Hasta La Ideas

How many times have you had to buy a separate smaller bottle of your favorite shampoo for travel? Even if you rely on those tiny shampoo bottles that come complimentary with your hotel room, it’s still an extra bottle that you now have to worry about. The Carry On is a simple, borderline-genius solution that gives you a dedicated travel mini-bottle with your existing at-home shampoo bottle. With a compact design that conveniently comes packaged with your regular bottle of shampoo, the Carry On’s mini bottle can be carried around with you on your travels, and refilled whenever you’re running low, so you don’t need to stress out about buying an additional smaller bottle separately to travel with.

Designer: Yeo Seo Koo

A winner of this year’s Asia Design Prize, the Carry On is an economy-sized 1 liter (33.8 fl oz) bottle of shampoo that comes with its own handle built into the bottle’s design. Except, when you buy it off the shelf, the handle has a perfectly-fitting carry bottle nestled into it like a jigsaw-puzzle piece. When you buy one larger bottle, you get a small one for free that’s the ideal size for your toiletry kit. At 50ml (1.7 fl oz), the shampoo bottle easily gets you through a week-long holiday (you won’t shampoo everyday, obviously) comfortably, allowing you to use your favorite shampoo instead of using those substandard ones that come free with your hotel room.

There are a few things about Carry On that are definitely award-worthy. For starters, getting a smaller bottle free with a larger bottle isn’t new – but Carry On’s implementation is genius. It fits the tiny bottle right in the negative space created by the larger bottle’s handle design. This is usually dead space that gets wasted during logistics, but the clever integration allows the Carry On to use that hollow area efficiently. Moreover, let’s also appreciate the fact that the mini bottle (either by coincidence or by design) has a rounded design that looks like a bar of soap, immediately creating that toiletry-based association! Clever, no?!

The post Innovative Shampoo Bottle Includes a Detachable Mini Bottle for Travel first appeared on Yanko Design.

In the dynamic world of sustainable design, Jonas Edvard stands out with his innovative approach to integrating organic materials into functional and aesthetically pleasing objects. His latest creation, the Myx Sail / Floor, unveiled at the Mindcraft Project 2023, is a sound-absorbing panel that showcases the remarkable properties of mushroom mycelium, hemp, and willow. This 1m x 1m panel not only exemplifies the structural possibilities of composite biomaterials but also represents Edvard’s commitment to responsible design practices.

Designer: Jonas Edvard

The Myx Sail / Floor project is a testament to Jonas Edvard’s dedication to exploring the symbiotic relationship between design choices and their impact on nature. Collaborating with a living material – mushroom mycelium – throughout the design and production process, Edvard creates a flexible room divider within a pre-designed mold. As the mycelium gradually grows and bonds with a plant fiber mixture, the panel takes shape, marrying flexibility with rigidity.

The designer draws inspiration from the natural role of mushrooms as recycling agents, breaking down plant matter into soil. His design philosophy revolves around a deep respect for nature, evident in his exploration of the intricate relationship between raw materials and human life. The Myx Sail / Floor prototype serves as a modular design that aims to emphasize how organic materials like mycelium can seamlessly integrate into our living and working spaces.

Jonas Edvard’s broader research study, conducted in collaboration with Arup Engineers in Germany, delves into the sound-absorbing qualities of mycelium. The panels are meticulously designed to absorb frequencies between 200 and 2500 Hz – the standard range of human conversation and interaction (same as glass wool). Edvard envisions the potential for natural, organic materials to become integral components of our buildings and interior architecture, contributing to a more sustainable life cycle.

The design philosophy revolves around responsible design choices and their impact on nature. His open-minded approach to design leads to experiments that yield new materials and objects from local or organic sources, often embracing a circular and sustainable ethos. In his testing phase, Edvard explores various material combinations to understand the design, appearance, and functionality of mycelium-based sound-absorbing material.

The Myx Sail / Floor sound-absorbing panel invites people to touch and feel the natural qualities of mushroom mycelium, hemp, and willow. Edvard aims to create an immersive experience, allowing individuals to sense the porous, lightweight, and stiff characteristics of the materials. By reshaping these materials into functional forms, he hopes to spark conversations about the value and aesthetics of natural origins, encouraging a new understanding of how these materials can be incorporated into our homes and living areas. Now the acoustic installation won’t just be on the walls and ceilings conventionally, but the floors too!

The Myx Sail / Floor is more than just a sound-absorbing panel – it is a tangible embodiment of sustainable design principles and a testament to the possibilities that arise when designers collaborate with nature. As Edvard continues to push the boundaries of material innovation, his work inspires the integration of organic, natural materials into our built environment, fostering a harmonious relationship between design and the natural world.

The post Introducing An Acoustical Material That Can Be Used Even For Outdoor Events first appeared on Yanko Design.

The Lamborghini Countach LP400 was the first generation of its kind and way ahead of time in terms of design given it debuted way back in 1974. Those scissor doors and the rear-view periscope mirror that vanished into the roof, just like the periscope of a submarine captured the imagination of performance car lovers. Fast forward to the current day and Lambo is basking in the glory of the Revuelto plug-in hybrid supercar.

Amalgam Collection, a brand out of Bristol, UK, renowned for making the most detailed scale model replicas of famous four-wheelers like the Ferrari 296 GT3 sportscar has again caught our attention. This time they’ve created intricate 1:8 scale models of both the Revuelto and Countach LP400. Since we like things classic, so for now our focus is the nostalgic LP400 scale model that’s handmade to perfection with thousands of precisely engineered parts completing the build.

Designer: Amalgam Collection

As expected from the scale model builder, this fully-opening scale replica took almost 400 hours of the craftspeople’s time and skillful effort. The design took shape from the original CAD models and digital scan files provided. Further details were obtained from the thousands of pictures of the classic 4.0-liter V12-powered supercar. If we overlook the 250-400 hours of creating each of the scale model units, the initial time input to develop the tooling for vehicles that the maker has never before made alone takes a mind-boggling 2,500 – 4,000 hours!

According to Amalgam, the exterior and interior of the car will be accurately replicated to the last visible detail. These include the color of the seat stitching, brake calipers, steering wheel, speaker indents, manual shifter, license plates, and even the ashtray in the center console. Predictably, the front trunk has a spare tire and the headlights can be toggled between up and down position.

They further added that their long-term collaboration with Lamborghini  permits them full access to “the brand’s paint codes, color samples, and every personalized detail to ensure their model matches their full-size counterpart.”

There will be a limited number of 199 units of the scale model Countach LP400 in Giallo Fly yellow or Rosso red color options. This model is priced at approximately $19,900 for automotive collectors willing to pay any price for such intricate works of art. You could buy a real sedan for that price tag!

The post Lamborghini Countach LP400 replica flaunts intricate scissor doors and rear-view periscope mirror first appeared on Yanko Design.

As Dezeen completes its editorial series on the role of stone in architecture, we’ve rounded up eight pieces listed on Dezeen Showroom that demonstrate how the material is used in interior design.

The following selection includes lighting, tables, bathroom products and tableware made from solid stone, such as volcanic lava rock, granite and various types of marble mined in Greece, New Zealand and Austria.

Seating and plant pots informed by the appearance of stone also feature. Here, the designers have taken cues from the smooth, tactile appearance of time-worn cobblestones and pebbles tumbled smooth by the elements.

Read on to find a selection of furnishings informed by stone and its properties that have been published on Dezeen Showroom:

Lapis sofa by Amura Lab

Designers Emanuel Gargano and Anton Cristell created a modular sofa for Italian furniture brand Amura Lab that has plump, lozenge-shaped components informed by the pillowy shape of cobblestones.

The Lapis sofa‘s characteristic shape is maintained by memory foam padding and each piece can be configured into a myriad of different

Find out more about Lapis ›

Pebble planter by Yabu Pushelberg for Indigenus

Planter design brand Indigenus worked with design studio Yabu Pushelberg on a collection of plant pots to house large shrubs and trees.

Pebble planters are asymmetrically shaped and come in a range of sizes and colours, including brown, terracotta, sandstone, black and white, which reference the shape of pebbles.

Find out more about Pebble ›

Lava table by Matang via Galerie Revel

Sold through Galerie Revel, design studio Matang created a dramatic table with a tabletop made from an enamelled slab of lava stone.

The Lava table‘s pale top – made out of lava sourced from a French volcano – is supported by a charred cedar wood base wrapped in dyed orange cotton rope.

Find out more about Lava ›

Licking Rocks tea set by Julia Schwarz for Simiæn

Released by her homeware brand Simiæn, Austrian designer Julia Schwarz designed a set of objects that facilitate the preparation and drinking of lichen tea.

Licking Rocks is made from offcuts of Pannonia Green stone quarried in Austria, giving the pieces a characterful, weighty quality.

Find out more about Licking Rocks ›

Face à Face bathroom collection by Jean Nouvel Design for Agape

French architect Jean Nouvel designed a range of bathroom furniture made from solid marble slabs for Italian bathroom brand Agape.

A bathtub and basin unit make up the Face à Face bathroom collection, with both available in either grey-veined pale marble or black marble with a range of optional accessories.

Find out more about Face à Face ›

Cassiopea table lamp by Studioforma

Switzerland-based architecture and design studio Studioforma released a statuesque table lamp with a distinctive shape and base made from marble.

The Cassiopea table lamp features a dome-shaped shade made from glass, in contrast to its base, which is made from a piece of light or dark marble.

Find out more about Cassiopea ›

Oceanides table collection by Alexia Mintsouli for Alex Mint

One square and two round coffee tables comprise Alexia Mintsouli‘s Oceanides table collection for UK-based design studio Alex Mint.

Each table has a tabletop made partially from Posidonia Oceanica – a type of aquatic plant – and bases made out of sandy brown-coloured Peloponnesian Tortora marble quarried in Greece.

Find out more about Oceanides ›

Offcut wall sconce by Nightworks

New Zealand design lighting brand Nightworks Studio took offcuts of stone from local sources and used them to create distinctive wall lights.

Each piece in the Offcut wall sconce line has a unique pattern and shape thanks to its natural origins and is crowned by a half-spherical white light bulb.

Find out more about Offcut ›

Dezeen Showroom

Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen’s huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

The post Eight products and furnishings informed by the natural properties of stone appeared first on Dezeen.

Thanks to the Apple Vision Pro, mixed reality is back in the news along with the hardware that will enable people to experience them. We have yet to hit the Holy Grail of headset design that will allow people to wear these devices on their heads for long periods, but brands like Apple and Meta definitely have that goal in their sights. MR headsets are getting lighter and slimmer, but that will always come at the cost of sacrificing some functionality that has to be offloaded to some other product you will have to buy and use separately. This concept design, however, goes in the other direction and tries to actually include everything you need for a more believable mixed reality experience, including the oft-neglected audio for your ears.

Designer: Dohyuk Joo

It’s harder to fool the eyes, which is why most of the focus in developing these mixed reality headsets is on the optics. But we don’t experience the real world with just our eyes, and a more immersive virtual world will also need to do more than just feed us visual data. Just like in the real world, audio is either taken for granted or at least takes second place only, but this headset design tries to balance the scales, even if it means going back to the days of bulky headsets.

WavVision, whose name tries to embody the combination of sound and sight, attempts to be an all-in-one mixed reality solution for our eyes and our ears. In a nutshell, the headset includes over-ear headphones to deliver audio, particularly spatial audio, that would complete the immersion of existing in a virtual space. This wouldn’t be the first headset to attempt that combination, but it is definitely one of the few that make it painfully obvious. The Meta Quest 3, for example, does have built-in speakers but uses an open-ear design that simply directs the audio waves toward your ear.

In addition to having over-ear cups built into the design, the very form and construction of WavVision go against the dominant trend in this niche market. The frame is made from thick steel plates bent to loosely follow the shape of the head. It’s a material that suggests quite a bit of weight and sharpness, which is the opposite of what headsets today are aiming for. It gives the design a distinct industrial aesthetic, which is intentional but also questionable.

One of the reasons why headsets don’t include dedicated headphones is because the audio experience could probably be delivered by more dedicated hardware that’s specially designed for performance as well as comfort. Building that part into the headset only weighs the product down, both literally as well as in terms of costs. Conversely, an integrated design ensures a unified appearance and, at least theoretically, a more complete experience. Admittedly, few of the mixed reality brands today seem to be paying that much attention to the audio aspect, but if Apple will be playing this game for long, it will undoubtedly dip its toes in that area sooner or later.

The post Mixed reality headset bucks design trends for a complete audiovisual experience first appeared on Yanko Design.