Hasta La Ideas

Samsung might be one of the pioneers of the whole foldable phone craze, but the disadvantage of being the first is that you risk getting things wrong the first time around. In contrast, hindsight is 20/20, as they say, and many of its competitors have used that advantage to catch up and even overtake Samsung at its own game. Of course, the tech giant isn’t content to just sit around while others outrun it, and it has been catching up with “innovations” like a hinge that lets the phone fold flat. Now it seems that Samsung will be catching up in another aspect, with a Galaxy Z Fold that’s a little bit wider when folded and, therefore, easier to use as a regular phone.

Designer: Samsung (via Pigtou and David Kowalski/xleaks7)

To be fair, Samsung was sailing on uncharted waters, so it was bound to miss a few marks. For its inaugural foldable phone, Samsung aimed for a tablet that was like a mini iPad mini or, closer to home, a smaller Galaxy Tab A, which meant it adopted a vertical or portrait format when unfolded. That meant it would have an extremely narrow phone when folded, which was heavily criticized for being awkward to hold and nearly unusable as a regular “candy bar” smartphone.

In contrast, foldable phones like the OPPO Find N and the Google Pixel Fold aimed for a more “traditional” horizontal or landscape tablet design, which had a few direct benefits in terms of consuming content like videos or even books. More importantly, however, it also meant that the folded form of the phone more closely resembles regular smartphones with a wider and sometimes shorter design. In over five generations, Samsung has never changed its design on that front, but that might not be the case with the Galaxy Z Fold 6 or later models.

OPPO Find N3

OPPO Find N2

Vivo X Fold 2

Google Pixel Fold

A recent patent filed by Samsung reveals a foldable design that is significantly different from its status quo in more ways than one. First, it is noticeably wider when folded, giving it a shape that will feel more natural to use compared to the recent crop of Galaxy Z Fold models. Additionally, it’s also significantly thinner, both folded and opened, which would go a long way in increasing the usability of an otherwise heavy and bulky device. In other words, it would be the foldable that Samsung should have launched in the first place if it had the benefit of hindsight five years ago.

Of course, a patent doesn’t immediately mean it will be implemented, whether in the Galaxy Z Fold 6 or future incarnations. It is at least proof that Samsung is aware of the shortcomings of its current design and is taking steps to correct its course. It would definitely be grand if it could launch such a sleek foldable this year, but such a thin design would also go against calls for bigger batteries or a built-in S Pen. For now, other brands still have an advantage over Samsung in some aspects, including and especially the price of such a premium piece of technology.

The post Wider, more ergonomic Samsung foldable phone might be in the works first appeared on Yanko Design.

Madrid-based Zooco Estudio has created a striking restaurant within the Cantabrian Maritime Museum in Santander, Spain, that celebrates the building’s brutalist architecture.

The restaurant is set within a dramatic vault of concrete paraboloids that were unearthed during the renovation, while a slatted timber ceiling pays homage to the area’s shipbuilding legacy.

Overlooking the tranquil waters of Santander Bay, the restaurant is located on the second floor of the landmark Cantabrian Maritime Museum, which was designed in the mid-1970s by architects Vicente Roig Forner and Ángel Hernández Morales.

The paraboloids were an original fixture of the structure and supported the roof of what was once the museum’s patio.

The studio focused on restoring the historic fabric of the space and reviving the paraboloids, which had been concealed for around 20 years, as “a vestige of the past”.

“In 2003, the building was renovated and as part of this intervention, the paraboloids were covered with a new roof and the space between them and the perimeter of the building was closed with glass, generating a covered space where there was previously a terrace,” Zooco Estudio co-founder Javier Guzmán told Dezeen.

“We wanted the concrete paraboloids to be the absolute protagonists of the space and by removing the paint and the coating, the paraboloids are visible again and regain their full prominence.”

The previous renovation also altered the dimensions of the space and reconfigured the volume as a square.

To promote symmetry, four additional concrete triangles were added to balance out the original paraboloids in the brutalist restaurant.

Overhead, a false ceiling of slatted timber panels frames the concrete arches.

The studio designed theses triangular boards to reference the arrangement of timber across the hull of a boat, a nod to the museum and the area’s nautical past.

The panels also serve the purpose of concealing the restaurant’s mechanical systems.

“The wooden slats bring warmth and friendliness to the space while allowing us to solve all the technical needs for air conditioning, heating and lighting, leaving them hidden,” Guzmán said.

“In this way, we ensure that all these elements do not interfere with the dialogue of concrete and wood, which are presented as continuous and clean elements.”

The interior layout was largely dictated by the low arches of the elliptic paraboloids that dominate the brutalist restaurant.

“The geometry of the existing structure conditions the space, because its height in its lower part is impractical, so a large bench is arranged around the entire contour that allows us to take advantage of that space and organise the distribution of the rest of the floor plan,” added Guzmán.

Like the ceiling panels, the interior finishes and furnishings allude to the maritime history that the building commemorates.

“The use of wood and steel for all the furniture is reminiscent of the materials used in shipbuilding – the furniture has slight curvatures that are reminiscent of the aerodynamic shapes of boats,” explained Guzmán.

“Likewise, the lamps are inspired by the masts for ship sails.”

Another key change was the replacement of the perimeter glass wall.

The inclined glazing was swapped for vertical glass, a decision that reclaimed external space for the patio, which stretches the length of the restaurant and overlooks the harbour below.

“When we are inside, the feeling is the same as when we are inside a boat, there is only water around, and that is why we used clean glass from floor to ceiling, generating a perimeter terrace as happens on boats,” said Guzmán.

Other projects by Zooco Estudio include a renovated house in Madrid and a co-working space with a kids’ play area in California.

The photography is by David Zarzoso.

Project credits:

Architect: Zooco Estudio
Construction: Rotedama Constructora SL
Lighting: Zooco Estudio
Furniture: Zooco Estudio

The post Zooco Estudio resurrects “vestige of the past” for brutalist restaurant appeared first on Dezeen.

Following the news of Rafael Viñoly Architects‘ plans for a vineyard-covered airport terminal, we rounded up 12 wineries from Dezeen’s Pinterest.

This roundup features lively wineries from our Pinterest that seamlessly blend into their surrounding landscapes.

Architecture studios such as Chybik + Kristof and Renzo Piano Building Workshop employed a range of materials such as glass, brick and concrete to create timeless wineries.

Scroll down to see 12 projects from our wineries board on Pinterest.

The Vertical Panorama Pavilion, USA, by Studio Other Spaces

Studio Other Spaces, which is led by artist Olafur Eliasson and architect Sebastian Benhmann, completed the Vertical Panorama Pavilion for a winery in California.

The pavilion has a conical form that was constructed from 832 laminated glass panels in 24 different colours and a range of transparencies.

Find out more about the Vertical Panoroma Pavilion ›

The Château La Coste, France, by Renzo Piano Building Workshop

The Château La Coste Art Gallery, designed by Renzo Piano Building Workshop is a sunken exhibition space topped by sail, which is located along the grape vines of a winery in Aix-en-Provence, France.

The studio used chunky concrete walls to create the 285-square-metre building, which is sunk into a valley so that its roof is level with the landscape.

Find out more about the Château La Coste Art Gallery › 

Les Davids, France, by Marc Barani Architectes

French studio Marc Barani Architectes used ochre-coloured concrete to create this winery on the Les Davids estate in southern France.

Situated on mountainous terrain, concrete was utilized to seamlessly integrate the 2,130-square-meter structure into the valley’s landscape.

Find out more about the Les Davids winery ›

Pacherhof wine cellar, Italy, by Bergmeisterwolf

Architecture studio Bergmeisterwolf extended the Parcherhof wine cellar in Italy by adding a bronze funnel.

The tower houses modern wine production and tasting facilities, connecting to the existing cellar through an underground passage.

Find out more about the Parcherhof wine cellar ›

The Gurdau Winery, Czech Republic, by Aleš Fiala Studio

Aleš Fiala Studio, a local architectural firm, skillfully incorporated a sweeping, grass-topped concrete roof into the design of Gurdau Winery in the Czech Republic to blend the building into its surroundings.

Circular openings in the roof, strategically positioned above the ground floor’s glazed sections, fill the winery’s reception and tasting rooms with natural light.

Find out more about the Gurdau Winery ›

Liknon, Greece, K-studio

Greek architecture practice K-studio completed a visitor space for Metaxa drinks in an old vineyard. The studio created a unique pathway through the vineyard’s stone terraces.

K-studio aimed to narrate the tale of Metaxa’s production using the landscape itself. It incorporated a series of display and tasting rooms, linked by stone steps and pathways.

Find out more about Linknon ›

Brown Brothers winery, Tasmania, by Cumulus Studio

Cumulus Studio used shipping containers to design this lookout tower and wine-tasting space at a vineyard in Tasmania.

Constructed mainly from timber-clad shipping containers, the two structures offer a partially sheltered environment for wine and food tasting, along with an observation point that provides sweeping views of the vines.

Find out more about the Brown Brothers winery ›

Solar-powered winery, Spain, by Munarq Arquitectes

Mallorca-based studio Munarq Arquitectes designed this solar-powered winery in Majorca with a sandstone exterior and wicker sunshades.

The winery was crafted to function entirely on renewable energy, utilising concrete and stone walls, along with a cork-lined roof, to provide insulation for the building.

Find out more about this solar-powered winery ›

Lahofer Winery, Czech Republic, by Chybik + Kristof

An undulating roof with an amphitheatre is featured in this concrete winery designed by architecture studio Chybik + Kristof.

The structure, situated in the Czech Republic, draws inspiration from the agricultural landscape it is surrounded by.

Find out more about Lahofer Winery ›

Caymus-Suisun Winery, USA, by Bohlin Cywinski Jackson

Engineered timber and a cantilevered roof define the Caymus-Suisun Winery created by Bohlin Cywinski Jackson

The studio aimed to design a comfortable environment and connect well with the surroundings, which include orchards, vegetable gardens, and vineyards.

Find out more about the Caymus-Suisun Winery ›

Alton Wines, USA, by GO’C

Cedar cladding and a well-defined structural grid are highlighted in this tasting room designed by Seattle studio GO’C.

GO’C aimed to design a building that respects the environment and harmonises with the plot of land it sits on which was previously deemed “unfarmable”.

Find out more about Alton Wines ›

Alves de Sousa, Portugal, by Belém Lima

This wine-making facility and visitor centre designed by local architect Belém Lima was covered entirely in black brick to reduce its visual impact on the surrounding landscape.

The building serves a dual purpose as both a production facility and a visitor attraction, requiring distinctly different types of spaces. These needs are met by two intersecting volumes.

Find out more about the Alves de Sousa winery ›

Follow Dezeen on Pinterest

Pinterest is one of Dezeen’s fastest-growing social media networks with over 1.4 million followers and more than ten million monthly views. Follow our Pinterest to see the latest architecture, interiors and design projects – there are over four hundred boards to browse and pin from.

Currently, our most popular boards are London house extensions and Chinese architecture.

The post Twelve vivacious vineyards from Dezeen’s Pinterest appeared first on Dezeen.

The Phantom 2.0 is an upgraded folding utility knife made from Gr5 titanium and carbon fiber sheets. It features replaceable blades and multiple ways to open it. This everyday carry (EDC) has an improved grip, double-side tritium slots for durability, convenience, versatility, and, most importantly, a safer lock mechanism. It also comes with a deep pocket clip, a lanyard hole, and smooth one-hand operation. And, it’s TSA-approved and allows for easy blade replacement. Let’s explore all these features in detail to help you determine if this EDC fits your needs for everyday tasks, traveling, or outdoor activities.

Designer: EDC Monster

Click Here to Buy Now: $129 $169 (24% off). Hurry, only 10/440 left! Raised over $78,000.

The new Phantom 2.0 is finally here, building on what people loved about the first version. It keeps popular features like the flip opening and blades you can change out. But there’s more to it this time around.

Unlike ordinary pocket knives, The Phantom 2.0 is a folding utility knife made from Gr5 titanium, boasting real carbon fiber sheets.

Backers and owners of the Phantom 1.0 love this product so much that they’re sharing their “backer number” along with comments about their anticipation for the release of version 2.0.

It’s a brilliant move for EDC Monster to listen to what users say and keep the well-loved features while adding additional cool updates. Now, there’s a thumb stud and a back flipper for opening it, making it easier to use with one hand. They’ve also added something neat: slots for tritium, a type of glow-in-the-dark material. This means no more fumbling around in the dark trying to find your cutting tool.

These updates are all about making Phantom 2.0 more useful and user-friendly. It’s clear that the feedback from users really shaped this new version, making it a tool that’s even better suited for everyday tasks.

Next, let’s detail the differences between versions 1.0 and 2.0. The Phantom 2.0 introduces several key enhancements to its design, making it an even more reliable and user-friendly everyday carry tool.

Firstly, the grip has been significantly improved. In addition to the existing groove on the side of the frame, additional lines and grooves have been added to both sides. This design ensures a more stable and comfortable hold between the thumb and index finger, enhancing the overall grip during use.

Safety and ease of operation have also been addressed with a safer lock mechanism. The liner lock has been extended by 0.59 inches to facilitate better locking functionality. This longer Liner Lock feature enhances the knife’s reliability and security, allowing users to focus on the task at hand with increased confidence.

The centerpiece of this Everyday Carry (EDC) is the cutting feature. It reliably performs tasks such as slicing through paper, carpet, cartons, leather, PVC, and even fruits over time.

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Accessing the blade only requires one-hand operation thanks to the roller bearing mechanism. Common utility knives often jam with frequent use, hindering smooth and rapid operation. The Phantom 2.0, equipped with a roller bearing mechanism, is a folding knife capable of opening in 0.5 seconds. It opens and closes swiftly and smoothly, maintaining its performance over time.

The Phantom 2.0 introduces a range of opening mechanisms to cater to different preferences and situations, making the knife more versatile and user-friendly. The back flipper opening is a standout feature that allows for quick and easy unfolding of the knife with a simple flick of the index finger. This method ensures a smooth and reliable action, providing users with immediate access to the blade when needed.

In addition to the back flipper, the Phantom 2.0 features a front flipper opening, a new addition not found in its predecessor, the G1. This design includes an extra flip tab located at the top of the blade, enabling users to effortlessly unfold the knife with a single motion. This alternative method offers an additional way to quickly deploy the blade, enhancing the knife’s functionality.

Furthermore, the Phantom 2.0 is equipped with a thumb stud, allowing for swift and easy blade access using just the thumb. This feature adds to the knife’s versatility, making it suitable for a wide range of cutting tasks. The inclusion of the thumb stud, alongside the front and back flipper openings, ensures that users have multiple reliable options for opening the knife, catering to personal preferences and situational needs.

As we’ve already briefly mentioned above, another significant upgrade is the addition of double-side Tritium Slots. Unlike the previous model, which only has one, the Phantom 2.0 comes with a tritium slot on each side, measuring 1.5 x 6mm each, to ensure that you can effortlessly locate your knife in any low-light environment. This improvement makes the knife an indispensable tool in various low-light or emergency situations, ensuring visibility regardless of its position.

There’s also an add-on option for glass luminous vials and tritium vials (both come in several color options) to meet your different needs and preferences.

The blade replacement mechanism has been upgraded for even greater convenience. The small metal plate has been redesigned to facilitate easier blade installation and disassembly, making blade maintenance more effortless than ever. EDC Monster is very proud that while maintaining the excellent features of the Phantom 1.0, the Phantom 2.0 is also TSA-compliant. Remove the blade, discard it, and keep the handle. This makes it an ideal travel companion for all your creative needs.

Tying everything together, the Phantom 2.0 enhances everyday carry convenience and security with its thoughtfully designed deep pocket clip, positioned strategically in the middle of the knife to ensure secure and discreet placement. Additionally, it features a keychain hole designed to accommodate a lanyard bead, adding a layer of personalization and versatility. This specific design not only elevates the functionality but also the aesthetic appeal of the knife, making it a more tailored and essential component of your everyday carry.

Together, these enhancements make the Phantom 2.0 a superior choice for an everyday carry knife, combining improved functionality, safety, and ease of use in one sophisticated tool.

Click Here to Buy Now: $129 $169 (24% off). Hurry, only 10/440 left! Raised over $78,000.

The post A New and Improved TSA-approved Titanium everday carry tool first appeared on Yanko Design.

Having witnessed countless shape-shifting concepts and working prototypes, I always yearn for a set of wheels that is practical in real-life usage and easy enough to transform from one form to the other. To my amazement, an Indian automotive startup has that desire half-fulfilled. Meet the S32 EV that’s an electric scooter transforming into an e-rikshaw and vice versa.

While you won’t be seeing me driving an e-rikshaw in this lifetime atleast, the vehicle seems like a very good option for commercial use. Given the sheer intensity of commute, home delivery and logistics requirements of the nation, this is going to be a successful product. Designed specifically for the Indian subcontinent, the e-scooter can solve a lot of purposes – be it your commute to the supermarket to grab groceries or hauling medium-sized cargo across the city.

Designer: Surge EV

The interchangeable body frame is an industry-first innovation and it’s as easy as popping open the front section (fascia) of the rikshaw and sliding out the two-wheeler. This transition takes less than three minutes courtesy of the specially engineered spring-loaded mechanism, turning the three-wheeled e-rickshaw into an electric scooter so fast you’ll be amazed to see it in real time. All this is done at the touch of a button without the need for any tools. The result is a flexible vehicle that can take either of the two shapes depending on the needs.

The transforming vehicle has very little scope for personal usage, it is a great option for commercial use. For instance, a delivery vendor could configure the S32 on the fly depending on the needs of the client without needing to keep two separate vehicles for each usage. Each module has its separate batteries (independently charged) and motors to make them as independent as they can be. On the inside the vehicle is fitted with LED lighting, digital speedometer and switchgear.

When both of them are combined the three-wheeled rickshaw mode is activated – kicking into action the larger 11 kWH battery, generating 6bhp. It’s powerful enough to haul a weight of 500 kg and has a top speed of 50 km/h. When separated, the electric scooter’s 3.5 KWH battery is activated for commuting, having a top speed of 60 km/h thanks to the 4 bhp output.

Hero Motor Corp says the rikshaw module can be bought in either the hauling option with a cargo bed or the passenger configuration with seats at the back. The company has not revealed the pricing or actual release date but they’ve hinted at a probable production timeline of 2025.

The post This shape-shifting rikshaw converts into an e-scooter in less than three minutes first appeared on Yanko Design.