Modular Coffee Machine lets you vertically add an Ice Maker and Cup Washer to your Brewer

It’s sort of reminiscent of how some homes stack washing machines and dryers one above another… but imagine that scaled down ever so slightly and dedicated to your coffee. Meet UOCO, a modular all-in-one coffee machine that does just more than brew you a stellar cup. Designed to even resemble the washing machine with its clean, boxy aesthetic, the UOCO is a stackable appliance that lets you add extra modules to your coffee maker. Sure, its central feature is the coffee machine itself, but the UOCO also features an ice-maker, and a cup-washer that attach to the coffee machine, giving you an all-in-one vertical station for making ice lattes, and then washing your glass/cup after!

Designer: Yui Jo

Designed by Yui Jo, a student at the Hongik University in Seoul, UOCO is much more than your tabletop coffee maker. In fact, it isn’t a tabletop appliance at all. Large enough to be a floor-standing gizmo, the UOCO is significantly larger than your Keurig or Nespresso maker… but it’s also thrice as efficient.

The UOCO features three distinct modules that stack one on top of the other, connecting through a central port that supplies power to all three gadgets. Right at the top is an ice-maker, which delivers perfect ice cubes to go into your iced coffee. At the center is a pod-based coffee extractor that works just like your Keurig and Nespresso machines. Place your cup inside, add a pod to the tray, and press a button to watch fresh coffee percolate and pour right into your drinking vessel… with or without ice. Once you’re done enjoying your beverage, the cup/mug goes into the third, lowermost vessel – the cup washer. Working like a scaled-down dishwasher, it rinses your cup with hot water, cleaning it inside out and drying it for your next round of caffeine.

Scaled-down design prototype

It seems odd that Yui Jo didn’t opt for more coffee-adjacent modules like a roaster or grinder… but that’s the beauty of UOCO’s open framework. You can add modules as you go, and the UOCO can easily feature a non-pod-based coffee machine option with roasting and grinding capabilities too. Ultimately, the aesthetic is really what matters here. It’s clean, industrial-looking, and adds quite a touch of modernity to your home. You can even opt for colored modules, creating a nice color-blocking totem that goes with your decor.

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On vs Adidas: A Deep Dive into Laceless Sports Shoe Technologies

It’s impressive that many major brands have tried to create the perfect laceless sports shoe. While they’ve made significant strides, many have struggled with weight reduction in a world where weight reduction is highly sought after unless you’re a sumo wrestler or a defensive linebacker. Everything from phones, tablets, bags, and everyday carry items like multi-functional tools use advanced high-tech carbon fiber materials. So, why haven’t brands like Adidas focused more on shedding weight in their shoes? Let’s explore the approaches of On and Adidas in creating laceless sports shoes.

 

Designer: ON

Designer: Adidas

Comparing On Cloudboom Strike LS with Adidas’ Laceless Shoes

On has achieved a groundbreaking reduction in weight with its Cloudboom Strike LS. In contrast, Adidas has also made strides in laceless footwear but faces different challenges. Adidas’ N3XT L3V3L and other laceless models have focused on eliminating traditional components to improve fit and performance. However, these shoes have struggled with weight issues, making them less appealing for athletes seeking ultra-lightweight options.

Adidas N3XT L3V3L Futurenatural

Adidas’ N3XT L3V3L shoes feature a laceless design utilizing Primeknit and ForgeFiber technology to provide a snug fit. The Primeknit material offers flexibility and breathability, while ForgeFiber adds strength and support through strategically placed stitching. Despite these innovations, the shoes still face criticism for being relatively heavy compared to competitors like the Cloudboom Strike LS.

ON Cloudboom Strike LS

Adidas has invested years into developing laceless technology to create a seamless and secure fit for athletes. The Primeknit upper is designed to conform to the foot’s shape, providing a sock-like fit. However, the added weight of the materials and the complexity of the construction process have made it challenging to achieve the same lightweight performance as On’s Cloudboom Strike LS.

The Cloudboom Strike LS, with its LightSpray technology, offers a significant advantage in weight reduction. The thermoplastic material used in the shoe’s construction is lightweight yet durable, providing a snug fit without adding unnecessary bulk. This contrasts with Adidas’ approach, where the combination of Primeknit and ForgeFiber, while effective in fit and support, adds extra weight.

LightSpray™

The robotic application of LightSpray material allows On to create a precise and seamless upper, eliminating the need for additional components that can add weight. This streamlined construction produces a lighter shoe that enhances performance, particularly in long-distance running. The Cloudboom Strike LS weighs 170 grams (approximately 6 ounces) for a men’s size 8.5, while the Adidas N3XT L3V3L weighs around 454 grams (16 ounces). The Adidas X Ghosted+ football shoes weigh approximately 189 grams (6.7 ounces).

Adidas X Ghosted+ football shoes

The Spark of Genius that Led to LightSpray Technology

The Cloudboom Strike LS story began with a serendipitous moment and a burst of creativity. Yohannes, a key player in this tale, had the innovative idea of using a hot glue gun to create intricate, spider web-like structures. This simple yet brilliant concept evolved into employing a robotic arm to spray a thermoplastic material called LightSpray onto a shoe form, crafting a seamless, sock-like upper. The inspiration for this technology struck during a Halloween event, where a video showcased using a hot glue gun to create detailed spider web designs. This sparked the idea of rapidly creating textiles on complex shapes, with a shoe being the perfect candidate to test this novel method.

The development of the Cloudboom Strike LS was a journey filled with trial and error. What began as a simple idea evolved into a complex project requiring the collaborative efforts of designers, engineers, and various other experts. The team had to automate the process to turn this concept into reality. They programmed a robot to move the nozzle and spray the material, requiring meticulous calibration to ensure precise application. After a year of dedication and refinement, the project gained more resources and became a priority within On’s innovation department.

Design and LightSpray Technology

Its spray-on construction process characterizes the Cloudboom Strike LS. The shoe’s upper is made from LightSpray, a thermoplastic material applied using a robotic arm. This process creates a seamless, sock-like structure that eliminates the need for traditional components like laces and heel caps. The design is minimalistic and aerodynamic, emphasizing the shoe’s lightweight nature.

Thermoplastic materials are versatile plastics that become moldable upon heating and solidify upon cooling. In running shoes, thermoplastic materials such as thermoplastic polyurethane (TPU) and thermoplastic elastomer (TPE) are often used for their durability, flexibility, and ability to be recycled. These materials help improve running shoes’ fit, comfort, and performance by providing support and responsiveness. The robotic arm applies the thermoplastic filament precisely, ensuring an even and seamless construction that enhances the shoe’s structural integrity. Robotic technology ensures consistent quality and efficiency, allowing a rapid production time of just three minutes per pair. This innovation significantly reduces production time and waste, aligning with On’s commitment to sustainability.

Developing the Cloudboom Strike LS required extensive prototyping. The team went through thousands of prototypes, making minor adjustments each time to perfect the design. This rigorous process ensured that every aspect of the shoe, from fit to performance, met the highest standards. The ability to quickly produce and test new prototypes was a game-changer, allowing the team to innovate rapidly. The process involved programming the helix shape of the LightSpray material to ensure it fits perfectly around the foot. The team faced numerous challenges, such as determining how much material to use and where to apply it for optimal comfort and support. Each prototype was tested rigorously to ensure it met the needs of top athletes.

Fit, Comfort, and Performance Advantages

One of the critical features of the Cloudboom Strike LS is its remarkable comfort. The shoe is incredibly lightweight, with a men’s U.S. size 8.5 weighing just 170 grams. This makes it lighter than many other running shoes, helping you feel faster and more agile. The seamless design provides a more adaptable fit, allowing for greater freedom of movement. The shoe molds to your foot without laces, providing comfort and stability. This close fit can improve your performance by ensuring the shoe moves flawlessly with your foot.

Kenyan runner Hellen Obiri, who wore a prototype of the Cloudboom Strike LS to victory at the Boston Marathon, highlights the shoe’s high-performance capabilities and comfort. Her success demonstrates the shoe’s potential to enhance athletic performance at the highest levels.

The Cloudboom Strike LS is designed to give athletes a competitive edge. The midsole combines responsive foam rubber with a carbon-fiber plate. This combination provides cushioning and propulsion, ensuring each step feels springy and efficient. The shoe supports efficient energy transfer, which is crucial for long-distance running. The Helion Hyper Foam midsole is a key feature of the Cloudboom Strike LS. This responsive foam, combined with a carbon-fiber plate, provides cushioning and propulsion, enhancing energy transfer with each step. The midsole’s design is crucial for long-distance running, offering comfort and performance. The shoe’s 39mm stack height and 4mm drop contribute to stability and support during competitive running.

Sustainability

On is committed to sustainability, and the Cloudboom Strike LS reflects this dedication. The production process minimizes waste and uses fewer materials. The thermoplastic filament used in the shoe’s construction can be melted down and reused, further reducing environmental impact. The quick production time, only three minutes, means that athletes could potentially have customized shoes made on the spot, tailored to specific race conditions. This adaptability is particularly beneficial for athletes who compete in various environments, ensuring their footwear is continually optimized for performance.

Adidas, too, has made significant strides in sustainability. The brand has committed to achieving climate neutrality across its operations by 2050, with intermediate goals such as reducing greenhouse gas emissions by 30% across its value chain by 2030 and ensuring 90% of its products are sustainable by 2025. Adidas collaborates with partners like Parley for the Oceans. It engages in circular initiatives such as the “Made to be Remade” product line, which involves recycling worn-out products into new ones—Adidas’ FUTURECRAFT.FOOTPRINT, developed in collaboration with Allbirds, boasts one of the lowest carbon footprints in the industry, demonstrating the brand’s commitment to environmental responsibility.

Real-World Success and Future Prospects

The Cloudboom Strike LS has already proven its value in high-stakes competitions. Hellen Obiri’s success at the Boston Marathon provides real-world evidence of the shoe’s benefits. These shoes’ success in top competitions makes them a trusted choice for other competitive athletes.

It aims to make these advancements accessible to a broader audience. Plans to release the Cloudboom Strike LS to consumers later this year indicate the brand’s commitment to bringing cutting-edge technology to everyday athletes.

Your Thoughts

We’ve seen how the Cloudboom Strike LS combines innovative design, comfort, performance, and sustainability. The sleek and seamless upper, created from LightSpray, eliminates traditional components like laces and heel caps, providing a glove-like fit. Robotic technology ensures a precise and efficient production process, while the Helion Hyper Foam midsole enhances cushioning and energy return.

As we look forward to its consumer release, we’d love to hear your thoughts. Does the idea of a spray-on sneaker with a seamless fit appeal to you? The technology behind the shoe offers a unique advantage by ensuring the upper fits snugly and comfortably around your foot, potentially improving performance and reducing the risk of blisters. How important is sustainability when choosing your running gear? On’s commitment to using recyclable materials and minimizing waste aligns with growing environmental concerns in sportswear.

The post On vs Adidas: A Deep Dive into Laceless Sports Shoe Technologies first appeared on Yanko Design.

Marmol Radziner creates club space in modernist Park Avenue skyscraper

Lever Club by Marmol Radziner

The third floor of the iconic Lever House skyscraper in Midtown Manhattan has been renovated by architecture firm Marmol Radziner to complement the building’s original modernist design.

Marmol Radziner completed the interiors for the Lever Club within the office tower at 390 Park Avenue, which was designed by Skidmore, Owings & Merrill in the International style and completed in 1952.

The entrance to Lever Club
The entrance to Lever Club is lined with green marble flooring and soapstone wall panels

SOM finished restoring the building last year, after it was purchased by developers Brookfield Properties and WatermanClark in 2020, and Marmol Radziner worked on updating its communal spaces that had fallen into disrepair.

“Lever House is a globally renowned architectural marvel, symbolising the era’s shift to modern skyscrapers,” said Marmol Radziner.

Restaurant area with green walls, floor and furniture
The green hues used through the interior nod to the colour of the building’s curtain wall facade

“Recognised with the prestigious Twenty-five Year Award from the American Institute of Architects (AIA), the building remains an icon of architectural excellence,” the studio added.

Originally a cafeteria and repurposed several times over the years, the third floor now serves as a lounge, bar and dining space that continues onto a terrace projecting from the tower’s elevated base.

Club space with bar to the left and lounge seating on the right
The club’s layout revolves around “a series of paneled volumes”

Design cues were taken from SOM partner Gordon Bunshaft’s own residence, and other modernist masters, to create an interior that feels in keeping with the building’s history and architecture.

“From the beginning, we felt that the design of Lever Club should feel like a sympathetic insertion within the iconic curtain wall of the building,” said Marmol Radziner partner Ron Radziner.

Bar bookended by rosewood volumes and backed by a glass screen
The bar is bookended by rosewood volumes and backed by a screen from John Lewis Glass

The club is entered via a lobby area where floors and walls are covered in panels of green marble and soapstone, contrasted by a simple cuboid reception desk made from wood.

Inside, the layout revolves around “a series of paneled volumes set within the glass perimeter, taking advantage of the views and access to the most superbly sited outdoor terrace in the city”, according to Radziner

Dining area overlooking an expansive terrace
The dining area overlooks an expansive terrace on top of the building’s elevated base

The marble flooring, which echoes the green hues of the building’s pioneering facade, extends into the lounge area where tone-matched carpet demarcates soft seating areas.

Many of the armchairs and sofas are upholstered in a complementary green hue, while chocolate-coloured leather is used to cover other seating options such as bar stool and banquettes.

Curved banquettes wrapped in chocolate-brown leather
The curved banquettes are wrapped in chocolate-brown leather

“The furnishings, largely bespoke, respond to and soften the hard edges of the architecture with plush texture and rich tones most often seen in a residential setting,” Radziner said.

Rosewood tables match the large vertical elements that bookend the bar, which is backed by a John Lewis Glass patterned screen.

Aluminium also appears as table bases and chair frames that echo the slender window mullions.

“It was important to us that the design respond intelligently and reverently to the building while also creating a real sense of comfort, warmth, and luxury,” Radziner said.

Aluminium-framed chair with a rosewood table
Aluminium chair frames echo the slender window mullions

This isn’t the first time that Marmol Radziner has created interiors for a SOM-designed skyscraper – the firm was also behind the penthouse at Fifteen Fifty in San Francisco, which was temporarily turned into a collectible design gallery in 2021.

Earlier this year, Marmol Radziner completed California’s tallest residential skyscraper in Downtown Los Angeles.

Lever Club bar at night
Lever Club can be used by the building’s tenants during the day and at night

Lever House is one of several Manhattan office towers from the mid to late 20th century to have been retrofitted in recent years, aiming to attract new tenants.

Among them are the postmodern AT&T Building by Philip Johnson, which was rebranded as 550 Madison after it was overhauled by Snøhetta and its lobby was transformed by Gensler.

The photography is by Scott Frances.

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Six industrial design projects by students at University of Illinois Chicago

A photograph of a person's hand holding an orange coloured circular object against a white background.

Dezeen School Shows: a vehicle powered by electricity intended for use in urban areas is included in Dezeen’s latest school show by students at the University of Illinois Chicago.

Also included is a project exploring the psychological effects of food packaging and a jacket suitable for various weather conditions.


University of Illinois Chicago

Institution: University of Illinois Chicago
School: School of Design
Course: MDES Industrial Design
Tutors: MDES Faculty

School statement:

“Our Master of Design (MDes) in Industrial Design programme aims to broaden students’ worldviews and deepen their understanding of their roles as designers through studio classes, workshops, seminars, lectures, visits and opportunities for regional and international travel.

“MDes student design projects are not merely formal and aesthetic propositions but also profound explorations that scrutinize the complex interplay between the natural and artificial elements in society and global culture.

“Concluding the programme, each MDes student explores a topic of inquiry in which they contextualise and formulate a position and develop tangible designerly responses.

“This process entails a broad range of engagement and adopts a holistic approach, encouraging and empowering students to blend theory with practice.”


A photograph of five mannequins beside one another wearing garments in tones of grey and orange, against a black background.

Cumulus by Sadaf Jalali

“Function and aesthetics are not mutually exclusive, but are complementary aspects of design.

“Cumulus is a stylish jacket that provides a convenient way to stay dry and comfortable on days that come in like a lion and go out like a lamb – it is a versatile jacket crafted for urbanites navigating the unpredictable elements of city living.

“This stylish garment merges fashion with function, ensuring that utility never sacrifices style – lightweight, reversible and durable, it effortlessly adapts to changing weather conditions, requiring minimal effort and minor adjustment from windbreaker to jacket to raincoat.

“Cumulus offers a convenient solution for temperamental spring and fall weather, providing comfort and protection while showcasing innovative design in challenging urban environments.”

Student: Sadaf Jalali
Course: MDES Industrial Design
Email: sadafjalali1997[at]gmail.com


An image displaying part of a stringed musical instrument in tones of black.

The Ultimate Object by Hamed Gholami

“As a musician, I sought a highly refined instrument that was affordable, extremely durable and repairable, portable, formally refined and ritualistic.

“Through careful consideration of function, aesthetics, symbolism, usability, activity facilitation, self-expression and social interaction, this violin evokes a range of emotions and stands as an exemplar for the promises and pleasures of engineering design.

“The Ultimate Object achieves its status through an innovative modular design.

“Except for its metal strings, tuners and electronics, the entire instrument is produced and maintained through additive manufacturing workflows with accessible materials.

“The Ultimate Object is democratic and sustainable while simultaneously activating the six primary sources of emotions in human-product interactions.”

Student: Hamed Gholami
Course: MDES Industrial Design
Email: hgholami.design[at]gmail.com


A digital image of a smartphone and a smartwatch in tones of grey and white.

Talk To Me by Azadeh Ghalehnovi

“Talk to Me is a wearable digital device that allows a child to log feelings, emotions and events, and generates prompts to help parents engage in conversations with their children.

“Globally, families can be categorised into four distinct types – two of these types, the ‘laissez-faire’ family and the ‘protective’ family, are characterised by low levels of communication and their interactions involve limited topics.

“Although these families are not equally divided, according to the global population, half of these families face challenges in discussing emotions and everyday events and often have difficulty communicating due to their lack of shared experience.

“Currently, there is no specialised tool to assist these family members in developing tailored communication strategies and prompts – meaningful communication is the lifeblood of healthy family dynamics, it exerts a profound impact on the emotional, psychological and overall wellbeing of both children and parents; but not all families talk.

“Talk To Me provides parents with entry points into family conversations that centre on the daily experiences of the children.”

Student: Azadeh Ghalehnovi
Course: MDES Industrial Design
Email: aghalehnovi[at]gmail.com


A digital image of various electronic devices in tones of black, blue, yellow and pink, against a white backdrop.

Flat World by Andrew Lee

“The smartphone promised to expand the human experience through freedom of choice and seemingly unlimited possibilities – despite the promise of choice, however, many users develop habits of mindless consumption that lead to a narrowing of experience.

“Digital experiences are largely driven by invisible algorithms designed to predict desires in order to maximise engagement – because these algorithms are incredibly effective at anticipating and shaping desire, they pigeonhole people within a recognisable radius of comfort and thereby limit the scope of experienced culture.

“The result for the individual is a digital and socio-technical ecosystem that becomes increasingly shallow and unfulfilling.

“Flat World is a family of critical yet commercially viable products that reframe three features of the smartphone as separate, single-function objects: the camera, the radio and the telephone.

“Through new methods of interaction, Flat World critiques how smartphones dilute our lived experience – the project proposes that substituting the algorithm with uncurated serendipity may present users with opportunities to develop a healthier relationship with technology and have a more authentic lived experience.”

Student: Andrew Lee
Course: MDES Industrial Design
Email: leeyandrew[at]gmail.com


A photograph of a person's hand holding an orange coloured circular object against a white background.

Quotidian Encounters by Alissa Touranachun

“By associating the experience of food preparation and consumption with positive emotions and memories, lasting emotional engagement can be achieved and meaningfully transcend the commercial aims of food products.

“The pervasive industrialised food economy has caused an emotional disconnection between people and the food they eat – meaningful product-mediated experience is not promoted through the utilitarian, convenient nature of many contemporary food products and their packaging.

“In response, there is value in recognising the packaging’s intrinsic potential of increasing emotional engagement within the food consumption experience.

“Leveraging gestures derived from culinary techniques and traditional food practice, Quotidian Encounters elevates otherwise banal food experiences into gastronomic events.

“This project demonstrates how the industry can shift from a cost-driven practice to a value-driven practice by employing engaging tactile and dynamic physical design to increase consumer satisfaction and provide positive psychological experiences for day-to-day wellbeing.”

Student: Alissa Touranachun
Course: MDES Industrial Design
Email: alissa_trnc[at]outlook.com


An image of a three-wheeled vehicle in tones of red and black against a white backdrop.

GetGo by Murphy La

“Mobility is not a luxury but a need for millions of people.

“As urban populations swell and city traffic becomes more congested, accessible solutions for local mobility are increasingly necessary.

“GetGo is a simple, flexible electric transport vehicle that can be configured as a single track cycle or a free-standing cargo trike.

“Whether commuting on narrow city streets or transporting cumbersome cargo loads, a comfortable, functional and space-saving design serves the needs of urban populations.”

Student: Murphy La
Course: MDES Industrial Design
Email: murphyla.design[at]gmail.com

Partnership content

This school show is a partnership between Dezeen and the University of Illinois Chicago. Find out more about Dezeen partnership content here.

The post Six industrial design projects by students at University of Illinois Chicago appeared first on Dezeen.

Top 10 Cutting-Edge Earbuds Alternatives To The AirPods

I love a good pair of earbuds! In fact, I really can’t function without my personal earbuds. Once my earbuds are in, the rest of the world is out. I deep dive into the world of my favorite tunes, away from real-world problems, happy in my own little audio bubble. Hence, owning a pair of innovative and perfect earbuds is an absolute necessity for me, and I’m sure that’s the case for most music lovers out there as well. Quite a few of us are Team AirPods all the way. Let’s remember that great earbuds go beyond Apple as well. This nifty list includes all of them. This collection of exciting designs has a pair of earbuds for everyone. These earbuds provide unique design solutions and are a must-have for audiophiles.

1.BD-1

Say hello to BD-1 – a pair of conceptual TWS earbuds that have been modeled on Teenage Engineering’s OP-1 synthesizer. The OP-1 synth became quite popular when it was used in the Swedish House Mafia’s first music video. The BD-1 mimics the same design cues, and it is quite boxy and white, with colorful ear tips that match the colors of the OP-1 synth. The earbuds come in a case with a small AMOLED display like the one found on the OP-1.

2. Flex Open Earbuds

JLab has created an open clip style earbuds design quite similar to the Bose Ultra Open earbuds seen at CES 2024. The new earbuds design at CES had a price tag of $300, and they attracted a lot of attention. JLab’s version is called the Flex Open Earbuds and they provide the same features as the high-end earbuds, but they’re much more economical! Priced at $50, the open-ear accessory is a must-try for anyone who loves experimenting with new audio accessories.

3. Samsung Galaxy Buds 3 and Buds3 Pro

Samsung recently introduced its latest audio devices called the Galaxy Buds3 and the Buds3 Pro. The new earbuds have been created to uplift and enhance your everyday audio listening experience, irrespective if you’re home, working out, or simply on the go. It is amped with nifty and handy features, and it also showcases a refined design, which has something unique and appealing for almost everyone.

4. Immortal 121 Earbuds

Designed by boAT Lifestyle, these TWS earbuds have been shaped like Deadpool’s mask. The Immortal 121 earbuds are equipped with cutting-edge features, packed in an incredible package that costs only USD 20.35. The Deadpool earbuds offer 40 hours of playback, 40 milliseconds of latency, Bluetooth 5.3, adjustable EQ, IPx4 water resistance, and a game-changing 10-minute charging time so you’re never out of energy!

5. Gravastar Sirius P5 Buds

Named the Gravastar Sirius P5 buds, these super cool earbuds have charging cases inspired by the futuristic genre. They have names like Defense Armor, Defense Mecha, and Defense Crystal. The earbuds are made from either zinc alloy or a“ LEGO-like material prized for strength and rigidity”. The cases have a pretty distinct character and are quite appealing to fans of particular subsets of the sci-fi genre.

6. The Cell Buds

Designed by Minwoo Kim, the Cell Buds are an incredible evolution of the earbuds into a wearable that helps the blind navigate through crowded spaces, or be aware of what’s going on around them with the help of sound cus. The buds are amped with nano camera units that keep track of important information. This removes the need for transparency mode to keep an eye on your surroundings, or in situations where strong ANC is needed.

7. The Logitech G Fits

The Logitech G Fits are quite similar to the Ultimate Ears’ UE Fits earbuds which are equipped with the Lightform feature. The features make the custom molded fit possible. The G series earbuds have a feature list that is great for gamers and power users. The pill-shaped earbuds when inserted into the ear canals urge the user to push a button so that the gel tips harden with flashing LEDs, occupying the ear’s canal shape in a 60-second setup.

8. Bored Buds

Called the Bored Buds, these earbuds concept are intuitively designed and also meant to be multi-functional. The earbuds also form part of a Bluetooth speaker. When you’re not listening to music using earbuds, they are tucked away in the speakers through the protective case, and they function as control buttons. The speaker does not have any interface or displays, so the earbuds function as your on/off, pause/play, and volume up/down buttons.

9. The Nothing Ear (Stick)

The Nothing Ear (Stick) is a new case design for the Ear (1) buds, but unlike the old design which is square-shaped, this one has the same shape and size as lipstick, or if you’re looking for a more mundane term then a nebulizer. However, we are unsure if the earbuds within the Ear (Stick) are the same old earbuds or new ones. However, this new SKU will receive a new revamping in the form of a spec upgrade.

10. Quite Comfort Earbuds II

Called the Quite Comfort Earbuds II, these earbuds by Bose take Apple head-on. They’re claimed to be the “world’s best noise cancellation”, and they are quite notice-worthy. The earbuds are one-third the size of their predecessors, and are equipped with better ergonomic comfort and fit. They call it the Fit Kit. They come with the Custom Tune sound calibration that were seen earlier in the SoundControl hearing aids.

The post Top 10 Cutting-Edge Earbuds Alternatives To The AirPods first appeared on Yanko Design.

MAD Connects A Massive Ephemeral Bubble To A Historic Japanese House

Acclaimed architecture studio MAD recently designed the Ephemeral Bubble – an installation that looks like a bubble being blown by a century-old wooden house! It is designed for the Echigo-Tsumari Art Triennale in Japan. Tucked away in the Murono Village in the Japanese countryside, the bubble is made using a PVC membrane, and is a component of the old house called China House Huayuan. The home is utilized to display Chinese art and culture.

Designer: MAD

The Ephemeral Bubble for the Echigo-Tsumari Art Triennale was designed to open “a dialogue with the ancient Japanese countryside”, the studio said. “This design adds a temporary, flexible space that mimics the lightness and translucence of breathing air,” they added. The large bubble is connected to the home, and it rises and expands creating a space that can be utilized for performances or ceremonies. It features a “biomorphic” design which is inspired by nature. The installation also intends to encourage spiritual exploration.

“This concept of bubbles also introduces a playful and interactive space, making the experiential installation ideal for emotive and spiritual exploration,” MAD said. “This approach emphasizes the importance of engagement in design.”

During the evenings, the inside of the bubble lights up forming a mesmerizing lantern-like effect. Visitors can look out through the blurred walls, although the colors and shapes of the outside world are hardly visible. This creates the ambiance of “soft light”. The installation also helped to upgrade the historic wooden house. It was designed in such an interesting manner that it looks as if the house created itself.

“Picture our century-old house drifting off to sleep, gently blowing bubbles as it dreams,” said architect Ma Yansong. “This fusion of virtual and tangible elements, combining the old and the new, brings new life into the ancient building,” MAD concluded.

The post MAD Connects A Massive Ephemeral Bubble To A Historic Japanese House first appeared on Yanko Design.

DeRoché Strohmayer converts Ghanaian home into earthy artist retreat

Dot.Ateliers Ogbojo by DeRoché Strohmayer

Architecture studio DeRoché Strohmayer has converted a deteriorating two-storey house on the outskirts of Accra, Ghana, into a retreat for artist and writer residencies.

Named Dot.Ateliers Ogbojo, the retreat combines living areas and workspaces at the edge of the city that offer access to nature and aim to encourage creativity.

The former two-storey home has been transformed by DeRoché Strohmayer with brighter interiors, alongside a new canopy, outside spaces and an open ground-floor facade.

Exterior view of Dot.Ateliers Ogbojo by DeRoché Strohmayer
DeRoché Strohmayer has converted a house in Accra into an artist retreat

“Designed to be a place of respite and regeneration, Dot.Ateliers Ogbojo is an adaptive reuse project, characterised by courtyards and voids on all scales, creating spaces of calm and varying levels of privacy within an otherwise heterogeneous, dynamic urban context,” studio co-director Glenn DeRoché told Dezeen.

“The existing building was a typical two-story family house, not older than ten years but already deteriorating rapidly due to inadequate design and construction methods,” added co-director Juergen Strohmayer.

“Our initial steps were subtractive: we removed the central parking lot and replaced it with a garden, we refocused the massing around the courtyard and other pockets of green, and we opened the ground floor facade to connect with this new landscape.”

Renovated house in Ghana
The retreat is designed to host artist and writer residencies

Inside, Dot.Ateliers Ogbojo contains a mix of living spaces and informal collaborative workspaces for artists undertaking residencies on the site.

The site’s communal spaces, including living areas, a library, a gym and a kitchen, occupy the ground floor while the residential area, comprising private ensuite rooms, is located upstairs.

Courtyard of Dot.Ateliers Ogbojo by DeRoché Strohmayer
It features a series of outdoor spaces

Alongside the existing volume, the site has been updated with gardens and a canopy that wraps around a central courtyard and covers an outdoor living space.

“This creative hub, initiated by the artist Amoako Boafo, is meant to be a place for invited intellectuals and artists to share a place to live, ponder and rest over the course of several months,” said the studio.

Dot.Ateliers Ogbojo artist retreat
Floor-to-ceiling glazing wraps the ground floor

The existing building was previously dark and humid inside, so the interior has been brightened with a series of voids, including lightwells and smaller openings that bring in light and air.

Some of the voids double as outdoor living spaces where the studio hopes that artists at Dot.Ateliers Ogbojo can meet, dine, and relax.

Floor-to-ceiling windows set within a black frame border a large portion of the ground floor, forming a new ground-floor facade added by the studio to reconnect the building to the landscape.

“The interiors were dark and humid,” said DeRoché. “The compound was almost fully paved and lacked vegetation or shade to make for comfortable exterior spaces.”

Plaster-lined hallway of Ghana artist retreat
Earthy interiors fill the building

“Each room on the ground floor is framed by an external view – a picture window – of the many themed landscapes that surround the main building, allowing for continual connection to nature as one moves from the exterior to the interior,” continued the studio.

“The building not only frames views to the gardens but also to the sky through a series of light shafts that permeate the building interiors and exteriors at various locations and depths, allowing for an abundance of light without any direct heat gain,” said the studio.

Swimming pool at Dot.Ateliers Ogbojo by DeRoché Strohmayer
There is a swimming pool outside

Inside, textured plaster and other rough finishes feature across the ceiling, floors, and walls, giving an earthy feel that is complemented by pale furnishings and wooden joinery.

Completing the project, the concrete canopy outside wraps around the central courtyard, supported by roughly textured columns. It covers a walkway that encloses a swimming pool and doubles as a lounge area, dotted with sun beds and seating areas.

Other artist retreats on Dezeen include a stilted structure in Mumbai by Architecture Brio and an off-grid pavilion on the coast of Inis Oírr island by Jordan Ralph.

The photography is by Julien Lanoo.

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Mork-Ulnes balances ADU on California mountainside

Mork Ulnes ADU California

International studio Mork-Ulnes Architects has created an angled accessory dwelling unit in the mountains of Marin County, California with wooden interiors and a loft space.

Completed in the spring of 2023, the Crest Guesthouse measures 411 square feet (38 square metres) and was built on the old foundations of a former garage by Mork-Ulnes Architects, which has offices in San Francisco and Oslo, Norway.

Mork Ulnes ADU California
Mork Ulnes has completed an ADU in California

“The building’s sharply angled roofline mirrors the slope of the site and gives a high clerestory window light above the cabinetry wall, while a playful flip in the roof provides a punched window from the loft viewing the trees,” the studio said.

Accessed from a northside driveway that slopes down to the primary residence, the house is balanced on the steep slope and uses a longitudinal wooden deck on the east side of the house to double the usable area and take advantage of the mild California climate.

Mork Ulnes ADU California
It sits on a steep cliffside

The compact dwelling is clad in light grey Cembrit fibre cement panels, selected as an easy-to-maintain, fire-resistant cladding in the densely wooded setting.

Light comes in through sliding floor-to-ceiling glass doors with metal frames and a small square window in the loft, both of which look down the hillside to the east, and clerestory plate glass windows on the western hillside.

Mork Ulnes ADU California
It has a sharply angled roof with clerestory windows

Currently serving as a temporary residence while the main house is being renovated, the ADU was built as a small guesthouse and a rental unit — following the footprints of the former garage, but utilizing a flexible program to maximize the area.

Inside the primary room is wrapped in Douglas Fir veneer plywood for a smooth, natural-toned, multi-use space.

Mork Ulnes ADU California
It has simple wood interiors

The Murphy bed folds up into the wall during the day and the kitchen island can be rolled into place when needed. The compact kitchen with square white tile backsplash and Caesarstone counters runs along the western wall and a small seating space with a padded green bench is tuned into the millwork that creates the closet.

Small nooks like a triangular cubby under the roofline and a square portal into the loft break the planes of the interior walls. Other than white globe lights and a television set on the wall, the space is mostly unadorned, leaving the view to be the decoration.

The bathroom is split into two smaller rooms with the toilet and sink tucked into the corner of the house.

Meanwhile, the shower room, tiled entirely in forest-green Daltile Keystones, serves as a pass-through to the exterior with a frosted glass door. The inside of the interior door is mirrored to bounce light around the small space and is accented by chrome fixtures.

The loft space, which is accessed through a narrow ladder tucked behind the kitchen wall and an exterior staircase, is a small reading nook or could be used as a temporary sleeping space.

Mork Ulnes ADU California
Green tile was used for the small bathroom

In addition to the ADU, Mork-Ulnes recently completed a gabled home clad in black-stained cedar in San Francisco and an eight-sided residence made of cross-laminated timber in Bend, Oregon.

The photography is by Bruce Damonte.


Project credits:

Project design team: Casper Mork-Ulnes, Phi Van Phan, Robert Scott, Lexie Mork-Ulnes, Kaoru Lovett
Job captain: Kaoru Lovett
Engineering structural: David Strandberg
Civil: Adobe Associates, Inc. (Aaron R. Smith)
General contractor: Damner Construction Axelson Builders
Communications partner and press office: The Architecture Curator

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Rudy Guénaire draws on American modernism for Matsuri restaurant interior

Matsuri restaurant interior

French designer Rudy Guénaire has created the interiors of Japanese restaurant Matsuri in Paris, combining wooden furniture covered in lacquer with pastel-coloured domes informed by Frank Lloyd Wright.

Located in Paris’ 16th arrondissement, the 200-square-metre restaurant was given a full redesign by Guénaire.

As the menu focuses on “Japanese sushi from a Californian angle”, Guénaire drew on Japonisme – the Western fascination with Japanese design – for its interior.

Matsuri restaurant in Paris
Matsuri is located in Paris’ 16th arrondissement

“I drew on everything that has marked me from these two countries that I adore,” Guénaire, who runs Nightflight Studio, told Dezeen.

“From Japan, I took this idea that fascinates me, which is that the Japanese frame everything,” he added.

“As if everything had to be an island, firmly delimited by something that protects it and makes it unique.”

Interior of Japanese restaurant in Paris
Rudy Guénaire referenced American modernist design for the interior

The American influence comes across in the shapes used to decorate the interior, which features colourful ceiling domes that are lit from the inside.

“From California, I took these incredible obliques that make me melt,” Guénaire said. “The kind you find in Frank Lloyd Wright or John Lautner’s work.”

“A slant that recalls the Native American tent, the primordial shelter,” he added.

“American modernists loved Japan and sometimes, they’d never even been there. It’s this Japonism that I wanted to prolong.”

Chairs at kaiten counter
The restaurant features Japanese posters

At the centre of Matsuri is the kaiten – conveyor belt – on which the sushi comes out. The designer used wood throughout the restaurant and covered it in lacquer for this centrepiece.

“The kaiten is covered in high-gloss lacquer, reminiscent of the beautiful lacquer worshipped by the Chinese and then the Japanese,” he said.

“I used wood throughout because in Japan, everything is made of wood, that’s just the way it is and has to be!”

Chairs in Matsuri restaurant in France
The central kaiten was covered in glossy lacquer

Pastel-hued domes decorate the ceiling above the kaiten, creating soft lighting and adding a touch of colour to the mainly white and wood interior.

“For the ceiling, I think I got the idea from the amazing ceiling of Frank Lloyd Wright’s Penfield House,” Guénaire said.

“I used industrial skydomes that I turned upside down and lit from the inside.”

The colour was toned down to create the right atmosphere for the restaurant.

“We set up a sophisticated lighting system with very subtle colour control,” Guénaire added.

“I chose cheerful, very American colour bases, and then, we subtly desaturated them to approach the Japanese aesthetic where nothing is ever garish.”

Pastel-coloured ceiling domes
Guénaire added pastel-coloured domes to the ceiling

Guénaire also designed chairs for Matsuri that draw on those found in traditional Izakayas – Japanese pubs – though he says the original ones don’t correspond to his memories of them.

“While searching for photos of Izakaya, I never found this chair shape,” the designer said.

“Yet, as I recall, it’s exactly this chair that I’ve seen everywhere. All small and cute,” he added.

“Maybe that’s what Japonism is all about. You invent a lot when you think you’re bringing back memories.”

Chairs designed for Matsuri by Rudy Guénaire
The designer created chairs that reference Izakaya furniture

The interior of Matsuri, which is part of a restaurant chain founded in 1986 by a French-Japanese couple, is also decorated with old posters brought back from Japan.

“We always have friends coming back from Japan. We asked them for a little help!” Guénaire said.

Other Japanese restaurants on Dezeen include a sushi restaurant and sake bar with oxblood tiles and the Aragawa steakhouse selling “UK’s most expensive steak”.

The photography is by Ludovic Balay.

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The Tiny DWARF 3 Smart Telescope Can Track Stars, Capture The Milky Way with Gigapixel Resolution

For centuries, telescopes have been the gateway to the cosmos, allowing us to peer into the vast expanse of space and unravel its secrets. However, traditional telescopes often come with drawbacks – their bulky size and complex setups can be intimidating for beginners and hinder portability for outdoor adventures. Moreover, aside from their complicated nature, telescopes were just downright unaffordable to the masses… but technology always endeavors to make innovation accessible to everyone. Enter the DWARF 3, a revolutionary smart telescope that bridges the gap between cutting-edge technology and user-friendly design, making astronomy and nature observation more accessible than ever before.

Designer: DwarfLab Team

Click Here to Buy Now: $469 $499 ($20 off, use coupon code “YANKO” to get the additional $10 off at checkout). Hurry, deal ends in 48-hours!

The name DWARF 3 isn’t without reason, as it breaks from the norm of what we expect from a telescope. The name comes from its dwarfed design, which condenses the massive linear telescopes into something the size of a dictionary or novel – and it does so by borrowing a trick from smartphone camera designs. The DWARF 3 boasts a unique periscopic design, a leap forward from its successful predecessor, DWARF II (which raised over $870,000 on Kickstarter). Unlike traditional telescopes with a straight light path, DWARF 3 utilizes a prism to fold the light path, resulting in a remarkably compact and portable form factor. This innovative design allows the telescope to fit comfortably in a backpack, making it the perfect companion for stargazing trips, camping adventures, or even spontaneous backyard astronomy sessions. Despite its compact size, DWARF 3 packs a powerful punch when it comes to optical capabilities, quite like a smartphone’s camera does. By bending light in a different way that doesn’t need a massively long tubular structure, the DWARF 3 achieves telescope-grade zooming but in a small package.

Portable Design

DWARF 3 brings you a state of the art upgrade: in optics, sensors, and more processing power.

That isn’t all the DWARF 3 borrows from smartphones – touted as a smart telescope, it’s designed to be entirely automatic and can remotely be controlled by a user. Whether for astronomy or nature photography, DWARF 3 is ready in minutes via a smartphone app, letting you capture the world around you in a bunch of ways. The DWARF 3 features a dual-camera system, catering to both wide-field observation and detailed target magnification. The wide-angle camera lets you preview shots before the telephoto camera allows you to zoom in on subjects, but also has the unique distinction of being wide enough to capture the entire Milky Way within one frame. An Astro Mosaic mode also lets the DWARF 3 capture and stitch together incredibly detailed panoramic views of the sky so you can zoom in on stars. The EQ mode, combined with the star-tracking feature, allows the camera to automatically correct for the Earth’s rotation and follow specific cosmic objects, eliminating the need to manually reset the camera’s aim. You can even set schedules, so the DWARF 3 kicks in at the right time to begin capturing the star you’ve set your eye on.

DWARF 3 also includes a better view and even better photos!

The true star of the DWARF 3’s optical system is the telephoto lens. A 150mm lens that actually has an equivalent focal length of 737mm, this lens brings distant celestial objects into sharp focus, inviting you to explore the cosmos with unprecedented detail, from the subtle textures of nebulae to the captivating lunar phases. But DWARF 3 isn’t just for astronomy enthusiasts. Nature photographers will find this telephoto lens invaluable. With its wireless control capabilities, DWARF 3 allows you to capture stunning wildlife images from a safe distance, ensuring minimal disturbance to the animals in their natural habitat. Whether it’s a majestic hawk soaring high above or a shy deer peeking out from a thicket, DWARF 3 helps you capture those fleeting moments of nature’s beauty in exceptional detail.

DWARFLAB App leads you to stunning shots on a single click. Designed with beginners in mind, the one-click shooting feature streamlines the process, ensuring effortless photography. At the same time, for advanced users, manual adjustments are still open for your precise control over every aspect of the shot.

DWARF 3 goes beyond simply providing magnified views. To elevate the user experience, it boasts a suite of intelligent features powered by cutting-edge technology. The autofocusing functionality utilizes a built-in step motor, ensuring crisp and clear images at all magnifications. This eliminates the need for manual adjustments, allowing you to focus on enjoying the view. For deep sky objects (DSOs), DWARF 3 employs a sophisticated object tracking system that leverages the power of deep learning to automatically track your target object. Simply select your target on the intuitive DWARF App, and the telescope will keep it in focus, even as it moves across the sky. AI-powered post-processing also allows the DWARF 3 to automatically reduce or remove noise from pictures (often a problem with low-light photography) while preserving celestial details, ensuring clarity and texture even when shooting in less-than-ideal conditions.

With the built-in Sky Atlas and top pick target suggestions, you can quickly identify worthy objects for observation and effortlessly begin your night sky imaging journey without any hesitation.

The DWARFLAB App serves as the central hub for controlling your DWARF 3 telescope. This user-friendly app, compatible with both Android and iOS devices, connects seamlessly to your telescope via Wi-Fi. Through the app, you can access a range of features, from basic camera control settings, image/video settings, and even time-lapse photography options. You can browse a virtual map of the sky and tell the DWARF 3 what to point at, and just in case you’re a noob like me, the app has its own recommended tab that tells you what cosmic bodies to watch out for, from nebulae to galaxies, stars, and even the Moon or Milky Way. The intuitive interface makes DWARF 3 accessible to users of all experience levels, allowing beginners to dive headfirst into the wonders of astronomy and experienced observers to unlock new levels of exploration. The app also lets you download images from the DWARF 3 onto your device, be it a phone or a tablet. There’s support for popular formats like JPEG and PNG, but the DWARF 3 can also capture FITS and TIFF formats (essential for preserving detail in those massive panorama photos).

Milky Way

On just a hardware and software level, the DWARF 3 packs quite a lot for a $469 telescope. Although catered towards both serious stargazers and hobbyists, the DWARF 3’s specs are solid. A 150mm telephoto lens (equivalent of 737mm) and a 6.7mm wide angle lens (equivalent of 45mm) offer the DWARF 3 a massive FOV range. A Sony IMX678 STARVIS 2 sensor captures precise imagery across a variety of shooting modes including regular photo, astro, burst, and time-lapse, along with videos at 4K@30fps or 1080p@60fps. For the image processing functions, the telescope has an NPU capable of 5 TOPS of processing power (an upgrade from the 2 TOPS on the DWARF II model). A 128GB eMMC comes included with the DWARF 3 for storing photos, and a whopping 10,000mAh built-in battery lets the telescope work for long hours, capturing massive panoramas or long-duration star trails. All this fits into a device that weighs 1.3 kilograms, works automatically, and outperforms most pro-grade camera setups that are 10 times the cost.

Click Here to Buy Now: $469 $499 ($20 off, use coupon code “YANKO” to get the additional $10 off at checkout). Hurry, deal ends in 48-hours!

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