Hahn Lavsen creates geometric guesthouse in Cold Hawaii sand dunes

Vipp Cold Hawaii Guesthouse by Hahn Lavsen in Denmark

A long geometric form defines the Vipp Cold Hawaii guesthouse, which architecture studio Hahn Lavsen has designed to stand out in the dunes surrounding Thy National Park in Denmark.

Designed for homeware brand Vipp, the guesthouse is topped with a steeply pitched roof and is intended to resemble traditional fishermen’s cottages nearby.

These cottages are found throughout the local area – a popular surf spot often referred to as Cold Hawaii due to its wind conditions.

External view of Vipp Cold Hawaii Guesthouse by Hahn Lavsen in Denmark
Hahn Lavsen has placed a geometric guesthouse within Danish sand dunes

“Instead of trying to mesh the building completely into the landscape, we wanted the two to engage in a dialogue and work with the contrast between them,” studio co-founder Ebbe Lavsen told Dezeen.

“There is a great contrast in the soft sand dunes and the sharp geometry of the building, where you seek shelter and comfort from the rough but beautiful nature, with gables facing east and west to tackle the strong wind conditions from the North sea.”

Vipp Cold Hawaii is accessed by a path that winds through the surrounding undulating dunes and is enclosed by white-washed walls connected by inset glazing.

Glazing in guesthouse by Hahn Lavsen in Denmark
Hahn Lavsen enclosed the house with white walls and inset glazing

The pitched roof is clad in Douglas fir battens, punctured by two chimneys that divide the home’s interior into three sections.

Inside, the main rooms are arranged in open spaces around the chimneys, with staircases, fireplaces, bathrooms and ventilation features integrated into their thick walls.

Interior and gable of Vipp Cold Hawaii Guesthouse by Hahn Lavsen in Denmark
The home is designed to create a dialogue with the landscape

“The design is defined by the two characteristic ‘chimney-walls’ which divide the interior space into thirds,” Lavsen explained.

“Functions such as staircase, fireplace, bathroom, and ventilation are all integrated into these thick walls so that the spaces and the extraordinary views are left uncompromised,” added Lavsen.

“We have tried to achieve a design combining heaviness, mass and robustness, with the floating open spaces of a lightweight glass house.”

Kitchen and communal space guesthouse by Hahn Lavsen in Denmark
The kitchen features an aluminium island

Between the main dividing walls, additional white-washed partitions separate the interior into smaller spaces including a kitchen with an anodised-aluminium island and built-in oak cupboards, which is connected to a dining area.

The living space is decorated with neutrally-toned furnishings and illuminated by large windows and floor-to-ceiling glazing that feature throughout the ground-floor spaces.

Wooden bed and gable in Vipp Cold Hawaii Guesthouse by Hahn Lavsen in Denmark
The studio raised the loft bed on a set of oak cupboards

Three double bedrooms and two bathrooms also feature across the two levels of the guesthouse. This includes a cosy mezzanine bed, raised on a set of oak cupboards.

Across the Vipp Cold Hawaii home, Hahn Lavsen used a minimal material palette informed by the local vernacular, including timber, bricks and roughly white-washed interior walls made from concrete blocks.

An exposed brick floor laid in sand rather than mortar stretches through the ground floor, drawing on the rawness of the landscape outside, while artwork and furnishings created by local artists decorate the spaces.

“When you step out of the door, you step into a national park,” said Lavsen. “The sensation of being in a no-man’s-land, almost in a moon-landscape strikes you.”

Tile floors in home by Hahn Lavsen in Denmark
An exposed brick floor runs throughout the ground floor

“Like the unspoiled rawness of nature that embraces you upon arrival, the house greets you with an unvarnished straightforwardness,” he continued.

“As a nod to the area’s original purpose as farmland before a sand surge drove away the farmers and paved the way for a growing fishing industry, classic stable doors in oak are repeated in every room and allow for natural ventilation,” said the studio.

Other Danish homes recently featured on Dezeen include a stone-clad summer house on the Danish shoreline and a villa that features matching floors and walls coated in rustic bricks and tiles.

The photography is courtesy of Vipp.

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Snøhetta adds glass and glulam extension to world's oldest ski museum

Holmenkollen ski museum extension in Oslo by Snøhetta

Architecture studio Snøhetta has extended the Holmenkollen ski museum in Oslo with a glass entrance covered in 1,207 “meticulously placed” wooden battens.

Situated at the base of the Holmenkollen ski jump, the extension has been built in celebration of the museum’s 100th anniversary.

The building, which was founded in 1923, is the oldest ski museum in the world, according to Snøhetta.

Holmenkollen ski museum extension in Oslo by Snøhetta
Snøhetta has extended the Holmenkollen ski museum

The extension has a glued laminated timber (glulam) structure with glass facades that extend from underneath the JDS Architects-designed ski jump.

A timber fence-like structure wraps around it, covered in Norwegian pine wood battens ranging from 2.5 to five metres in length, cut to minimise waste.

Its gently angled shape forms a new entrance that leads guests to the museum forecourt and cafe.

Museum extension by Snøhetta in Oslo
It extends from the base of the Holmenkollen ski jump

Informed by traditional wooden skis and Norwegian skigard fences, the wooden battens are placed in a wave-like pattern on the facade that rises and falls along the glass facade to let light in.

“A five-metre-tall glass wall is partially covered with 1,207 meticulously placed wooden pieces, reminiscent of the iconic skigard fences,” said Snøhetta.

Timber frame surrounding the Holmenkollen ski museum extension in Oslo
A fence-like structure surrounds the glass extension

“The organic shape lets light in and out, giving the building a unique identity and creating a visual filter between the interior and the exterior,” the studio continued.

“Before the entrance, the cladding is pulled aside, revealing the front door with a wavy movement shape.”

Snøhetta opted for a palette of natural, warm-toned woods to distinguish the extension from the concrete, steel and stone surfaces of the existing museum and ski jump.

“Originally overshadowed by the grandeur of the Holmenkollen ski jump following its latest upgrade in 2010, the ski museum has undergone a transformative process to be brought back into the light,” said Snøhetta.

“By dismantling a portion of the building beneath the ski jump and introducing a new extension and entrance, the museum now boasts enhanced accessibility and a distinct identity of its own.”

Glass museum extension covered by a wooden frame
The extension celebrates the Holmenkollen ski museum’s 100th anniversary

The extension’s glulam structure is built around the ski jump’s concrete pillars, which are visible in the interior.

A cafe area is finished with blue and turquoise tones in the seating upholstery, referencing posters from the 1952 Winter Olympic Games.

Interior of the Holmenkollen ski museum extension in Oslo by Snøhetta
The interior is designed to have a warm, cosy feel

The foyer is designed to resemble a cosy cabin, contrasting the concrete walls and slate flooring in the existing museum. Pine plywood and linoleum form fixed furnishings and accents of colour draw upon red anoraks, green forests and white snow.

Other projects by Snøhetta featured on Dezeen include a timber viewing tower on an Austrian mountain peak and a mass-timber home perched on a hillside in Kongsberg, Norway.

The photography is by Thomas Ekström.


Project credits:

Architect: Snøhetta
Consulting engineer: Asplan Viak
Wooden facade and fixed interior executive: Hoff Snekkerverksted
Wooden construction and facade supplier: Moelven
Glass facade: Glass365
Exhibition architect: SixSides

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Galerie Patrick Seguin blends VR with physical installation to recreate Jean Prouvé house

Jean Prouvé exhibition in Paris

An exhibition at Galerie Patrick Seguin in Paris allows visitors to experience the Jean Prouvé-designed Maison Les Jours Meilleurs in both real life and virtual reality.

The gallery is exhibiting the most significant element of the demountable prefabricated house, its load-bearing service core, in a full-scale installation that doubles as a virtual reality (VR) experience.

Interior of Maison Les Jours Meilleurs house by Jean Prouvé
The load-bearing service core is key to the design of the original Maison Les Jours Meilleurs (above and top image)

Prouvé, the French architect best known for applying mass-production principles to both buildings and furniture, developed the design for the 57-square-metre house in 1956.

Known as Maison Les Jours Meilleurs, or “better days house”, the house was designed to tackle a homelessness crisis in the French capital.

Exhibition on Maison Les Jours Meilleurs by Jean Prouvé at Galerie Patrick Seguin
This core is the centrepiece of the exhibition at Galerie Patrick Seguin

In the winter of 1954, temperatures dropped so low that a woman and child died from the cold.

After being denied a request for funding to provide emergency housing, Abbé Pierre – a Catholic priest who was the founder of the Emmaüs movement against poverty – put out a plea on the radio for aid.

Prouvé responded immediately and, in a few weeks, had developed a design he felt could offer the solution.

The design centres around the service core, a steel cylinder painted olive green. This provides all the kitchen and bathroom services and carries the weight of the building’s roof.

Exhibition on Maison Les Jours Meilleurs by Jean Prouvé at Galerie Patrick Seguin
It is installed on a full-scale sketch floor plan

Prouvé first exhibited a prototype of the Maison Les Jours Meilleurs on Quai Alexandre-III in February 1956.

This was described by fellow architect Le Corbusier as “the handsomest house I know of, the most perfect object for living in, the most sparkling thing ever constructed”.

However, the model never made it to production and only a handful were ever built.

Maison Les Jours Meilleurs by Jean Prouvé in virtual reality
A VR headset transforms the scene into a 3D visualisation of the house

Galerie Patrick Seguin owns the world’s largest collection of Prouvé houses, which it has installed in exhibitions around the world. In 2015, it commissioned architect Richard Rogers to put a new spin on one.

This exhibition marks the first time the gallery has allowed a Prouvé house to be experienced in virtual reality.

Maison Les Jours Meilleurs by Jean Prouvé in virtual reality
It shows the house installed on the banks of the Seine in Paris

The installation places the service core inside a full-scale sketch floor plan that reveals the house’s layout.

A VR headset transforms the scene into a visualisation of the house, placing it back on the spot where it was installed in 1956, on the banks of the Seine.

The photography is courtesy of Galerie Patrick Seguin.

Jean Prouvé, Maison Les Jours Meilleurs is on show at Galerie Patrick Seguin from 14 March to 20 April 2024. See Dezeen Events Guide for more architecture and design events around the world.

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Soft Solids lighting has infinitely recyclable wax shades

Soft Solids lamp by Daydreaming Objects on a black backdrop

Copenhagen design duo Daydreaming Objects has developed a series of lights that combine reclaimed vintage lamp bases with “renewable and transformative” shades made from natural wax.

Lighting designer Ruta Palionyte and architect Ieva Baranauskaite, who work together as Daydreaming Objects, created the Soft Solids collection to highlight wax’s inherent renewability and light-diffusing properties.

Lamp with wax shade
Soft Solids lighting features organic wax lampshades

The self-initiated project aimed to identify a material that would complement various salvaged luminaires the designers had collected, which mostly date from the 1960s and 70s.

They settled on a blend of soy wax and stearin – a more sustainable alternative to petroleum-based paraffin, which derived from vegetable or animal fats. The combination of materials gives the shades the required resistance, strength and colour of light.

Close-up of wax lampshade
The shades are made from a mixture of soy wax and stearin

“Wax was chosen for its renewable and transformative properties, as well as its ability to delicately diffuse light,” Palionyte told Dezeen.

“The collection was inspired by the organic nature of wax and its capacity to transform from a shapeless mass into a tangible form, reverting to a flexible or even fluid state.”

Lamp from Soft Solids collection by Daydreaming Objects
The wax elements were designed to match various vintage lamp bases

The designers developed shades specifically for each lamp base, using computer software and 3D-printing technology to create prototypes and silicone negatives for casting the molten wax.

The forms were influenced by the processes of growth and regeneration that occur in nature, while the off-white, soft blue and green hues chosen for the lampshades were chosen to evoke natural landscapes.

“Since wax is an organic substance, we’ve chosen biomorphic shapes to embody this organic quality, while also ensuring they are in dialogue with the characteristics of the vintage pieces,” Palionyte said.

The use of silicone moulds allows the Soft Solids products to be accurately recreated over and over again.

Blue wax lampshade
Some are coloured blue or green to suggest natural landscapes

Perhaps the most dramatic piece, called Stem, is an overlong pendant light that connects tapered modules into a totem-like form. Light sources in each unit create a chain of light that can be configured to suit different spaces.

The designers chose to use LED light sources with low heat emission to prevent any distortions to the wax forms. The shades also feature voids around the bulbs to facilitate airflow and ventilation.

Lamp from Soft Solids collection by Daydreaming Objects
LED light sources with low heat emission prevent any distortions

Ruta Palionyte and Ieva Baranauskaite are both from Lithuania and run their individual creative practices in Copenhagen alongside collaborating as Daydreaming Objects.

Soft Solids was launched as part of an exhibition at Galerija Vartai in Vilnius and will be showcased in Copenhagen this June during the 3 Days of Design festival.

Soft Solids pendant lamp by Daydreaming Objects at Galerija Vartai in Vilnius
The Stem pendant light consists of tapered modules

Another designer to have utilised the transformative abilities of wax is Katharina Gross, who dipped brass boxes into molten wax to create a series of tables with stalactite-like legs.

Elsewhere, wax is more commonly used to make moulds as in the pockmarked Drought chair by We+ and Apiwat Chitapany’s Ink collection, which was designed to resemble Chinese ink paintings.

The photography is by Norbert Tukaj.

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Tigg + Coll Architects moves studio into converted Victorian mission church

First floor workspace with rose window in Addison Studios by Tigg + Coll Architects

Tigg + Coll Architects has converted part of an abandoned mission church in west London into a flexible studio, with the rest of the building set to be turned into homes.

The studio, led by architects David Tigg and Rachel Coll, has completed the first phase of a redevelopment project that will see all of the Victorian church building in Brook Green brought back into use.

Original windows of Addison Studios by Tigg + Coll Architects
The Victorian building was previously a mission church

Taking up a third of the building volume, the two-storey Addison Studios features a first-floor workspace for the Tigg + Coll team and a ground-floor space that can be used for meetings or events.

This ground floor has a flexible layout that can function as a single space or separate zones. It includes a kitchen with an island counter, a materials library on wheels, meeting tables and pin-up areas.

First floor workspace with rose window in Addison Studios by Tigg + Coll Architects
A first-floor workspace features a restored rose window

“We wanted to find a permanent home for our studio that could showcase our ethos and skill sets,” Tigg told Dezeen.

“When we heard on the grapevine that this local landmark was up for sale and looking for someone to come in and bring it back to life, we were smitten.”

Victorian trusses on first floor of Addison Studios by Tigg + Coll Architects
Original steel trusses are now highlighted in turquoise

Located in a residential area, the building is believed to be 125 years old. It had been adapted many times, with numerous extensions added, and had fallen into disrepair.

“It had great bones but sadly had been slowly left to deteriorate, with ramshackle extensions and other alterations that took away from the simple and robust beauty of the existing building,” said Tigg.

Ground floor of Addison Studios by Tigg + Coll Architects
The ground floor is a flexible meeting and events space

Tigg + Coll’s approach was to strip the building back to its original structure and find clever ways of highlighting its history and architectural features.

Glazing was replaced including a previously concealed rose window that is now the focal point of the building’s gabled end wall.

Kitchen with terrazzo counter of Addison Studios by Tigg + Coll Architects
It includes a kitchen with a terrazzo island counter

Brickwork walls were exposed but only repaired where necessary, while decorative steel trusses were uncovered and painted turquoise to stand out against the white-washed timber ceiling boards.

“We wanted to allow the reality of the existing building and its materiality to be central to the final finish,” said Tigg.

“The principle was to pair it back and make the accents very clear,” he continued. “Nothing was to be covered up if we could help it.”

“Any existing features not being restored were either relocated to replace damaged or missing elements or left in place and infilled to create a visible collage or quasi memorial of the building’s history.”

New mezzanine in Addison Studios by Tigg + Coll Architects
The new mezzanine is built from glulam timber, blockwork and steel

A new mezzanine was installed to provide the first-floor workspace with an exposed structure formed of blockwork, glulam timber joists and steel I-beams coloured in a slightly paler shade of turquoise to the trusses above.

The floor is set back from the windows, creating a clear divide between old and new while new skylights increase the overall level of daylight that enters.

Ground floor of Addison Studios by Tigg + Coll Architects
The first floor is set back from the windows

Several new materials are introduced on the ground floor. The pin-up wall is formed of cork, while the kitchen counter is a custom terrazzo made using some of the site’s demolition waste.

This space allows the Tigg + Coll team to come together for group lunches, presentations or collaborative work. It also provides opportunities for both video calls and formal meetings and could be used for events.

Cork wall and brickwork
A cork wall provides a pin-up space

“We wanted a calm office that was uplifting, inspirational and unlike a typical work environment,” said Tigg.

“You can spend time conscientiously working on the mezzanine and then get away from the screen time with a break downstairs. It really helps with mental balance throughout the day.”

Victorian trusses on first floor of Addison Studios by Tigg + Coll Architects
The design aims to celebrate the building’s history

Tigg and Coll founded their studio in 2008. They specialise in residential projects, across private homes, housing developments, student living and co-living.

Past projects include House for Theo + Oskar, designed to support the needs of two children with a rare muscular disorder, and Chapter Living King’s Cross, an innovative student housing project.

Gable end wall with rose window of Addison Studios by Tigg + Coll Architects
The rest of the building is set to be converted to residential

Now that they have moved into Addison Studios, the architects are set to move forward with the rest of the conversion.

“We are in an age where it is more important than ever to showcase how the principle of retrofit can not only be a pragmatic and cost-effective choice, but also create immensely warm, characterful and beautiful spaces for working, living and just generally enjoying,” Tigg concluded.

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This Website Will Tell You If Your Million-Dollar Idea Or Design Is Ready For Launch

Think of Prelaunch.com as a ‘Shark Tank’ for ideas… but without hungry investors asking difficult questions. The world’s first ‘Market Validation’ platform was designed to help creators better understand what their designs needed to become million-dollar success stories – but now the website is launching an ‘Idea Validation’ feature that lets you understand if your idea has any potential. Thanks to a community panel of more than 200 million people, Prelaunch tests your concept in the marketplace of ideas to see whether it’s ready for the world, helping you fine-tune your design in its nascent stages, so you don’t end up spending all your money on R&D only to realize your product had a flaw, or was targeted at the wrong audience, or worse, was too ahead of its time.

Click Here to Know More

Did you know Apple launched a game console in 1996 called the Pippin? Or that they also launched a touchscreen tablet with a stylus in 1992 called the Newton? How about the fact that Nintendo had its own VR headset back in 1995 called the Virtual Boy? Surely you knew about TwitterPeek, the microblogging platform’s first (and only) hardware device designed for only tweeting, which was launched back in 2008? Chances are you haven’t heard of these products for a good reason – they went as fast as they came, as the companies worked extremely hard to bury these massive failures. Some of these products weren’t well thought-out, others were just a little too early for their time. Most large companies can survive such setbacks… but smaller ones (like the startup Juicero that charged $400 for a device that simply squeezed bags of juice) usually collapse when their products fail. Prelaunch helps mitigate that possibility by allowing you to vet your ideas before you end up walking into a Shark Tank where you get shredded for your product, valuation, or sales. The Prelaunch website helps you get consumer feedback before you even get consumers, so you know whether an idea is worth spending hundreds of thousands (or potentially millions) of dollars into.

The “Idea Validation” feature steps away from the traditional, often tedious process of market research and surveys. Instead, it offers a streamlined, three-step approach for creators to bring their idea to life: describe your product, highlight its killer features, and then flesh out the specifications. The platform then harnesses the power of AI to generate a product landing page, complete with images and descriptions, in mere seconds. Prelaunch has integrated multiple survey panel providers, unified and standardized their processes, and as a result, now has access to 200 million people who are ready to give feedback.

Prelaunch’s entire process takes mere minutes, as opposed to the months (or even years) and financial capital it takes to develop a proof of concept.

Why is this revolutionary? Well, analysis from Prelaunch.com suggests that projects with prototypes stand a significantly better chance of validation and success. This new feature doesn’t just level the playing field; it virtually eliminates it, allowing creators with nothing more than a concept to compete with those who have tangible prototypes. The platform leverages the power of AI to help flesh out the idea, so it can be rapidly tested with a target audience to check for viability.

The platform offers the following metrics to creators:

  • Interest rate: Percent of visitors who liked the idea. It measures how many users clicked the ‘Like’ button or reacted positively to the webpage’s content. A higher rate implies greater audience engagement and appreciation for the content.
  • Survey completion rate: Percent of people who completed the survey out of all people who started the survey.
  • Saves rate: Percent of visitors who provided their email. It measures the number of users who chose to save the webpage for future reference, indicating an intent to revisit the content. A higher rate signifies greater user commitment and interest in the content compared to simply liking it.
  • Rating: Rating of the product from the “Rate this product” survey question.
  • Price: Average, Minimum, and Maximum results from survey questions like – “How much would you like to pay?”
  • Concept Idea Score: Calculated based on a formula that contains several components of interest rate, saves rate, etc.
  • Demographics: Data based on country, age, and gender.

For a limited time, Prelaunch.com is offering this feature for free—a gesture that speaks volumes about their commitment to nurturing creativity and innovation. Prelaunch CEO Narek Vardanyan’s vision is clear: to empower creators to bring their ideas to life by providing valuable feedback as early as possible.

On a lighter note, imagine if famous inventors and creators had access to something like the “Idea Validation” feature. Would Edison have had an easier time convincing people about the light bulb? Would Da Vinci have gotten immediate feedback on his flying machine designs? While we can’t rewrite history, Prelaunch.com is ensuring that the future of innovation is brighter, bolder, and validated by the very people it seeks to inspire. Welcome to the future of creation, where your next big idea doesn’t just have to be a dream.

Click Here to Know More

The post This Website Will Tell You If Your Million-Dollar Idea Or Design Is Ready For Launch first appeared on Yanko Design.

This fountain pen makes creation flow on the writing surface, comes with turbo ink filling mechanism

Pens as a writing instrument have stood the test of time and they’ll be timeless accessories for eternity. Those who cherish the joy of writing down stuff with their fountain or rollerball pen always appreciate the idea of investing in a quality option. The unique writing experience these writing instruments offer is unmatchable, making them a must-have everyday carry.

If you also love keeping a fountain pen handy, the Submarine Collection by TaG will interest you. The submarine-shaped fountain pen edition is developed in collaboration with Hou Xin-Yong, a highly experienced calligrapher with over 2 decades of expertise, and Lee Tai-Ying, the founder of a fountain pen club in Taiwan.

Click Here to Buy Now: $100 $145 ($45 off) Hurry! Only 10 Days Left. Raised over $130,000

The heart of the solid brass fountain pen is its ink-filling mechanism which is second to none. Simply dip the pen’s tailormade black PVD stainless steel nib from Schmidt (you can also choose the gold-plated nib version) into the ink bottle and turn the knob at the top, it’s as easy as that. The weight balance of the writing instrument makes it a treat to use for long writing sessions and ensures natural movement of the hand across the paper. This is attributed to the anti-slip tapered fiber grooves around the pen for a secure grip and tactile dimension to the whole writing experience.

To make sure, there is no ink leakage like other conventional friction-free converter structures, the pen has an internal treaded structure between the converter and the pen’s outer shell. At the top of the writing instrument, the turbine-inspired cap element complements the streamlined design aesthetics of the pen. According to TaG, the fountain pen is crafted with precision as every detail right from “the choice of premium materials to the aesthetic appeal, has been thoroughly considered for a creation that is functionally and visually pleasing at the same time.”

If you are more oriented toward the rollerball pen option, the makers have a compelling option for you. The Submarine Rollerball Pen has the same sleek design and the signature turbo-filling mechanism. It comes with a Schmidt rollerball tip that moves on the writing surface like butter. Both these writing instruments are in a league of their own with massive crowdfunding already, surpassing the goal by a humongous margin. If you already fancy the idea of buying one you can pledge the fountain pen for $109 and the ballpoint pen for $100.

Click Here to Buy Now: $100 $145 ($45 off) Hurry! Only 10 Days Left. Raised over $130,000

Click Here to Buy Now: $100 $145 ($45 off) Hurry! Only 10 Days Left. Raised over $130,000

The post This fountain pen makes creation flow on the writing surface, comes with turbo ink filling mechanism first appeared on Yanko Design.

The Element Tiny Home Is Cozy To Live In & Easy On The Pocket With A US$23,500 Price Tag

Dragon Tiny Homes are known for their tiny homes that truly embody the micro-living movement. They bring back the small movement’s humble and modest roots with their tiny home called the Element. The Element features a compact frame and a simple yet well-equipped interior. The home is currently up for sale for an economical price tag of US$23,500. Let’s deep dive into the nitty gritties of the home!

Designer: Dragon Tiny Homes

The Element tiny home is quite similar to Dragon’s 16’TWOH With Loft but with a smaller price tag. The tiny home is founded on a double-axle trailer and features a length of 16 feet. In comparison to popular European tiny homes, like the ones from Baluchon, this one is truly quite compact. It is finished in smart siding-engineered wood and weighs around 7000 lb. Since the price point is quite comfy, it is a given that the home isn’t extremely spacious, and you won’t be hosting a lot of parties. And it does lack some of the pristine features you may find in larger tiny homes. The interior is compact and cozy, and clad in rough plywood.

The home is unfurnished, but it does contain a basic kitchen unit with a sink and cabinetry. The main room can also double up as the living area, and besides this space, the only other room downstairs is the bathroom. The bathroom is quite snug and compact too, and it features a toilet and a shower.

The Element features one loft bedroom which can be accessed via a ladder. The bedroom is like most bedrooms found in typical tiny homes, it is loft-style with a low ceiling and has sufficient space for a double bed. Although currently the Element is priced at US$23,500, it can be upgraded with better features and finishes at an additional cost. So if you’re in the mood to splurge a bit, you can elevate the basic Element and get something more to your taste and liking.

The post The Element Tiny Home Is Cozy To Live In & Easy On The Pocket With A US$23,500 Price Tag first appeared on Yanko Design.

Eye-popping Pagani Huayra R racing simulator matches the real thing in every little detail

Sim racing is the best way to showcase your racing or gaming skills if you didn’t make the cut to the big league. Serious gamers always want to invest in a racing simulator that takes them one step closer to intense wheel-to-wheel action. Depending on what’s the final budget, these rigs can be anything from a desk-mounted setup costing $300, a chassis for a few thousand, or a full-blown motion simulator costing $50,000 upwards.

If you’ve got a stack of money to spare you can go to another level though, with a sim rig that professional racers opt for. Along the same lines, Pagani has unveiled their Huayra R Driving Simulator which is designed in collaboration with Racing Unleashed, who are known for building some of the best high-end racing simulators out there.

Designer: Pagani and Racing Unleashed

Attention to detail is the key in this racing sim as it took more than a year to finalize the creation process. This racing simulator crafted at Pagani’s facilities is made out of a single piece of aluminum and adorns carbon fiber used in the original Huayra R supercar. The car’s dynamics right from aerodynamics and handling to the sound of the naturally aspirated V12 engine are replicated to millimeter precision. The seat belts, pedals, seats and steering wheel are identical to the ones on the real car.  Wait there’s more… it also has air vents to release the brake and engine heat, making it one hell of a racing sim!

According to Franco Morsino, Vehicle Dynamics Lead at Pagani, “Our goal was to transcend the traditional boundaries of virtual driving, offering an unparalleled level of realism and immersion. This simulator is not just about the experience but also serves as a piece of art, reflecting the unique essence of Pagani’s design philosophy.” Pagini will only offer this racing sim to Pagani owners to test and compete with their powerful machines on FIA tracks in virtual reality. Taking realism to the next level, the sim can also be run in conjunction with a VR headset. Otherwise, the racer/gamer can opt to race on the single curved ultra-wide Samsung G9 monitor. Apart from the Huayra R, the simulator also gets the custom physics-focused version of the Assetto Corsa.

Pagani has not revealed any details about the pricing but given its level of realism and design uniqueness, it should very well run into a $100,000 (or more) price tag. On the hind side that’s way less than the track-only Pagani Huayra R costing $3 million.

The post Eye-popping Pagani Huayra R racing simulator matches the real thing in every little detail first appeared on Yanko Design.

Leong Leong transforms 1970s Los Angeles ranch house into "suburban sanctuary"

Polycarbonate second storey on LA housing renovation

New York studio Leong Leong has renovated a 1970s ranch house in Los Angeles by adding a large wall, outdoor spaces and a polycarbonate panel-wrapped second storey.

Completed in LA’s Hancock Park neighbourhood in 2023, the 6,000-square foot (558-square metre) Inverse House combines domestic settings with a place for institutional programming and social gatherings.

Polycarbonate upper story and rock garden
Leong Leong has completed the renovation of a LA ranch-style house

Located at the end of a cul-de-sac, the 13,534-square foot (1,257-square metre) lot was walled off along the perimeter, providing privacy in one of the city’s oldest and most well-preserved neighbourhoods that boasts wide, tree-lined streets and grand Spanish Revival and English Tudor homes.

Due to local historic preservation guidelines, the team only renovated 50 per cent of the existing house. The team opted to reoriented the entry around the backm revising the suburban typology to connect with the Southern California climate through courtyards, a pool area, and a rock garden.

Rock garden and wall in Los Angeles home
Historic preservation guidelines limited the interventions that could be made

“We were inspired by the client’s desire to rethink cliches of contemporary domesticity and create a home to live with art but not be saturated by it,” co-founder Dominic Leong told Dezeen.

“Rather than erasing the DNA of the existing ranch-style house, we were more interested in transforming it into a suburban, energy-efficient sanctuary with distinct realms for different aspects of their family’s lifestyle.”

Rock garden seen through kitchen
A continuous wall was added to create a rock garden

The team added a continuous wall that inverts the home’s relationship between inside and outside, old and new and public and private, and the home is meant to be a “serene indoor-outdoor suburban sanctuary for living with art”.

The wall is angular on the south side of the house with a set of steps leading up to an entry courtyard. On the north side, the wall forms a semicircle, dividing the rock garden from the pool.

Leong Leong also added a second level above the kitchen that holds a dedicated playroom, topped with a roof deck that affords views of the skyline. Additionally, the team added a 24-kilowatt Tesla solar roof array that powers the home, bringing it to a net-zero energy structure.

Metal clad central media cube
An aluminium-clad media room sits in the middle of the plan

“Our approach was also informed by artists like Dan Graham and Mike Kelly, whose work explores how suburban architecture shapes our social experience and the complexities that underlie its conventional façade,” the team said.

“We found that embracing the contradictions between historic preservation guidelines, a family’s unconventional lifestyle, and reducing environmental impact, was equally rewarding as trying to find perfect alignments.”

“In fact, the confluence of these factors sparked a kind of alchemy that makes the house feel contemporary but also contextual, familiar but also unexpected.”

The design employs a vernacular material palette with sand-coloured stucco walls, precast concrete, and a large, translucent polycarbonate second-storey facade. The team also played with off-the-shelf products in various uses.

For example, ceramic tiles in a soft peach hue spread across the floor, transitioning in the kitchen to Forbo, a rubberized flooring material that wraps up the stairs and across the counters, backsplash, and walls of the children’s rooms.

The materials were meant to alternative between “austerity and softness”

“The material exemplifies the Hancock Park House’s play between austerity and softness,” Leong said.

Wrapped in anodized aluminium extrusions, a media room floats like an object in the centre of the plan, doubling as a black box screening room and a family room.

In addition to sustainable material choices, all gas fixtures were replaced with electric-only appliances.

To reduce water usage, the landscaping is drought tolerant “xeriscape.” A plant-free rock garden with locally sourced boulders replaced the grass yard, and drought-tolerant plants like aloes, euphorbia and ocotillo are fed by a weather-aware HydroWise drip irrigation system.

Led by Chris and Dominic Leong, the studio recently completed the Hollywood campus for the LGBT+ Centre with Killefer Flammang Architects (KFA) and a permanent store for online fashion brand Everlane in Soho in Manhattan.

The photography is by Naho Kubota and Angela Hau.


Project credits:

Design architect: Leong Leong
Executive architect: Leong Architects Inc.
Lighting design: Leong Leong
Interior design: Leong Leong
Contractor: Uhles Construction
Civil engineering: Delane Engineering
Structure: Workpoint
Landscape/hardscape/pool design: Leong Leong in collaboration with Johnston Vidal Projects
Landscape/hardscape contractor: Johnston Vidal Projects
Pool and water features contractor: Johnston Vidal Projects
Theater contractor: Fantastic Theaters
Kitchen cabinetry: bulthaup
Solar/battery: Tesla Energy

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