10 Best Plant-Friendly Designs For Gardening & Plant Enthusiasts

Gardening is an extremely therapeutic activity, and though I may not engage in it all the time, the few times that I have, I found it delightful and soothing. Growing, tending to, and being surrounded by plants is intensely satisfying. All your worries slowly fade away, and you are simply enthralled by nature. Indoor gardening has become one of the major trends these days! Plants can truly transform a living space with their gentle presence. They add a touch of green and nature and create a serene and zen atmosphere. But tending to them is not always the easiest task! You must pay special attention to your beloved plants and give them the best care to ensure they grow well. And, we’ve curated a whole collection of product designs to help you with that! From a wearable that lets your plants communicate with you to LG’s latest indoor gardening appliance – these products are all, you need to create a nurturing environment for your plants and ensure they grow beautifully!

1. LG tiiun

Called the LG tiiun, this unique home appliance allows you to grow your own herbs and veggies. It is an indoor gardening appliance that is sized like a dorm refrigerator and is 3 feet tall. It is equipped with two shelves, which can store up to 6 all-in-one seed packages, and various seed kits. It keeps your veggies super fresh!

Why is it noteworthy?

The LG tiiun is designed to be an all-in-one self-sufficient garden. It creates the perfect microclimate and conditions for your plants to grow successfully. It even replicates light cycles, allowing you to keep the tiiun anywhere in a room without having to stress about whether it has access to sunlight.

What we like

  • You can grow veggies and herbs in the comfort of your home
  • Simple and fun experience even if you haven’t gardened before

What we dislike

  • The form is a bit too bulky for homes with space constraints

2. Grovemade Hardwood Planters

Designed by Grovemade, these cups, planters, and dishes are created the old-school way and have been carved from solid maple or walnut. The planters are pretty functional, adding a touch of green to your work desk, while also being quite aesthetically pleasing. The planters score high on looks and utility.

Why is it noteworthy?

The various pieces are hand-sanded and finished with a clear vegetable-based oil that highlights the natural warmth, elegance, and beauty of the wood. The collection includes cups, dishes, and planters in a variety of different woods

What we like

  • The planters are available in a wide range of metal and material options

What we dislike

  • The aesthetics are a bit mundane and boring

3. Green Hideaway Chair

Named the Green Hideaway Chair, this DIY living plant chair is designed by Stockholm-based studio Front/ in collaboration with European DIY chain HORNBACH and its creative agency HeimatTBWA. This lovely chair lets you connect with nature, adding some green to your home, without actually leaving your house.

Why is it noteworthy?

DIYers of all skill levels can build this simple chair, as it is accompanied by illustrated, step-by-step instructions, a template, and a whole list of tools and materials needed. Everything is simply spelled out for you.

What we like

  • Makes nature accessible to you in your own home

What we dislike

  • A bulky and space-consuming design, so you need to make sure you have sufficient space to add it to your home

4. ACQUAIR

Meet the ACQUAIR design – a smart humidifier and air purifier which merges technology and nature in an aesthetic and good-looking design. ACQUAIR is essentially two products in one – it is a smart humidifier and a pot for a single-stem plant. Both the parts share the same water tank that nourishes the plant, and sprays moisturized mist.

Why is it noteworthy?

The spray is determined through sensors, and by adjusting the mist depending on the temperature and the amount of humidity. Human intervention isn’t needed except to refill the tank every once in a while.

What we like

  • The humidifier also has aesthetic value, it serves as a simple yet elegant pot

What we dislike

  • The concept isn’t detailed enough to show us how the device’s features keep the plants alive beyond just water

5. Ocean Sun Plant Light

Called the Ocean Sun Plant Light, this design is more than just your ordinary USB-powered work light. As the name suggests, it is equipped with a calibrated set of LEDs that radiate a light similar to the light from the sun. It is created for indoor plants which don’t get a lot of natural light.

Why is it noteworthy?

The Ocean Sun Plant Light offers your plants the right spectrum of light to facilitate photosynthesis and foster growth. But unlike the sun, it features a compact size, and can fit into the palm of your hand! It has a sleek and small form with a precisely machined aluminum outer shell.

What we like

  • Features high-end flicker-free LEDs
  • Compact, easy-to-carry form

What we dislike

  • We are unsure how well plants would grow in this light

6. Planpet

Meet Planpet – a smart plant pot concept that builds a personal connection between humans and plants. The design offers the plant a face and changes the way we see it. It features a glass cube on one end, with an actual hole for the plant. The cube isn’t some excessive feature, but it is a holographic display.

Why is it noteworthy?

The holographic display features a miniature 3D representation of the plant, and it actually has an expressive face. The user can pick a virtual character, which perfectly resembles the type of plant being put in the pot. The virtual plant can also change facial expressions based on real-time soil, and environment analysis.

What we like

  • The plant reacts when you give it light or water, or if you forget to look after it

What we dislike

  • It’s a conceptual design, so we are unsure how well it will translate into a tangible product

7. Paradise

Named Paradise, this automated plant cultivator and compost bin is designed to reduce domestic waste. It is equipped with integrated technology, prompting users when the plants need to be looked after. It looks like a rolling cart and includes modular pieces that work well together to offer optimal conditions for growing plants.

Why is it noteworthy?

Paradise was designed by Robin Akira, and it is intended to be a household plant cultivator with integrated compost bins and an odor-sealing lid to reduce the domestic waste produced in our homes.

What we like

  • Integrates greenery into our interior spaces
  • An odor-sealing lid

What we dislike

  • Could be messy to have such a product in our indoor living space

8. Kosumi’s Wall Organizer and Mess-Free Planter

Kosumi’s Wall Organizer and Mess-Free Planter can be assembled like LEGO building blocks. It features base grids that can be attached to the walls with 3M strips, which need hardware or tools in the process. You form the basic grid on the chosen vertical surface, and then you can stock it with over 20 different modules.

Why is it noteworthy?

The multi-functional and organizational WFH design helps you create your own wall organizer and planter, allowing you to build a magnetic and modular garden that can be mounted on any vertical surface.

What we like

  • Impressive storage space
  • Entirely recyclable

What we dislike

  • We’re not too sure how long the plants would last in such an ecosystem

9. Jungle

Named Jungle, this intriguing planter is designed by Poland-based KABO and PYDO design studio. You can hang the planter from the ceiling, allowing it to function as a semi-flush mount light fixture. This good-looking indoor garden is inspired by the form of biophilic design.

Why is it noteworthy?

Jungle is made up of a few parts, and its true beauty lies in its simplicity. Jungle features a bulbous, capsule-shaped centerpiece, and it is designed to be a half-planter and half-light fixture. It is capsule-shaped and radiates a warm golden light which is diffused with an opaque body.

What we like

  • It features a simple form which allows the beauty of the plants to shine through
  • Radiates a soft and soothing light

What we dislike

  • You need to stand on a stool or small ladder to water the plants

10. BioCollar

Called the BioCollar, this wearable is designed by students at the Copenhagen Institute of Interaction Design. It helps build empathy between the wearer and the connected plant. Once the wearable is connected to a piece of hardware that goes into the planter, it helps you understand the plant’s needs better through some real-time feedback.

Why is it noteworthy?

It is designed to be a component of a larger system called the BioPermit – which is a service that utilizes the collar to test if prospective plant buyers are good caregivers. It is a speculative system, and it is designed to convert plant needs into real-time haptic feedback.

What we like

  • Lets the plant easily communicate its needs to you

What we dislike

  • The wearable doesn’t look very comfy to wear

The post 10 Best Plant-Friendly Designs For Gardening & Plant Enthusiasts first appeared on Yanko Design.

Linear Plaster wall light by Tornado

Linear Plaster wall light by Tornado

Dezeen Showroom: British brand Tornado continues its minimalist wall lighting range with the Linear Plaster lamp, which can be used as a light source in an emergency.

The Linear Plaster wall light has a simple square or rectangular form that is meant to echo the shapes of the walls it is attached to.

Linear Plaster wall light by Tornado
The Linear Plaster wall has a simple shape

It is made of a modern plaster composite that Tornado says is durable and tolerant to changes in heat and moisture, and it is finished in pure matt white.

For those who want to make the feature blend into surrounding walls, the surfaces can be painted following a layer of undercoat.

Linear Plaster wall light by Tornado
It is designed to blend in with walls

Importantly, the Linear Plaster wall light can be specified with an emergency pack that will automatically illuminate in case of power failure, making it a good option for hallways and stairwells in apartment buildings.

A motion sensor and DALI control module are other optional extras. The light is available in various sizes.


Product details:

Product: Linear Plaster wall light
Brand: Tornado
Contact: sales@tornado.co.uk

Material: plaster
Colours/finishes: matt white

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Google’s Official ‘Made by Google’ Event on August 13: Here’s What the Pixel 9 Pro and Fold Look Like

With Google officially announcing the “Made by Google” event on Aug. 13, excitement is high for the new Pixel lineup. This year, Google is shaking things up by revealing the Pixel 9 and 9 Pro series earlier than usual, likely aiming to capture attention before the expected iPhone 16 launch in September.

Designer: Google

In addition to the Pixel 9 Pro, Google is also unveiling the Pixel 9 Pro Fold, accompanied by a Gemini-linked teaser video. While leaks have provided glimpses of these devices, Google’s announcement finally puts to rest any speculation about their appearance and names. The teaser video highlights the double-stacked lenses on the rear camera module and the exterior screen and hinge design.

The Pixel 9 Pro Fold marks a noticeable change from its predecessor. It adopts a taller and narrower profile than the original’s short and wide passport-style form factor. This new design aligns more closely with devices like the OnePlus Open, offering a larger, more practical outer display that enhances usability.

One of the most striking changes is removing Google’s signature camera bar. The first-generation Pixel Fold featured a prominent, elongated camera bar, while the Pixel 9 Pro Fold opted for a new, more streamlined camera housing. This redesign provides a cleaner aesthetic and ensures the phone remains stable when laid flat.

Examining the new model’s inner display, there’s still a noticeable crease, although it appears less prominent. The screen ratio has shifted to a taller and narrower format, with slimmer bezels for a more modern look. However, this change includes an inner camera cutout on the upper-left part of the display instead of being part of the bezel, which might not please everyone.

The first-generation Pixel Fold’s short and wide design made it a great one-handed device despite its weight. However, its cover screen was often too wide to comfortably hold for extended periods. In contrast, the new Pixel 9 Pro Fold’s taller form factor should enhance ease of use and portability.

A potential concern with the new model is its slightly smaller battery capacity of 4,560mAh compared to the first Fold’s 4,727mAh. Given that the original wasn’t known for its battery longevity, this reduction might raise some concerns. However, Google’s latest Tensor processor promises efficiency gains that could help mitigate this issue.

Alongside these design changes, the Pixel 9 Pro Fold has a new 45-watt USB-C charger. This new charger, which sports a more rounded design than its predecessors, is part of Google’s effort to improve charging speeds and overall user convenience.

Having used the first-generation Pixel Fold extensively, I can attest to its decent quality despite its drawbacks, such as dim screen brightness, subpar speakers, and limited app optimization. With the Pixel 9 Pro Fold, Google can address these issues and deliver a more refined and competitive product.

The Google Pixel 9 Pro Fold represents a significant step forward in design and functionality. By transitioning from the unique but bulky passport form factor to a more practical and user-friendly design, Google is making strides to compete more effectively in the foldable phone market. We’ll have to wait and see how Google plans to structure the pricing this time, but here’s hoping the new model looks impressive and delivers on performance and user experience.

The post Google’s Official ‘Made by Google’ Event on August 13: Here’s What the Pixel 9 Pro and Fold Look Like first appeared on Yanko Design.

Herzog & de Meuron inserts arched apartment behind old facade in Austria

Kornmarktplatz by Herzog & de Meuron

Architecture studio Herzog & de Meuron has unveiled Kornmarktplatz, an arched structure that extends behind a neo-baroque facade in Bregenz and contains an apartment and hotel.

Located on a square near Lake Constance in Austria, the eight-metre-wide building sits on a site formerly occupied by a 17th-century building that fell into disrepair after a roof fire.

Kornmarktplatz apartment and hotel by Herzog & de Meuron
Herzog & de Meuron has created an apartment and hotel behind a neo-baroque facade

Kornmarktplatz has a barrel-vaulted roof wrapped in white metal, which rises above the historic facade of the old building, which was the only element that Herzog & de Meuron could preserve.

“The walls and the arched roof are uniformly clad, forming a white metal skin, which is colour-coordinated with the existing facade in light blue with white ornamentation,” said the studio.

Exterior of Kornmarktplatz by Herzog & de Meuron
Kornmarktplatz has an arched roof wrapped in white metal

An apartment is situated on the top two floors of the five-storey building, with a central entryway on the upper floor separating arched, double-height living spaces.

On one side is a living room that overlooks the square and Lake Constance, while the other side features a kitchen and dining room with a terrace overlooking the Pfänder mountain.

“Generous glazing provides an unobstructed view of the lake and over the roofs to the ridge of the Pfänder, with living spaces and hotel rooms oriented towards the narrow sides of the building accordingly,” said Herzog & de Meuron.

A staircase in the living room leads to a roof terrace above, which has views of the surroundings through a circular puncture in the roof. Three bedrooms, an office, a bathroom and a steam room are placed on the lower apartment level.

Interior of an Austrian apartment by Herzog & de Meuron
The upper floor of the Kornmarktplatz apartment has arched ceilings

The ground floor of Kornmarktplatz contains a hotel lobby and function room. These can separated by moveable partition walls or left open-plan to give views of a courtyard garden throughout the building’s depth.

Hotel rooms are located on the first and second floors, and some feature balconies set behind the existing building’s facade.

Interior of an Austrian apartment by Herzog & de Meuron
A kitchen terrace overlooks the Pfänder mountain

According to Herzog & de Meuron, the original building had been altered multiple times for various functions. The current neo-baroque facade dates back to its use as a bank in the early 20th century.

Pritzker Prize-winning studio Herzog & de Meuron has also recently completed an infinity pool designed to blend into the waters of Italy’s Lake Como and unveiled its design for a drum-shaped concrete museum on an island in Qatar.

The photography is courtesy of Herzog & de Meuron.

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Bubblic Public project offers a modular vehicle for passengers, delivery, mobile farms

When you think of transportation in the near future, you probably dream of flying cars or hoverboards since that’s what we see on sci-fi movies and shows. Even though there are experiments already on that kind of vehicles, we’re probably still a few years away from that. But there are also concepts and experiments on a more grounded, so to speak, kind of public transport that is more practical and realistic but also futuristic.

Designers: Move Lab and ID+IM Design Lab

Bubblic Public is a project that conceptualized a modular and lightweight kind of transportation system. It is meant to be on-demand and can fit the needs of whomever will be hailing the single-module design vehicle. It is basically made up of extendable bamboo stem-inspired chassis and airbags that is flexible enough that it can be used as passenger transport, delivery vehicle, or even a mobile smart farm. It can adjust to the size and needs of the end users during different time periods.

The design inspiration is “like bubbles that appear out of nowhere” since it is meant to show up to users when they order it. It is made of military-grade TPU but is also easily replaceable if some parts are damaged because of its modular design. It has inflated bubble seats when functioning as a passenger transport and the front, back, and side rows can be opened at the top. Package bubbles will be used if it is hailed as a delivery transport.

There will be an app where people can join a rideshare group or ride the nearest available Bubblic Public. That is where you can also hail one for your delivery or smart farm purposes and the vehicle will be transformed according to your need. It is an interesting concept and one that we may actually see in the near future. Maybe eventually there will be even be a flying bubble so it will stay true to its name.

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Young designers "cutting out the middle man" by producing objects themselves

Atelier100

Designers are increasingly manufacturing their own limited-edition products rather than waiting for brand or gallery partnerships. Dezeen editor-at-large Amy Frearson looks at what is driving this shift.

Many young designers are becoming entrepreneurs, using small-batch production to create objects that can be sold directly to consumers.

A visible sign of this is the “shop” page that can now be found on the websites of up-and-coming talents such as Jaclyn Pappalardo, Andu Masebo, Nicolas Erauw, Paul Coenen and Tim Teven.

Self-production offers more creative freedom and a faster turnaround, but it requires up-front investment and comes with greater risk. So why are more and more designers choosing it?

Tiento by Jorge Penadés
Tiento, a wooden stool/side table inspired by the cajón flamenco, is the first self-produced product from Jorge Penadés. Photo is by Asier Rua

Jorge Penadés saw it as an opportunity to make his work more affordable. The Madrid-based designer just launched his first self-produced piece, a wooden stool/side table inspired by a musical instrument.

“Friends would ask me, when are you going to design something that we can afford?” he told Dezeen.

“Brands often sell through distributors who take 50 per cent of the retail price,” he explained. “If you manage to cut out the middle man, you can get a much better deal.”

For London-based Mitre and Mondays – a designer-maker trio made up of Josef Shanley-Jackson, Finn Thomson and Freya Bolton – self-production is about sustainability.

Working at a modest scale and building a direct relationship with materials can prepare us for a post-carbon future,” said Shanley-Jackson.

“It fosters innovative approaches to manufacturing that do not conform to existing global modes of production,” he said. It’s a bit like a chef growing their own food; they are connected to a different stage of the process, which informs how they cook.”

JWS Editions trivet
A moulded pewter trivet is the first launch from JWS Editions, an experimental label set up by Jamie Wolfond

Jamie Wolfond believes that self-production can be just as valuable to a designer’s business as licensing designs to commercial manufacturers.

The Toronto-based designer has pieces in production with brands including Muuto and Ferm Living, but has just launched his own label, JWS Editions, focusing solely on limited editions.

“If you can get a few good products in production with the right companies, the royalties can sustain a business, but licensing is a slow process,” he said. “It takes years to see a product reach a consumer’s hands.”

“Self-production gives designers the ability to bring something to market quickly, taking valuable feedback and hopefully a bit of money from the process.”

As the founder and former owner of homeware brand Good Thing, Wolfond has more commercial experience than most. But his new venture is deliberately smaller and more agile, offering greater scope for experimentation.

JWS Editions will only offer one design for sale at a time. Once an edition sells out, it moves onto the next. Its first product is a moulded pewter trivet.

“Rather than competing with larger companies on price or practicality, I think self-production is a great opportunity to make things that are more unique, more handmade and more personal,” said Wolfond.

“When an edition is finished, we have as much or as little time as we need to come up with the next one.”

Atelier100
Atelier100 serves as an incubator to help designers develop their own products. Photo is by Taran Wilkhu

Social media plays a key role in allowing designers to get their products in front of potential customers, but these platforms have become increasingly crowded and competitive.

Another option for designers is to sell their self-produced objects through innovative retail platforms.

One example is Atelier100, a London-based initiative set up by IKEA‘s parent company, Ingka Group, and fashion retailer H&M to champion local talent.

Atelier100 functions as an incubator, providing funding for local designers to develop concepts into resolved products. These are presented in a London Design Festival exhibition in the form of a pop-up design shop, with customers able to buy any of the items on show.

The format offers a middle ground between a standard retail contract and a manufacturing license. It supports product development but doesn’t require designers to give up intellectual property rights.

Heavy Light in Atelier100
Mitre and Mondays’ Heavy Light (centre right) was developed with Atelier100

Mitre and Mondays was part of Atelier100’s first cohort in 2022. This saw the studio develop its self-produced Heavy Light, a table lamp made from found materials, which it now sells through London lifestyle store Earl of East.

Shanley-Jackson sees this as a model for how retail can support localised and circular production, enabling more designers to move away from big brands and global supply chains.

“When we manufacture a product, the aim is not to simply make a nice-looking lamp or chair; it is about proposing new systems of production for objects and spaces that are wholly appropriate for the times we live in,” he said.

“Our way of working is not explicitly about craft; we are out to prove that being close to the material yields designs that are less homogenous, full of character, and which celebrate their context,” he continued.

“We plan to develop these systems to prove they can work at scale, so you can have your cake and eat it.”

Alcova shop
This year’s edition of Alcova featured a shop where visitors could buy limited-edition works (also main image). Photos are by Piergiorgio Sorgetti

The growing popularity of design tourism, through events like Milan design week and Copenhagen’s 3 Days of Design, is also creating more opportunities for designers to capitalise.

Alcova is one of the most popular Milan shows, but previously it was just an exhibition platform. This year’s edition saw it create a large shop, encouraging huge volumes of visitors to buy rather than just look.

The platform now has an online store, helping its exhibitors to sell their work year-round.

Elsewhere, this year’s 3 Days of Design saw the launch of Objective Studies, a digital platform for limited-edition furniture and homeware which shares its profits with designers and makers.

Founded by designer Matteo Fogale and e-commerce expert Lijana Norkaityte, Objective Studies is based on a model of product drops rather than seasonal collections.

A Calm Place exhibition by Objective Studies at Refugio
Objective Studies is a retail platform that shares its profits with designers and makers. Photo is by Sara De Campos

“Drops will appear when we have something valuable to show, not simply for the sake of launching or to keep adding items to an infinite collection,” the founders told Dezeen at the launch exhibition.

“We want to discourage unnecessary production, keeping quantities limited and made-to-order to encourage conscious consumption.”

The first drop included designs from Sina Sohrab, Mario Martinez, Asca Studio and Juhl & Lange.

“We joined the industry with the belief that we can put designers and makers at the forefront,” said Fogale and Norkaityte, “and shed light on the quality and hours needed to create unique objects that will stand the test of time.”

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KPF set to cut terraces into Foster + Partners' HSBC skyscraper

HSBC skyscraper by KPF

Architecture studio KPF has unveiled plans to turn the Foster + Partners-designed HSBC tower in Canary Wharf, London, into “a blueprint for the highly sustainable, mixed-use building of the future”.

Kohn Pedersen Fox (KPF) will turn the office building at 8 Canada Square, which is owned by Qatar Investment Authority (QIA) into a mixed-use development in that development partner Canary Wharf Group (CWG) calls “one of the world’s largest redevelopment projects”.

Once completed, the building will have workspaces, as well as cultural and leisure destinations and entertainment spaces.

HSBC tower redesign by Kohn Pedersen Fox
The redesigned skyscraper will have multiple cut-out terraces

Renders show the 200-metre-tall skyscraper, which currently has a closed steel-and-glass facade, given multiple cut-out terraces that will function as breakout spaces.

Visuals also show an outdoor basketball court and a pink outdoor spiral staircase.

At the highest levels of the 45-floor building, multiple floors will be carved out to create set-back terraces and a design that leaves the top floor partly “floating” above the rest, supported by slim pillars.

Terrace in 8 Canada Square skyscraper
It will hold leisure and entertainment spaces as well as workspaces

“We are extremely excited to collaborate with Qatar Investment Authority (QIA) and CWG to reimagine the single-use office building as a blueprint for the highly sustainable, mixed-use building of the future,” design principal at KPF Elie Gamburg said.

“This transformation embodies the ethos behind much of our work, we see it as an integral part of the evolution of today’s single-use neighbourhoods into vibrant mixed-use neighbourhoods of tomorrow – an evolution of which CWG is already leading the way.”

The redesign of 8 Canada Square will also create a new publicly accessible route between the nearby Elizabeth Line station and Canada Square Park.

“This redevelopment is another step in Canary Wharf’s evolution into a vibrant mixed-use neighbourhood offering workspace, retail, homes, leisure and amenities all in one location – a true 15-minute city,” CWG CEO Shobi Khan said.

Pink spiral staircase at ground level of London skyscraper
Kohn Pedersen Fox will turn the office into a mixed-use building

The redevelopment will also focus on fulfilling environmental, social and corporate governance credentials (ESG).

“The investment from QIA to transform 8 Canada Square is a flagship example of the sovereign fund’s vision for multi-use real estate of the future, ensuring that the iconic building has world-class ESG credentials and meets the changing requirements of business for the long term,” CWG said.

The 1.1 million-square-feet (92,900-square-metre) building at 8 Canada Square was designed by Foster + Partners to hold the global headquarters of the HSBC bank.

It was finished in 2002 and is known as the HSBC tower. KPF won a global competition run by CWG and the QIA to create the 8 Canada Square project, which will begin in 2027 when the HSBC lease expires.

Other recent projects by the firm include an Abu Dhabi airport with an undulating roof and a supertall skyscraper being constructed in Midtown Manhattan.

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GMP Architekten renovate hyperbolic 1960s hall in Magdeburg

The Hyparschale Magdeburg refurbishment by GMP Architekten

Architecture studio GMP Architekten has completed the renovation of the post-war Hyparschale hall in Magdeburg, Germany.

The studio aimed to revitalise the distinctive structure, which was originally designed by Ulrich Müther in the late 1960s, after it been abandoned for 20 years.

GMP Architekten renovated the building so that it could reopen as a  multifunctional venue for events and exhibitions – officially opening last month.

Exterior view of The Hyparschale Magdeburg refurbishment in Germany
GMP Architekten has refurbished a post-war hall in Germany

Composed of four hyperbolic paraboloids arranged in a square, the building is one of the numerous shell-roofed structures designed by Müther across Germany.

Set alongside the Elbe River within a large park, the structure is the largest of Müther’s structure’s remaining after several demolitions and itself was only saved as it was listed as a historic monument in 1998.

The studio was commissioned by the Magdeburg authorise to revitalise the building and give it a public use.

Light-filled interior of renewed post-war hall by GMP Architekten
The renewed structure functions as a venue for events and exhibitions

It repaired the parabolic roof using carbon-fibre reinforced concrete to both restore and strengthen the existing structure.

On the building’s exterior, the rhythmically lined fins were renewed, while its translucent glazed openings were replaced with transparent glass to provide views towards the local park.

Additionally, roof lights running between the four shells – that had been previously closed up due to leakages – were reopened to draw light into the interior.

Inside, the structure features a spacious, column-free layout enabled by the innovative roof structure that reaches 12-metres at its centre and curves upwards to reach nearly 16-metres at each corner.

Here, GMP Architekten inserted four 15-metre-square cubes that function as  smaller spaces for hosting events, exhibitions and seminars.

Interior view of The Hyparschale Magdeburg refurbishment in Germany
Four smaller structures were added within the building

To echo the building’s original design, the new internal structures were built from steel and are organised in alignment with the square grid layout designed by Müther.

Connecting the structures are a network of raised bridges that provide circulation across the upper floor, while partitions divide the ground floor spaces.

Interior view of renewed public hall by GMP Architekten
Roof lights draw daylight into the interior

Previous works completed by GMP Architekten include the Wuyuanhe Stadium shaded by louvres and a mebrane roof in China and the renovation of Real Madrid’s Santiago Bernabé stadium in Spain.

Elsewhere in Germany, Aretz Dürr Architektur has completed an “extremely simple” timber warehouse and designer Yinka Ilori has designed a mirrored pavilion for self-reflection.

The photography is by Marcus Bredt unless otherwise stated.

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Tavares Strachan perches giant ship atop Hayward Gallery

Installation by Tavares Strachan

Bahamian artist Tavares Strachan has positioned a large-scale model of a ship in a rooftop pond at London’s Hayward Gallery, forming an outdoor installation to accompany his current art exhibition There Is Light Somewhere.

The installation is a replica of SS Yarmouth – the flagship of the former Black Star Line, the first Black-owned shipping company in North America established by the Jamaican political activist Marcus Garvey in 1919.

Installation at the Hayward Gallery
Tavares Strachan has positioned a replica of SS Yarmouth on the roof of the Hayward Gallery

Strachan recreated the seminal vessel using a combination of aluminium, fibreglass and painted wood. The result is a 14-metre-long, ship-like structure installed on a rooftop terrace at the Hayward Gallery on South Bank.

The terrace was filled with 30 cubic metres of water for the project – a feat signed off by local engineering firm Arup, which ensured that the installation was within the weight threshold for its location.

Sculptural boat on a rooftop pond
The installation gives the impression of a vessel at sea

Perched atop the gallery’s rooftop pool, the ship replica gives the impression of a vessel at sea.

Garvey originally founded the Black Star Line to facilitate international commerce among Black communities and later hoped to repatriate enslaved African Americans and their descendants by providing a route to Africa.

An installation from the exhibition There is Light Somewhere
The ship replica was designed to accompany the artist’s exhibition There Is Light Somewhere

While the shipping company ceased sailing in 1922, it has remained a powerful symbol of pan-Africanism.

“The Black Star Line was established as a way to connect people from the diaspora to Africa,” Strachan told Dezeen.

Sculptures by Tavares Strachan
Various artworks feature in the exhibition exploring “unsung explorers and neglected cultural trailblazers”

Although he couldn’t currently reveal more information, the artist said he plans to reopen the Black Star Line to support Black-owned businesses worldwide.

The ship replica was positioned to echo the themes of Strachan’s exhibition, currently showing inside the gallery.

An installation by Tavares Strachan at the Hayward Gallery
The show is “a multi-sensory exhibition”

There Is Light Somewhere is “a multi-sensory exhibition” incorporating a range of sculptures, large-scale collages and other mixed-media installations that explore questions surrounding cultural visibility.

“Dedicated to telling ‘lost stories’, Strachan celebrates unsung explorers and neglected cultural trailblazers, inviting audiences to engage with overlooked characters whose lives illuminate histories hidden by bias,” said the Hayward Gallery.

A neon installation by Tavares Strachan
A neon installation is emblazoned on one of the gallery’s brutalist facades

“I love to present ideas around world-making,” the artist said of his show.

“The installations in this exhibition pose questions about what happens when a viewer enters a world with their own internal logic,” he added.

As well as the ship replica, a vast neon installation displaying the words You belong here has been mounted to one of the gallery’s brutalist facades, creating a beacon that reinforces the exhibition’s themes.

An oversized bronze head depicting Garvey, entitled Ruin of a Giant, can also be found outside the gallery’s main entrance.

Marcus Garvey head bronze sculpture
A bronze head depicting Marcus Garvey sits outside the gallery’s main entrance

“Public artwork is always an opportunity to draw people into conversations via their own curiosity,” said Strachan, considering the impact of large-scale sculptures.

“There is no expectation for the public to know what the work ‘means’. Instead, it allows everyone to participate in a dialogue about their community.”

“I have no specific desire for how folks respond to the show,” he added.

“Hopefully, people enjoy the experience and it motivates them to think about the world in a different way.”

The Hayward has been home to various installations. In 2015, Belgian artist Carsten Höller added a pair of spiral slides to the side of the gallery.

In more recent installation news, Chinese architecture studio MAD has recently created Ephemeral Bubble – an installation designed to resemble a bubble being blown by a century-old wooden house, for the Echigo-Tsumari Art Triennale in Japan.

The photography is by Mark Blower and the video is courtesy of Southbank Centre

There is Light Somewhere is showing at the Hayward Gallery from 18 June to 1 September 2024. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

The post Tavares Strachan perches giant ship atop Hayward Gallery appeared first on Dezeen.

Design Meets Manufacturing: The 19th International Industrial Design Competition for Hardware Products

Calling all design visionaries and hardware enthusiasts! The “World Capital of Hardware,” Yongkang, China, is hosting the 19th International Industrial Design Competition for Hardware Products. This prestigious event, now in its 19th year, throws open its doors to a global audience, offering a unique platform to showcase your design talent and potentially revolutionize the hardware industry.

With a rich heritage in metalware and a thriving modern hardware sector, the city fosters a collaborative environment where design and industry converge. The competition itself boasts a remarkable history. Since its inception in 2006, it has served as a bridge between international design talent and China’s hardware powerhouse. Past editions have seen entries from close to 30 countries, fostering a dynamic exchange of ideas and propelling design-driven advancements in the hardware landscape.

This year’s competition is all about hardware that makes a difference. Organizers are looking beyond aesthetics, seeking entries that demonstrate not just cutting-edge design, but also significant commercial and social value. The ultimate goal? Products that can seamlessly integrate into Yongkang’s robust manufacturing infrastructure. These innovative designs have the potential to propel not just the city’s hardware industry, but the global market as well.

Click Here to Register Now.

Here’s a Deeper Dive into What Awaits You

Open to All: The competition welcomes submissions from a wide range of participants. Whether you’re a budding design student, a seasoned design professor, a well-established design agency, a leading company, or a freelance designer with a groundbreaking idea – the 19th International Industrial Design Competition for Hardware Products wants to hear from you.

Dual Award Tracks: The competition features two main tracks, each catering to specific design goals:

The Golden Star Product Award: This prestigious award recognizes designs with exceptional commercial and social potential. Ideally, these entries should be well-suited for rapid and efficient manufacturing within Yongkang’s established ecosystem. The jury will be looking for designs that are not just innovative but also commercially viable, with the potential to disrupt the market and make a positive social impact.

The Creative Sub-Category Competitions: These delve deeper into specific hardware product areas, offering a more focused platform for designers. This year’s sub-categories include:

  • Outdoor Leisure Goods: Think innovative camping gear, portable cooking solutions, or next-generation sporting equipment.
  • Quickly-Assembled Houses: Designs that prioritize functionality, sustainability, and ease of construction in prefabricated housing solutions.
  • Sports Leisure Vehicles: The future of bicycles, e-scooters, or other recreational vehicles could be in your hands.
  • Health Cups and Pots: Designs that promote healthy living through innovative features in drinkware and cookware.
  • Rehabilitation Care Products: This sub-category seeks designs that improve accessibility and functionality for assistive devices.
  • Fitness Equipment: Push the boundaries of exercise routines with creative and effective fitness equipment designs.

The Creative Sub-Category Competitions are co-organized with prominent local manufacturers in Yongkang. This unique collaboration ensures a direct line from design concept to real-world application. Your design, if chosen, could be fast-tracked for production and potentially reach a global audience.

Lucrative Prize Pool: Showcasing your talent and design vision at this global competition can be incredibly rewarding. The 19th International Industrial Design Competition for Hardware Products boasts a staggering total prize pool exceeding $498,900 USD. This makes it a significant opportunity to not only gain recognition for your work but also potentially launch a successful design career.

The deadline for submissions is October 10th, 2024. Don’t miss this chance to be part of a global design movement! Head over to the competition website to register and unleash your design vision on the world stage. Here’s also a look at the Gold and Silver winners from last year’s International Industrial Design Competition for Hardware Products.


Gold Prize – Caregiver

About the size of a travel case, the Caregiver is a foldable chair and inflatable bathtub combo that can be wheeled around. Designed for caregivers (hence the name), the chair folds open to allow senior citizens to sit comfortably in the seat, while a lower flat-pack container houses an inflatable bathtub. When the senior needs bathing, they just sit in the chair, while the bathtub inflates around them. The chair then lowers into the tub, allowing caretakers to bathe their elderly patients. When everything’s done, the chair lifts up, the patient gets out and gets dressed, and the caretaker can drain the water before folding everything back to its compact, portable size.

Silver Prize – Orthopedic Robot Surgery System

Using a combination of precision robotics, minimal incisions, and radiation, this orthopedic robot helps bring quality surgery experiences and healthcare to millions of patients. A dynamic duo of a vision robot and an execution robot, these two machines work in tandem, with the kind of accuracy and pin-point precision that even human hands can’t achieve. This enables seamless surgeries, allowing doctors to monitor the process throughout while the machine executes things perfectly.

Silver Prize – Pocket Stove

It just feels wonderful seeing some good old-fashioned clever design thinking! Meet the Pocket Stove, a foldable little number that opens out into a portable stove for camping. The entire device comes with a two-part design that splits along the middle, with one part becoming the stove itself, and the other plugging onto a gas tank. When you’re done, the stove element plugs into the bottom of the gas connector, and the three fins of the stove fold upwards, turning into a capsule that can be carried around anywhere you go.

Visit the International Industrial Design Competition for Hardware Products website to Register.

The post Design Meets Manufacturing: The 19th International Industrial Design Competition for Hardware Products first appeared on Yanko Design.