Promotion: Spain’s IE University will open a new creative campus in a refurbished historical building in the centre of the UNESCO World Heritage city Segovia next year.

Part of the IE School of Architecture and Design, the new campus is located in the Palacio de los Condes de Mansilla, a heritage building that dates back to the 12th century.

Set to open in 2025, the new 5,000-square-metre campus will include a Fab Lab – a facility to promote manufacturing with technological tools – research laboratories for construction, biomaterials and textiles, experimentation workshops, digital fabrication classrooms and an exhibition area.

In the Fab Lab, students will be able to create and test their projects using state-of-the-art digital fabrication technology such as 3D printers, scanners and jet cutters as well as traditional woodworking tools, ceramics and casting equipment.

The facilities will be used by students from 160 countries who are studying architecture, design, art and fashion.

“At IE School of Architecture & Design, we want to build a fairer, more beautiful and more sustainable world through the creative industries,” said the Dean of IE School of Architecture and Design, David Goodman.

“It fills us with immense joy to know we will soon have a new space in Segovia, our Creative Campus, in a building of the stature of the Palacio de los Condes de Mansilla. This new space will promote creativity and take advantage of synergies between various disciplines.”

“Our students will learn through co-creation, project design, manufacturing and materials research, among many other projects. In addition, they will develop creativity and critical thinking in a unique and stimulating ecosystem.”

Describing the new Creative Campus, as “an enclave that will facilitate the integration of our students and teachers, the development of projects for Segovia and for the people of Segovia”, Goodman continued: “Our students, from all over the world, will work in collaboration with companies, cultural institutions and NGOs. The Creative Campus will be open to the city.”

The historical building, which has been adapted over the years, combines Plateresque, Baroque, Romanesque and Mudejar elements on the lower floor and stone arches that divide vaulted spaces. Restoration works include interior upgrades, structural reinforcements and the adaptation of spaces for educational purposes.

“This unique space brings together centuries of history in Segovia and will soon be equipped with technological solutions applied to architecture and design,” said Salvador Carmona, Rector of IE University.

“The Creative Campus will facilitate interdisciplinary collaboration and the work of our students, who come from 160 countries, and of our professors and researchers with companies, cultural institutions and NGOs, locally and internationally.”

For more information, visit the IE University website.

Partnership content

This article was written by Dezeen for IE University as part of a partnership. Find out more about Dezeen partnership content here.

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The realm of design, creativity, and DIY culture thrives on innovation – on being able to physically keep up with our ideas. Crafters and aspiring entrepreneurs constantly seek tools that empower them to translate their visions into reality. xTool, a company championing this movement, consistently pushes the boundaries of what’s possible. Their latest offerings, the M1 Ultra and the Heat Press, promise to revolutionize the way we approach creative projects, offering a powerful one-two punch for any crafting enthusiast. xTool has established itself as a leader in the laser engraving space. Machines like the S1, and F1 Ultra have garnered a loyal following for their precision and ability to handle diverse materials. However, given the rise of modular multipurpose 3D printers that can also CNC machine and laser cut, xTool decided that it was time to bring modularity to their flagship laser cutter – the M1 Ultra.

Enter the M1 Ultra – a 4-in-1 machine that boasts an impressive array of functionalities. With laser engraving, blade cutting, pen drawing, and inkjet printing at its disposal, the M1 Ultra unlocks immense creative freedom. Imagine meticulously etching intricate patterns onto wood, then adding vibrant pops of color with inkjet printing. To finish it off, personalize your creation with a touch of calligraphy using the pen drawing function. All within the same machine, all within a single workflow.

Designer: xTool

Click Here to Buy: M1 Ultra $1299.99 $1699.99 ($400 off) and xTool Heat Press $299.99 $439.99 ($140 off). Hurry, deal ends in 48-hours!

Beyond its impressive 4-in-1 functionality, the M1 Ultra boasts impressive technical specifications. The 10W or 20W laser diode allows for clean and precise cutting and engraving, while the working area of 11.8 x 11.8 inches (300 x 300 millimeters) accommodates a variety of project sizes. It boasts a revolutionary inkjet printing function too, opening doors to a world of colorful creation. Unlike traditional laser cutters limited to engraving, the M1 Ultra can print vibrant color designs directly onto various materials thanks to an inkjet module that swaps right into the M1 Ultra, replacing the laser diode module. This opens doors for personalizing phone cases, mugs, keychains, and a whole host of other items with custom artwork, logos, or photographs. The ability to print directly onto unconventional materials like wood, clay, and even stone further expands the creative potential of the M1 Ultra.

xTool M1 Ultra The World’s First 4-in-1 Craft Machine

xTool Heat Press Versatile 3-in-1 Heat Press Machine Kit

Laser and Inkjet modes aside, the M1 Ultra also has a Blade mode that lets you swap out the laser diode and CMY head for a blade that can deep-cut into thick materials, rotary cut in any shape or profile, and even help with foiling and debossing. Finally, a pen head lets you mount a pencil or pen into the M1 Ultra, turning it into a sketch-machine that can make ‘hand-drawn’ and ‘hand-written’ graphics with precision and at scale. The modules take under 3 seconds to switch out, letting you essentially go from laser to printing to inking to cutting in one device and in minutes.

The M1 Ultra isn’t just about power; it’s designed for ease of use. The intuitive software ensures a smooth learning curve, and the machine itself is compatible with over 1,000 materials, from wood and fabric to leather and even stone. This broad material compatibility empowers crafters to think beyond single materials and break from the limitations of having machines that only work within constraints. You can now design objects, customize them, and even create the packaging for them within one device.

While the M1 Ultra empowers creators with unparalleled versatility, xTool’s Heat Press acts as the perfect complement. This versatile tool offers multiple configurations, transforming from a handheld unit to a mini press or even a platform press, depending on the project at hand. With a precise temperature control range of 100°C-205°C (212°F-400°F) and rapid heating, the Smart Heat Press is ideal for heat transfer projects like creating custom t-shirts, tote bags, phone cases, and a multitude of other personalized items, all with professional-looking results.

The M1 Ultra starts at $1299.99, while the Heat Press comes in at $299.99. This range caters to a broad spectrum of budgets, making these tools accessible to seasoned crafters and aspiring creators alike. With the M1 Ultra handling the intricate details and the Smart Heat Press adding a professional touch to heat transfer projects, xTool’s offerings streamline the workflow and unlock a world of creative possibilities. The future of crafting is not just versatile, it’s efficient and empowers crafters to bring their visions to life with greater ease than ever before.

Click Here to Buy: M1 Ultra $1299.99 $1699.99 ($400 off) and xTool Heat Press $299.99 $439.99 ($140 off). Hurry, deal ends in 48-hours!

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The architectural studio Arch&Type has recently unveiled Blue Table Chocolates, a new retail chocolate store located in Buffalo, New York. The store features a stunning interior design that is sure to attract consumers and enhance sales. As a designer, I can attest to the importance of a well-designed retail space in drawing customers and increasing engagement with the products.

Designer: Arch&Type

The centerpiece of Blue Table Chocolates is a stunning sculptural ceiling inspired by the image of flowing, untempered chocolate. This ceiling, with its fluid and dynamic design, is composed of custom fluid ceiling tiles that were digitally modeled and crafted using CNC-milled, hand-assembled, and painted pieces. The visually captivating design extends into the chocolate workshop, creating a seamless transition between the retail and production areas. One of the design’s standout features is the part of the ceiling which appears to flow down onto the walls, creating an illusion of dripping chocolate. This effect makes customers feel more connected to the design, enhancing their sensory experience.

The material palette chosen for the store exudes luxury and warmth, much like the chocolates it houses. Gold, white oak, mirrored dishes, and white marble concrete form the foundation of the interior design. These elements are complemented by mirrored displays and magnetic labels, adding a touch of modernity and sophistication. The uniformly textured groove panels add to the sense of height and luxury, harmonizing with the ceiling’s curvy lines. The wooden finishes evoke the rich and comforting sensation of eating chocolate, enveloping customers in an atmosphere of indulgence and elegance.

Despite the store’s relatively compact size of approximately 900 square feet, clever design techniques have been employed to create an illusion of greater depth and space. The mirrored paneling on the back wall reflects the flowing chocolate ceiling, making it appear as though the design extends far beyond its actual limits. This visual trickery not only makes the space feel larger but also leaves a lasting impression on visitors.

The interior design of Blue Table Chocolates goes beyond mere aesthetics. By translating the brand’s values and the essence of its products into the physical space, the store offers a more immersive experience for consumers. This approach allows customers to relate to and engage with the products more deeply, fostering greater appreciation and connection. In recent times, the trend of visiting aesthetically pleasing places for the ambiance, rather than just the quality of food, highlights the mindset of contemporary audiences. This store perfectly captures this trend with its captivating design.

The careful curation of chocolate displays, resembling luxury items boxed in glass, further enhances the sense of opulence. Each chocolate vignette showcases mirrored displays and magnetic labels, elevating the presentation of the products to an art form.

The store’s design is a symphony of carefully curated elements. From the vertical groove panels to the frameless lime plaster door with a brass base, and the recessed white oak millwork with LED lighting, every detail has been meticulously planned. The chocolate workshop continues this theme with a marble table slab featuring tenon details, adding both functionality and beauty.

The creation of this store was a collaborative effort that celebrated local resources and craftsmanship. Designers Seth Amman and Adam McCullough worked with a diverse team, including Amman’s father, Mark, and students from the University at Buffalo’s SMART fabrication factory. This multidisciplinary approach not only brought the design to life but also ensured that every element was crafted with precision and care.

Blue Table Chocolates stands as a prime example of how thoughtful design can transform a retail space into an unforgettable experience. By leaning into the emotional and physiological impacts of chocolate, Arch&Type has created a store that celebrates both the art of chocolate-making and the craft of architecture. The result is a space that is distinctly Buffalo, yet universally appealing, offering consumers a unique and delightful experience that goes beyond the ordinary. Whether you’re drawn in by the sculptural ceiling, the luxurious materials, or the inviting ambiance, one thing is certain: a visit to Blue Table Chocolates is an experience to be savored.

The post Arch & Type’s Artistic Chocolate Store Ceiling in Buffalo, NY Captivates and Shapes Consumer Behavior first appeared on Yanko Design.

In the world of sustainable design, creative minds constantly push the envelope to discover innovative ways of crafting eco-friendly furniture. The 4-AL stool, designed by Vienna-based Paul Matteo Wesser, stands as a testament to this quest for sustainability. This project not only champions eco-friendly practices but also redefines how we perceive repurposed materials.

Designer: Paul Matteo Wesser

Wesser’s 4-AL stool exemplifies how sustainable furniture can be crafted from repurposed elements. While some designers experiment with unconventional materials like mushroom mycelium or recycled paper, Wesser looked to more readily accessible sources. He turned to online home improvement stores, viewing them as treasure troves of potential. By repurposing metal balcony cladding elements, he transformed them into the stool’s main structure. The aluminum profiles chosen for the frame highlight a commitment to durability, stability, and weather resistance, ensuring the stool’s longevity.

The stool’s design takes inspiration from coastal architecture. Rectangular aluminum panels form a symmetrical base, while a cross-shaped frame supports the seat. Crafted from cane, the seat features a finely woven pattern, adding a warm accent and beautiful texture to the silver-gray aluminum. This combination of materials not only provides visual appeal but also highlights the potential of repurposed elements in modern design.

One of the standout features of the 4-AL stool is its modular design. Both the frame and the cane seat can be easily detached from one another. This thoughtful design enhances the product’s environmental credentials by simplifying recycling and repairs. It ensures that the stool can have a long life, with parts that are easy to replace or recycle.

Wesser’s choice of materials and components from home improvement retailers means that the stool is both accessible and affordable. By utilizing existing parts, he minimized waste and streamlined the manufacturing process. This approach not only reduces the carbon footprint but also makes sustainable furniture more attainable.

4-AL adapts effortlessly to different needs, serving either as extra seating or as a side table. Its modern silhouette and thoughtful material combination make it a versatile addition to any contemporary home.

The 4-AL stool, though currently a prototype, offers an inspiring blueprint for eco-friendly furniture, reducing environmental impact while making a bold statement in home decor. Paul Matteo Wesser’s innovative approach showcases how sustainability and creativity can intersect, providing a path forward for the future of furniture design. This stool is a shining example of how repurposed materials can be transformed into stylish, functional, and sustainable furniture. Its modular design, inspired aesthetic, and practical functionality make it a promising solution for eco-conscious consumers and designers alike.

The post 4-AL Stool by Paul Matteo Wesser Redefines Sustainable Furniture with Repurposed Materials first appeared on Yanko Design.

Dezeen School Shows: a community hub made from timber and concrete is included in Dezeen’s latest school show by students at the University of Portsmouth.

Also featured is a housing development incorporating mixed-use architecture and a project utilising adaptive reuse methods.

University of Portsmouth

Institution: University of Portsmouth
School: Portsmouth School of Architecture
Courses: BA (Hons) Architecture, BA (Hons) Interior Architecture and Design, MArch, MA Interior Architecture and Design, MA Architecture: Spatial Design Practices, MA Architecture: Building and Heritage Conservation and MA Architecture: Landscape and Urbanism
Tutors: Paula Craft-Pegg, Roberto Braglia, Nigel Simpkins, Guido Robazza, Belinda Mitchell, Tarek Teba and Oren Lieberman

School statement:

“The Portsmouth School of Architecture embraces the importance of integrated and research-informed design, emphasising interdisciplinary collaboration.

“The school encourages exploration of the relationships between architecture, interior design, engineering, conservation, landscape and urban design and across the creative disciplines – this approach enables students to develop comprehensive solutions that address complex challenges, integrating diverse perspectives and expertise.

“By encouraging a wide range of design approaches, the school fosters a holistic view on social, cultural and environmental sustainability – students are empowered to develop impactful designs that are responsive to the context and environment, actively engaging with the values and aspirations of communities while embodying a critical design ethos.

“The BA (Hons) Architecture course merges theory and practice to interrogate various ecologies such as environment, culture, economy, political and aesthetic – students gain expertise in design, construction, sustainability and history and theory, engaging in practical projects and acquiring industry experience.

“The BA (Hons) Interior Architecture and Design course explores how interior architecture can enable attitudes of care for people, buildings, communities and the environment.

“‘Thinking through making’ underpins the course through projects concerned with the environment, materiality and adaptive reuse.

“The MArch offers a testbed to explore diverse urban and architectural design theories – teaching is aligned with staff expertise and research, and allows interaction with a range of physical and cultural contexts.

“All design studios emphasise climate crises, social inequalities and the significance of place, advancing through targeted research and experimentation.

“In our MA Architecture degree courses, students augment their creative practice and research by specialising in alternative forms of architecture – these courses consist of Building and Heritage Conservation, Landscape and Urban Design, Spatial Design Practices or MA Interior Architecture and Design.

“Students engage in disciplinary-specific learning whilst also working collaboratively in a rich transdisciplinary environment.”

Project Isthmus by Daniel Febvre

“Based within Gosport, the overarching brief within this project is ‘coastal resilience’.

“With a rich heritage and relation to war, Gosport is still fighting, economically and socially – and with five military bases, it has little access for public use whilst exponentially growing as a colourless, sub-urbanised and inaccessible town, making out-commuters more prevalent.

“This project aims to tackle issues revolving around housing; design must spill into the urban periphery, integrating a vivid urban network and creating interdependent communities.

“Catering for the diversity of urban growth, while actively solving issues surrounding health, transport and coastal resilience and bringing life back into Gosport and Fareham’s regions through subjective pigmentation.”

Student: Daniel Febvre
Course: BA (Hons) Architecture
Tutors: Leago Madumo and Gregory Martinez de Riquelme

Peckham in Motion by Charlie Mcmanus

“Situated in the dynamic borough of Southwark, Peckham is a vibrant cultural hub grappling with the challenges of gentrification and rising property prices.

“The urban intervention aims to tackle the issues facing the area, whilst exploring alternative visions of inhabitation mapped out through the medium of film.

“The project progresses into an architectural intervention, focusing on housing that reconnects Peckham with its residents.

“The aim is to transform Peckham’s dense urban environment into a new landscape that benefits the local communities, rich with cultural significance due to its diverse populations.

“By proposing mixed-use housing, the project aspires to enhance the area’s diversity and foster spontaneous interactions, creating a harmonious urban fabric.”

Student: Charlie Mcmanus
Course: BA (Hons) Architecture
Tutors: Dr Sebastian Aedo and John Pegg

It’s Not Paradise – But the Direction Has Changed by Libby Beavon

“Following the traces of the past, can a building, left otherwise to deteriorate, face a new future?

“Treadgolds, a former ironworks building in Portsmouth, is far from paradise.

“Left in a state of disrepair, it remains largely unused and unsafe – old brick walls damaged by smoke, flaking paint, cracking plaster, all traces of things left behind long ago.

“The building remembers its past life within its fabric – honouring Treadgolds’ heritage as a making space, the new scheme brings this making concept into modern life – a community creative arts centre and artist residency.

“A place where Portsea residents can come together to create, learn new skills, share, connect and enrich their own futures.”

Student: Libby Beavon
Course: BA (Hons) Interior Architecture and Design
Tutors: Nigel Simpkins, Rachael Brown and Enrique Moya-Angeler

Domus Dei: Cultivating Futures by Rebecca Masser

“Portsmouth, one of the UK’s most densely populated cities, faces significant challenges for its vulnerable youth, including limited green space and high rates of antisocial behaviour.

“Cultivating Futures aims to transform the historic Garrison Church into a dynamic community centre, addressing the challenges of a cost of living crisis and mental health struggles through alternative learning spaces that integrate urban farming practices and cooking workshops to provide hands-on education in sustainable horticulture and culinary arts.

“To foster environmental stewardship and social unity, addressing food poverty while fostering community and belonging, Cultivating Futures hopes to provide a safe, engaging environment for Portsmouth’s youth to learn, grow and thrive.”

Student: Rebecca Masser
Course: BA (Hons) Interior Architecture and Design
Tutors: Nigel Simpkins, Rachael Brown and Enrique Moya-Angeler

Mirror Resilience Innovation Hub by James Davis

“In Casso, 26 residents continue life after the 1963 Vajont Dam disaster, which claimed thousands and created a ‘dark tourism’ spot – this event still shapes the area’s identity.

“Mirror aims to redefine the future by focusing on preparedness through a Resilience Innovation Hub.

“This hub is a centre for research, technology and community engagement, blending experiential architecture with web3 and AI.

“It educates and prepares visitors by engaging them with historical and current events, merging the past and future.

“Using NFTs, crypto and AI, Mirror creates an immersive environment, empowering visitors to contribute to community resilience and problem-solving.”

Student: James Davis
Course: MArch
Tutors: Dr Antonino Di Raimo, Paula Craft Pegg, John Pegg and Simone Sfriso

Kaliyugam: Sustainable Futures by Sharath Binu John

“This thesis explores the integration of biodegradable materials, inspired by natural phenomena like frog spawn, lime plaster and transparent gelatine, into sustainable architectural practices.

“Highlighting frog spawn’s unique thermal properties and oxygen permeability, the research evaluates materials such as corrosion-resistant alloys and dynamic double-panned ballistic gel for optimal insulation.

“Located in South Downs National Park, the structure adopts a ‘glamping’ style, featuring flexible and transparent gelatine walls, creating sustainable living space.

“By mimicking the communication networks of trees and plants, the work illustrates how architecture can harmonise with natural processes.”

Student: Sharath Binu John
Course: MA Interior Architecture and Design
Tutor: Suzanne Fallouh

Unhomely: Wymering Manor by Keri Andrews

“When visiting the Wymering, there is a sense of Das Unheimliche, to mean uncanny and weird, literally translated into Unhomely.

“Through a series of studies of the site, I found that many narratives breathed throughout the house.

“They flowed through the fabric of the building – by breathing in the house, the smell of the dampness and the decay is unavoidable.

“The house creates a site ghostly effect in the middle of Cosham.

“The section builds on the many human and more than human stories that emerged from its many different histories.”

Student: Keri Andrews
Course: MA Interior Architecture and Design
Tutors: Belinda Mitchell, Rokhshid Ghaziani and Mark Lemanski

Connecting the Past and the Future through Conservation Practice by Dana Alsultan and Qais Yaqoob

“MA Building and Heritage Conservation students worked in collaboration with Sustainable Conservation Trust to explore revitalisation strategies for the former pay office and its surrounding historic open spaces in Portsmouth Historic Dockyard.

“Based on historic and archival research and site and a building pathology analysis, the project established site interpretations, suggested repair methods and developed adaptive reuse interventions for the site.

“The project was supported by hands-on understanding and experience of repair methodologies and site challenges – consequently, embedded revitalisation strategies and interventions, that connect the building to its surrounding tangible and intangible heritage, were developed.”

Students: Dana Alsultan and Qais Yaqoob
Course: MA Architecture: Building and Heritage Conservation
Tutor: Milena Metalkova-Markova

The Imbalanced Dress by Linnéa Jakobsson

“The Imbalanced Dress was inspired by Jane Bennett’s writings.

“The notion of vibrant matter has helped to further develop an understanding of how things can be seen and not excluded; indeed, we need to be inclusive of all planetary beings when we design.

“Whilst Bennett’s words were very present in this task to reconfigure and reconceptualise a piece of furniture, other concepts and practices resonated, such as rhythm analysis (Lefebvre), scoring (Halprin) and the idea that practice is a ‘mangle’ (Pickering) – all of which helped to create a dynamic, evolving and performative interaction between human and non-human entities.

“This project highlighted the inextricable entanglements of design and research.”

Student: Linnéa Jakobsson
Course: MA Architecture: Spatial Design Practices
Tutor: Oren Lieberman



Beyond the blueprint: A day in my life by Jamna Avunhippuram

“This practice-led research challenges and redefines traditional idealised representations within architecture, specifically those concerning domestic spaces, which often obscure the realities of everyday life.

“By delving into the lived experiences of mothers, the essay aims to subvert the prevailing glamorous, clean-line aesthetics that dominate architectural discourse, revealing instead the intricate, multifaceted nature of domestic environments.

“It advocates for a change in basic assumptions in architectural representation, one that authentically embraces motherhood and domesticity, spotlighting the everyday struggles and triumphs inherent in these spaces.”

Student: Jamna Avunhippuram
Course: Thesis (MA Interior Architecture and Design)
Tutor: Belinda Mitchell

Symbiosis and the Anthropause by Inchara Shetty

“This thesis uses the Royal Garrison church in Portsmouth, UK, to refigure a heritage site through symbiotic relationships to question traditional approaches to conservation and preservation.

“Through an examination of decay and symbiosis, I explore the potential for symbiogenetic relationships within the context of the anthropause.

“Drawing on the philosophical insights of Donna Haraway and Caitlin DeSilvey, I navigate the complex terrain of human-environment relationships from an interdisciplinary and reflective perspective.”

Student: Inchara Shetty
Course: Thesis (MA Interior Architecture and Design)
Tutor: Belinda Mitchell

The Pompey Wedge by Mobolaji Otonye Sultan Esere

“The Pompey Wedge provides a vital new destination tying Portsmouth’s key cultural heritage to a new ecological green wedge driven into the carpet of low-density Victorian sprawl.

“Relocating Portsmouth FC’s iconic venue on land created from the bomb damage debris of World War Two creates a hub of new high-density housing and commercial development, a new focal point for Portsea island.

“Simultaneously the project takes the opportunity to create a new public rapid transport link and re-negotiate the City’s relationship with the globally important ecological asset of its surrounding RAMSAR site and freshwater environments.”

Student: Mobolaji Otonye Sultan Esere
Course: MA Architecture: Landscape and Urban Design
Tutors: John Pegg, Antonino DiRaimo and Paula Craft-Pegg

The No Mans Lazarette. A Future Threats Laboratory by Kieran Lawlor

“The No Mans Lazarette proposal transforms a World War Two fort in the Solent from a defensive structure into a state-of-the-art research centre.

“Recognising pandemics as a top threat alongside global warming and war, this centre prioritises the health and wellbeing of researchers, offering world-class facilities and a conducive working environment.

“Focused on antibody research, the centre aims to revolutionise medicine with treatments that enhance life expectancy, reduce costs and improve outcomes.

“It will serve as a hub for a global network of similar labs in fortified structures, funded by the WHO and supported by the World Economic Forum, with all countries having a stake in safeguarding against future pandemics.”

Student: Kieran Lawlor
Course: MArch
Tutors: Nicola Crowson, Tina Wallbridge and Angel Moreno

Corner Hub: Corner or Centre? by Lingxuan You

“Corner Hub focuses on transforming street corners into vibrant hubs.

“Thoughtful design connects streets and enhances community cohesion – features include public spaces, greenery, seating and lighting to attract residents and visitors and allow them to communicate with one another and engage in activities.

“Community safety is prioritised with open sightlines and densely planned spaces, creating secure, aesthetically pleasing places.

“Residents benefit from convenience and comfort, while tourists enjoy diverse functions and local culture, promoting interaction.

“Youth groups are major users, enjoying services like youth hostels and micro-offices, making the community vibrant and inclusive.”

Student: Lingxuan You
Course: MArch
Tutors: Dr Guido Robazza, Dr Phevos Kallitsis and David Ogunmuyiwa

Incline by Max Irvin

“Set against the backdrop of Gosport’s eastern seafront, this project rejuvenates the area by addressing its disconnect from rich historical roots and the current health crisis among its youth.

“Against declining public spaces and fading cultural landmarks, the design proposes a multi-functional community hub, blending a fitness centre, cultural centre and transportation facilities into a cohesive urban landscape.

“Central to the design are inclined green roofs and sustainable materials like timber and textured concrete, reflecting Gosport’s maritime heritage.

“The project revitalises the high street and waterfront, fostering a renewed sense of identity and wellbeing through accessible, engaging public spaces.”

Student: Max Irvin
Course: BA (Hons) Architecture
Tutors: Dr Graham Ford and Dr Eiman Elbanhawy

Partnership content

This school show is a partnership between Dezeen and the University of Portsmouth. Find out more about Dezeen partnership content here.

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