Sanjay Puri Architects unveils spiral-shaped Nokha Village Community Centre informed by sand dunes

Nokha Village Community Centre by Sanjay Puri Architects in India

Mumbai-based architecture studio Sanjay Puri Architects has designed a swirling community centre with a sloping green roof in Rajasthan, India.

Conceived as a memorial to the clients’ father, the curvilinear complex was designed to serve the surrounding Nokha district villages and integrates a courtyard, amphitheatre, library and museum behind an undulating sandstone facade.

Aerial view of Nokha Village Community Centre by Sanjay Puri Architects in India
Sanjay Puri Architects has completed a spiral community centre informed by sand dunes

“The Nokha Village Community Centre is a vibrant hub for all age groups, providing a space for music, talks, and social interaction,” Sanjay Puri Architects told Dezeen.

“The project exemplifies how thoughtful architecture can create expansive community spaces without a large footprint.”

Aerial view of Nokha Village Community Centre by Sanjay Puri Architects in India
The building’s curving form is topped by a sloping grass roof

The complex’s main functions were enclosed below the 9,000-square-foot ‘swirl’ and surrounding grassy berms, which carve a network of tilting pathways with views of the surrounding desert.

“Taking a cue from traditional Indian courtyards and sand dunes simultaneously, the built space swirls from the ground level to a nine-metre height, creating a semi-sheltered open amphitheatre & allowing the roof to be accessible as a garden space,” the studio said.

Perforated sandstone facade of Nokha Village Community Centre by Sanjay Puri Architects in India
The community centre’s facade is wrapped in locally-sourced sandstone

The lower edge of the structure houses a small museum and inclines towards the building’s ovoid-shaped high point, which hosts a digital library for the local schools.

Between the museum and library, further multifunctional spaces curve through the building and flank the stepped amphitheatre and stage outside.

Gatherings and event spaces are located in a rectilinear amenities block at the site’s entry that comprises a cafeteria, bathrooms, parking and storage.

In collaboration with local craftspeople, the building was constructed with a reinforced-cement concrete frame and clad in regionally sourced sandstone and lime plaster finishes.

“The use of traditional crafts and materials from its location, as well as the planning of an open courtyard sheltered from the southern side, imbibe from the heritage of the region and makes the design responsive to the desert climate,” said Sanjay Puri Architects.

Triangulated screened facade of Nokha Village Community Centre by Sanjay Puri Architects in India
Perforated screens wrap the ovoid-shaped library at the structure’s highest point

Sanjay Puri Architects encased the library with triangulated screens punctured by decorative patterns designed to play with light and shade throughout the day.

The community centre’s internal spaces also receive natural light through a set of “scooped recesses” that were arrayed around the roof garden and extend underneath the grassy mounds.

Dusk view of Nokha Village Community Centre by Sanjay Puri Architects in IndiaSanjay Puri Architects designed the facade to play with light and shade throughout the day

In addition to creating a bold visual statement, the centre’s sweeping form and screened facade were designed to reduce the solar heat gain to enclosed areas.

“The rooftop garden and grass-covered berms on the southern side also help to mitigate heat gain in response to the hot desert climate,” said the studio.

A rainwater harvesting and recycling system was also integrated through the inclined roof planes to increase the building’s sustainability.

Internal library and learning space in Nokha Village Community Centre by Sanjay Puri Architects in India
A small museum, library and multifunctional space are hosted inside the building

Sanjay Puri Architects was founded in 1992 by Sanjay and Nina Puri, who have built a global reputation for climate-responsive designs spanning the housing, education, cultural and commercial sectors.

The studio has previously designed a boxy and brightly coloured housing complex in Raipur, India, and an earthy, scallop-walled home in Bhilwara for a multi-generational family.

The photography is by Vinay Panjwani.

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Self-driving car concept is a hotel-like sleeping pod on wheels

Autonomous vehicles are still a somewhat controversial topic these days, but even detractors and critics will begrudgingly admit that it is the inevitable future. Given a foolproof and safe implementation, it opens up plenty of opportunities for people to do more during their travels, especially over very long distances. They can be more productive with work, spend more quality time with family, or simply get a good night’s sleep in transit. The latter isn’t exactly comfortable to do with today’s car designs, but that’s only if you don’t let go of current conventions and limitations. This design concept for a mobile sleeping pod, in contrast, pulls out all the stops and demonstrates what’s possible with the right technologies, the right design, and especially the right shape.

Designer: Peter Stulz

When viewed from its profile, the Swift Pod looks more like a gigantic motorcycle, a vehicle that stands on two wheels only. It’s definitely not your regular motorbike, even disregarding the significantly larger size, because it looks more like a cross between a bike and a car from the way it has a cabin instead of just a seat. When viewed from the top, however, the vehicle is revealed to actually run on three wheels, forming an odd triangle shape instead of a typical box you’d expect from cars.

The choice of the shape isn’t for appearance’s sake, though, but was made to maximize available space inside while minimizing the vehicle’s size. After all, the Swift Pod is designed to have two adult-sized beds inside, one on each side of the triangle, in addition to two chairs, amenities, and, of course, the vehicle’s actual hardware and components. The concept, after all, is for a mode of transportation that will let you sleep through your journey, at least if you want to. There’s plenty of space for two people to do anything, including working if necessary.

The concept was inspired by how some people are able to get a decent amount of sleep on trains and planes, and that’s without a comfortable bed or other conveniences. With Swift Pod, you not only have a comfortable place to recline but also an entertainment system, snacks and beverages, and plenty of storage for your belongings. What it doesn’t have room for is a human or physical driver.

The Swift Pod concept only works if autonomous driving has reached a point where one can really entrust their safety to these invisible drivers. The design envisions an extremely smart self-driving vehicle that, after booking a ride like a taxi, would be able to determine the best path toward your destination and navigate the roads safely. While the default is to simply go from point A to point B in one go, the system also has room for stop-over breaks where you can get off, eat some heavier meals, and freshen up before you take the next leg of your journey in the comfort of a bed.

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Collcoll hides stairs and seats in pixellated wooden structure at Pricefx office

Thousands of wooden cubes inspired by the computer game Minecraft conceal utilities and create casual seating areas at this office in Prague designed by architecture studio Collcoll.

Having previously designed one floor in the Meteor Centre Office Park for pricing software company Pricefx, Collcoll was tasked with outfitting the floor below as part of the client’s commitment to flexible and creative working practices.

Pixelated wood interiors Pricefx office by Collcoll in Prague
Collcoll has added a pixellated wooden structure to the Pricefx office in Prague

“The management and employees of Pricefx use their offices primarily for meetings that stimulate creative dialogue,” said Collcoll.

“By their very nature, they are an open space for variable use, not subject to the stereotypes of work cubicles or traditional open space.”

Minecraft interiors of Pricefx office by Collcoll in Prague
The wooden feature was informed by the computer game Minecraft

The need to link the two levels presented an opportunity to do something interesting with the circulation and service core at the centre of the floor plan.

Collcoll chose to enclose the staircase with a wooden structure that conceals staff lockers, changing rooms and utility spaces. It also contains a slide that can be used as an alternative to the stairs.

Pixelated wood interiors in Pricefx office by Collcoll in Prague
Collcoll concealed utilities behind the “pixels” and created casual seating areas

“Vertically connecting two floors tends to be problematic if the natural flow of the space is to be maintained,” Collcoll explained.

“The two floors are tectonically connected by a structure composed of thousands of wooden pixels, which modulates the space around it and becomes its internal landmark.”

Pricefx office by Collcoll in Prague
A slide can be used instead of the stairs

The composition of 40-centimetre-wide cubes references the blocky, pixellated world of the video game Minecraft. Its external surfaces form semi-enclosed alcoves and amphitheatres that can be used for informal work and presentations.

The cubes are wrapped in wood veneer that intentionally does not align so the pixels can be arranged in a completely random configuration.

The pixel motif is continued by a lighting grid that covers the entire office ceiling and by a projection screen incorporated into a bar counter that also functions as a reception desk.

The LED light fixtures, which are clearly visible from the street, can be dynamically adjusted to provide optimal lighting during working hours or create a party atmosphere for events.

Wood structure and LED lighting in Pricefx office by Collcoll in Prague
The pixel motif continues into the office’s lighting grid

The entire office floor can operate like an open conference hall containing pockets of dedicated functional space such as the cafe with its professional kitchen, bar counter and informal seating.

A large conference room at one end of the space is equipped with a long table that can seat up to 50 people. The table and the room itself can be divided to form smaller hot-desking spaces or meeting rooms.

Lighting on the wood structure of Pricefx office by Collcoll in Prague
Lighting can be adjusted to create a party atmosphere for events

A sliding acoustic partition enables the space to function as a recording studio, while transparent walls along one side can be turned opaque to provide privacy.

The office has no corridors and instead includes various unprescribed zones and circulation areas containing casual seating or lounges with amenities such as a pool table and a punchbag.

Table and concrete interiors in Pricefx office by Collcoll in Prague
A large conference room integrates with a table for up to 50 people

A range of presentation spaces are scattered throughout the floorplan. These include dedicated conference rooms and tiered amphitheatres with retractable screens.

Collcoll chose a neutral material palette comprising concrete, grey carpet tiles, light-grey plasterboard and black-painted ceilings to lend the office a modern, industrial aesthetic.

Pricefx office by Collcoll in Prague
Collcoll chose a neutral material palette for a modern and industrial aesthetic

“The heavy black-metal tubular furniture corresponds with the concept of technological wiring,” Collcoll suggested.

“In contrast, the ephemeral changing grid of light chips and sensor systems embodies the direction of industrialism towards the world of software and information.”

Pixelated wood in Pricefx office by Collcoll in Prague
The studio added amenities such as a pool table and a punchbag

Collcoll’s name stands for “collaborative collective” and reflects the collaborative approach of its team of architects, designers and researchers.

Other recently completed office interiors featuring wooden structures include a workspace in Edinburgh by Kin and a design office in Melbourne that aims to be zero-waste by using recycled materials.

The photography is by BoysPlayNice.

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Vank Cube by Anna Vonhausen for Vank

Vank Cube modular system by Vank

Dezeen Showroom: Vank Cube is a modular furniture system developed by Polish brand Vank comprising “building blocks” made with flax and hemp fibres.

Vank Cube was designed by Vank‘s creative director Anna Vonhausen – when combined, they can be used for a variety of purposes, including as storage, as space dividers and even as the base desks and tables.

Desk and storage made from Vank Cube modular system by Vank
The Vank Cube blocks can be used as anything from a desk to storage

The blocks are characterised by their natural colour palette – a result of them being made from flax and hemp fibre – which Vank says is ideally suited to clients seeking a minimalist or Japandi aesthetic.

The system is intended for interiors where adaptability is key, such as offices, event venues, cafes and schools.

Desk made from Vank Cube modular system by Vank
They are made with flax and hemp fibres

The Vank Cube system makes use of reversible connectors and fasteners to cater for easy modification in “only a few moments”, according to the company.

There are also optional added elements that facilitate customisation, including an upholstered seat cushion and lightweight top and side panels made from hardwood or plywood, which can be finished in oak veneer or with different colour coatings.


Product details:

Product: Vank Cube
Designer: Anna Vonhausen
Brand: Vank
Contact: hello@vank.design

Dezeen Showroom

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Bring your pet while riding your bike with trailer and backpack in one

For fur parents that have bikes and need to bring their babies with them outside, having somewhere to place their pet safely and conveniently can sometimes be a challenge. Fortunately, a lot of pet-related brands have been coming up with different products to make life easier for both the owner and the pet. And we’ll probably be seeing even more innovations as they have realized there is a huge market out there for pet owners willing to spend money on their precious babies.

Designer: Waggin

Waggin is a new pet product company that wants to create products that are “sleek and innovative” and for their hero product they came up with Waggin G1, a pet bike trailer and backpack in one. Initially, the trailer is attached to the backpack so it’s easy to assemble and disassemble and carry it around. At the same time, there is storage space in the backpack so you can put stuff in either for your pet or for yourself. It can fit in snacks and toys for your pet and even a laptop and maybe some books and notebooks that you will need for your outing.

The trailer is easy (and safe) to attach to your bike so both of you can travel in comfort and in style. It uses lightweight materials including a rip proof mesh, performance nylon, and a security D-Ring to securely attach it to your bike. It has two entrances, a sunroof, a padded bed, and a safety clip so your pet will feel right at home even as you’re traveling. It is only able to accommodate small to medium sized pets so you may have to look for alternatives if you have a large fur baby.

The backpack also has padded straps and a backpack pad so you will feel comfortable carrying it around while you’re biking, with the pet trailer trailing at the back. It’s a pretty innovative product that makes it convenient to have daily outings with your dog or cat when you’re feeling bored working from home and your babies need some outdoor activity.

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Gallery Collectional exhibition spotlights contemporary Asian craftsmanship

Urban Fabric exhibition at Gallery Collectional in Dubai

Gallery Collectional, a collectible design gallery in Dubai, has presented its inaugural exhibition featuring furniture and lighting crafted by seven Asian designers.

For Urban Fabric Series 001, Gallery Collectional invited seven designers to create designs informed by the urban settings from which they hail, including Tokyo, Seoul and Hangzhou.

Collection of collectible furniture in Dubai
The Urban Fabric exhibition included recycled plastic seats by Kuo Duo. Photo by Mario Tsai Studio

Curated by Yoko Choy, the collectible design exhibition features 28 pieces that showcase the diverse range of crafts honed by the designers.

It includes 3D-printed chairs, woven sculptures, metal light sculptures and furniture made from reclaimed architectural elements.

Glass and wood table in a collectible exhibition in Dubai
Teo Yang repurposed remnants of traditional Korean houses. Photo by Mario Tsai Studio

“Since the inception of Gallery Collectional, its desire has always been to create a multicultural, cross-functional platform that fosters disruptive and worldly conversations across design and art,” the gallery said.

“The 28 artworks commissioned and created for this inaugural series epitomise the juxtaposition between industrial precision and artisanal finesse, the nuanced interplay between vulnerability and resilience, and the seamless fusion of rationality and emotion,” Gallery Collectional continued.

“They delve into the dynamic interplay of light and shadow, the relentless passage of time, and the subtle balance between ruggedness and sophistication, encapsulating the essence of contemporary urban life and inspiring our collective vision for the future.”

3D-printed chair at Gallery Collectional
Cutting Lines is a collection of 3D-printed chairs

Korean designer Teo Yang used remnants of traditional Korean houses known as hanoks – including glass, rubble, marble and veneer – to create a series of furniture pieces.

The collection, named Remaining Things, includes a room divider made from hanok panels and a table made from a repurposed column with a metal base and glass tabletop.

Koren design studio Kuo Duo, founded by Hwachan Lee and Yoomin Maeng, is showcasing a pair of chairs with a matching ottoman made from recycled plastic.

The Kerf Plastic seats were designed to showcase the “untapped potential” of the material to form three-dimensional objects, according to the duo.

Moving light sculpture at Gallery Collectional in Dubai
The Sparks pendant light moves from side to side

The exhibition also featured the 3D-printed Cutting Lines chair by Korean designer Kwangho Lee, with textured surfaces inspired by the act of tying knots.

Sparks is a pendant light created by Chinese designer Mario Tsai, comprising brass chimes that sway and collide.

Urban Fabric furniture exhibition at Gallery Collectional in Dubai
A woven sculpture by Tiffany Loy hangs from the ceiling

“Within this kinetic light installation, the transformative power of collision becomes palpable,” said Gallery Collectional. “It is as if the energy from each collision is harnessed and channelled, manifesting as both visible light and audible sound.”

Also in the Urban Fabric series were tables made from white, green and pink onyx by Japanese designer Kensaku Oshiro, neon light artworks by Tokyo-based Studio Swine and a pair of woven silk and cotton sculptures by Singaporean artist Tiffany Loy.

Urban Fabric exhibition at Gallery Collectional in Dubai
Gallery Collectional is located in Dubai. Photo by Mario Tsai Studio

Other furniture showcases that have recently been featured on Dezeen include a furniture exhibition in a converted Bogotá townhouse and StudioTwentySeven’s newly opened flagship gallery in Tribeca.

The photography is courtesy of Gallery Collectional.

Urban Fabric is on show at Gallery Collectional in Dubai from 2 to 31 March 2024. For more events, talks and exhibitions in architecture and design visit Dezeen Events Guide.

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Sella Concept adds "classic theatrical flair" to Locke am Platz hotel

Steel staircase Locke am Platz

London design studio Sella Concept has designed interiors to balance modern and classical elements for the latest Locke hotel in Zurich, Switzerland.

Called Locke am Platz, the hotel in Zurich‘s Enge neighbourhood is surrounded by parks and botanical gardens, with Lake Zurich nearby.

Sella Concept co-founder Tatjana Von Stein aimed to reflect the area’s cultural identity through her design, which draws upon Swiss Riviera aesthetics combined with modernism.

Reception area Locke am Platz hotel Zurich
Sella Concept completed the interiors for Locke am Platz in Zurich

“Zurich has so many layers, an old school elegance mixed with brutalist modernist architecture,” Von Stein told Dezeen.

“Everything pointed towards a very layered concept, juxtaposing modernism with a classic theatrical flair.”

Living area in Zurich hotel designed by Sella Concept
Each studio apartment has its own living area

Set across six floors, Locke am Platz contains 80 units, including 40 hotel-style rooms for shorter stays as well as studio apartments, each with their own living area and kitchenette alongside a bedroom and en-suite.

With warm red and yellow tones, strong patterns and rich upholstery, apartment interiors have been curated to resemble a series of boudoirs – the traditional term for a woman’s bedroom or interior space.

Red bedspread and curtains Locke am Platz
Red bedspreads match velvet-lined decorative curtains

Red velvet bedspreads were paired with matching decorative curtains that frame the bed.

“It is important to create a little sense of drama, moments of subtility to moments of indulgence,” Von Stein said.

Kitchenette in studio room Locke am Platz hotel
Kitchenettes are fitted with red cabinets

Kitchenettes were designed with contrasting red cabinets and petrol-blue marble backs.

Wooden shelves are decorated with books, sculptures and ornaments, while parquet wooden flooring is arranged in a mosaic-like pattern.

Stainless steel clad staircase in Locke hotel
Staircase walls are clad with stainless steel panels

Downstairs, the reception area continues the juxtaposing material palette with deep orange velvet drapes and carpets alongside stainless steel, wood and high gloss finishes. According to the designer, materials were chosen as part of a careful “balance between hard and soft”.

“We clad the existing staircase walls in stainless steel in contrast to its warm terracotta-coloured carpet, traditional statues and marble plinths,” Von Stein described.

Lounge area in hotel designed by Sella Concept
Bespoke furniture designed by Sella Concept and manufactured by Parla features throughout

Shared social spaces include a lounge, bar, restaurant and private dining area. Velvet-lined curtains wrap around the lounge area, which sits on a raised, carpeted platform overlooking the wider common area.

“When planning the spaces on the ground floor, I introduced various apertures between the spaces, a typical modernist character trait,” said Von Stein.

“My aim is always to create a sense of intimacy while still being connected.”

Bar area in Locke am Platz hotel Zurich
A wood-panelled bar is paired with green velvet stools

A central bar connects the lounge and restaurant spaces.

Taking cues from the modernist era, the front of the bar was decorated with geometric wood panels and topped with a marble surface. It was paired with stools upholstered with green velvet.

Choupette restaurant inside Locke am Platz hotel
Yellow and green finishes by Yarn Collective appear in the hotel restaurant

Choupette, the main hotel restaurant, echoes the wider interior scheme and includes yellow curtains and green velvet-skirted banquettes by London textile company Yarn Collective.

The restaurant and lounge areas incorporate bespoke furniture designed by Sella Concept and manufactured by Parla.

“Designing bespoke furniture makes it so unique to the project, allowing us to work perfectly into our space, and for our materials and forms to reflect the narrative set,” Von Stein explained.

Connected to the restaurant, a separate private dining area was adorned with a classical mural on the ceiling by decorative painter Magdalena Julia Gordon.

“We commissioned Magda to create the ceiling mural to bring this dark room to life through artistry and a little touch of humour,” said Von Stein.

Mural on ceiling of private dining room in Locke hotel
A mural by Magdalena Julia Gordon adorns the ceiling of the private dining room

Since its first location opened in 2016, Locke has expanded to include 15 sites across the UK and mainland Europe.

Other projects by Sella Concept recently featured on Dezeen include office interiors for a tech company in New York and the London headquarters for fashion brand Sister Jane.

Photography is courtesy of Locke and Sella Concept.

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Five key projects by graphic designer and Dezeen Awards judge Ian Cartlidge

Graphic designer Ian Cartlidge has joined Dezeen Awards 2024 as a judge. Here he selects five projects that best reflect his studio’s work.

Cartlidge is the co-founder of London design studio Cartlidge Levene and considers the core ethos of his work to “produce design that makes a meaningful and positive contribution to the world”.

The British designer told Dezeen that his work is informed by architecture, viewing his studio’s wayfinding and signage as an integral part of the architectural design.

“Good architecture responds to how people use space and interact with buildings and I often see my studio’s wayfinding and signage design interventions as an extension to the architectural concept,” said Cartlidge.

“This contributes to how people engage with buildings, intersecting and overlapping with other design disciplines to create integrated solutions,” he continued. “These collaborative moments always result in the most powerful and rewarding projects.”

The Clerkenwell-based studio is currently developing signage systems for cultural destinations including the London Museum, formerly Museum of London, KANAL Centre Pompidou in Brussels and the Museum of the Viking Age, Oslo’s most popular visitor attraction, formerly the Viking Ship museum.

Cartlidge among Dezeen Awards 2024 judges

Dezeen Awards 2024 launched last month in partnership with Bentley. This week we announced our sixth set of Dezeen Awards judges, including fashion designer Ozwald Boateng, Wellcome Collection director Melanie Keen, architect Dong Danshen and Design Bitches founders Rebecca Rudolph and Catherine Johnson.

The entry deadline for Dezeen Awards 2024 is 30 May. Submit your projects before then to avoid late entry fees.

Read on to find Cartlidge’s views on the five projects that best represent the work of his studio:


The extension to Tate Modern
Photo by Marcus Ginns

Tate Modern, London, United Kingdom, 2016

“This was an exciting extension to Tate Modern on the south of the Turbine Hall by Herzog & de Meuron. The project involved a total re-evaluation of how visitors engage with Tate Modern’s buildings, landscape and content.

“To be involved in a project of this scale and significance, with art and architecture at its core, was inspiring.

“The design process was holistic, involving Herzog & de Meuron, Vogt Landscape Architects and product designer Jasper Morrison.”

Read about Herzog & de Meuron’s extension to Tate Modern ›


The Design Museum
Photo by Marcus Ginns

Design Museum, London, United Kingdom, 2016

“The re-purposing of the iconic Commonwealth Institute building in South Kensington by John Pawson and OMA was another great landmark project.

“Understanding how visitors would interact with the new museum with its vast atrium and soaring parabolic roof was a fascinating and in-depth process.

“Creating a wayfinding and signage strategy and design language for the building and landscape was an opportunity to introduce a permanent graphic design presence in the world’s premier museum devoted to design.”

Read about The Design Museum by John Pawson and OMA ›


The River Tay waterfront building in Dundee
Photo by Marcus Ginns

V&A Dundee, Scotland, 2018

“I am lucky to have worked with some of the world’s great architects and this stunning building on the River Tay waterfront in Dundee by Kengo Kuma and Associates is very special.

“A first UK building for Japanese architect Kengo Kuma, the building is a unique combination of mind-bending geometry and natural materials that blends into the landscape.

“Integrating signage elements with the architecture and building fabric was challenging. The museum’s architecture led to some unique ideas and solutions for wayfinding and signage.

“Placing [British graphic designer] Alan Fletcher’s iconic V&A logo in the pool in front of the building has become a big selfie moment!”

Read about V&A Dundee by Kengo Kuma ›


Musée d’arts de Nantes, France, 2017
Photo by Marcus Ginns

Musée d’arts de Nantes, France, 2017

“The refurbishment of Musée d’arts de Nantes and the addition of a contemporary extension by Stanton Williams allowed us to complete an all-encompassing graphic design system for one of France’s most important cultural destinations outside of Paris.

“My studio designed the museum identity from printed materials, tote bags and posters to chiselled letter forms cast into the architecture, creating a unified identity across the whole museum.

“Nantes is very proud of its great fine art museum. During its closure excitement was building leading up to its reopening. It was so rewarding to be part of this process and contribute something positive to the city.”

Read about Musée d’arts de Nantes by Stanton Williams ›


Soho Place
Photo by Marcus Ginns

Soho Place, London, United Kingdom

“A great building and interiors by Allford Hall Monaghan Morris required a memorable identity and marketing campaign, which demanded to be fun, dynamic and lively.

“The signage in the building is perceived as part of the architecture with cast concrete letters in the concrete-walled reception.

“As part of the campaign, we also designed a large-scale illuminated window installation on Oxford Street to announce the arrival of the new retail units.

“Everything about the building has been painstakingly considered, even the very name Soho Place was the first new London street name in 50 years!”

Dezeen Awards 2024 in partnership with Bentley

Dezeen Awards is the ultimate accolade for architects and designers across the globe. The seventh edition of the annual awards programme is in partnership with Bentley as part of a wider collaboration to inspire, support and champion design excellence and showcase innovation that creates a better and more sustainable world. This ambition complements Bentley’s architecture and design business initiatives, including the Bentley Home range of furnishings and real estate projects around the world.

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eufy Robot Vacuum Omni S1 Pro with World’s First Floor Washing Function makes cleaning enjoyable

We all know that keeping the floor clean is important but this seemingly simple activity turns out to be tedious and time-consuming. Robot vacuums have been around for quite some time now to ease that pain, but few are able to go beyond just sucking up dust and small particles. And those that can wipe the floor tend to be inefficient, ineffective, or both. A leader in the smart home market, eufy is presenting its latest design that will keep your floor clean without getting your hands dirty, saving you time and energy to spend on the more important things in life.

Designers: Simon Kim (Senior Design Manager, eufy), Jaewan Jeong (Design Director, eufy)

Click Here to Buy Now: $999 $1499 ($500 off). Hurry, only 207/700 left! Raised over $1,300,000.

It might have “robot vacuum” in its name, but the eufy Robot Vacuum Omni S1 Pro is definitely more than just that. It’s an all-in-one floor-cleaning machine that makes no room for compromises when it comes to getting the door out of your floor space. Its 8,000 Pa suction power makes short work of dust and solid particles on your floors and carpets, but that’s only the beginning. Its real power comes from its revolutionary floor washing system that ensures no dirt or stain is left to mar the beauty of your floor.

100% Clean Under UV Light See the visibly different cleaning results of S1 Pro compared with a normal robot mop.

Spinning at a rate of 170 RPM and exerting a downward force of 10N, this 290mm TurboWash roller mop mimics how a human would scrub a floor to get those stubborn stains out. Unlike other robot vacuums with the bare minimum mopping function, the eufy Robot Vacuum Omni S1 Pro has two separate water tanks in the device itself, separate clean and wastewater to ensure that the mop itself stays clean and doesn’t drag its own dirt across the floor it’s supposed to be cleaning.

Eco-Clean Ozone™ Eliminates 99.99% of Germs. Built-in ozone sanitization for the highest standard of cleanliness.

Once the robot is done with its task, it retreats to the innovative All-in-One Station where it not only charges its batteries but also initiates a completely hands-free cleaning process. It automatically empties the dust bin and disposes of wastewater, cleaning the mop and drying it with hot air to prevent the growth of bacteria and odors, and then refills the robot’s tank with clean water for the next session. It even has a built-in ozone generator that sanitizes not just the mop but also your floor with a sterilization rate of up to 99.99%, creating a safe environment for children and pets even during high-risk seasons. All of these happen without human intervention, and you only need to empty the dustbin after 68 or so days!

Automatically detects carpet edges and lifts the mop to protect the material.

While it already sets itself apart with its revolutionary cleaning features, the eufy Robot Vacuum Omni S1 Pro stands out even more with its groundbreaking design and advanced intelligence. Eschewing the traditional circular form that has dominated this market for decades, the eufy Robot Vacuum Omni S1 Pro adopts a unique square body that is compact, sleek, and modern, adapting to the needs and tastes of today’s sophisticated homeowners. Winner of the iF Design Award 2024 and Good Design Award, the eufy Robot Vacuum Omni S1 Pro delivers a fresh and memorable design that doesn’t compromise on functionality. In fact, it’s thanks to that square shape and low 96mm profile that it can reach within 1cm of walls and corners and glide under low furniture with ease.

Even the All-in-One Station itself is a testament to eufy’s commitment to excellent design. Its minimalist aesthetic and narrow body not only saves space but also enhances the visual atmosphere with its elegant appearance. That simplicity, however, belies intelligent features that bring convenience and comfort to users’ lives. An effortless touchscreen allows the user to directly access features without having to fumble with a smartphone. The transparent water not only lets you easily check water levels at a glance, it also gives the design a modern and hi-tech vibe. Finally, the station’s ergonomic golden height means you won’t have to bend over and strain your back just to open the lid or change the water in the tank.

Despite its compact size, the robot actually packs quite an impressive assortment of technologies, like a 3D MatrixEye™ Depth Perception system that utilizes the same RGB camera with active binocular technology used in self-driving cars for obstacle avoidance. Its TrueCourse Mapping™, powered by a dToF LiDAR, the same LiDAR technology used in NASA’s Landing project, ensures precise mapping of your home, while the powerful eufy mobile app gives you the ability to schedule cleaning times, set no-go zones, and manage multi-floor mapping. Whatever the floor cleaning task, the eufy Robot Vacuum Omni S1 Pro promises a stress-free experience that will leave your floor clean and sanitized so that you and your family can live better, safer, and more enjoyable lives.

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Super Compact Tiny Home Brings Back The True Micro-Living Experience Back To Us

As you may have noticed nowadays tiny homes don’t really tend to be very tiny. They feature generous interiors packed in not-so-compact homes, that somehow manage to fall just a little short of full-sized houses. In a world where the tiny home movement is honestly losing the meaning of its name, Dragon Tiny Homes bring to us a home that is actually tiny, and is accompanied by a corresponding low cost. It is by no means a full-sized apartment, and thankfully isn’t priced like one either, allowing users to truly enjoy a ‘true tiny home’.

Designer: Dragon Tiny Homes

Named the 16’THOW With Loft, the tiny home quite honestly has its measurement stored in its name, however in meters, it is 4.8 meters long. It isn’t the smallest tiny home on wheels we’ve seen, but it is smaller than the typical US models which tend to measure 30 feet usually. Based on a double-axle trailer, the 16’THOW With lift is a towable dwelling amped with a steel frame, cement board siding, and a shiplap interior. It occupies 136 sq ft, and much of the floor space is occupied by the living area. The home isn’t large enough to accommodate a big family quite evidently, but it can house a couple or a single person for a weekend or so.

The interior of the tiny home is light-filled and free-flowing. It includes a combined living and kitchen area, with some comfy seating, cabinetry, quartz countertops, a two-burner induction cooktop, and a stainless steel sink. A sliding door leads you to the bathroom, which houses a shower and a flushing toilet.

The 16’THOW With Loft includes only one bedroom, and it can be accessed via a ladder. The bedroom is a typical loft-based tiny home space, accompanied by a low ceiling and a double bed. The rooms are cozy and well-equipped, although they aren’t luxurious in the least. But they’re great for a cozy getaway with your partner, or if you’re in the mood for some alone time away from the hustle and bustle of your life. The tiny home starts at a price of US$44,950.

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