Dezeen's top five houses of February 2024

Sabater House in Alicante

From a zigzagging minimalist home in Spain to a compact self-build project in the UK, here are the most popular houses featured on Dezeen this month.

Also on the list is a Y-shaped house in Canada, a blocky concrete dwelling in Portugal and a sprawling residence among Australian farmland.

This is the latest in our Houses of the month series, where we collect the five most popular residences featured on Dezeen every month, from all around the world.

Read on to discover Dezeen’s top five houses of February 2024:


Sculptural Peninsula House in Melbourne by Wood Marsh
Photo by Timothy Kaye

Peninsula House, Australia, by Wood Marsh

Wood Marsh is the architect behind the most popular house on Dezeen this month, which can be found among farmland near the coast of south-eastern Australia.

Branching generously across its rural site, Peninsula House is intended to appear as a “windswept, weather-beaten form” derived from its coastal surroundings.

Find out more about Peninsula House ›


Exterior of Peckham house by Surman Weston
Photo by Jim Stephenson

Peckham House, UK, by Surman Weston

The smallest home on the list was designed and built by the founders of Surman Weston for their families on a compact site in south London.

Free of a client brief, co-founders Tom Surman and Percy Weston chose to draw on nearby architecture and the personalities of their families to set the project parameters.

The result is a characterful dwelling animated by playful hit-and-miss brickwork and a trio of gardens, one of which is concealed on the roof but still complete with a greenhouse.

Find out more about Peckham House ›


Sabater House by Fran Silvestre Arquitectos
Photo by Fernando Guerra (also top)

Sabater House, Spain, by Fran Silvestre Arquitectos

Another residence on the list with a form that sprawls out across its rural site is Sabater House in Alicante, designed by Fran Silvestre Arquitectos.

The home unfolds through a series of intersecting, elongated forms that slot between trees and frame a series of terraces. According to the studio, the design references local pathways that lead to a hermitage.

Find out more about Sabater House ›


Y House, Canada, by Saunders Architecture
Photo by Ema Peter

Y House, Canada, by Saunders Architecture

In Canada, Saunders Architecture created a residence within the Carraig Ridge retreat near the Rocky Mountains.

It has a distinctive Y-shaped form, helping to delineate its public and private zones. The three arms are united by their tactile cladding, formed of weathering steel panels.

Find out more about Y House ›


SV House by Spaceworkers in Portugal
Photo by Fernando Guerra

SV House, Portugal, by Spaceworkers

This monolithic, cubic form is SV House, a home that Spaceworkers created on a sloping site near Sobrado in Portugal.

It is distinguished by its thick concrete exterior, which is visually softened by irregularly placed windows that frame outward views while maintaining the privacy of its owners.

Find out more about SV House ›

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Ateliers O-S and NAS Architecture organise French school around planted courtyard

Samuel Paty School by Ateliers O-S and NAS Architecture

Gabled concrete forms surround a planted courtyard at Samuel Paty School in Béziers, France, created by local studios Ateliers O-S and NAS Architecture.

Located in the city’s Devèze district, the single-storey school is designed by Ateliers O-S and NAS Architecture to balance well-lit, navigable spaces with a feeling of enclosure and privacy for those inside.

This was achieved by creating a “double-walled” structure, where a concrete exterior and corridor create a buffer from the city outside and the interiors look inwards at the central courtyard through full-height windows.

Courtyard area within Samuel Paty School in France
The school is organised around a large planted courtyard

“The project is characterised by a double structure, which is mineral and thick on the city side on the outside and lighter and scalable metal on the inside,” explained Ateliers O-S.

“The result is a hybrid building that offers a strong contrast based on an opening to the interior landscape, composed of playgrounds, learning gardens and relaxation areas,” it continued.

Samuel Paty School’s entrance to the northwest is covered by a section of roof with circular openings. This allows the site’s existing trees to continue to grow while providing a sheltered space for children and parents to gather.

Sheltered entrance of school by Ateliers O-S and NAS Architecture
A sheltered entrance provides a gathering space for children and parents

Once inside, two entrance halls lead to the separate nursery and primary school wings that form the school’s O-shaped plan.

A corridor on each side acts as an “internal street”, lined with storage spaces, narrow windows looking out to the city and circular openings into the classrooms.

“The school’s corridor winds around the school as a second protection to the classrooms,” explained the studio.

“Considered as external but sheltered, this space of distribution and exchange has a non-insulated external concrete facade that leaves the tinted concrete of the facades visible on both sides.”

Corridor within Samuel Paty School in France
Narrow windows in the facade look out towards the city

Full-height, sliding glass doors allow each classroom to open onto the courtyard, which is divided in two by stepped concrete seating.

Alongside the main school building, separate structures house the medical centre and canteen, with a delivery entrance to the south. At the far eastern end, a small two-storey building contains offices and an independent entrance for staff from the neighbouring Place Rosa Park.

View of courtyard at school in France by Ateliers O-S and NAS Architecture
Sliding doors open onto the courtyard

Ateliers O-S was founded in 2007 by Vincent Baur, Guillaume Colboc and Gaël Le Nouëne. Previous projects by the studio include a performing arts school and library in the suburbs of Paris which is clad in strips of golden aluminium.

Other recent schools in France include Eugénie Brazier, which Vurpas Architectes created from a converted market, and Auguste Benedict School by Amelia Tavella Architectes, which has a textured stone facade.

The photography is by Cyrille Weiner, Ateliers O-S and NAS Architecture. 


Project credits:

Architect: Ateliers O-S and NAS Architecture
Structural work steel framework:
 Fondeville
Exterior carpentry: Sonzogni
Metalwork: Solatrag
Interior carpentry arrangement: Carayon
Dry lining: Cuartero
Hard floor-coverings parquet: Vassileo
Flexible floor coverings: Carrillo
Painting: Escriva
Plumbing, Ventilation And Heating: Axima Equans
Electricity: Ineo Equans
Elevator: Otis
Kitchen: Thermasud
Espaces verts/green spaces: Id Verde
External works: Eurovia

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Galaxy Z Fold 6 renders reveal sharp design, rumors of Ultra model appear

MWC 2024 has seen several foldable phones that have either already launched or are still yet to come, showing that this growing market is, in fact, still growing. But even with the number of new players or new models popping up regularly, there’s no denying that one brand stands at the top in terms of both market share as well as mind share. That’s the advantage of being one of the first and one of the most aggressive to market foldable phones, but it’s an advantage that won’t last long if Samsung chooses to rest on its laurels. Previous rumors about the Galaxy Z Fold 6 hint at a very mixed bag, and fresh 3D renders of Samsung’s next foldable seem to prove that it is indeed going after iterative refinement over sensational new features.

Designer: Samsung (via Smartprix and Steve Hemmerstoffer/@OnLeaks)

Depending on how you look at it, the Galaxy Z Fold 6’s design pictured in these unofficial renders could either be sleek or boring. It admittedly shares much in common with its predecessor, save for one detail. The corners are now more angular, which gives it a sharper appearance, literally and figuratively. In a sense, it resembles the boxy Galaxy S24 Ultra now more than ever, putting it in the same category as that “pro” smartphone.

The more interesting details, however, aren’t exactly apparent in these renders. The illustrations were based on unofficial sources which claim that when unfolded, the Galaxy Z Fold 6 will have a dimension of 153.5 x 132.5 x 6.1 mm. While that does “confirm” that the phone is shorter and wider, it also indicates that the thickness hasn’t changed at all. That, in turn, could raise hopes that there might still be some room for an S Pen inside after all.

Other than that, there aren’t many changes expected for the next big Samsung foldable, especially when it comes to the cameras. That said, there are now whispers of an “Ultra” model apparently in the works, one that could have those much-awaited features like a built-in S Pen and upgraded cameras. This goes in the completely opposite direction of earlier rumors of a more affordable Galaxy Z Fold model. Then again, Samsung could also opt to lower the price of a “base” Galaxy Z Fold 6 ever so slightly in order to position the Galaxy Z Fold 6 Ultra better.

Regardless of how its actual design will come out, it will be an interesting and critical time for Samsung’s foldables. While it’s still popular, it is no longer the only game in town and its competitors are gaining ground quickly. Sooner or later, it will need to take bigger and bolder changes, especially ones that people have come to expect from one of the biggest smartphone makers in the world.

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Six architecture and design events in March from Dezeen Events Guide

Edificio Virginia

Design festivals DW! Sao Paulo Design Week and Perth Design Week are among the architecture and design events featured in Dezeen Events Guide this March.

Other events taking place during the month include SXSW, Collect, Design Shenzhen and Luleåbiennalen.

Photo of Collect sign at Somerset House
Design event Collect returns to Somerset House in March. Above: photo is by Iona Wolff. Top image: photo is courtesy of OMA

Collect
1 to 3 March, UK

Collect is a London-based fair dedicated to crafts and contemporary art, celebrating its 20th anniversary in Somerset House in 2024.

This year’s edition displays more than 400 global artists, who have utilised materials such as metal, ceramics, textiles, wood, paper, fibres, resin and plastics.

The three-day event is organised by UK charity Crafts Council.

Luleåbiennalen
2 to 26 March, Sweden

Art festival Luleåbiennalen, which this year focuses on the dynamic between architecture and art, especially resilience and empowerment in times of great change.

The festival – which is directed by curators Aude Christel Mgba and Bruno Alves de Almeida – is located across four cities and towns in Sweden‘s Norrbotten region: Luleå, Boden, Kiruna, and Messaure.

The exhibitions on display spotlight the natural and built environments of the four host locations.

SXSW
8 to 16 March, USA

The latest edition of cultural conference South by South West (SXSW) spotlights creativity within the technology, film, music, comedy, art and sports industries.

The conference presents a programme of fringe events, including screenings, performances, exhibitions, installations, talks and networking opportunities.

Speakers at the conference include software engineer Tracy Chou, designer Deonne Castaneda and CEO of podcast streaming platform Patreon Jack Conte.

Photo of exhibition at Perth Design Week
Perth Design Week has partnered with OMA and UniFor for the hub of its 2024 edition. Photo is courtesy of Perth Design Week

Perth Design Week
14 t0 21 March, Australia

Perth Design Week hosts its second annual event with over 70 events, exploring different design mediums, such as fashion and furniture, as well as technology, architecture and photography.

With a programme of exhibitions, installations, talks, tours, workshops and film screenings, the eight-day festival is located across central Perth and the surrounding area.

The central hub of the festival is the Principles Square installation, which is a collaborative project between the festival, architecture practice OMA and furniture brand UniFor.

Bathtub installation with mobiles above
A derelict building was decorated with installations during last year’s DW! Sao Paulo Design Week. Photo is by Mathews Montalvão

DW! Sao Paulo Design Week
14 to 24 March, Brazil

DW! Sao Paulo Design Week is located across seven districts in Brazil‘s largest city including Alameda Gabriel, Pinheiros, Vila Madelena and Higienopolis.

The design festival’s 13th edition features 75 participating brands across the design, architecture, art and technology industries.

Spanning 11 days, the events include product launches, exhibitions, talks, tours, workshops, fashion shows, fairs and parties.

Design Shenzhen
21 to 24 March, China

Trade show Design Shenzhen returns to the Shenzhen Convention and Exhibition Centre following its inaugural edition in 2023.

The sister event to Design Shanghai, the trade show presents over 250 brands across the fields of furniture, lighting, textiles and surfaces.

The event also hosts a series of talks led by architects, designers and business leaders.

About Dezeen Events Guide

Dezeen Events Guide is our guide to the best architecture and design events taking place across the world each year. The guide is updated weekly and includes virtual events, conferences, trade fairs, major exhibitions and design weeks.

Inclusion in the guide is free for basic listings, with events selected at Dezeen’s discretion. Organisers can get standard, enhanced or featured listings for their events, including images, additional text and links, by paying a modest fee.

In addition, events can ensure inclusion by partnering with Dezeen. For more details on inclusion in Dezeen Events Guide and media partnerships with Dezeen, email eventsguide@dezeen.com.

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Bud chair by Fora Form

Pink, blue and red Bud chairs by Fora Form

Dezeen Showroom: Scandinavian brand Fora Form has released a chair created by design duo Skogstad and Wærnes that provides a playful alternative to conventional office seats.

With Bud chairs, the designers aimed to create a seat that facilitates a collaborative and comfortable working environment without being as visually dominant as typical office seating.

Pink, blue and red Bud chairs by Fora Form
Bud chairs are designed for workplaces

“We wanted Bud to be able to stand alone and to function in larger numbers, without creating a wall of backrests,” said designer Fredrik Wærnes.

A metal frame – available in various leg formations, including with caster wheels – supports a padded seat cushion and a cylindrical wraparound backrest made from foam.

The chairs come in a wide array of colourways and finishes

All elements come in a range of finishes, including a spectrum of fabrics and leather upholstery options, which are designed to be repaired and replaced as part of the brand’s Fora Reform program.

The chair was launched in February at Stockholm Furniture Fair.

Product: Bud chair
Designer: Skogstad & Wærnes
Brand: Fora Form
Contact: peh@foraform.com

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UNStudio uses 'carbon builder' tool to reduce footprint of Luxembourg office building

The Kyklos Building by UNStudio and HYP Architects

Dutch architecture firm UNStudio has unveiled plans for The Kyklos building, a mixed-use office building in Belval, Luxembourg, designed in collaboration with local studio HYP Architects.

Aiming to create a building with the “smallest possible carbon footprint”, the studios implemented a hybrid construction approach of concrete and 100 per cent recycled steel, using a sustainable-design framework developed by UNStudio to calculate and monitor the building’s carbon impact.

This includes the ‘carbon builder’ – a tool that allows designers to study various construction options to reduce the carbon footprint at an early stage of the design process.

Exterior facade of office building by UNStudio and HYP Architects
UNStudio has designed a low-carbon office building in Belval

“The Carbon Builder is a software tool we are developing at UNStudio that allows our designers to begin testing options for, and fixing, carbon objectives to our earliest design concepts,” studio founder Ben van Berkel told Dezeen.

“We created it because we realised how essential it is to begin measuring the embodied carbon of a design as early as possible.”

Using the tool, the studio determined that a hybrid construction solution offered a better long-term carbon performance in comparison to other methods – stating that “timber is not always the best option”.

Visualisation of cafe and seating area at The Kyklos Building
The structure will be built from concrete and recycled steel

The Kyklos building by UNStudio and HYP Architects will form the “centrepiece” of the Belval masterplan – a redevelopment project led by development company Agora that has transformed an old industrial site into an urban centre.

The urban centre contains a university and technological centre, residential and office spaces, and hotels and retail spaces, with The Kyklos building forming the last structure of the redevelopment’s Central Square District.

The 7,600-metre-square office building will host eight floors of office space along with a 2,250-metre-square basement level.

On the ground floor, a lobby will offer a reception and commercial functions that are accessible for both office users and the public.

Floor plates, which branch out from the structure’s circular core, will be suspended from steel cables to reduce the need for load-bearing columns and increase useable floor space.

Render of curved facade at Luxembourg office by UNStudio and HYP Architects
A large, curved staircase will provide internal circulation

In response to the geometry of the surrounding context, the building will feature a largely orthogonal shape, with one rounded corner set back to create an overhang and prevent overheating on the interior.

At this rounded corner, an internal curved staircase will wrap around the glass facade. This was designed to form visual connections with the neighbouring Place des Bassins, which is formed of two basins from the former industrial steelworks site.

Street view of The Kyklos Building in Luxembourg
The building will form the “centrepiece” of the Belval redevelopment

According to the studios, the proposal has an embodied carbon footprint that is 8o per cent smaller than a traditional office building in Luxembourg.

Other recently completed office buildings include a geometric office block with pleated facades in Italy and a headquarters built on a renovated 1930s train terminal in the US.

The visualisations are courtesy of Play-Time Barcelona.


Project credits: 

Architect: UNStudio (Ben van Berkel, Arjan Dingste with Stella Nikolakaki, Bruno Peris Vila and Cristobal Ignacio Burgos Sanhueza, Laura Lopez Iglesias, Regiane Fernandes de Oliveira, Taliia Nurutdinova, Matthias Kooijman)
Local architect: HYP Architects
Client: Atenor, Ahrs Group, Agora Luxembourg​​

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Allies and Morrison completes "21st-century factory" for London College of Fashion

London College of Fashion by Allies and Morrison

British architecture studio Allies and Morrison has completed a university building for London College of Fashion at Queen Elizabeth Olympic Park in east London.

Conceived as a “21st-century factory”, the London College of Fashion (LCF) building is defined by its gridded concrete structure and a rectilinear facade lined with tall warehouse-style windows.

Exterior view of London College of Fashion
The facade is lined with tall warehouse-style windows

“We think of the building as a 21st-century factory for fashion – a super-sized atelier, dense with creativity and productivity,” studio partner Alex Wraight told Dezeen.

“Like the 19th-century factory and warehouse buildings that formerly occupied the site and the trade schools from which LCF originated, the building is characterised by the lofty, well-lit and adaptable workshop spaces it contains,” he continued.

Sheltered entrance of London university by Allies and Morrison
It has a concrete structure

Spread across 17 floors, the 40,000-square-metre building by Allies and Morrison is designed to operate as a “vertical campus”. Among its facilities are classrooms and workshops, as well as offices, a lecture theatre and social spaces.

The building is fronted by a large, sheltered entrance that opens up to a generous atrium housing the building’s public functions including a cafe, gallery, auditorium and library.

Concrete staircase within London College of Fashion campus in Stratford
A spiral concrete staircase features in the entrance atrium

Also in the atrium is a statement spiral staircase cast from concrete, which links the public spaces on the lower floors to the workshop and teaching areas above.

“By vertically connecting these uses and enabling views, social interaction and movement between them, the central heart space acts like the courtyards, streets and footpaths in a conventional ‘horizontal’ campus,” Wraight said.

Transitioning from the spiral stair, a rounded steel staircase connects the higher floors. It is punctured with openings to facilitate visual and physical connections while filtering daylight and ventilation.

Further circulation spaces and services are provided in the building’s core, where there are lifts, staircases and restrooms.

Concrete staircase at London College of Fashion by Allies and Morrison
The staircase links the lower levels

A repeated layout on the upper floors provides a series of well-lit studios, accompanied by facilities including a refectory and roof terraces that overlook the surrounding area.

The workspaces vary in size and have non-load-bearing partitions to ensure they can be easily adapted and reconfigured in the future.

View of interior spaces at university campus by Allies and Morrison
Concrete, wood and black metal define the interior material palette

Aiming to emphasise the building’s “long-term robustness” and showcase students’ work within the design, Allies and Morrison used a restricted material palette of exposed concrete contrasted with maple wood surfaces and black metal detailing.

“A simple, modest and muted palette – concrete, timber, black metal – is deployed and detailed consistently and rigorously throughout, enabling the informal character of students and their activities and creative outputs to take centre stage,” Wraight explained.

Corridor and stairwell within university campus by Allies and Morrison
Teaching spaces occupy the upper floors

Previously dispersed across six London sites, LCF’s departments are now under one roof for the first time in the college’s history.

The LCF campus forms a “key part” of the wider Stratford Waterfront development led by the London Legacy Development Corporation (LLDC), with it being the largest of four cultural and educational buildings there.

Studio workspace at London College of Fashion in east London
The material palette creates a pared-back backdrop for the students’ work

Also situated within the Queen Elizabeth Olympic Park is UCL’s East building – a concrete structure designed by Stanton Williams.

Other recently completed education buildings include a university for textiles wrapped by a web of robotically woven fibres and a boarding school with rooflines informed by nearby mountains.

The photography is by Simon Menges.


Project credits:

Architect: Allies and Morrison 
Client:
University of the Arts London, London Legacy Development Corporation
Structure/ services/ facade: BuroHappold
Landscape: LDA
Design acoustics: BuroHappold
Cost: Gardiner & Theobald
Lighting: BuroHappold
Management: Mace

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Vilcek Foundation announces winners of its 2024 Prizes in Design

Maryam Turkey, one of three winners of the Vilcek Prizes for Creative Promise in Design

Promotion: US-based philanthropic organisation the Vilcek Foundation has announced the winners of its 2024 Prizes in Design and awarded a total of $250,000 to four designers.

The Vilcek Foundation welcomed submissions from immigrant design professionals living and working in the US who specialise in graphic, industrial and product design.

The Vilcek Foundation Prizes in Design are one of a number of annual awards programmes run by the organisation.

According to the foundation, its core mission is to celebrate the contributions of immigrant artists and scientists in the United States and to raise awareness of the importance of immigration for a robust society.

The foundation also aims to foster appreciation for the arts through exhibitions and arts publications.

The 2024 Vilcek Foundation Prizes in Design encompasses two awards: the Vilcek Prize in Design and the Vilcek Prizes for Creative Promise in Design.

Photo of Ramon Tejada
Ramon Tejada was awarded the 2024 Vilcek Prize in Design

The Vilcek Prize in Design is bestowed on an established designer by a jury of industry professionals appointed by the Vilcek Foundation.

Meanwhile, the Creative Promise Prize recipients were selected through an open-call process. Immigrant designers under the age of 40 who have lived and worked in the United States for several years were eligible to apply for the accolade. Applicants were reviewed by a jury of experts and were selected for demonstrating “outstanding early achievement” in their industry.

Ramon Tejada, assistant professor at the Rhode Island School of Design (RISD), is the recipient of the 2024 Vilcek Prize in Design.

“The Vilcek Prize in Design is awarded to a designer whose career and work has had a profound impact in their field – not only to their clients and constituents but to the students and mentees they inspire through their design leadership and pedagogy,” said the Vilcek Foundation.

Born in the Dominican Republic and raised in New York City, Tejada was awarded the 2024 Vilcek Prize in Design which includes a cash prize of $100,000 for his work, which focuses on social issues including race and the impacts of colonialism.

“Tejada’s work reframes questions about diversity, accessibility, and equity in design,” said Vilcek Foundation president Rick Kinsel.

“He describes his practice as both a designer and teacher as ‘puncturing’ – a breaking of the surface to reveal the social and political frameworks that have historically underwritten bias in design standards and practices.”

Photo of Juan Carlos Noguera
Noguera was one of three recipients of the Vilcek Prizes for Creative Promise in Design

Three prizes of $50,000 – the Vilcek Prizes for Creative Promise in Design – were also awarded to Juan Carlos Noguera, Wael Morcos and Maryam Turkey.

Noguera, who was born in Guatemala, was praised for his work in product design that centres on accessibility.

Noguera is a professor of industrial design at the Rochester Institute for Technology and earned his MA in Industrial Design from RISD.

“His work on accessible wheelchairs for people living in rural areas of Guatemala and on educational tools for science and technology promotes civic engagement and builds equity for individuals and communities in need,” said the Vilcek Foundation.

Photo of Wael Morcos
Morcos’s design studio aims to modernise Arabic typography

A fellow RISD alumnus, Morcos was honoured with a Vilcek Prize for Creative Promise in Design for his approach to typographic and graphic design, which “incorporates complex cultural and political histories”.

Informed by the language of his native country Lebanon, Morcos aims to utilise his graphic design skillset to develop accessible, modern Arabic typography at his Brookyn-based design studio Morcos Key.

“My aim is not only to ensure that the written form of the language is adequately represented in various digital contexts but also alive and amenable to future iterations,” Morcos explained.

Photo of Maryam Turkey
Turkey uses sculpture as a medium to question societal constructs

The third recipient of a Vilcek Prize for Creative Promise in Design, Turkey explores themes of war, gender norms and patriarchal constructs through sculptural forms that combine organic and industrial materials such as paper pulp, sand, metal, rebar and wood.

Turkey, who was born in Iraq, is an alumnus of the Pratt Institute and was an artist in residence with the Museum of Arts and Design in 2019. She has exhibited her work throughout the United States and internationally.

Since the establishment of the Vilcek Foundation Prizes in 2006, the foundation has awarded more than seven million dollars in prizes to immigrant artists and scientists living and working in the United States.

Read more about the 2024 Vilcek Foundation Prizes in Design on the organisation’s website.

All photography is courtesy of the Vilcek Foundation.

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Cassina models Lancia car interior on Italian living rooms

Interior of Lancia Ypsilon Edizione Limitata Cassina

Furniture company Cassina has partnered with Lancia to design a homely cabin for the automaker’s Ypsilon model featuring “the first-ever table” in a car‘s cockpit and seats upholstered in lush blue velvet.

The Lancia Ypsilon Edizione Limitata Cassina is being released in a limited number of 1,906 fully electric vehicles as a tribute to the year Lancia was founded.

Cockpit of Lancia Ypsilon Edizione Limitata Cassina
Cassina has designed the interior of a Lancia car

Its interior was designed to reference domestic spaces, incorporating recycled and recyclable materials in colours that reference Lancia’s heritage.

Cassina CEO Luca Fuso told Dezeen the collaboration had been a “stimulating experience” that “allowed Cassina to transfer its expertise from the design to the automotive sector, creating a new approach with Lancia, strongly inspired by the comfort of home”.

Table in car interior by Cassina
It features “the first-ever table” in a car’s cockpit

“Together, we have brought to life a car with an elegant and contemporary look, paying extreme attention to stylistic details, inside and out,” he added.

The Ypsilon model incorporates several elements that Lancia and Cassina trialled in their Lancia Pu+Ra HPE concept car, including the unusual tavolino table.

Seats and floor of Lancia Ypsilon Edizione Limitata Cassina
Plush blue velvet was used to finish seats, floors and door panels

Described by Cassina as “the first-ever table” in a car’s cockpit, the small circular table extends out from the dashboard and is made from a bio-based plastic with saddle-leather upholstery.

It provides storage space for small items and incorporates induction technology so users can charge their phone simply by placing it on the surface.

Seats are covered with a soft blue velvet made from recycled yarn that also appears on the floor, door panels and dashboard, creating a cohesive feel within the cabin.

The upholstery features a ribbed “cannelloni” pattern and double stitching intended to evoke Cassina’s modern furnishings.

Steering wheel of car by Cassina
Blue accents also feature on the dashboard

The vehicle also incorporates new technologies to help drivers and passengers feel at home, including a virtual interface and infotainment system called SALA, which means living room in Italian but in this case is an acronym for Sound Air Light Augmentation.

SALA allows users to adapt the car’s interior environment and mood by adjusting the audio, climate control and lighting functions at the touch of a button.

According to Lancia CEO Luca Napolitano, the partnership with Cassina brings together two historic Italian companies with a shared vision based on uniting research and innovation with respect for tradition.

Exterior of Lancia Ypsilon car
The car is being produced in a limited edition of 1,906

“Lancia Ypsilon Edizione Limitata Cassina represents the ultimate expression of onboard comfort and design, featured by category-leading technology and connectivity yet always simple and intuitive, in perfect Lancia style,” said Napolitano.

“This result was also achieved thanks to the collaboration with Cassina, that together with our Centro Stile in Turin designed a true living room, inspired by the welcoming Italian homes.”

Cassina was founded in Meda, Italy, in 1927 and was added to the national heritage register of Italy’s most prestigious manufacturing companies in 2022. Its collection includes furniture designs by Ronan and Erwan Bouroullec, Philippe Starck and Patricia Urquiola.

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Remember Aerogel? This insulated outdoor jacket has an aerogel layer, giving you -40°F protection

Anyone who even vaguely remembers the late 2000s remembers Aerogel, the ‘wonder material’ that was 99% air, and had the incredible ability to insulate against high heat or cold because of its thermal absorption properties. Aerogel got all the press back in the day, but didn’t really see much consumer application because of how difficult it was to produce. Cut to the year 2024 and a Tokyo-based company has managed to find a fitting application for Aerogel. Meet SpacePeak, an outdoor jacket that sits on the bleeding edge of technology with its own aerogel insulation layer that can protect you in temperatures as extreme as -40°C (-40°F). What’s more, it has a 3-in-1 design with removable inner layers, allowing you to wear it in regular weather too, and it has over 20 pockets for all your EDC and essentials.

Designer: Tatsuya Dobashi

Click Here to Buy Now: $299 $479 ($180 off). Hurry, only 8/170 left! Raised over $115,000.

SpacePeak has perfected aerogel technology to retain the most heat from your body. From there, heat circulates throughout your whole jacket keeping you warm and dry even in the harshest conditions.

The SpacePeak comes with a two-part design that gives you 3 jackets in one. On the inside, it features a functional puffer jacket, insulated with Aerogel and a thermal layer that helps keep you warm and snug in pretty much any weather. The outer jacket is a waterproof wind-breaker with a hood that helps ensure you stay dry in the rain or during a blizzard. Wear them individually based on what the weather is, or combine them together to give you a jacket powerful enough to brave all the elements. The outer layer is rated 20,000mm waterproof and keeps you from succumbing to rain, storm, sleet, and snow, while the inner aerogel jacket helps build an impermeable barrier between your body temperature and outer temperature.

You can finally ditch your puffy jacket and start wearing something that keeps you warmer with less weight and fluff.

The jacket is rated to protect you in temperatures as low as -40°C (also -40°F), although lab tests show the SpacePeak can easily endure temperatures as low as -196°C (-320°F). While there’s really no place on Earth where humans would endure those temperatures, it’s good knowing that the jacket can handle pretty much the coldest weather possible without giving up. That being said, it’s worth noting that the aerogel doesn’t physically warm you – it creates a thermal barrier between the cold environment and your warm body, so you don’t lose any body heat to the cold outdoors.

Store your laptop or tablet in the back pocket to carry your valuables safely and efficiently.

Chances are that places that hit -40°C aren’t the kinds of places you want to be carrying massive backpacks to either, which is why the SpacePeak packs more than 20 pockets for pretty much all your gear. Strategically placed all across the jacket’s inner and outer surfaces, the SpacePeak has every slot imaginable, with large pockets big enough for iPads, protected pockets for gadgets like cameras and phones, waterproof pockets for bottles and food, and quick-access pockets for keys and money. The 20+ tactical pockets turn your jacket into a backpack of sorts, without all the bulkiness associated with backpacks. Your belongings are strategically placed across the jacket, making them A. accessible, but more importantly B. less likely to weigh your shoulders down because of the distributed weight. Besides, who wants to rummage through a backpack in sub-zero temperatures, right?!

The enhanced 20,000 mm waterproofing doesn’t just stop the rain from getting to you, Its waterproofing makes it wind resistant, and it easier to brush dirt, snow, mud and other muck off your jacket.

That being said, you’d expect a jacket with this laundry-list of features to be extremely bulky, but the implementation of aerogel allows the SpacePeak to be thinner and lighter than your average down jacket. Down (or feathers) works exactly like aerogel, using trapped air to create a thermal barrier – however, what down does with an inch of thickness, the Aerogel does with 1/10th the amount, giving you an extreme-weather jacket that doesn’t turn you into the Michelin man or a human marshmallow because of all that padding.

The aerogel used within the SpacePeak was developed by S. Kistler, a company founded after the American scientist and chemical engineer credited with inventing the material in the first place. The aerogel, despite being highly insulating, is breathable, durable, and will retain its thermal properties even after a 100 washes (even with regular use the jacket can probably use a wash once a year). The SpacePeak comes in 4 sizes, ranging from M to 4XL, with a starting price of $299 and global shipping – just in case you want your jacket dispatched to the Arctic Circle!

Click Here to Buy Now: $299 $479 ($180 off). Hurry, only 8/170 left! Raised over $115,000.

The post Remember Aerogel? This insulated outdoor jacket has an aerogel layer, giving you -40°F protection first appeared on Yanko Design.