects that can change the perception of our surroundings.

“Gathering facades from the area of Queen’s Gate, SW7, and inputting them into generative AI, he has created tangible artefacts from ‘fake’ generated images, resonating the mechanism of generative AI with how we develop a sense of place and memories.

“Born in 1996, Tak Hei Tam graduated from the Academy of Visual Arts, Hong Kong Baptist University and studied jewellery and metalsmithing in an exchange program in the US.

“He is interested in spatial relationships and, in particular, objects that can change the perception of our surroundings – his work thus focuses on space and architectural forms.

“Instead of creating large-scale sculptures, he adores miniature concepts which capture the essence of forms in the most intimate setting.”

Student: Tak Hei Tam
Course: Jewellery & Metal MA

Water Purifier by Bo Gyeom Kim

“Bo Gyeom Kim’s (MA Design Products) conceptual design work envisions a dystopian future shaped by excessive plastic production and pollution.

“With Water Purifier, he resists the plastic coverings of products by revealing the inherent beauty of the underlying materials and mechanisms.

“Bo Gyeom Kim is a designer and artist who has developed an artistic style through the exploration of various materials and extensive visualisation experiences – his conceptual work envisions a dystopian future shaped by excessive plastic production and pollution.

“Water Purifier aims to resist this scenario and appeal to the public by revealing the inherent beauty of the materials and mechanisms.

“This project seeks to expose the beauty of the underlying materials and structures by removing the plastic cover.”

Student: Bo Gyeom Kim
Course: Design Products MA

Untitled by Sofía Barbé

“Sustainability and materiality are central to Sofía Barbé’s textile practice, crafting joyful creatures from natural fibres like coconut, wool and mycelium.

“Her series of soft sculptures inspired by the concept of nature play encourages us to reconnect with nature.

“Sofia is a Uruguayan mixed media artist and designer based in London.

“She employs an experiential approach to craft joyful pieces with a playful aesthetic, currently driving towards creature making.”

Student: Sofía Barbé
Course: Textiles MA

Untitled by Sam Joseph

“Sam Joseph’s interior designs create an empowering environment for survivors of domestic abuse, exploring the re-use of a factory as a transitional home, community education centre and gallery, to advocate for societal change on violence against women.

“Sam Joseph is a multidisciplinary practitioner, completing an MA in Interior Design at RCA, and graduating with distinction from RCA Graduate Diploma in Art & Design, 2023 and a BA Hons in Fashion, CSM, 1997.

“Sam was shortlisted for the 2023 Hyundai Awards for Excellence in Sustainability and Creative Practice.

“He has experience in fashion, arts and education, exhibiting at Saatchi Gallery 2016, RCA Across and Over 2023 and Milan Design Week 2024.

“Sam is shortlisted for the 2024 Taylor Wessing Photo Portrait Prize.”

Student: Sam Joseph
Course: Interior Design MA

Untitled by Polina Ami Kosele

“Polina Ami Kosele illuminates the mental load carried by mothers-to-be in the context of today’s geopolitical, societal and environmental landscape.

“Inspired by the notion of pregnancy as a journey, Polina’s visuals leverage an airport x-ray conveyor belt with bags symbolic of the mother’s womb, with contents reflecting the concerns of expectant mothers.

“Polina is a multidisciplinary creative working across digital design, video production, animation and immersive experiences.

“Driven by a passion for strategic visual storytelling, she has contributed to numerous collaborative projects including work with NHS and Netflix.

“Having had her debut in 2018 with a set of performances at Jurmala and Riga Art Fairs, Polina went on to direct an award-winning short film ‘MOM’, and work as a freelance integrated designer in London.”

Student: Polina Ami Kosele
Course: Digital Direction MA

Main by Inga Ziemele

“Inga Ziemele, known for her bold anthropomorphic vector characters, is expanding her practice with 3D and physical object making.

“Her project materialises and visualises the feelings of anxiety through character illustration and gaming references.”

Student: Inga Ziemele
Course: Visual Communication MA

Untitled by Tina Jane Hatton-Gore

“Tina Jane explores the interface between life and non-life evident in artefacts made by humans, depicting humans, carrying an aura – scarecrows, toby jugs, nautical figureheads, garden gnomes, mechanical clowns, marionettes, ventriloquist dummies and dolls.

“The cut-out technique emphasises what is absent from the image, forming connections between inanimate objects, playing with space, time and structure.

“Characters within a two-metre square oil painting on stretched linen are extracted from the painting onto freestanding birch plywood sculptures, placed nearby.

“Tina Jane has studied textile design at Central Saint Martins and an illustration masters at Camberwell, bringing a unique combination of pattern, colour and graphic depiction to her large-scale oil paintings and etchings – her experience teaching and running her own business feeds into a structured approach to research and imagery.

“Communication, nostalgia and irony play equal parts in Tina Jane’s increasingly pared down visual vocabulary – the viewer is invited to immerse themselves in an animated inanimate world.”

Student: Tina Jane Hatton-Gore
Course: Painting MA

Untitled by Hannah Eccles

“Combining 3D computer animation and analogue processes, Hannah Eccles’ final MA project is a slapstick animation set in the Wild West.

“It follows the psychological journey of a cowboy, his truck and an elusive therapist.

“Eccles is a London-based artist with a background in fine art sculpture.

“She has worked in set design for music videos, TV commercials and short films.

“Her practice is now based in 3D computer animation, exploring themes of mythology, psychotherapy, absurdity and humour.”

Student: Hannah Eccles
Course: Animation MA

Memoirs from a Life Never Lived by Rose Antony

“Growing up in Kerala, Rose felt excluded from the Hindu Malayali culture due to her Syrian-Catholic background.

“Inspired by oral mythology and visual mediums, she explored the rich, complex history of Indian women, discovering pre-colonial Kerala’s matriarchal society where women enjoyed equal, and sometimes greater, freedom than men.

“This revelation challenged her identity as a woman in society, reshaping her views on culture and tradition – as a visual artist from Kerala, Rose’s practice is deeply rooted in culture and her lived experiences.

“Inspired by the idea that ‘liberation begins in the imagination,’ she uses drawing as a form of self-liberation and imagination.

“Her work captures intimate self-portraiture by drawing people from real life, creating a personal visual archive – despite no formal training, Rose aspires to integrate traditional crafts into her evolving studio practice, preserving these arts against the tide of capitalism.”

Student: Rose Antony
Course: Visual Communication MA

Dear Father by Danilo Zocatelli Cesco

“Dear Father explores the theme of acceptance through role reversal, subverting father-son love and highlighting misunderstanding and stereotyping.

“In Danilo’s family dialect, ‘golo’ means ‘faggot’, and this taunted him, but now this inspires him to change by revisiting his childhood memories where he was detached from his father’s agricultural work.

“Drag makeup aids Danilo’s confidence and feeling of acceptance, enabling him to create an imaginative mirror in which his father’s face mirrors his queerness, allowing them to communicate and interchange roles.

“Danilo Zocatelli Cesco is an Italian-Brazilian born artist who draws inspiration from a range of influences, particularly people and their stories, objects of everyday life, performance, drag and his queer identity.

“He is interested in the materiality of photo production and experimental photography, learning from trialling various techniques.”

Student: Danilo Zocatelli Cesco
Course: Photography MA

The Enigma of Arrival by Ahwa Habeeb, Clara Lai, David Tomlinson, Hannah Dowling, Qinle Jin, Sylvia Tan and Yu Ying Chan

“John Akomfrah once said that ‘diasporas are always categorised by various forms of absence’.

“The Enigma of Arrival is a curatorial project consisting of three artist commissions and a workshop – borrowing its title from VS Naipaul’s novel, it delves into the intersections of time, identity and diaspora, reflecting the enigmatic nature of settling into a new time or place.

“Featuring commissioned works by Joshua Woolford, Rieko Whitfield and Duong Thuy Nguyen, a synergistic blend of audio-visual, sculptural and collaborative media is presented – inviting visitors to engage with the dynamic and multifaceted nature of diasporic existence – mark your arrival, feel the absence.

“The project was curated by seven RCA students from the MA Curating Contemporary Art program – this diverse collective of emerging curators, from various backgrounds, engages in a cross-pollination of collaborative practices.

“Through collective research, discussion and problem-solving, they create a transcultural overlap of differing voices and localities; upholding values of subversion, collaboration and respect, with a commitment to embracing uncertainty and celebrating differences, extending these principles to partners, artists and audiences.”

Students: Ahwa Habeeb, Clara Lai, David Tomlinson, Hannah Dowling, Qinle Jin, Sylvia Tan and Yu Ying Chan
Course: Curating Contemporary Art MA

Cabinet of Symbio/sities by Sau-Lun Yeung

“Sau-Lun’s current research, Cabinet of Symbio/sities, is an experimental project that brings biology and chemistry experiments into the realm of jewellery art.

“This research explores themes of colonialism, parasitism, global migrant mobility and political and human history through the collection and transformation of found objects using crystallisation, mycelium and slime mould growth.

“Sau-Lun Yeung applies traditional silversmithing and jewellery-making techniques to found objects and bio-materials, creating contemporary jewellery and objects.

“His background in sculpture, ceramics and glass informs his unique approach to contemporary jewellery.

“His work has been exhibited internationally in Hong Kong, Macau, Singapore, Taiwan, Japan, South Korea, the United Kingdom and Germany.”

Student: Sau-Lun Yeung
Course: Jewellery & Metal MA

Untitled by Tyrone Anthony Vera

“Tyrone’s focus lies in tactile interaction’s socio-political implications, blurring sculpture and design boundaries – his practice navigates freedom versus brief-led methodologies, integrating viewer expectations as a medium.

“Shaped to elicit varied responses, his works critique sculptural morphology’s role in stimulating play, both literally and philosophically, inviting speculative thought.

“Tyrone Vera is a Gibraltarian artist residing in London, born in Gibraltar and educated in Plymouth, UK – with a first class degree in 3D design crafts, he pursued a sculpture masters at the Royal College of Art.

“Known for his curiosity and multicultural background, Gibraltar’s influence nurtured his appreciation for art.

“He aims to inspire future generations through teaching, and has showcased his work internationally, including recent exhibitions in Tottenham Hale and Shoreditch, with an upcoming exhibit in Gibraltar.”

Student: Tyrone Anthony Vera
Course: Sculpture MA

Decoder/Encoder by Chang Meng

“Decoder/Encoder is a composite art installation comprising an interactive device and an AI-generated film – interpreting a single narrative from multiple perspectives, utilising artificial intelligence tools and data analysis to explore communication within intimate relationships.

“It examines non-verbal cues, such as emotional expression decoding and eye contact duration, to analyse power dynamics and emotional engagement – this approach enhances understanding of interpersonal communication and its barriers.

“Chang Meng, an interdisciplinary artist, holds a BA in musicology, an MA in information experience design, and an MFA in arts and humanities from the Royal College of Art.

“Her practice transcends disciplinary and science boundaries, bridging communication through exchanges of different senses, thereby interacting and resonating with the audience on emotional and spiritual.

“Her artistic practice focuses on unravelling the intricate dynamics between individuals and their interactions with nature through utilising experiential immersion, interactive installation, sounds, AIGC and performance.”

Student: Chang Meng
Course: Arts & Humanities MFA

Partnership content

This school show is a partnership between Dezeen and the Royal College of Art. Find out more about Dezeen partnership content here.

The post Fifteen art and design projects by the Royal College of Art appeared first on Dezeen.

Belgian practice Studio Moto has completed a ring-shaped concrete viewpoint on a beach in De Panne, which rises and falls to echo the surrounding sand dunes.

Named Westerpunt, the structure was built alongside an existing promenade that connects De Panne to Dunkirk and overlooks the North Sea.

Informed by the idea that “the journey is the destination”, Studio Moto created a sculptural, ring-shaped form that would both act as a landmark and a means of making the walking route more “dynamic”.

“Water, sand, concrete, and nature,” said the studio. “How can we bring all these elements together, make them more tangible, without imposing them and without disturbing the place?”

“The dynamic character of the construction provides the walker with a maximal landscape experience,” it continued. “The walk along the promenade is currently linear. The loop makes the walk more dynamic and spatial.”

“The structure, which can also be seen as a ring, symbolises the connection between humans and nature, or between two countries,” it added.

Pale, board-marked concrete was used to construct the observation point, ensuring that it is easy to maintain and able to withstand the harsh coastal climate, with the structure becoming partially submerged during high tide.

The scale, colour and texture of Westerpunt references the sand dunes at the edge of the nearby Westhoek nature reserve.

“Images of nature inspired us, particularly places where land and sea meet, with subtle, human-added elements visible in the landscape, often for practical or necessary reasons, but with respect for the environment,” explained the studio.

The form of Westerpunt was created using a series of straight stair sections, connected at 108-degree angles with small landings between each and a larger lookout area at the top of the structure.

High concrete sides with steel balustrades provide shelter and support, while the angled underside of the staircase sections create a faceted, ring-shaped form that frames the landscape.

“The stair constructions also serve as the ‘pillars’ of the bridge,” explained the studio. “In short, form, structure, and function are unified.”

“The transparency through the structure acts as a lens, providing a focus on what lies behind and creating a link to the place one is walking towards,” it added.

Other viewpoints featured on Dezeen include a pair of concrete pavilions by Chilean practice Pezo von Ellrichshausen, and a series of lookout points perched on the Stráž mountain by Czech practice Mjölk Architekti.

The photography is by Michiel Hendryckx unless stated.

The post Studio Moto creates sculptural concrete lookout point on Belgian coast appeared first on Dezeen.

This week on Dezeen, the Royal Institute of British Architects revealed the 26 winners of its 2024 National Awards, which celebrate the UK’s best new buildings.

This year’s winning projects included the redevelopment of Sheffield’s Park Hill Estate by Mikhail Riches, WilkinsonEyre’s restoration of Battersea Power Station in London and a glued-laminated temple complex in Hampshire.

The six-strong Stirling Prize shortlist will be chosen from the 24 buildings.

Also this week, we spoke to experts about rammed earth and the sustainability concerns around adding cement as a stabiliser.

“I’ve seen, in the UK, rammed-earth projects going into the glossy architecture mags and you think, ‘wow, that’s a beautiful looking building’,” said Tim Coleridge, MSc sustainability and adaptation programmes leader at the Centre for Alternative Technology. “But [we’re] not talking about the cement that’s gone into making that possible.”

“As soon as you’re using cement in ratios of five or 10 per cent in rammed earth, environmentally it’s not that much better than using a concrete block.”

In other architecture news, images were revealed of a pair of rhombus-shaped skyscrapers in Bogotá that were designed by the late Richard Rogers.

Forming part of the wider Atrio development, the completed North Tower rises to 201 metres tall and the South Tower will be the tallest building in Colombia at 268 metres when it is completed.

Streaming service Netflix announced an immersive retail, food, and entertainment experience named Netflix House, which will be based on popular series including Bridgerton, Money Heist, Stranger Things and Squid Game.

Located in malls in Texas and Pennsylvania, the experiences will feature replica sets, games, restaurants and shops that aim to bring TV show stories to life.

Maritime transport firm Vessev developed an electric boat with retractable hydrofoils, which the firm claims reduces drag when travelling at speed and lowers energy consumption by 90 per cent.

The nine-metre-long VS-9 can transport up to 10 people at 25 knots and can be charged by existing electric charging points.

At this year’s Glastonbury festival, set designers Shirin Naveed, Shankho Chaudhuri and Esha Sikander created a stage informed by pulp classic sci-fi films and comic books.

Designed for the festival’s first dedicated South Asian stage, an indoor dancefloor and garden was fronted by a colourful art deco-style facade, referencing the styling of Indian cinemas.

Popular projects on Dezeen this week included a grey brick-clad house in a Mexican forest, a blocky home in Dubai arranged around courtyards and a retro roller disco in New York City.

Our latest lookbooks featured coastal homes with panoramic ocean views and nightclubs with lavishly designed interiors.

This week on Dezeen

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The post This week RIBA announced the best buildings in the UK appeared first on Dezeen.

Dubbed the Terra m2_Tiny House on Wheels, this tiny home by Portuguese woodworking specialist MadeiGuincho is a follow-up to the noteworthy Terra m1. This exceptional tiny home follows suit to its predecessor and features a rather unique and unusual interior layout that spans over three stories. The impressive layout maximizes the space available, and features a quaint little rooftop terrace area, which makes for a cozy little spot to lounge about in after a long day working from home or completing some errands.

Designer: MadeiGuincho 

The Terra m2 is the second of the three homes created by MadeiGuincho for Portugal’s Alentejo area. The home is designed for couples and individuals who intend to use it for short vacations. It is founded on a double-axle trailer and features a length of 16.4 ft. The home has a finish of wood and cork, and it is manufactured sustainably and provides good insulation. The interior has been spread over three floors, and as you enter the home, you are welcomed by a compact and simple kitchen with a sink, cabinetry, and appliances that have been kept away.

Stairs offer access to the living area which has been equipped with seating. In the kitchen, other steps lead downstairs to the bedroom which includes a double bed, and some storage. Much like the other MadeiGuincho models, the interior is quite rustic and attractive. The finish showcases the natural beauty of the wood. The home is equipped with generous glazing, which allows natural lighting to stream in through the day.

The level which accommodates the kitchen also accommodates the bathroom. The bathroom includes a toilet and shower, and it is connected to a second door that leads to a deck. The deck expands the living space. The Terra m2_Tiny House on Wheels also includes storage-integrated stairs in the living room, which offer access to a skylight and a rooftop terrace area that provides lovely views of the local area.

The post Clad In Cork, This Tiny Home Features An Impressive Unusual Layout That Maximizes Space first appeared on Yanko Design.

The road to electrification strangely lacks enough two-wheelers. While the electric movement has seen a whole slew of automotive companies jump on board, the EV spectrum only covers cars and last-mile e-scooters and e-bikes. The motorcycle everyone is familiar with hasn’t seen an electrification… the reason? A combination of a lack of demand, and a lack of infrastructure. Even then, there are companies looking to bring an electric powertrain to the motorcycle category, while also redefining the aesthetic of these motorbikes in a way that allows people to differentiate between gas and electric two-wheelers.

Inspired by Tesla’s mission to bring eco-friendly cars to the mainstream, Brooklyn-based Tarform is setting its sights on sustainable motorcycles. The Vera is not only electric, but it’s also crafted with recyclable materials and natural fibers, minimizing its environmental impact.

Designer: Tarform

The Vera’s design is a head-turner. It balances classic motorcycle aesthetics with a modern twist, echoing the design DNA of Tarform’s previous creation, the Luna. The clean lines and sculpted bodywork convey a sense of sophistication, while the lightweight build (around 360 lbs) promises agility and maneuverability in city traffic. Visually, it’s evident that the Vera sits well within cafe racer territory, but there’s a refined sense of design that makes it stand apart from gas-powered motorbikes. The surfaces, although curvy and aerodynamic, are exceptionally clean. Everything is designed with intent and with sleekness. The silhouette looks distinctly classical, but the form language and surfaces are exceptionally modern, from the slick tank-to-seat integration, the halo-shaped headlight, and a rather unusually pretty split mud-guard on the rear wheel.

The Vera’s stunning design is matched by its impressive performance capabilities. The electric motor propels the bike from 0 to 60 mph in a mere 3.5 seconds, delivering an exhilarating rush of acceleration. With a top speed exceeding 85 mph and a peak torque of 120 lb-ft, the Vera provides ample power for navigating cityscapes or conquering challenging terrain. An air-cooled system keeps the motor from overheating, ensuring reliable performance even in demanding conditions.

The fuel tank gets replaced by a battery that gives the Vera a surprisingly good range for e-bikes. The motorcycle boasts a 100-mile range on a single charge, making it ideal for everyday commutes and weekend getaways. The 8 kWh lithium-ion battery can be fully charged in just 2 hours using a Level 2 charger, ensuring you’re never stranded for long.

A keyless ignition system adds convenience, while a 3.4-inch digital display dashboard provides essential information like speed, battery level, and navigation. 4G connectivity allows riders to connect their smartphones for navigation or entertainment.

The Tarform Vera addresses a key barrier to electric motorcycle adoption – affordability. With a starting price of $16,000, it positions itself as a more attainable option compared to some high-end electric motorcycles on the market. This strategic pricing makes electric motorcycle technology more accessible to a wider range of riders, potentially accelerating the shift toward sustainable urban transportation.

The post This Electric Cafe Racer revives the motorcycle category with a modern-classic design aesthetic first appeared on Yanko Design.