LEAKED: Apple’s Notch Explorations Show What We Could Have Gotten Instead Of The Dynamic Island

In the six full years that it took to transition from the notch to the dynamic island, I’m sure the Apple team was hard at work figuring out what the next logical step would be. Under-screen cameras had their caveats (camera quality would suffer), and bezels were an absolute no-go. The iPad could get away with a notch built into its relatively thin bezels, but the same bezel thickness couldn’t be carried forward to the significantly smaller iPhone. Then in 2022, Apple revealed the successor to the notch, a more detached notch that they called the Dynamic Island. Its benefit? That it could shapeshift into different shapes and sizes depending on notifications, resulting in a notch that didn’t feel like a compromise.

But information obtained by the folks at MacRumors provides a rare peek behind the curtain of Apple’s design process, and more importantly, what we COULD have gotten instead of the dynamic island. The concepts range from acceptable to downright absurd, with some proposing two notches instead of one! Here’s a look at the 6-year worth of brainstorming at Apple’s design offices before they transitioned from the notch to their now ubiquitous Dynamic Island.

The notch made its first appearance in 2017 with the iPhone X, a commemorative phone to mark the product line’s 10-year anniversary. It soon became a meme, and then a standard fixture for iPhones moving forward, but needless to say, Apple wanted to find a better solution. The first solution was in the form of an extra notch to make the existing notch look more appealing. Visible in the image above (left), this notch would effectively be your control center, but would disappear when not in use. Let’s be objectively clear, I’m glad Apple didn’t implement this because it’s downright hideous. It creates a uniquely displeasing screen shape (even if temporarily), and is an ergonomic nightmare for left-handed people. The second alternative was to black out parts of the screen entirely to hide the notch (top right) – a feature that looked much more acceptable visually, but was a step back for Apple’s zero bezel effort. It, however, would translate to battery savings because the top part of the screen on either side of the notch would remain black for most of the time.

Finally, the company arrived at the dynamic island, but struggled with finding the right way to make it ‘dynamic’. Initial explorations would show dot-shaped icons emerging from the island when in use, while others showed the island transforming into a large block when increasing or decreasing the volume before returning to its original size. This pretty much put Apple on the right track, but they weren’t there yet. Another concept showed the entire island turning into your control center (I somewhat like this if I’m being absolutely candid), while one concept gave the island a second skin in the form of a colored window.

Finally, Apple figured out how to have the island dynamically transform into widgets based on apps and processes, offering something much more elegant than the concepts shown here. However, that’s the nature of the design process, whether you’re a small startup or a trillion-dollar company. You try, ideate, evaluate, fail, and go back to the drawing board over and over till you find something that works… even if it takes six damn years. In hindsight, I’m glad they took that long. I’d take a dynamic island any day over that godawful secondary side notch!

Image Credits: MacRumours

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Hydroponic system lets you sustainably grow plants in your space

I am not much of a plant person, in a sense that I unintentionally kill all the plants that are left in my care. But I am also one of those who complain that there are no green things in my immediate line of vision and that it’s contributing to my concrete jungle problems. If there was a way for me to have plants and not have my black thumb affect them, I would probably jump on that. Some have recommended hydroponics to me but I still haven’t actually tried it. This concept for a cultivation system seems pretty interesting.

Designer: LFD

The main product of turf is an energy-harvesting hydroponic product where you can cultivate plants without the usual things that you need with regular plants. You can have it indoors which is good news for those who live in buildings that don’t have balconies (like me). It is able to harvest energy through a built-in sensor that is able to detect ambient noise and touch. So you basically “grow” your plant by touching it and talking to it, with the help of the energy harvesting system and the LED lights.

The packaging is also part of the whole sustainable system as it uses biodegradable styrofoam from mushroom mycelium. The packaging for the seeds that you will plant are also recyclable since it’s made from water-soluble paper so you just put it in water for it to dissolve. The packaging also uses soy ink printing techniques to complete the circular system of turf, from the plants to the packaging to the hydroponic product to the space called Turf Azit to house the entire symbiosis.

Now I’m not sure if I’ll still be able to make the plants live using the turf system but at least I don’t need the traditional tools to take care of plants. Having something naturally green in your space can do wonders for your mental health so I should probably get started on learning about hydroponics and maybe if turf eventually gets made, then I can enjoy having a hydroponic green thumb.

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VW-inspired 10-ft towable camper pop-up roof increases standing headroom to 6 feet 4 inches

There are many hugely popular campervan base models around the world, but one that essentially overshadows them all, and has camping enthusiasts styling their own creations around it, is the Volkswagen van. VW-inspired campers have their takers in plenty thereof Type 2 founders, Hearth Gardella and Ryan Schassen, have created a VW-themed pop-up camping trailer from aircraft steel construction in a compact form factor that is faster to build.

The RV builders based in Woodburn, Oregon, Type 2, is hoping to create a sizable inroad in the expensive and heavier tow-campers with their T2.3 which thrives on its “lightweight, affordable, and timeless design.” Currently available for preorder for a non-refundable $1,000 deposit, T2.3 comes in three different variants with one classic pop-up roof that enhances the internal standing headroom to 6 feet 4 inches.

Designer: Type 2

Modeled after the 1940s Volkswagen bus, the T2.3’s design replaces fiberglass construction with aero-grade steel panels. This keeps the camper lightweight and adds to its durability. With the use of steel panels, the camper with its pop-up roof is faster to manufacture and fairly easy to tow behind a small electric vehicle.

Measuring 9 feet 6 inches long and 5 feet wide, the camper weighs under 980 lbs in all three options (detailed below). Outfitted with three windows on each side, and a single door toward the back half, the camper has a liftgate hatch. For more space inside comprising a convertible U-shaped sofa, an expandable kitchen counter, and a rear window seat (in the entry-level Sleeper model), the T2.3’s entire roof rises above.

Adding an outdoor shower system and 1-gallon electric hot water heater to the Sleeper and we have the T2.3 Sleeper Plus. The most exciting option is the Kitchenette model. The rear window seat here is removed to accommodate a full L-shaped kitchen complete with a dining table, induction cooktop, and stainless-steel sink. Of course, the change in features makes for a change in the pricing structure as well. The Sleeper model starts at $29,950, the Sleeper Plus scales the figure to $35,000, while the one with a kitchenette will set you back $39,000.

 

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Holobox hologram-in-a-box could supercharge meetings and presentations

Video meetings are becoming more and more common as time passes, even without travel restrictions. Work arrangements are changing and the world is suddenly a much bigger place, with people spread out all over. Those remote interactions, however, don’t just have the same effect as in-person meetings, especially when you lose certain contexts from body language. It just feels less personal and has less impact, especially if you’ll be using an avatar that looks more like a cartoon than a real representation of yourself. In science fiction, holograms try to bridge the gap between people across planets or even galaxies, but that kind of technology is actually available today in a less flashy but still mind-blowing way.

Designer: Holoconnects

Holograms are nothing new, but it has traditionally been difficult to implement them on a large, human-sized scale. Trying to project floating three-dimensional images of people is still a bit of a pipe dream, but if you’re fine with putting them in a box, then that dream has already become reality with Holoconnects’ Holobox. It is what its name sounds like, a way to have a holographic version of yourself or someone else projected inside a large box.

What makes the Holobox special beyond its amazing image fidelity is its ease of use. It needs only a power source and an Internet connection to operate because everything is built into the box. Of course, that’s only for actually projecting and playing the hologram. You’ll need a different set of equipment for actually capturing the video of a human, whether pre-recorded or in real-time. And it doesn’t even have to be human either since you can project anything that can fit inside the box’s 86-inch display. Actually, you can even connect several boxes together so that it can show a much bigger object, like a car, for example.

But what really is the point of having a life-sized hologram anyway? For one, it offers a new level of remote communication where you can fully see the person in 3D as if they were standing in front of you. It can also give a more personal touch to presentations, training, advertising, and more. Basically, anywhere that your real presence would have an impact, the Holobox can offer a stand-in that is both effective and human. Plus, it looks awesome to boot!

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One Week To Go! Core77 Design Awards Regular Deadline is March 5th

Our biggest awards deadline is March 5th—have you started your entry yet? This year’s awards are filled with chances to win. With our eight new categories from last year plus TWO special prizes from our sponsors you have more opportunity than ever before to take home a coveted honor.View the full content here

RED Arquitectos integrates corn millstone into facade of Mexican house

Casa de Baja

Mexican architecture studio RED Arquitectos has completed a cement-covered residence with screens made of stones used for preparing food on the coastline of Cerritos, Mexico.

The 130-square metre Casa que Da was completed on a 2,000-square-metre property in Baja California Sur in May 2023.

Concrete home with screens gate
RED Arquitectos has completed a cement-covered residence in Mexico

The town – located between La Paz and Cabo San Lucas in the foothills of the Sierra Laguna – was built to accommodate the growing tourism business, but is characterised by the red brick and smoke chimneys traditionally seen in structures in the area, which has relied heavily on mining in the past.

“Casa que Da is conceived as a pre-Hispanic codex, which expresses through its spatiality and iconography, the knowledge of the earth and its materiality,” RED Arquitectos principal Susana López González told Dezeen.

Concrete home
It was designed with references to pre-colonial architecture styles

Designed for a couple from Austin, Texas – a surf-loving chef and his mountain climbing wife – the house has a constant relationship with both the sea and the mountains and the “geometric continuity of the work unfolds on its facades,” allowing the residents to interact with the landscape from every angle.

The house is arranged in a C-shaped plan, opening toward an outdoor dining patio on the western side shaded by large wooden beams.

Concrete home with surfboard
The residence is oriented around the sea and the mountains

The program progresses from the southwest public end of the plan to the northwest private areas, aligning the living room, dining room and kitchen.

The bedrooms and bathrooms are stacked on the opposite end with windows that look out east and west. The primary suite cantilevers slightly out from the perimeter of the foundation with a glazed corner.

Living room with large windows
The interior features a C-shaped plan

An exterior staircase – shaded by a black partition lattice made of local purple rosewood – leads up to a roof terrace with 360-degree views.

The house is constructed of concrete block, the most accessible material in the area, and covered on both the exterior and interior with naturally pigmented cement.

“Mixed with the desert, Casa que Da prostrates soberly in the landscape,” the team said, noting that the cement form makes the house appear as a “monolithic sculpture” while controlling “the thermal sensation in the face of the intense heat”.

The facade at the living has a feature screen composed of nixtamal – corn millstones used to crush corn into flour for tortillas. The stones were placed at other places along the facade to create shading elements.

The client named the house Casa que Da (House that Gives) to reference the act of “giving” in a culinary context.

Large windows with curtains
Large sliding doors line the living area

The integration of the nixtamal was inspired by the client’s culinary experience and created a pattern of sunlight and shadow.

The bands of orange-coloured millstones are divided by a central column of rounded stones.

Bedroom with large windows
The design was informed by the clients’ culinary experiences

In the interior, large sliding glass doors are framed in black metal and look out to the surrounding desert.

RED Arquitectos previously completed Casa Calafia, an earth-toned concrete house with arched doorways and windows nearby in Todos Santos, and Casa Numa, a residence wrapped in a coconut palm screen on the Yucatán Peninsula.

The photography is by Miguel Ángel Vázquez Calanchini.


Project credits:

Architect: Susana López González, RED Arquitectos
Collaborators: Arch. Angelica Azamar Villegas
Lighting design: Miguel Calanchini
Construction: Ing. Rogelio Rojas Castro
Structural engineering: Ing. Apolinar Sánchez

The post RED Arquitectos integrates corn millstone into facade of Mexican house appeared first on Dezeen.

Dezeen Agenda features Google's New York headquarters

Google headquarters in New York

The latest edition of our weekly Dezeen Agenda newsletter features the opening of Google’s headquarters in New York. Subscribe to Dezeen Agenda now.

Architecture studios CookFox Architects and Gensler have adapted and restored a 1930s rail terminal, transforming it into a headquarters for Google.

The building, which will house the technology company’s North American operations, is located in New York City.

BT Tower hotel
Heatherwick Studio set to turn “extraordinary” BT Tower into hotel

This week’s newsletter also featured Heatherwick Studio’s plans to turn the BT Tower into a hotel, the finalists for this year’s edition of the Mies van der Rohe Award and Swedish designers Gustav Winsth and Alexander Lervik’s unveiling of a chair that was designed using virtual reality.

Dezeen Agenda

Dezeen Agenda is a curated newsletter sent every Tuesday containing the most important news highlights from Dezeen. Read the latest edition of Dezeen Agenda or subscribe here.

You can also subscribe to our other newsletters; Dezeen Debate is sent every Thursday and features the hottest reader comments and most-debated stories, Dezeen Daily is our daily bulletin that contains every story published in the preceding 24 hours and Dezeen In Depth is sent on the last Friday of every month and delves deeper into the major stories shaping architecture and design. 

The post Dezeen Agenda features Google’s New York headquarters appeared first on Dezeen.

nubia Pad 3D II at MWC 2024: Glasses-free 3D tablet gets 5G and AI upgrades

With mixed reality and spatial computing becoming trendy again, 3D content is also seeing a rise in interest, both in terms of creation and especially in consumption. Of course, most of the digital content that we see is in flat 2D, and you need to wear specialized glasses to actually experience those objects in a way that tricks your brain into believing it’s actually 3D. Or at least that’s how things have been traditionally. Outside of cinemas, wearing such glasses is not only uncomfortable and awkward, they’re practically unusable as well. That’s where technologies like the new nubia Pad 3D II come in, offering that same enjoyable experience of immersing yourself in 3D content without having to put anything on your face and without blocking the rest of the world.

Designer: Nubia

Instead of relying on a projector and glasses, the nubia Pad 3D II employs a Diffractive Lighthfield Backlighting (DLB) layer underneath the LCD screen to have the same effect of sending a different set of images to each eye. It uses sensors and eye-detection algorithms to adjust those images depending on where we’re actually looking, giving the same effect without having to wear glasses. That was the concept that nubia proved last year, and the nubia Pad 3D II refines that design with much-needed upgrades.

At the top of that list is 5G connectivity, which is pretty much a minimum requirement for any mobile device today. Given the tablet’s potential for content consumption as well as creation on the go, a fast and stable Internet connection is more than just a convenience; it’s a necessity. Other hardware upgrades include an improvement to the special display with 80% better 3D resolution and 100% boost in 3D brightness. It is powered by some of the current mobile technologies available, including a Qualcomm Snapdragon 8 Gen 2, a whopping 10,000 mAh 66W battery, and a 12.1-inch 2.5K screen.

Unsurprisingly, nubia is also pushing the AI upgrades it made to the second-gen eyewear-free 3D tablet. In addition to utilizing AI to properly detect eye position and adjust the 3D display accordingly, it also uses neural networks for its Neovision 3D Anytime, which can convert any 2D content into 3D in real time. That includes not just photos but also videos, streaming media, and even games. AI 3D Collaboration allows owners of ZTE phones or Miracast devices to wirelessly stream content to the tablet for even more sources for videos, images, and more.

The nubia Pad 3D II is more than just a tablet for watching 3D videos, though. Thanks to an AI-enhanced dual-camera system, it can also take photos or record videos in stereoscopic 3D, letting you easily create 3D content that you can then share with others. The tablet also has a role to play even if you’re creating those 3D images on a different device. Simply drag and drop that 3D model from laptop to tablet for a better way to view your creation. With the new and improved nubia Pad 3D II, 3D no longer has to be something you can experience inside a cinema or with glasses on, opening a whole new world of 3D content that you can enjoy anytime, anywhere.

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Black cars surround furniture by Willo Perron and USM in Sized Selects exhibition

Cars in LA exhibition

American design studio Sized has arranged black cars around furniture for an exhibition in Los Angeles that aims to embody the city’s “intrinsic” relationship with automobiles.

Part of a series of mobile exhibitions by Sized called Sized Selects, the show featured a series of cars displayed as “sculptures” in a Hollywood building that was once used as the headquarters of American business magnate Howard Hughes.

It is based around a collaboration between Sized founder Alexander May and American furniture company USM. May told Dezeen that the chrome used in USM’s industrial-style modular furniture was the main material prompt for the greater exhibition.

Sized selects sign on the front of white LA storefront
Sized has created an exhibition that places all-black cars alongside furniture design. Photo by Damon Jones

“We wanted to bring the chrome of USM to life through the curation cars,” he said.

“We selected black cars so you could just focus on the shape, as well as the chrome components of the car, connecting them with this classic USM element.”

USM created a series of chrome-and-glass shelving units displayed in the entryway and collaborated with Canadian designer Willo Perron on a long table in the same style with small, wheeled chairs.

Black Lamborgini in concretre room
The show is meant to showcase LA’s relationship with cars. Photo by Elizabeth Carababas

The long table was flanked on either side by more cars, arranged along the walls of a long passageway inside the building, which has been stripped down to its concrete foundations.

“[The exhibition] is a conceptual exploration of the city’s intrinsic and storied relationship with motor vehicles and the significance of their sculptural and material interconnectedness,” said the Sized team.

“It is a celebration of collaborative culture, automotive ingenuity, and the power of black.”

Glass and chrome table and shelving
Design studios USM and Willo Perron collaborated on a glass-and-chrome table

Automobiles in the exhibition were curated in partnership with engineering consultancy Damon Jones, and several dealerships and private individuals were called upon to lend their cars for the show.

At the front of the line of vehicles was a 1993 Vector, a rare vehicle that was created using mostly Lamborghini parts. The low-lying sportscar belonged to Vector chief designer Gerald Wiegert.

Interior of a classic car with chrome details
The cars selected were all black to highlight the chrome and the form of the vehicle design

Also on show was a 1982 Rolls-Royce Corniche Convertible and a 1993 Mercedes 500SEC AMG commissioned by American basketball player Shaquille O’Neal.

“The black, chrome and glass palette, an intentional extraction of color, allows shape, line, and frame to emerge in sharp relief, elevating form to a value on par with power and precision that defines automotive design excellence,” said the Sized team.

May said he wanted to showcase the design alongside the vehicles to show the “sculptural” quality of the cars.

“It’s a meditation on the shape and materiality of the vehicles,” he said.

The show is an exercise in unifying different aspects of the design world that are not often showcased simultaneously.

USM tables at Sized Selects
Chrome features in both the USM furniture and the vehicles

“It pushes the boundaries, putting these things in the same room together,” said May.

“Because, at the end of the day, people are living with all these things together but not experiencing that in shows.”

Black Mercedes
Vehicles were supplied by dealerships and private individuals

Sized Selects is a quarterly showcase put on by May, who opened a brick-and-mortar location for his creative studio in 2022.

Other design exhibitions that featured automobiles include a show in Bilbao where British architect Norman Foster showcased several of his own classic cars.

The photography is by Carter Williams unless otherwise stated.

Sized Selects Los Angeles is on show from 27 February to 3 March in Hollywood. For more events, exhibitions and talks in architecture and design visit the Dezeen Events Guide

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nubia Music phone has two headphone jacks and a large speaker on its back

Once upon a time, music was played to be enjoyed by an audience. While that still happens today, most of the time we have become enclosed in our own little audio bubble thanks to smartphones. Earphones and earbuds keep the music to our ears, and smartphone speakers can’t get too loud without losing the music’s quality and clarity. Even worse, the venerable headphone jack that audiophiles use and love has been banished from mobile devices. In an effort to bring back that social listening experience, nubia is launching what could be its most distinctive smartphone yet, one that is a clear ode to a golden age of music that brings together features and design elements that will let you share your favorite tunes with ease.

Designer: Nubia

There may be no room for a thick 3.5mm port inside extremely thin phones, but what if thinness was never a problem in the first place? Aiming for a different priority, the nubia Music doesn’t just bring back the headphone jack but actually adds an extra one. Yes, there are two headphone jacks on this phone, and it’s a clear indication that this device is meant for listening to music. In fact, it’s designed to let you share that music with another person, a friend or a partner perhaps, provided they also have wired earphones.

There might be times you’ll want or even need to play music that everyone can hear. That’s where the nubia Music’s ultra-loud speaker comes in, promising 600% more volume without the distortion. That’s already a huge improvement over your typical smartphone loudspeaker, but what’s even more interesting about it is the way it’s added to the phone’s design.

As if dual headphone jacks weren’t odd enough, the nubia Music even has that ultra-loud speaker on its back. But rather than just simply slapping it on like what some other rugged phone manufacturer did, nubia opted to add a charming design to this unusual feature. The circular speaker and the two cameras are set opposite each other on a raised rectangle, recreating the appearance of a turntable that music lovers will be able to immediately identify. It’s a very nice touch that should tickle the hearts of audiophiles of all ages.

The entire phone is designed with that vibrant, lively, and youthful character, presenting a device that loves to party as much as you do. With mid-range specs and a price tag that starts at only $149, it is clearly targeting a younger crowd, though any music lover will surely find the nubia Music something worth looking at and, of course, listening to.

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