Snøhetta Creates An Innovative & Compostable Light Made From Hemp

Acclaimed Norwegian studio Snøhetta collaborated with lighting brand Ateljé Lyktan to design the Superdupertube – an innovative office lamp made using extruded hemp and sugarcane bioplastic. The hemp-based lighting is a contemporary update of Ateljé Lyktan’s Supertube which is an office light from the 1970s. It was made from extruded aluminum.

Designer: Snøhetta & Ateljé Lyktan

“[The Supertube] had finished production in 2010 or something like that, so it was iconic but sort of forgotten,” said Snøhetta partner Jenny B Osuldsen. “And it’s a tube. It’s not rocket science but it is what you need for a smart lamp in an office.” “We really loved it and think it has a lot of possibilities, so we wanted to upgrade it to a new level,” she added. The lighting design is made from hemp, and it can be industrially composed.

The extrusion technique used to create the original Supertube was developed in the 1960s, and both brands wanted to produce a lamp that was inspired by and pays tribute to the original design. But, at the same time, they wanted to lower the carbon footprint of the lamp and picked the most sustainable material they could find, which is hemp – a material known for being renewable and durable. They experimented with different materials, before finally picking hemp bioplastic to build Snøhetta’s first office lighting design.

Snøhetta and Ateljé Lyktan sourced the hemp used for the lights from the Netherlands, as the quality of the hemp from Swedish farmers “wasn’t quite there yet”, according to Gadd. The hemp used for the lighting design was sourced from the Netherlands, as they believed the quality of hemp from the Swedish farmers “wasn’t quite there yet”, according to Gadd. The hemp is then mixed with polylactic acid bioplastic which is derived from sugarcane, wood cellulose, and other minerals to form a fossil and gas-free composite. This material is then extruded to form the main body of the lamp, which also includes injection-molded louvers and side covers. The electric cables are covered in linen fabric. The lamp can also be composted in an industrial composter, or even recycled and transformed into pellets to build more lamps.

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‘Not-So-Tiny’ Tiny Home Has A Central Porch That Splits The House In Two

Called the Pisgah Park Model, this tiny home is unique, and a far cry from the typical tiny homes on the market. It offers an intriguing take on typical tiny house designs. The home is designed in such a manner, that the living and sleeping areas are placed on either side of a central porch, which creates a sense of distinction and separation between the two, allowing the home to have an indoor-outdoor style.

Designer: Wind River Tiny Homes

Designed by Wind River Tiny Homes, the Pisgah Park Model is designed for park living and isn’t intended for regular towing. It is founded on a quad-axle trailer and is finished in an engineered siding board and batten. It features a length of 45 feet and a width of 12 feet, which provides the home with a house-like interior, unlike most smaller tiny homes.

You can enter the tiny home via the porch. This space is intended to be a designated general hangout area and is an ingenious way to separate the two areas of the home. This home is not the best option for cold places but could be a great option for milder climates. The living room is located on one side of the porch, and it is quite free-flowing and open. The spacious porch has a high ceiling and generous glazing, while the interior is quite comfy and light-filled. The room includes a sofa, a kitchen with a fridge/freezer, a radiant electric cooktop, cabinetry, and a dishwasher.

The other side of the porch accommodates the master bedroom. The bedroom is located downstairs, so visitors and residents can stand upright in it. It also includes loads of storage and cabinetry, allowing it to function as a home office or an entertainment unit. The bathroom is located close by, and it contains a shower, vanity sink, and flushing toilet. The tiny home also includes a second bedroom upstairs, and it can be accessed via a ladder. It has a low ceiling and a double bed, much like most loft-style bedrooms in typical tiny homes.

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The DJI Express UAV Drone Helps Easily Deliver Cargo Over Inter-City Journeys

Designed to extend the range of delivery from specific hubs, the DJI Express can easily make short inter-city commutes to deliver cargo and supplies without needing a semi-truck or even a dedicated driver. Perfect for smaller cities located next to bigger ones, the drone takes on the role of a delivery-agent, helping easily and rapidly cover large distances to complete deliveries.

Designer: Qingsheng Meng

The DJI Express UAV concept, created by China-based Qingsheng Meng, explores a different format from the drones you’re currently used to. Unlike most quadcopter-shaped aerial devices, the Express takes on the shape of a winged eVTOL that can fly longer distances like your regular airplane. However, significantly smaller than most airplanes, the Express UAV, as its abbreviation suggests, doesn’t have any humans inside it. The unmanned aircraft is controlled entirely remotely, relying on a combination of sensors for route-mapping and obstacle avoicance, and a rather massive camera unit on the tip that allows the remote pilot to look around as they maneuver the craft.

The drone’s design can functionally be split into a few distinct groups. You’ve got yourself a winged aircraft with propellers on each side. A high-definition camera mounted on a 2-axis gimbal on the front allows the drone to ‘see’, while the body of the aircraft houses a battery module on top, and the cargo payload at the bottom. Finally, a tail with a dedicated propeller helps with steering and stability.

A close-up of the top shows you the drone’s detachable battery, which comes with an easy-to-pull-out handle for swapping battery cells during a delivery cycle. However, the drone has its own charging port too, allowing you to charge said battery packs – a feature that can be used while the drone’s grounded for a significant number of hours. In front of the battery is a flip-switch that lets you set the drone to auto or manual, hinting at fully-autonomous flying capabilities thanks to the intelligent obstacle-avoidance sensors on the top as well as the bottom of the craft.

The DJI Express UAV’s design also has a rather well-ventilated fuselage that allows wind to rapidly cool the motor and batteries during flight. Cool air passes through the UAV’s body, helping maintain optimal temperatures during flight and keeping the battery healthy over longer journeys. Given the UAV’s fan-made conceptual nature, there are really no concrete details of its size or capabilities, although DJI does have a delivery drone in its enterprise roster – the Flycart 30. That being said, the Flycart still has a quadcopter-style design that severely limits its range and ability to deliver cargo over inter-city commutes.

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Max Lamb and Jay Sae Jung Oh present reused-waste furniture in New York

Max Lamb colourful furniture on parquet wooden floor

British designer Max Lamb and South Korean designer Jay Sae Jung Oh have exhibited sculptural furniture made with recycled materials at New York gallery Salon 94 Design.

Both designers showed works across two separate exhibitions at Salon 94, an Upper East Side townhouse that was converted into a gallery through the designs of Uruguayan architect Rafael Viñoly.

Lamb‘s exhibition, called The Inventory, featured one-off pieces developed by the designer over the past two decades, including his Nanocrystaline Copper, Poly Rainbow and Boulder series.

Max Lamb chairs on wooden floors
Max Lamb was part of a dual exhibition at Salon 94 in New York

According to Lamb, the retrospective was a chance to look back and put the finishing touches on collections created years ago.

“It was time to share Max’s work as an assemblage,” Salon 94 Design founder Jeanne Greenberg Rohatyn told Dezeen.

“In constant making and motion — each body of work has a beautiful personal story.”

Max Lamb stone
Lamb’s work included objects from many of his past collections, including Boulder

While Lamb’s work covers a wide range of materials, Salon 94 highlighted some of the work repurposing materials like wood and cardboard.

With collections like Western Red Cedar, Lamb experimented with ways to assemble repurposed pieces of wood that were otherwise unusable, creating sculptural forms that work with the natural shape of the wood.

He also explored how cardboard could be structurally sound enough to become a chair, without any additional materials.

The exhibition featured multiple rooms – some with large, colourful arrays of Lamb’s work, and others with more toned-down curated selections of muted works in wood and stone.

Max Lamb chairs
Hundreds of Lamb’s works were shown

In a separate section of the gallery, Oh showed her latest designs. Called Salvage 2.0, the exhibition presented pieces of furniture comprising of natural leather cords wrapped around found objects.

According to the designer, the Salvage series is a commentary on overconsumption and was created to show how people might make better use of what they already have around them.

Jay Sae Jung Oh wooded cord found objects
Jay Sae Jung Oh presented new works using her signature method of wrapping found objects in cords

“Jay’s disciplined and focused practice is the perfect counterpart,” Greenberg Rohatyn added.

By bringing together forms that are still recognizable, Oh has stated that she hopes people will gain a new appreciation for the items they usually take for granted.

While past designs have included repurposed musical instruments, the Salvage 2.0 series incorporated toy biplanes, horses and telescopes; objects that were melded together using epoxy before being encased in rippled layers of leather cord.

This collection includes a bench, armchair, floor lamp and a planter. Wrapped in different colour variations of the material, the works have even more contrast and definition than earlier pieces.

“Max and Jay — though to different affect — rely on their hand, so every work is unique,” said Greenberg Rohatyn.

“Both insist on small footprints and economies. Jay’s forms are built out of other people’s defunct toys and plastics, and Max uses every off cut — whether a hole cut from a marble slab that becomes a leg for a table, or every cut of wood that becomes part of a puzzle-piece chair.”

Jay Sae Jung Oh objects wrapped in cord
Less than a dozen of the works were shown

Recently, Lamb presented his cardboard furniture with Gallery Fumi at Sized Studio during Frieze LA.

Oh’s Salvage Chair, an earlier iteration of the work at Salon 94, was shortlisted in the furniture design category during Dezeen Awards 2023.

The photography is by Sean Davidson.

The Inventory and Salvage 2.0 are on show from 29 February to 20 April, 2024 at Salon 94 Design. For more exhibitions, talks and events in architecture and design visit Dezeen Events Guide

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Keurig Just Killed The Coffee-Pod With Their New Biodegradable Compressed Coffee Pucks

Around 2.25 billion cups of coffee are consumed on a daily basis, and even if a fraction of them are produced in Keurig or Nespresso machines, those are a LOT of coffee pods that get thrown in the waste after they’re used. Keurig’s finally tackling this persisting problem with the K-Round, an alternative to the pod that’s biodegradable, plastic-free, and still manages to produce a great brew. The K-Round is essentially a compressed disc or puck of coffee grounds (sort of how your local barista tamps down coffee into a puck), bound together with plant-based materials like cellulose. The K-Rounds go into Keurig’s upcoming machine, the Alta, which can process these rounds, extracting coffee from them without leaving you with a throwaway plastic and metal coffee pod like your regular Keurig machine currently does.

Designer: Keurig

Every company reaches a level of scale where it suddenly becomes difficult to sustain growth, and Keurig’s CEO Bob Gamgort mentioned that the company had reached that point. Creating great coffee is easy, but that isn’t precisely what Keurig does. The company creates great ‘single-serve’ coffee, helping users brew exactly one cup at a time instead of an entire pot and then having to either consume more coffee than needed or throw the rest. The company pioneered the single-serve coffee movement, and now, in order to grow even further, has realized that generating more waste in the form of use-and-throw pods isn’t particularly tenable.

Enter the K-Round, a puck of compressed coffee that achieves a few things. For starters, it does away with the pod entirely, using only plant-based natural materials in its design. The K-Round is entirely biodegradable and leaves no waste apart from a small leftover disc that can easily be composted or discarded with natural waste. But more distinctly, the K-Round reinvents the perception of the pod by allowing users to have a sensorial experience BEFORE the coffee is even brewed. Most coffee pods are shrouded in mystery – nobody knows what’s in them or how they work, and all you really have is a label on top that tells you what’s inside the pod. The K-Round on the other hand, is much more sensorial. Users can actually look at the pod and see how coarse or fine the grounds are, or if they’re light or dark-roasted. The pods also give off a distinct coffee aroma, helping prepare you for the brewing/drinking journey you’re about to embark on, all while keeping the process relatively simple – place the pod in the machine, shut the lid, hit the button, and voila! Barista-level coffee brewed in mere minutes.

The K-Rounds are essentially just roasted/ground coffee that’s been compressed into the shape of a puck, and bound together using a plant-based coating of cellulose and alginate (the same stuff used to create those bursting pearls in boba tea). Different variants also have sorbitol, a form of sugar that’s 50% as sweet as sucrose, and is non-fermenting (you don’t want the coffee turning into alcohol in the pod). The engineers at Keurig Dr. Pepper (yes, that’s the name of the company, I didn’t know they were co-owned either) developed the K-Rounds to be space-saving, shelf-stable, and entirely plant-based, while still ensuring that the resulting coffee tastes great and doesn’t have any underlying undesired flavors or aromas. Their inspiration for the puck shape came from the way baristas tamped down coffee into pucks before loading them into coffee machines. The pucks come in a variety of sizes, depending on the type of brew. Espressos are smaller and flatter, while other ‘larger’ brews like double shots or tall cold-brews result in taller pucks. The K-Rounds currently only work with the upcoming Keurig Alta coffee machine, which can apparently identify each puck and automatically adjust temperature, water-level, and brew time accordingly. Notably, the Alta is designed to be backwards compatible too, and will accept the older use-and-throw K-Cups coffee-pods too. The Alta and K-Rounds don’t have an official date – Keurig says it’s still fine-tuning the two based on consumer feedback. If you want to be a part of the beta test, Keurig’s inviting coffee aficionados to sign up on their website.

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FMT Estudio expands 1980s Mexican house to merge "architecture and life"

La Posmoderna

Mexican architecture practice FMT Estudio has renovated and extended a 1980s house adding clean white facades accented by wooden and wrought iron details in Mérida on the Yucatán peninsula.

Completed in April 2023, La Posmoderna measures 350 square metres (3,767 square feet) on a square, walled 630-square metre (6,781-square foot) property.

Geometric house by FMT Estudio
FMT Estudio renovated the house in Mérida

The private, internally focused home features a warm, neutral palette, protected from the street by a dark green metal fence.

The single-family residence was transformed to simplify the complex, outdated floor plan and incorporate tropical elements.

La Posmoderna by FMT Estudio
The structures are connected by an enclosed courtyard

“La Posmoderna is an expression of adaptation to the environment, offering a visual and sensory engaging experience,” the FMT Estudio team told Dezeen. “Its focus on family interaction transforms it into a home where architecture and life merge.”

The layout was reorganized to prioritize spaciousness, illumination and ventilation.

Kitchen with green-lined windows
On the ground floor, the kitchen was expanded

On the ground floor, the original kitchen was expanded into the central core of the house.

Pale green wrought iron French doors and framed windows provide a connection to the terrace and pool, bringing more natural light and airflow into the heart of the home.

Green wrought iron French doors
Green wrought iron French doors provide a connection to the terrace

The former foyer is now a pantry and wine cellar.

The living and dining rooms open to contained outdoor gardens, creating a harmonious transition between interior and exterior. The double-height dining space features wooden louvres with mosquito screens for ventilation and tropical breezes.

Bedroom with a hammock
The bedrooms were also reconfigured

The program of the open-plan interior is divided by double concrete columns with rounded corners.

The team modified the central staircase with an open metal-strut railing that embeds in the side of the concrete stringer, adding visual space downstairs and an open landing with a linen closet upstairs. The bedrooms were reconfigured to include ensuite bathrooms and closets.

Concrete columns
Double concrete columns with rounded corners divide the open-plan interior

Outside the ground-floor dining room, an exterior staircase connects to the newly constructed addition, with a sloping roof that mirrors the architectural language of the house and contains two studio spaces.

A third studio is located at the rear of the property in the former service space overlooking the pool.

“Respecting the residence’s original character, certain architectural elements, such as some ironwork windows and doors, entrance columns, and concrete cubes on the terrace were preserved, uniting the old with the new,” the team said.

In terms of sustainability, FMT Estudio prioritised minimal interventions – maintaining the original finish and repainting most walls – and eco-friendly materials like clay bricks for the exterior walls and clay tiles for the kitchen.

Studio with concrete walls
A third studio is located at the rear of the property

“The material choices throughout the residence create a harmonious blend of practicality and environmental consciousness,” the team said, noting the marble in the bathrooms, quartz in the kitchen and polished concrete walls.

In the multiple gardens, the team planted native trees to enrich the environment, add shade and increase privacy. The green plantings complement the natural wood doors and green metal.

Swimming pool with native trees
FMT Estudio planted native trees to enrich the environment

Previously, FMT Estudio, which is based in Mérida, designed two concrete homes connected by a courtyard with a swimming pool. Nearby, Workshop Architects renovated and expanded a Spanish colonial house, painted lilac with mosaic floors.

The photography is by Amy Bello.


Project credits:

Studio: FMT Estudio
Lead architect: Zaida Briceño & Orlando Franco
Design team: Gerardo Vázquez

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Dasung introduces a portable color E Ink monitor for eye-friendly computing anywhere

We have become very dependent on our computers, including the ones we keep in our pockets, but these powerful devices come with very harmful impacts on our health and lifestyle. Never mind the poor posture and negative social practices we develop through the use of computers and smartphones, even the very screens we look at affect not just our eyes but also our sleeping patterns. E-paper displays like E Ink have long been praised for their eye-friendly technology, but the old generation of these screens were so bad that they were good only for text that barely changes, like those in books. E Ink has thankfully evolved significantly over the years to the point that you can now have a portable monitor that combines E Ink and color to give your eyes a break when using laptops or smartphones.

Designer: Dasung

E Ink devices are getting larger and more complex as seen with the variety of color E Ink readers moonlighting as powerful Android tablets now available in the market. Despite their benefits in terms of comfort and power savings, E Ink screens are still significantly slower and show considerably fewer colors than even the most basic and cheapest LCD panel. That’s why selling an E Ink monitor for regular computer use sounds almost outlandish if not impractical, but that’s exactly the proposition that Dasung has been making with its line of Paperlike Color E Ink monitors.

The new 12-inch Paperlike Color takes that idea to a whole new level by making that E Ink monitor portable. It has a 12-inch screen that has an impressive 2560×1600 resolution, but only if you’re viewing black and white (or grayscale) images and text. The E Ink Kaleido 3 technology that it uses is able to display only 4,096 colors and usually at half the resolution, so it won’t exactly be mind-blowing. Of course, that’s the price to be paid for a screen that won’t tire out your eyes, at least not as much and as often as regular monitors.

The Paperlike Color (12-inch) also has other benefits, like an extremely light and slim profile made possible by having no battery at all. E Ink uses very little power, only when changing what’s being displayed, so it won’t drain your laptop or phone too much. Then again, if you will be using it like a regular monitor, that means content will be changing a lot, which would nullify this benefit and possibly produce visual artifacts. That said, companies that use color E Ink have strategies to address and improve the speed performance, but not to the same level as LCDs and OLEDs.

And therein lies the biggest question mark on this curious design, whether the benefits far outweigh the costs, both figurative and literal. Reading mostly static content and text is definitely more pleasurable, but it will only make sense if you use it on the side as a second monitor for your laptop. But then, it won’t really help you give your eyes much of a break if you’ll be using the laptop’s regular screen most of the time anyway. The E Ink monitor could be a nice external display for your smartphone, but that would run into the same limitations as color E Ink eReaders today. And with Dasung’s typical pricing, the Paperlike Color (12-inch) will probably be out of reach for many computer users, limiting it to a few enthusiasts who might find a place for it in their workflow.

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Auto-Tracking Stand Pro with DockKit

Whether you’re live-streaming or on a video call, Belkin’s Auto-Tracking Stand Pro with DockKit makes it easy to keep the camera on you while you are demonstrating, presenting, or doing anything where having a gadget follow your movement is helpful.

Toyo Steel's Stacking M-8 Metal Storage Boxes

Japanese manufacturer Toyo Steel originally designed this M-8 for factory use. The steel box is for storing screws and other small parts.

It’s manufactured by drawing, with a purposeful draft angle on the sidewalls: “The M-8 has its tapered shape in order to make it easier to scoop small parts by hand.” That also makes the boxes easier to nest.

The innovation here is that they have small flip-over wings on the short ends, allowing you to stack them:

The company reckons even non-factory-workers will find these handy, and has re-marketed these for domestic use.

It comes in its natural steel color and black, as well as the moss green shown above.

They’re a damn sight better looking than plastic containers, and will surely last longer, but the price is dear: These run $84 a pop.

Laura Killam Architecture tops beachside cabin with slanted roof in Canada

Cabin with slanting roof in British Columbia

Vancouver studio Laura Killam Architecture has created a beachside cabin in British Columbia with a slanted roof that responds to the site’s climate.

The Writer’s Retreat cabin acts as an auxiliary space for a writer seeking a small space for creative sessions, separate from a main cabin on the site that hosts a multigenerational family.

A cabin on a hill surrounded be trees
Laura Killam Architecture has created a cabin for a writer in British Columbia

“The existing cabin too cumbersome to occupy alone in the shoulder seasons, the writer wanted the Retreat to serve as a cozy, turnkey refuge for intensive solo creative sessions far away from the distractions of urban life,” said Laura Killam Architecture (LKA).

The 650-square-foot (60-square metre) cabin is organised into two offset volumes that are connected by an interior passageway while a tilted, cedar-shingled roof covers the structure.

A cabin with large glass sliding doors
It will join a main cabin on its hillside site

The roof, which rises dramatically towards the back of the space and bows towards the east-facing facade, nods to the gabled roof of the existing cabin on the property.

Its tilted profile also protects the cabin from incoming storms that hit its front, while opening the back towards afternoon light.

A porch with an overhanging roof
A tilted roof creates short overhangs on both the front and back of the cabin

The studio created a spacious L-shaped deck that wraps around the facade of the cabin and acts as an entryway, overlooking the ocean.

A porch and outdoor shower were placed in the back two corners of the structure, located in the interstitial space created by the offset plan.

A living spaces overlooking kitchen and seating area
The floor plan is broken into two rectangular volumes

The front volume or “bar” contains the interior’s public areas, which include a seating and dining area and kitchen oriented to respond to the climate.

The front bar contains the writing and social space that is contiguous with a large deck, partially covered for storm watching and respite from the noon sun and stepping subtly down with the landscape,” said the studio.

A seating area in a cabin with a wood burning fireplace
The volume at the front of the space hosts the living and dining areas

The seating area is tucked into a corner in front of sliding glass doors. Windows wrap around the space and a low-lying bookshelf separates it from the open-plan kitchen and dining area.

A wood-burning fireplace was placed along one side.

A kitchen that is lined by windows
A kitchen was enclosed by a storage unit and a perimeter of windows

The kitchen sits across from the seating area, enclosed by a half wall that creates a hallway leading to the back volume.

Windows line the front wall of the kitchen.

A bedroom lined with windows
The cabin’s only bedroom leads out onto a porch

An entryway tucked behind the space leads to the cabin’s only bedroom and bathroom, which sit opposite each other.

The small bedroom is surrounded by windows and a glass door that leads out onto a covered porch.

The bathroom contains a bathtub and double vanity, which were topped with a dark soapstone. Skylights were placed in between the rafters that sit above them and a large picture window sits next to the bathtub.

The structure is made largely of wood. A grey-stained cedar board and batten siding was used for the exterior, while the interior walls were clad in clear western red cedar.

A wooden cladded cabin with large windows
Skylights were incorporated throughout the space

Both the window trimming and floors were made of Douglas Fir and cedar millwork was used throughout to create storage.

Laura Killam Architecture is an architecture studio located in Vancouver and founded in 2017 by principal Laura Killam that specializes in custom residential projects in remote locations.

Elsewhere in British Columbia Omer Arbel used fabric formwork to create sculptural concrete pillars for a residential project and BattersbyHowat created a geometric mountain cabin.

The photography is by Andrew Latreille.

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